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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DEA97 it is the complementary color #921568. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DEA97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DEA97 shade: #72EA92, #83FCA5, #94FFB8, #A5FFCB and #B6FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DEA97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DEA97 shade: #6DEA97, #5CD884, #4BC671, #3AB45E and #29A24B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DEA97 shade: #6BE996, #6BE974, #85E96B, #A7E96B and #C9E96B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DEA97 shade: #6BE996, #6BE9B8, #6BE9DA, #6BD7E9 and #6BB5E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DEA97 shade matches the following richer shades: #6BE996 and #5EF791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DEA97 shade: #6BE996, #79DC9A, #86CE9F, #94C1A3 and #A2B3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DEA97 shade: #84E96B, #6BE974, #6BE995, #6BE9B7 and #6BE9D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DEA97 shade: #23DF62, #47E47C, #6BE996, #8FEFAF and #B3F4C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DEA97 shade: #6DEA97, #6BA6E9 and #E96B74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DEA97 shade: #6DEA97, #956BE9 and #E9956B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DEA97 shade: #6DEA97, #6BA6E9, #E96BBF and #E9AF6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DEA97 shade: #6DEA97, #6B80E9, #E96BBF and #E9D46B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 35 / 8

HEX #6DEA97

RGB 109 234 151

HSL 140.16, 0.75%, 0.67%

LAB 84.14, -52.87, 29.99

 

Complementary color

CMYK 0 / 86 / 29 / 43

HEX #921568

RGB 146 21 104

HSL 320.16, 0.75%, 0.33%

LAB 33.24, 55.68, -15.58

 

CMYK 51 / 0 / 38 / 8

HEX #72EA92

RGB 114 234 146

HSL 136, 0.74%, 0.68%

LAB 84.22, -52.53, 32.67

 

CMYK 48 / 0 / 35 / 1

HEX #83FCA5

RGB 131 252 165

HSL 136.86, 0.95%, 0.75%

LAB 90.4, -52.41, 31.43

 

CMYK 42 / 0 / 28 / 0

HEX #94FFB8

RGB 148 255 184

HSL 140.19, 1%, 0.79%

LAB 92.25, -45.9, 24.47

 

CMYK 35 / 0 / 20 / 0

HEX #A5FFCB

RGB 165 255 203

HSL 145.33, 1%, 0.82%

LAB 93.38, -37.69, 16.45

 

CMYK 29 / 0 / 13 / 0

HEX #B6FFDE

RGB 182 255 222

HSL 152.88, 1%, 0.86%

LAB 94.63, -29.13, 8.59

 

CMYK 53 / 0 / 35 / 8

HEX #6DEA97

RGB 109 234 151

HSL 140.16, 0.75%, 0.67%

LAB 84.14, -52.87, 29.99

 

CMYK 57 / 0 / 39 / 15

HEX #5CD884

RGB 92 216 132

HSL 139.35, 0.61%, 0.6%

LAB 77.91, -52.87, 31.3

 

CMYK 62 / 0 / 43 / 22

HEX #4BC671

RGB 75 198 113

HSL 138.54, 0.52%, 0.54%

LAB 71.61, -52.72, 32.69

 

CMYK 68 / 0 / 48 / 29

HEX #3AB45E

RGB 58 180 94

HSL 137.7, 0.51%, 0.47%

LAB 65.24, -52.35, 34.18

 

CMYK 75 / 0 / 54 / 36

HEX #29A24B

RGB 41 162 75

HSL 136.86, 0.6%, 0.4%

LAB 58.81, -51.62, 35.72

 

CMYK 54 / 0 / 36 / 9

HEX #6BE996

RGB 107 233 150

HSL 140.48, 0.74%, 0.67%

LAB 83.76, -53.11, 29.98

 

CMYK 54 / 0 / 50 / 9

HEX #6BE974

RGB 107 233 116

HSL 124.29, 0.74%, 0.67%

LAB 83.27, -58.38, 46.13

 

CMYK 43 / 0 / 54 / 9

HEX #85E96B

RGB 133 233 107

HSL 107.62, 0.74%, 0.67%

LAB 84.14, -52.4, 51.6

 

CMYK 28 / 0 / 54 / 9

HEX #A7E96B

RGB 167 233 107

HSL 91.43, 0.74%, 0.67%

LAB 85.78, -41.3, 53.95

 

CMYK 14 / 0 / 54 / 9

HEX #C9E96B

RGB 201 233 107

HSL 75.24, 0.74%, 0.67%

LAB 87.85, -28.77, 56.89

 

CMYK 54 / 0 / 36 / 9

HEX #6BE996

RGB 107 233 150

HSL 140.48, 0.74%, 0.67%

LAB 83.76, -53.11, 29.98

 

CMYK 54 / 0 / 21 / 9

HEX #6BE9B8

RGB 107 233 184

HSL 156.67, 0.74%, 0.67%

LAB 84.41, -46.46, 13.31

 

CMYK 54 / 0 / 6 / 9

HEX #6BE9DA

RGB 107 233 218

HSL 172.86, 0.74%, 0.67%

LAB 85.23, -38.57, -3.36

 

CMYK 54 / 8 / 0 / 9

HEX #6BD7E9

RGB 107 215 233

HSL 188.57, 0.74%, 0.67%

LAB 80.52, -26.14, -18.34

 

CMYK 54 / 22 / 0 / 9

HEX #6BB5E9

RGB 107 181 233

HSL 204.76, 0.74%, 0.67%

LAB 70.91, -8.56, -33.03

 

CMYK 54 / 0 / 36 / 9

HEX #6BE996

RGB 107 233 150

HSL 140.48, 0.74%, 0.67%

LAB 83.76, -53.11, 29.98

 

CMYK 62 / 0 / 41 / 3

HEX #5EF791

RGB 94 247 145

HSL 140, 0.91%, 0.67%

LAB 87.46, -62.14, 37.3

 

CMYK 54 / 0 / 36 / 9

HEX #6BE996

RGB 107 233 150

HSL 140.48, 0.74%, 0.67%

LAB 83.76, -53.11, 29.98

 

CMYK 45 / 0 / 30 / 14

HEX #79DC9A

RGB 121 220 154

HSL 140, 0.59%, 0.67%

LAB 80.51, -43.45, 23.61

 

CMYK 35 / 0 / 23 / 19

HEX #86CE9F

RGB 134 206 159

HSL 140.83, 0.42%, 0.67%

LAB 77.11, -32.47, 16.38

 

CMYK 23 / 0 / 16 / 24

HEX #94C1A3

RGB 148 193 163

HSL 140, 0.27%, 0.67%

LAB 74.24, -20.97, 10.3

 

CMYK 9 / 0 / 6 / 30

HEX #A2B3A8

RGB 162 179 168

HSL 141.18, 0.1%, 0.67%

LAB 71.38, -8.03, 3.6

 

CMYK 43 / 0 / 54 / 9

HEX #84E96B

RGB 132 233 107

HSL 108.1, 0.74%, 0.67%

LAB 84.09, -52.7, 51.54

 

CMYK 54 / 0 / 50 / 9

HEX #6BE974

RGB 107 233 116

HSL 124.29, 0.74%, 0.67%

LAB 83.27, -58.38, 46.13

 

CMYK 54 / 0 / 36 / 9

HEX #6BE995

RGB 107 233 149

HSL 140, 0.74%, 0.67%

LAB 83.74, -53.29, 30.47

 

CMYK 54 / 0 / 21 / 9

HEX #6BE9B7

RGB 107 233 183

HSL 156.19, 0.74%, 0.67%

LAB 84.39, -46.67, 13.8

 

CMYK 54 / 0 / 7 / 9

HEX #6BE9D9

RGB 107 233 217

HSL 172.38, 0.74%, 0.67%

LAB 85.21, -38.82, -2.88

 

CMYK 84 / 0 / 56 / 13

HEX #23DF62

RGB 35 223 98

HSL 140.11, 0.75%, 0.51%

LAB 78.47, -69.49, 48.37

 

CMYK 69 / 0 / 46 / 11

HEX #47E47C

RGB 71 228 124

HSL 140.25, 0.74%, 0.59%

LAB 80.9, -62.78, 39.08

 

CMYK 54 / 0 / 36 / 9

HEX #6BE996

RGB 107 233 150

HSL 140.48, 0.74%, 0.67%

LAB 83.76, -53.11, 29.98

 

CMYK 40 / 0 / 27 / 6

HEX #8FEFAF

RGB 143 239 175

HSL 140, 0.75%, 0.75%

LAB 87.32, -41.91, 22.25

 

CMYK 27 / 0 / 18 / 4

HEX #B3F4C9

RGB 179 244 201

HSL 140.31, 0.75%, 0.83%

LAB 91.01, -28.82, 14.24

 

CMYK 53 / 0 / 35 / 8

HEX #6DEA97

RGB 109 234 151

HSL 140.16, 0.75%, 0.67%

LAB 84.14, -52.87, 29.99

 

CMYK 54 / 29 / 0 / 9

HEX #6BA6E9

RGB 107 166 233

HSL 211.9, 0.74%, 0.67%

LAB 66.73, -0.26, -39.52

 

CMYK 0 / 54 / 50 / 9

HEX #E96B74

RGB 233 107 116

HSL 355.71, 0.74%, 0.67%

LAB 60.87, 49.55, 18.99

 

CMYK 53 / 0 / 35 / 8

HEX #6DEA97

RGB 109 234 151

HSL 140.16, 0.75%, 0.67%

LAB 84.14, -52.87, 29.99

 

CMYK 36 / 54 / 0 / 9

HEX #956BE9

RGB 149 107 233

HSL 260, 0.74%, 0.67%

LAB 54.85, 43.73, -58.15

 

CMYK 0 / 36 / 54 / 9

HEX #E9956B

RGB 233 149 107

HSL 20, 0.74%, 0.67%

LAB 69.38, 27.37, 35.2

 

CMYK 53 / 0 / 35 / 8

HEX #6DEA97

RGB 109 234 151

HSL 140.16, 0.75%, 0.67%

LAB 84.14, -52.87, 29.99

 

CMYK 54 / 29 / 0 / 9

HEX #6BA6E9

RGB 107 166 233

HSL 211.9, 0.74%, 0.67%

LAB 66.73, -0.26, -39.52

 

CMYK 0 / 54 / 18 / 9

HEX #E96BBF

RGB 233 107 191

HSL 320, 0.74%, 0.67%

LAB 63.01, 58.34, -20.95

 

CMYK 0 / 25 / 54 / 9

HEX #E9AF6B

RGB 233 175 107

HSL 32.38, 0.74%, 0.67%

LAB 75.48, 13.55, 42.8

 

CMYK 53 / 0 / 35 / 8

HEX #6DEA97

RGB 109 234 151

HSL 140.16, 0.75%, 0.67%

LAB 84.14, -52.87, 29.99

 

CMYK 54 / 45 / 0 / 9

HEX #6B80E9

RGB 107 128 233

HSL 230, 0.74%, 0.67%

LAB 56.53, 21.98, -55.65

 

CMYK 0 / 54 / 18 / 9

HEX #E96BBF

RGB 233 107 191

HSL 320, 0.74%, 0.67%

LAB 63.01, 58.34, -20.95

 

CMYK 0 / 9 / 54 / 9

HEX #E9D46B

RGB 233 212 107

HSL 50, 0.74%, 0.67%

LAB 84.73, -5.72, 53.88

 

Description

Color code: HEX #6DEA97 | qconv.com Color code: HEX #6DEA97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 234 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 234 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 35% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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