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Color name
HEX #6E2A21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E2A21 it is the complementary color #91D5DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E2A21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E2A21 shade: #732A1C, #843C2F, #954E42, #A66055 and #B77268

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E2A21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E2A21 shade: #6E2A21, #5D180E, #4C0600, #3B0000 and #2A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E2A21 shade: #6D2920 and #6D2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E2A21 shade: #6D2920, #6D3E20, #6D5320, #6D6820 and #5E6D20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E2A21 shade matches the following richer shades: #6D2920, #792115 and #851809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E2A21 shade: #6D2920, #62322C, #563B37, #4B4443 and #3F4D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E2A21 shade: #6D2040, #6D202C, #6D2920, #6D3E20 and #6D5220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E2A21 shade: #2E110D, #4E1D17, #6D2920, #8D352A and #AD4233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E2A21 shade: #6E2A21, #556D20 and #20366D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E2A21 shade: #6E2A21, #206D29 and #29206D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E2A21 shade: #6E2A21, #556D20, #20646D and #39206D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E2A21 shade: #6E2A21, #3E6D20, #20646D and #50206D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 70 / 57

HEX #6E2A21

RGB 110 42 33

HSL 7.01, 0.54%, 0.28%

LAB 26.96, 29.58, 21.11

 

Complementary color

CMYK 35 / 4 / 0 / 13

HEX #91D5DE

RGB 145 213 222

HSL 187.01, 0.54%, 0.72%

LAB 81.23, -19.1, -11.25

 

CMYK 0 / 63 / 76 / 55

HEX #732A1C

RGB 115 42 28

HSL 9.66, 0.61%, 0.28%

LAB 27.8, 31.29, 25.43

 

CMYK 0 / 55 / 64 / 48

HEX #843C2F

RGB 132 60 47

HSL 9.18, 0.47%, 0.35%

LAB 34.69, 29.86, 22.69

 

CMYK 0 / 48 / 56 / 42

HEX #954E42

RGB 149 78 66

HSL 8.67, 0.39%, 0.42%

LAB 41.58, 28.47, 20.45

 

CMYK 0 / 42 / 49 / 35

HEX #A66055

RGB 166 96 85

HSL 8.15, 0.32%, 0.49%

LAB 48.42, 27.2, 18.59

 

CMYK 0 / 38 / 43 / 28

HEX #B77268

RGB 183 114 104

HSL 7.59, 0.35%, 0.56%

LAB 55.18, 26.07, 17.01

 

CMYK 0 / 62 / 70 / 57

HEX #6E2A21

RGB 110 42 33

HSL 7.01, 0.54%, 0.28%

LAB 26.96, 29.58, 21.11

 

CMYK 0 / 74 / 85 / 64

HEX #5D180E

RGB 93 24 14

HSL 7.59, 0.74%, 0.21%

LAB 20.09, 30.77, 24.09

 

CMYK 0 / 92 / 100 / 70

HEX #4C0600

RGB 76 6 0

HSL 4.74, 1%, 0.15%

LAB 13.63, 31.09, 21.2

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 100 / 100 / 84

HEX #2A0000

RGB 42 0 0

HSL 0, 1%, 0.08%

LAB 4.45, 19.76, 7.03

 

CMYK 0 / 62 / 71 / 57

HEX #6D2920

RGB 109 41 32

HSL 7.01, 0.55%, 0.28%

LAB 26.57, 29.64, 21.22

 

CMYK 0 / 71 / 71 / 57

HEX #6D2020

RGB 109 32 32

HSL 0, 0.55%, 0.28%

LAB 24.92, 34.05, 19.22

 

CMYK 0 / 62 / 71 / 57

HEX #6D2920

RGB 109 41 32

HSL 7.01, 0.55%, 0.28%

LAB 26.57, 29.64, 21.22

 

CMYK 0 / 43 / 71 / 57

HEX #6D3E20

RGB 109 62 32

HSL 23.38, 0.55%, 0.28%

LAB 31.35, 17.65, 26.82

 

CMYK 0 / 24 / 71 / 57

HEX #6D5320

RGB 109 83 32

HSL 39.74, 0.55%, 0.28%

LAB 37.01, 4.86, 33.08

 

CMYK 0 / 5 / 71 / 57

HEX #6D6820

RGB 109 104 32

HSL 56.1, 0.55%, 0.28%

LAB 43.15, -7.52, 39.51

 

CMYK 14 / 0 / 71 / 57

HEX #5E6D20

RGB 94 109 32

HSL 71.69, 0.55%, 0.28%

LAB 43.39, -17.27, 39.35

 

CMYK 0 / 62 / 71 / 57

HEX #6D2920

RGB 109 41 32

HSL 7.01, 0.55%, 0.28%

LAB 26.57, 29.64, 21.22

 

CMYK 0 / 73 / 83 / 53

HEX #792115

RGB 121 33 21

HSL 7.2, 0.7%, 0.28%

LAB 27.32, 37.45, 29.41

 

CMYK 0 / 82 / 93 / 48

HEX #851809

RGB 133 24 9

HSL 7.26, 0.87%, 0.28%

LAB 28.54, 44.46, 37.46

 

CMYK 0 / 62 / 71 / 57

HEX #6D2920

RGB 109 41 32

HSL 7.01, 0.55%, 0.28%

LAB 26.57, 29.64, 21.22

 

CMYK 0 / 49 / 55 / 62

HEX #62322C

RGB 98 50 44

HSL 6.67, 0.38%, 0.28%

LAB 26.9, 20.91, 13.5

 

CMYK 0 / 31 / 36 / 66

HEX #563B37

RGB 86 59 55

HSL 7.74, 0.22%, 0.28%

LAB 27.8, 11.31, 7.23

 

CMYK 0 / 9 / 11 / 71

HEX #4B4443

RGB 75 68 67

HSL 7.5, 0.06%, 0.28%

LAB 29.5, 2.76, 1.67

 

CMYK 20 / 3 / 0 / 69

HEX #3F4D4F

RGB 63 77 79

HSL 187.5, 0.11%, 0.28%

LAB 31.64, -5.01, -3.04

 

CMYK 0 / 71 / 41 / 57

HEX #6D2040

RGB 109 32 64

HSL 335.06, 0.55%, 0.28%

LAB 25.73, 36.95, -1.27

 

CMYK 0 / 71 / 60 / 57

HEX #6D202C

RGB 109 32 44

HSL 350.65, 0.55%, 0.28%

LAB 25.16, 34.92, 11.5

 

CMYK 0 / 62 / 71 / 57

HEX #6D2920

RGB 109 41 32

HSL 7.01, 0.55%, 0.28%

LAB 26.57, 29.64, 21.22

 

CMYK 0 / 43 / 71 / 57

HEX #6D3E20

RGB 109 62 32

HSL 23.38, 0.55%, 0.28%

LAB 31.35, 17.65, 26.82

 

CMYK 0 / 25 / 71 / 57

HEX #6D5220

RGB 109 82 32

HSL 38.96, 0.55%, 0.28%

LAB 36.72, 5.47, 32.77

 

CMYK 0 / 63 / 72 / 82

HEX #2E110D

RGB 46 17 13

HSL 7.27, 0.56%, 0.12%

LAB 9.08, 14.45, 8.48

 

CMYK 0 / 63 / 71 / 69

HEX #4E1D17

RGB 78 29 23

HSL 6.55, 0.54%, 0.2%

LAB 18.19, 22.64, 15.61

 

CMYK 0 / 62 / 71 / 57

HEX #6D2920

RGB 109 41 32

HSL 7.01, 0.55%, 0.28%

LAB 26.57, 29.64, 21.22

 

CMYK 0 / 62 / 70 / 45

HEX #8D352A

RGB 141 53 42

HSL 6.67, 0.54%, 0.36%

LAB 34.75, 36.69, 26.18

 

CMYK 0 / 62 / 71 / 32

HEX #AD4233

RGB 173 66 51

HSL 7.38, 0.54%, 0.44%

LAB 42.79, 42.88, 31.7

 

CMYK 0 / 62 / 70 / 57

HEX #6E2A21

RGB 110 42 33

HSL 7.01, 0.54%, 0.28%

LAB 26.96, 29.58, 21.11

 

CMYK 22 / 0 / 71 / 57

HEX #556D20

RGB 85 109 32

HSL 78.7, 0.55%, 0.28%

LAB 42.72, -21.27, 38.44

 

CMYK 71 / 50 / 0 / 57

HEX #20366D

RGB 32 54 109

HSL 222.86, 0.55%, 0.28%

LAB 23.83, 11.5, -34.62

 

CMYK 0 / 62 / 70 / 57

HEX #6E2A21

RGB 110 42 33

HSL 7.01, 0.54%, 0.28%

LAB 26.96, 29.58, 21.11

 

CMYK 71 / 0 / 62 / 57

HEX #206D29

RGB 32 109 41

HSL 127.01, 0.55%, 0.28%

LAB 40.25, -38.37, 30.73

 

CMYK 62 / 71 / 0 / 57

HEX #29206D

RGB 41 32 109

HSL 247.01, 0.55%, 0.28%

LAB 18.4, 28.36, -43.4

 

CMYK 0 / 62 / 70 / 57

HEX #6E2A21

RGB 110 42 33

HSL 7.01, 0.54%, 0.28%

LAB 26.96, 29.58, 21.11

 

CMYK 22 / 0 / 71 / 57

HEX #556D20

RGB 85 109 32

HSL 78.7, 0.55%, 0.28%

LAB 42.72, -21.27, 38.44

 

CMYK 71 / 8 / 0 / 57

HEX #20646D

RGB 32 100 109

HSL 187.01, 0.55%, 0.28%

LAB 38.77, -17.75, -11.29

 

CMYK 48 / 71 / 0 / 57

HEX #39206D

RGB 57 32 109

HSL 259.48, 0.55%, 0.28%

LAB 20.07, 31.42, -40.61

 

CMYK 0 / 62 / 70 / 57

HEX #6E2A21

RGB 110 42 33

HSL 7.01, 0.54%, 0.28%

LAB 26.96, 29.58, 21.11

 

CMYK 43 / 0 / 71 / 57

HEX #3E6D20

RGB 62 109 32

HSL 96.62, 0.55%, 0.28%

LAB 41.32, -30.57, 36.54

 

CMYK 71 / 8 / 0 / 57

HEX #20646D

RGB 32 100 109

HSL 187.01, 0.55%, 0.28%

LAB 38.77, -17.75, -11.29

 

CMYK 27 / 71 / 0 / 57

HEX #50206D

RGB 80 32 109

HSL 277.4, 0.55%, 0.28%

LAB 23.14, 36.63, -35.49

 

Description

Color code: HEX #6E2A21 | qconv.com Color code: HEX #6E2A21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 42 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 42 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 70 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 70% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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