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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DE24A it is the complementary color #921DB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DE24A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DE24A shade: #72E245, #83F458, #94FF6B, #A5FF7E and #B6FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DE24A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DE24A shade: #6DE24A, #5CD037, #4BBE24, #3AAC11 and #299A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DE24A shade: #6DE14B, #96E14B, #BFE14B, #E1DB4B and #E1B34B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DE24A shade: #6DE14B, #4BE151, #4BE179, #4BE1A2 and #4BE1CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DE24A shade matches the following richer shades: #6DE14B and #64F23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DE24A shade: #6DE14B, #76D05C, #80BF6D, #89AE7D and #929E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DE24A shade: #BEE14B, #96E14B, #6EE14B, #4BE150 and #4BE178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DE24A shade: #42BB1E, #51DB27, #6DE14B, #8AE76E and #A7ED92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DE24A shade: #6DE24A, #4BE1DC and #E14BAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DE24A shade: #6DE24A, #4B6EE1 and #E14B6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DE24A shade: #6DE24A, #4BE1DC, #BE4BE1 and #E14B50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DE24A shade: #6DE24A, #4BB9E1, #BE4BE1 and #E1734B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 67 / 11

HEX #6DE24A

RGB 109 226 74

HSL 106.18, 0.72%, 0.59%

LAB 80.82, -59.82, 61.67

 

Complementary color

CMYK 19 / 84 / 0 / 29

HEX #921DB5

RGB 146 29 181

HSL 286.18, 0.72%, 0.41%

LAB 38.42, 65.93, -54.73

 

CMYK 50 / 0 / 69 / 11

HEX #72E245

RGB 114 226 69

HSL 102.8, 0.73%, 0.58%

LAB 80.96, -58.84, 63.77

 

CMYK 46 / 0 / 64 / 4

HEX #83F458

RGB 131 244 88

HSL 103.46, 0.88%, 0.65%

LAB 87.11, -59.2, 63.15

 

CMYK 42 / 0 / 58 / 0

HEX #94FF6B

RGB 148 255 107

HSL 103.38, 1%, 0.71%

LAB 91.18, -56.67, 59.97

 

CMYK 35 / 0 / 51 / 0

HEX #A5FF7E

RGB 165 255 126

HSL 101.86, 1%, 0.75%

LAB 92.14, -49.37, 52.82

 

CMYK 29 / 0 / 43 / 0

HEX #B6FF91

RGB 182 255 145

HSL 99.82, 1%, 0.78%

LAB 93.24, -41.54, 45.42

 

CMYK 52 / 0 / 67 / 11

HEX #6DE24A

RGB 109 226 74

HSL 106.18, 0.72%, 0.59%

LAB 80.82, -59.82, 61.67

 

CMYK 56 / 0 / 74 / 18

HEX #5CD037

RGB 92 208 55

HSL 105.49, 0.62%, 0.52%

LAB 74.61, -59.23, 62.08

 

CMYK 61 / 0 / 81 / 25

HEX #4BBE24

RGB 75 190 36

HSL 104.81, 0.68%, 0.44%

LAB 68.35, -58.3, 61.84

 

CMYK 66 / 0 / 90 / 33

HEX #3AAC11

RGB 58 172 17

HSL 104.13, 0.82%, 0.37%

LAB 62.04, -56.89, 60.47

 

CMYK 73 / 0 / 100 / 40

HEX #299A00

RGB 41 154 0

HSL 104.03, 1%, 0.3%

LAB 55.67, -54.85, 57.67

 

CMYK 52 / 0 / 67 / 12

HEX #6DE14B

RGB 109 225 75

HSL 106.4, 0.71%, 0.59%

LAB 80.52, -59.37, 60.97

 

CMYK 33 / 0 / 67 / 12

HEX #96E14B

RGB 150 225 75

HSL 90, 0.71%, 0.59%

LAB 82.29, -46.59, 63.38

 

CMYK 15 / 0 / 67 / 12

HEX #BFE14B

RGB 191 225 75

HSL 73.6, 0.71%, 0.59%

LAB 84.71, -31.32, 66.64

 

CMYK 0 / 3 / 67 / 12

HEX #E1DB4B

RGB 225 219 75

HSL 57.6, 0.71%, 0.59%

LAB 85.59, -14.65, 68.35

 

CMYK 0 / 20 / 67 / 12

HEX #E1B34B

RGB 225 179 75

HSL 41.6, 0.71%, 0.59%

LAB 75.3, 5.86, 57.65

 

CMYK 52 / 0 / 67 / 12

HEX #6DE14B

RGB 109 225 75

HSL 106.4, 0.71%, 0.59%

LAB 80.52, -59.37, 60.97

 

CMYK 67 / 0 / 64 / 12

HEX #4BE151

RGB 75 225 81

HSL 122.4, 0.71%, 0.59%

LAB 79.58, -66.66, 57.24

 

CMYK 67 / 0 / 46 / 12

HEX #4BE179

RGB 75 225 121

HSL 138.4, 0.71%, 0.59%

LAB 80.03, -61.5, 39.47

 

CMYK 67 / 0 / 28 / 12

HEX #4BE1A2

RGB 75 225 162

HSL 154.8, 0.71%, 0.59%

LAB 80.71, -53.94, 19.5

 

CMYK 67 / 0 / 10 / 12

HEX #4BE1CA

RGB 75 225 202

HSL 170.8, 0.71%, 0.59%

LAB 81.63, -44.59, -0.3

 

CMYK 52 / 0 / 67 / 12

HEX #6DE14B

RGB 109 225 75

HSL 106.4, 0.71%, 0.59%

LAB 80.52, -59.37, 60.97

 

CMYK 59 / 0 / 76 / 5

HEX #64F23A

RGB 100 242 58

HSL 106.3, 0.88%, 0.59%

LAB 85.26, -68.87, 71.63

 

CMYK 52 / 0 / 67 / 12

HEX #6DE14B

RGB 109 225 75

HSL 106.4, 0.71%, 0.59%

LAB 80.52, -59.37, 60.97

 

CMYK 43 / 0 / 56 / 18

HEX #76D05C

RGB 118 208 92

HSL 106.55, 0.55%, 0.59%

LAB 75.91, -48.46, 48.61

 

CMYK 33 / 0 / 43 / 25

HEX #80BF6D

RGB 128 191 109

HSL 106.1, 0.39%, 0.59%

LAB 71.52, -35.72, 35.05

 

CMYK 21 / 0 / 28 / 32

HEX #89AE7D

RGB 137 174 125

HSL 105.31, 0.23%, 0.59%

LAB 67.33, -21.98, 21.17

 

CMYK 8 / 0 / 10 / 38

HEX #929E8E

RGB 146 158 142

HSL 105, 0.08%, 0.59%

LAB 63.77, -7.36, 6.9

 

CMYK 16 / 0 / 67 / 12

HEX #BEE14B

RGB 190 225 75

HSL 74, 0.71%, 0.59%

LAB 84.64, -31.71, 66.55

 

CMYK 33 / 0 / 67 / 12

HEX #96E14B

RGB 150 225 75

HSL 90, 0.71%, 0.59%

LAB 82.29, -46.59, 63.38

 

CMYK 51 / 0 / 67 / 12

HEX #6EE14B

RGB 110 225 75

HSL 106, 0.71%, 0.59%

LAB 80.56, -59.09, 61.02

 

CMYK 67 / 0 / 64 / 12

HEX #4BE150

RGB 75 225 80

HSL 122, 0.71%, 0.59%

LAB 79.57, -66.76, 57.64

 

CMYK 67 / 0 / 47 / 12

HEX #4BE178

RGB 75 225 120

HSL 138, 0.71%, 0.59%

LAB 80.01, -61.65, 39.94

 

CMYK 65 / 0 / 84 / 27

HEX #42BB1E

RGB 66 187 30

HSL 106.24, 0.72%, 0.43%

LAB 67.12, -59.64, 62.2

 

CMYK 63 / 0 / 82 / 14

HEX #51DB27

RGB 81 219 39

HSL 106, 0.71%, 0.51%

LAB 77.61, -66.55, 69.6

 

CMYK 52 / 0 / 67 / 12

HEX #6DE14B

RGB 109 225 75

HSL 106.4, 0.71%, 0.59%

LAB 80.52, -59.37, 60.97

 

CMYK 40 / 0 / 52 / 9

HEX #8AE76E

RGB 138 231 110

HSL 106.12, 0.72%, 0.67%

LAB 83.8, -49.72, 49.87

 

CMYK 30 / 0 / 38 / 7

HEX #A7ED92

RGB 167 237 146

HSL 106.15, 0.72%, 0.75%

LAB 87.42, -38.38, 37.29

 

CMYK 52 / 0 / 67 / 11

HEX #6DE24A

RGB 109 226 74

HSL 106.18, 0.72%, 0.59%

LAB 80.82, -59.82, 61.67

 

CMYK 67 / 0 / 2 / 12

HEX #4BE1DC

RGB 75 225 220

HSL 178, 0.71%, 0.59%

LAB 82.12, -39.84, -9.13

 

CMYK 0 / 67 / 24 / 12

HEX #E14BAA

RGB 225 75 170

HSL 322, 0.71%, 0.59%

LAB 56.03, 66.77, -19.64

 

CMYK 52 / 0 / 67 / 11

HEX #6DE24A

RGB 109 226 74

HSL 106.18, 0.72%, 0.59%

LAB 80.82, -59.82, 61.67

 

CMYK 67 / 51 / 0 / 12

HEX #4B6EE1

RGB 75 110 225

HSL 226, 0.71%, 0.59%

LAB 49.6, 24.56, -62.39

 

CMYK 0 / 67 / 51 / 12

HEX #E14B6E

RGB 225 75 110

HSL 346, 0.71%, 0.59%

LAB 54.2, 60.44, 13.11

 

CMYK 52 / 0 / 67 / 11

HEX #6DE24A

RGB 109 226 74

HSL 106.18, 0.72%, 0.59%

LAB 80.82, -59.82, 61.67

 

CMYK 67 / 0 / 2 / 12

HEX #4BE1DC

RGB 75 225 220

HSL 178, 0.71%, 0.59%

LAB 82.12, -39.84, -9.13

 

CMYK 16 / 67 / 0 / 12

HEX #BE4BE1

RGB 190 75 225

HSL 286, 0.71%, 0.59%

LAB 53.4, 67.06, -55.71

 

CMYK 0 / 67 / 64 / 12

HEX #E14B50

RGB 225 75 80

HSL 358, 0.71%, 0.59%

LAB 53.62, 58.35, 30.05

 

CMYK 52 / 0 / 67 / 11

HEX #6DE24A

RGB 109 226 74

HSL 106.18, 0.72%, 0.59%

LAB 80.82, -59.82, 61.67

 

CMYK 67 / 18 / 0 / 12

HEX #4BB9E1

RGB 75 185 225

HSL 196, 0.71%, 0.59%

LAB 70.62, -18.96, -29.22

 

CMYK 16 / 67 / 0 / 12

HEX #BE4BE1

RGB 190 75 225

HSL 286, 0.71%, 0.59%

LAB 53.4, 67.06, -55.71

 

CMYK 0 / 49 / 67 / 12

HEX #E1734B

RGB 225 115 75

HSL 16, 0.71%, 0.59%

LAB 60.58, 39.69, 41.26

 

Description

Color code: HEX #6DE24A | qconv.com Color code: HEX #6DE24A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 226 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 226 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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