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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DCA4E it is the complementary color #9235B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DCA4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DCA4E shade: #72CA49, #83DC5C, #94EE6F, #A5FF82 and #B6FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DCA4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DCA4E shade: #6DCA4E, #5CB83B, #4BA628, #3A9415 and #298202

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DCA4E shade: #6DCA4E, #8ECA4E, #B0CA4E, #CAC24E and #CAA14E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DCA4E shade: #6DCA4E, #4ECA50, #4ECA72, #4ECA93 and #4ECAB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DCA4E shade matches the following richer shades: #6DCA4E, #63DC3B and #5AEF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DCA4E shade: #6DCA4E, #76B760, #7FA573, #899285 and #927F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DCA4E shade: #AFCA4E, #8ECA4E, #6DCA4E, #4ECA50 and #4ECA71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DCA4E shade: #48982D, #57B837, #6DCA4E, #87D36E and #A1DD8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DCA4E shade: #6DCA4E, #4ECAC4 and #CA4E9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DCA4E shade: #6DCA4E, #4E6DCA and #CA4E6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DCA4E shade: #6DCA4E, #4ECAC4, #AB4ECA and #CA4E54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DCA4E shade: #6DCA4E, #4EABCA, #AB4ECA and #CA6D4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

Complementary color

CMYK 18 / 70 / 0 / 31

HEX #9235B1

RGB 146 53 177

HSL 285, 0.54%, 0.45%

LAB 40.95, 57.11, -48.29

 

CMYK 44 / 0 / 64 / 21

HEX #72CA49

RGB 114 202 73

HSL 100.93, 0.55%, 0.54%

LAB 73.74, -49.19, 54.51

 

CMYK 40 / 0 / 58 / 14

HEX #83DC5C

RGB 131 220 92

HSL 101.72, 0.65%, 0.61%

LAB 80.06, -49.34, 53.58

 

CMYK 38 / 0 / 53 / 7

HEX #94EE6F

RGB 148 238 111

HSL 102.52, 0.79%, 0.68%

LAB 86.3, -49.37, 52.51

 

CMYK 35 / 0 / 49 / 0

HEX #A5FF82

RGB 165 255 130

HSL 103.2, 1%, 0.75%

LAB 92.19, -48.91, 51.03

 

CMYK 29 / 0 / 42 / 0

HEX #B6FF95

RGB 182 255 149

HSL 101.32, 1%, 0.79%

LAB 93.29, -41.04, 43.55

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 50 / 0 / 68 / 28

HEX #5CB83B

RGB 92 184 59

HSL 104.16, 0.51%, 0.48%

LAB 67.18, -49.95, 52.95

 

CMYK 55 / 0 / 76 / 35

HEX #4BA628

RGB 75 166 40

HSL 103.33, 0.61%, 0.4%

LAB 60.71, -49.38, 53.31

 

CMYK 61 / 0 / 86 / 42

HEX #3A9415

RGB 58 148 21

HSL 102.52, 0.75%, 0.33%

LAB 54.17, -48.38, 52.74

 

CMYK 68 / 0 / 98 / 49

HEX #298202

RGB 41 130 2

HSL 101.72, 0.97%, 0.26%

LAB 47.55, -46.8, 50.8

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 30 / 0 / 61 / 21

HEX #8ECA4E

RGB 142 202 78

HSL 89.03, 0.54%, 0.55%

LAB 75.17, -39.24, 54.34

 

CMYK 13 / 0 / 61 / 21

HEX #B0CA4E

RGB 176 202 78

HSL 72.58, 0.54%, 0.55%

LAB 77.29, -26.19, 57.28

 

CMYK 0 / 4 / 61 / 21

HEX #CAC24E

RGB 202 194 78

HSL 56.13, 0.54%, 0.55%

LAB 77.1, -11.51, 57.65

 

CMYK 0 / 20 / 61 / 21

HEX #CAA14E

RGB 202 161 78

HSL 40.16, 0.54%, 0.55%

LAB 68.46, 5.84, 48.08

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 61 / 0 / 60 / 21

HEX #4ECA50

RGB 78 202 80

HSL 120.97, 0.54%, 0.55%

LAB 72.52, -58.19, 49.76

 

CMYK 61 / 0 / 44 / 21

HEX #4ECA72

RGB 78 202 114

HSL 137.42, 0.54%, 0.55%

LAB 72.94, -53.47, 33.92

 

CMYK 61 / 0 / 27 / 21

HEX #4ECA93

RGB 78 202 147

HSL 153.39, 0.54%, 0.55%

LAB 73.52, -47.24, 17.45

 

CMYK 61 / 0 / 11 / 21

HEX #4ECAB4

RGB 78 202 180

HSL 169.35, 0.54%, 0.55%

LAB 74.29, -39.54, 0.79

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 55 / 0 / 73 / 14

HEX #63DC3B

RGB 99 220 59

HSL 105.09, 0.7%, 0.55%

LAB 78.55, -61.43, 64.72

 

CMYK 62 / 0 / 83 / 6

HEX #5AEF29

RGB 90 239 41

HSL 105.15, 0.86%, 0.55%

LAB 84, -71.01, 74.97

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 36 / 0 / 48 / 28

HEX #76B760

RGB 118 183 96

HSL 104.83, 0.38%, 0.55%

LAB 68.43, -37.23, 37.64

 

CMYK 23 / 0 / 30 / 35

HEX #7FA573

RGB 127 165 115

HSL 105.6, 0.22%, 0.55%

LAB 63.88, -22.69, 21.83

 

CMYK 6 / 0 / 9 / 43

HEX #899285

RGB 137 146 133

HSL 101.54, 0.06%, 0.55%

LAB 59.5, -5.79, 5.77

 

CMYK 4 / 16 / 0 / 40

HEX #927F98

RGB 146 127 152

HSL 285.6, 0.11%, 0.55%

LAB 55.64, 12.03, -10.73

 

CMYK 13 / 0 / 61 / 21

HEX #AFCA4E

RGB 175 202 78

HSL 73.06, 0.54%, 0.55%

LAB 77.22, -26.59, 57.19

 

CMYK 30 / 0 / 61 / 21

HEX #8ECA4E

RGB 142 202 78

HSL 89.03, 0.54%, 0.55%

LAB 75.17, -39.24, 54.34

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 61 / 0 / 60 / 21

HEX #4ECA50

RGB 78 202 80

HSL 120.97, 0.54%, 0.55%

LAB 72.52, -58.19, 49.76

 

CMYK 61 / 0 / 44 / 21

HEX #4ECA71

RGB 78 202 113

HSL 136.94, 0.54%, 0.55%

LAB 72.93, -53.64, 34.41

 

CMYK 53 / 0 / 70 / 40

HEX #48982D

RGB 72 152 45

HSL 104.86, 0.54%, 0.39%

LAB 56.11, -44.43, 46.72

 

CMYK 53 / 0 / 70 / 28

HEX #57B837

RGB 87 184 55

HSL 105.12, 0.54%, 0.47%

LAB 66.96, -51.72, 54.24

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 36 / 0 / 48 / 17

HEX #87D36E

RGB 135 211 110

HSL 105.15, 0.53%, 0.63%

LAB 77.8, -42.19, 42.51

 

CMYK 27 / 0 / 36 / 13

HEX #A1DD8D

RGB 161 221 141

HSL 105, 0.54%, 0.71%

LAB 82.49, -33.8, 33.3

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 61 / 0 / 3 / 21

HEX #4ECAC4

RGB 78 202 196

HSL 177.1, 0.54%, 0.55%

LAB 74.73, -35.35, -7.23

 

CMYK 0 / 61 / 22 / 21

HEX #CA4E9E

RGB 202 78 158

HSL 321.29, 0.54%, 0.55%

LAB 52.37, 57.62, -18.53

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 61 / 46 / 0 / 21

HEX #4E6DCA

RGB 78 109 202

HSL 225, 0.54%, 0.55%

LAB 48.03, 17.73, -51.82

 

CMYK 0 / 61 / 46 / 21

HEX #CA4E6D

RGB 202 78 109

HSL 345, 0.54%, 0.55%

LAB 50.82, 51.84, 8.39

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 61 / 0 / 3 / 21

HEX #4ECAC4

RGB 78 202 196

HSL 177.1, 0.54%, 0.55%

LAB 74.73, -35.35, -7.23

 

CMYK 15 / 61 / 0 / 21

HEX #AB4ECA

RGB 171 78 202

HSL 285, 0.54%, 0.55%

LAB 49.94, 56.87, -48.27

 

CMYK 0 / 61 / 58 / 21

HEX #CA4E54

RGB 202 78 84

HSL 357.1, 0.54%, 0.55%

LAB 50.27, 49.73, 22.62

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4E

RGB 109 202 78

HSL 105, 0.54%, 0.55%

LAB 73.57, -50.25, 52.12

 

CMYK 61 / 15 / 0 / 21

HEX #4EABCA

RGB 78 171 202

HSL 195, 0.54%, 0.55%

LAB 65.76, -18.26, -24.04

 

CMYK 15 / 61 / 0 / 21

HEX #AB4ECA

RGB 171 78 202

HSL 285, 0.54%, 0.55%

LAB 49.94, 56.87, -48.27

 

CMYK 0 / 46 / 61 / 21

HEX #CA6D4E

RGB 202 109 78

HSL 15, 0.54%, 0.55%

LAB 56.13, 34, 33.52

 

Description

Color code: HEX #6DCA4E | qconv.com Color code: HEX #6DCA4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 202 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 202 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 61 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 61% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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