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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DE755 it is the complementary color #9218AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DE755. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DE755 shade: #72E750, #83F963, #94FF76, #A5FF89 and #B6FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DE755. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DE755 shade: #6DE755, #5CD542, #4BC32F, #3AB11C and #299F09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DE755 shade: #6DE655, #94E655, #BBE655, #E2E655 and #E6C355

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DE755 shade: #6DE655, #55E664, #55E68B, #55E6B3 and #55E6DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DE755 shade matches the following richer shades: #6DE655 and #62F645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DE755 shade: #6DE655, #77D765, #82C774, #8CB784 and #97A894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DE755 shade: #BBE655, #94E655, #6DE655, #55E663 and #55E68A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DE755 shade: #3ACC1D, #4EE131, #6DE655, #8CEB79 and #ABF19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DE755 shade: #6DE755, #55E1E6 and #E655A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DE755 shade: #6DE755, #556DE6 and #E6556D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DE755 shade: #6DE755, #55E1E6, #CE55E6 and #E65A55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DE755 shade: #6DE755, #55B6E6, #CE55E6 and #E68555

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 63 / 9

HEX #6DE755

RGB 109 231 85

HSL 110.14, 0.75%, 0.62%

LAB 82.41, -60.68, 58.99

 

Complementary color

CMYK 14 / 86 / 0 / 33

HEX #9218AA

RGB 146 24 170

HSL 290.14, 0.75%, 0.38%

LAB 37.24, 65.1, -50.09

 

CMYK 51 / 0 / 65 / 9

HEX #72E750

RGB 114 231 80

HSL 106.49, 0.76%, 0.61%

LAB 82.54, -59.8, 61.22

 

CMYK 47 / 0 / 60 / 2

HEX #83F963

RGB 131 249 99

HSL 107.2, 0.93%, 0.68%

LAB 88.67, -60.08, 60.35

 

CMYK 42 / 0 / 54 / 0

HEX #94FF76

RGB 148 255 118

HSL 106.86, 1%, 0.73%

LAB 91.29, -55.51, 55.26

 

CMYK 35 / 0 / 46 / 0

HEX #A5FF89

RGB 165 255 137

HSL 105.76, 1%, 0.77%

LAB 92.28, -48.06, 47.85

 

CMYK 29 / 0 / 39 / 0

HEX #B6FF9C

RGB 182 255 156

HSL 104.24, 1%, 0.81%

LAB 93.39, -40.11, 40.27

 

CMYK 53 / 0 / 63 / 9

HEX #6DE755

RGB 109 231 85

HSL 110.14, 0.75%, 0.62%

LAB 82.41, -60.68, 58.99

 

CMYK 57 / 0 / 69 / 16

HEX #5CD542

RGB 92 213 66

HSL 109.39, 0.64%, 0.55%

LAB 76.23, -60.18, 59.74

 

CMYK 62 / 0 / 76 / 24

HEX #4BC32F

RGB 75 195 47

HSL 108.65, 0.61%, 0.47%

LAB 69.99, -59.37, 60.04

 

CMYK 67 / 0 / 84 / 31

HEX #3AB11C

RGB 58 177 28

HSL 107.92, 0.73%, 0.4%

LAB 63.69, -58.11, 59.54

 

CMYK 74 / 0 / 94 / 38

HEX #299F09

RGB 41 159 9

HSL 107.2, 0.89%, 0.33%

LAB 57.35, -56.2, 57.66

 

CMYK 53 / 0 / 63 / 10

HEX #6DE655

RGB 109 230 85

HSL 110.07, 0.74%, 0.62%

LAB 82.11, -60.31, 58.66

 

CMYK 36 / 0 / 63 / 10

HEX #94E655

RGB 148 230 85

HSL 93.93, 0.74%, 0.62%

LAB 83.73, -48.58, 60.9

 

CMYK 19 / 0 / 63 / 10

HEX #BBE655

RGB 187 230 85

HSL 77.79, 0.74%, 0.62%

LAB 85.91, -34.5, 63.9

 

CMYK 2 / 0 / 63 / 10

HEX #E2E655

RGB 226 230 85

HSL 61.66, 0.74%, 0.62%

LAB 88.65, -19.07, 67.62

 

CMYK 0 / 15 / 63 / 10

HEX #E6C355

RGB 230 195 85

HSL 45.52, 0.74%, 0.62%

LAB 79.9, 0.2, 58.36

 

CMYK 53 / 0 / 63 / 10

HEX #6DE655

RGB 109 230 85

HSL 110.07, 0.74%, 0.62%

LAB 82.11, -60.31, 58.66

 

CMYK 63 / 0 / 57 / 10

HEX #55E664

RGB 85 230 100

HSL 126.21, 0.74%, 0.62%

LAB 81.54, -64.29, 51.3

 

CMYK 63 / 0 / 40 / 10

HEX #55E68B

RGB 85 230 139

HSL 142.34, 0.74%, 0.62%

LAB 82.05, -58.52, 33.17

 

CMYK 63 / 0 / 22 / 10

HEX #55E6B3

RGB 85 230 179

HSL 158.9, 0.74%, 0.62%

LAB 82.8, -50.59, 13.55

 

CMYK 63 / 0 / 5 / 10

HEX #55E6DA

RGB 85 230 218

HSL 175.03, 0.74%, 0.62%

LAB 83.75, -41.13, -5.62

 

CMYK 53 / 0 / 63 / 10

HEX #6DE655

RGB 109 230 85

HSL 110.07, 0.74%, 0.62%

LAB 82.11, -60.31, 58.66

 

CMYK 60 / 0 / 72 / 4

HEX #62F645

RGB 98 246 69

HSL 110.17, 0.91%, 0.62%

LAB 86.47, -69.94, 69.24

 

CMYK 53 / 0 / 63 / 10

HEX #6DE655

RGB 109 230 85

HSL 110.07, 0.74%, 0.62%

LAB 82.11, -60.31, 58.66

 

CMYK 45 / 0 / 53 / 16

HEX #77D765

RGB 119 215 101

HSL 110.53, 0.59%, 0.62%

LAB 78.15, -49.98, 47.09

 

CMYK 35 / 0 / 42 / 22

HEX #82C774

RGB 130 199 116

HSL 109.88, 0.43%, 0.62%

LAB 74.1, -37.7, 34.8

 

CMYK 23 / 0 / 28 / 28

HEX #8CB784

RGB 140 183 132

HSL 110.59, 0.26%, 0.62%

LAB 70.25, -24.25, 21.4

 

CMYK 10 / 0 / 12 / 34

HEX #97A894

RGB 151 168 148

HSL 111, 0.1%, 0.62%

LAB 67.07, -9.82, 8.32

 

CMYK 19 / 0 / 63 / 10

HEX #BBE655

RGB 187 230 85

HSL 77.79, 0.74%, 0.62%

LAB 85.91, -34.5, 63.9

 

CMYK 36 / 0 / 63 / 10

HEX #94E655

RGB 148 230 85

HSL 93.93, 0.74%, 0.62%

LAB 83.73, -48.58, 60.9

 

CMYK 53 / 0 / 63 / 10

HEX #6DE655

RGB 109 230 85

HSL 110.07, 0.74%, 0.62%

LAB 82.11, -60.31, 58.66

 

CMYK 63 / 0 / 57 / 10

HEX #55E663

RGB 85 230 99

HSL 125.79, 0.74%, 0.62%

LAB 81.53, -64.41, 51.74

 

CMYK 63 / 0 / 40 / 10

HEX #55E68A

RGB 85 230 138

HSL 141.93, 0.74%, 0.62%

LAB 82.03, -58.69, 33.65

 

CMYK 72 / 0 / 86 / 20

HEX #3ACC1D

RGB 58 204 29

HSL 110.06, 0.75%, 0.46%

LAB 72.34, -66.71, 67.02

 

CMYK 65 / 0 / 78 / 12

HEX #4EE131

RGB 78 225 49

HSL 110.11, 0.75%, 0.54%

LAB 79.44, -68.6, 68.55

 

CMYK 53 / 0 / 63 / 10

HEX #6DE655

RGB 109 230 85

HSL 110.07, 0.74%, 0.62%

LAB 82.11, -60.31, 58.66

 

CMYK 40 / 0 / 49 / 8

HEX #8CEB79

RGB 140 235 121

HSL 110, 0.74%, 0.7%

LAB 85.19, -49.43, 46.4

 

CMYK 29 / 0 / 35 / 5

HEX #ABF19D

RGB 171 241 157

HSL 110, 0.75%, 0.78%

LAB 88.92, -37.29, 33.81

 

CMYK 53 / 0 / 63 / 9

HEX #6DE755

RGB 109 231 85

HSL 110.14, 0.75%, 0.62%

LAB 82.41, -60.68, 58.99

 

CMYK 63 / 2 / 0 / 10

HEX #55E1E6

RGB 85 225 230

HSL 182.07, 0.74%, 0.62%

LAB 82.64, -35.62, -13.62

 

CMYK 0 / 63 / 27 / 10

HEX #E655A7

RGB 230 85 167

HSL 326.07, 0.74%, 0.62%

LAB 58.14, 63.84, -14.62

 

CMYK 53 / 0 / 63 / 9

HEX #6DE755

RGB 109 231 85

HSL 110.14, 0.75%, 0.62%

LAB 82.41, -60.68, 58.99

 

CMYK 63 / 53 / 0 / 10

HEX #556DE6

RGB 85 109 230

HSL 230.07, 0.74%, 0.62%

LAB 50.19, 28.49, -64.22

 

CMYK 0 / 63 / 53 / 10

HEX #E6556D

RGB 230 85 109

HSL 350.07, 0.74%, 0.62%

LAB 56.51, 57.86, 17.02

 

CMYK 53 / 0 / 63 / 9

HEX #6DE755

RGB 109 231 85

HSL 110.14, 0.75%, 0.62%

LAB 82.41, -60.68, 58.99

 

CMYK 63 / 2 / 0 / 10

HEX #55E1E6

RGB 85 225 230

HSL 182.07, 0.74%, 0.62%

LAB 82.64, -35.62, -13.62

 

CMYK 10 / 63 / 0 / 10

HEX #CE55E6

RGB 206 85 230

HSL 290.07, 0.74%, 0.62%

LAB 57.4, 67.42, -52.01

 

CMYK 0 / 61 / 63 / 10

HEX #E65A55

RGB 230 90 85

HSL 2.07, 0.74%, 0.62%

LAB 56.87, 54.01, 31.43

 

CMYK 53 / 0 / 63 / 9

HEX #6DE755

RGB 109 231 85

HSL 110.14, 0.75%, 0.62%

LAB 82.41, -60.68, 58.99

 

CMYK 63 / 21 / 0 / 10

HEX #55B6E6

RGB 85 182 230

HSL 199.86, 0.74%, 0.62%

LAB 70.25, -14.2, -32.49

 

CMYK 10 / 63 / 0 / 10

HEX #CE55E6

RGB 206 85 230

HSL 290.07, 0.74%, 0.62%

LAB 57.4, 67.42, -52.01

 

CMYK 0 / 42 / 63 / 10

HEX #E68555

RGB 230 133 85

HSL 19.86, 0.74%, 0.62%

LAB 65.16, 32.98, 41.56

 

Description

Color code: HEX #6DE755 | qconv.com Color code: HEX #6DE755 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 231 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 231 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 63 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 63% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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