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Color name
HEX #6DC70E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DC70E it is the complementary color #9238F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DC70E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DC70E shade: #72C709, #83D91C, #94EB2F, #A5FD42 and #B6FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DC70E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DC70E shade: #6DC70E, #5CB500, #4BA300, #3A9100 and #297F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DC70E shade: #6DC80D, #9FC80D, #C8BE0D, #C88C0D and #C8590D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DC70E shade: #6DC80D, #3BC80D, #0DC812, #0DC844 and #0DC877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DC70E shade matches the following richer shades: #6DC80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DC70E shade: #6DC80D, #6DB61F, #6CA530, #6C9441 and #6B8253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DC70E shade: #C8BE0D, #9FC80D, #6EC80D, #3CC80D and #0DC811

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DC70E shade: #437B08, #58A10B, #6DC80D, #82EE11 and #96F137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DC70E shade: #6DC70E, #0DC88D and #C80DB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DC70E shade: #6DC70E, #0D6EC8 and #C80D6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DC70E shade: #6DC70E, #0DC88D, #670DC8 and #C80D48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DC70E shade: #6DC70E, #0DC8C5, #670DC8 and #C80D11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 93 / 22

HEX #6DC70E

RGB 109 199 14

HSL 89.19, 0.87%, 0.42%

LAB 72.32, -52.76, 70.21

 

Complementary color

CMYK 39 / 77 / 0 / 5

HEX #9238F1

RGB 146 56 241

HSL 269.19, 0.87%, 0.58%

LAB 46.03, 69.8, -76.94

 

CMYK 43 / 0 / 95 / 22

HEX #72C709

RGB 114 199 9

HSL 86.84, 0.91%, 0.41%

LAB 72.52, -51.22, 71.04

 

CMYK 40 / 0 / 87 / 15

HEX #83D91C

RGB 131 217 28

HSL 87.3, 0.77%, 0.48%

LAB 78.77, -52.24, 73.73

 

CMYK 37 / 0 / 80 / 8

HEX #94EB2F

RGB 148 235 47

HSL 87.77, 0.82%, 0.55%

LAB 84.95, -53, 75.13

 

CMYK 35 / 0 / 74 / 1

HEX #A5FD42

RGB 165 253 66

HSL 88.24, 0.98%, 0.63%

LAB 91.07, -53.56, 75.63

 

CMYK 29 / 0 / 67 / 0

HEX #B6FF55

RGB 182 255 85

HSL 85.76, 1%, 0.67%

LAB 92.63, -47.34, 70.9

 

CMYK 45 / 0 / 93 / 22

HEX #6DC70E

RGB 109 199 14

HSL 89.19, 0.87%, 0.42%

LAB 72.32, -52.76, 70.21

 

CMYK 49 / 0 / 100 / 29

HEX #5CB500

RGB 92 181 0

HSL 89.5, 1%, 0.35%

LAB 66, -51.47, 66.5

 

CMYK 54 / 0 / 100 / 36

HEX #4BA300

RGB 75 163 0

HSL 92.39, 1%, 0.32%

LAB 59.61, -49.83, 61.2

 

CMYK 60 / 0 / 100 / 43

HEX #3A9100

RGB 58 145 0

HSL 96, 1%, 0.28%

LAB 53.11, -47.98, 55.83

 

CMYK 68 / 0 / 100 / 50

HEX #297F00

RGB 41 127 0

HSL 100.63, 1%, 0.25%

LAB 46.51, -45.82, 50.39

 

CMYK 46 / 0 / 94 / 22

HEX #6DC80D

RGB 109 200 13

HSL 89.2, 0.88%, 0.42%

LAB 72.62, -53.16, 70.58

 

CMYK 21 / 0 / 94 / 22

HEX #9FC80D

RGB 159 200 13

HSL 73.16, 0.88%, 0.42%

LAB 75.27, -34.94, 73.82

 

CMYK 0 / 5 / 94 / 22

HEX #C8BE0D

RGB 200 190 13

HSL 56.79, 0.88%, 0.42%

LAB 75.54, -12.79, 75.35

 

CMYK 0 / 30 / 94 / 22

HEX #C88C0D

RGB 200 140 13

HSL 40.75, 0.88%, 0.42%

LAB 62.56, 13.75, 65.68

 

CMYK 0 / 56 / 94 / 22

HEX #C8590D

RGB 200 89 13

HSL 24.39, 0.88%, 0.42%

LAB 51.21, 40.85, 57.65

 

CMYK 46 / 0 / 94 / 22

HEX #6DC80D

RGB 109 200 13

HSL 89.2, 0.88%, 0.42%

LAB 72.62, -53.16, 70.58

 

CMYK 71 / 0 / 94 / 22

HEX #3BC80D

RGB 59 200 13

HSL 105.24, 0.88%, 0.42%

LAB 71.05, -65.79, 68.65

 

CMYK 94 / 0 / 91 / 22

HEX #0DC812

RGB 13 200 18

HSL 121.6, 0.88%, 0.42%

LAB 70.48, -70.83, 67.24

 

CMYK 94 / 0 / 66 / 22

HEX #0DC844

RGB 13 200 68

HSL 137.65, 0.88%, 0.42%

LAB 70.74, -67.52, 52.64

 

CMYK 94 / 0 / 41 / 22

HEX #0DC877

RGB 13 200 119

HSL 154.01, 0.88%, 0.42%

LAB 71.37, -59.9, 29.11

 

CMYK 46 / 0 / 94 / 22

HEX #6DC80D

RGB 109 200 13

HSL 89.2, 0.88%, 0.42%

LAB 72.62, -53.16, 70.58

 

CMYK 46 / 0 / 94 / 22

HEX #6DC80D

RGB 109 200 13

HSL 89.2, 0.88%, 0.42%

LAB 72.62, -53.16, 70.58

 

CMYK 40 / 0 / 83 / 29

HEX #6DB61F

RGB 109 182 31

HSL 89.01, 0.71%, 0.42%

LAB 67.13, -45.48, 62.55

 

CMYK 35 / 0 / 71 / 35

HEX #6CA530

RGB 108 165 48

HSL 89.23, 0.55%, 0.42%

LAB 61.92, -37.62, 52.06

 

CMYK 27 / 0 / 56 / 42

HEX #6C9441

RGB 108 148 65

HSL 88.92, 0.39%, 0.42%

LAB 56.83, -28.24, 38.96

 

CMYK 18 / 0 / 36 / 49

HEX #6B8253

RGB 107 130 83

HSL 89.36, 0.22%, 0.42%

LAB 51.51, -17.21, 22.79

 

CMYK 0 / 5 / 94 / 22

HEX #C8BE0D

RGB 200 190 13

HSL 56.79, 0.88%, 0.42%

LAB 75.54, -12.79, 75.35

 

CMYK 21 / 0 / 94 / 22

HEX #9FC80D

RGB 159 200 13

HSL 73.16, 0.88%, 0.42%

LAB 75.27, -34.94, 73.82

 

CMYK 45 / 0 / 94 / 22

HEX #6EC80D

RGB 110 200 13

HSL 88.88, 0.88%, 0.42%

LAB 72.66, -52.85, 70.63

 

CMYK 70 / 0 / 94 / 22

HEX #3CC80D

RGB 60 200 13

HSL 104.92, 0.88%, 0.42%

LAB 71.08, -65.61, 68.68

 

CMYK 94 / 0 / 92 / 22

HEX #0DC811

RGB 13 200 17

HSL 121.28, 0.88%, 0.42%

LAB 70.48, -70.86, 67.39

 

CMYK 46 / 0 / 93 / 52

HEX #437B08

RGB 67 123 8

HSL 89.22, 0.88%, 0.26%

LAB 46.15, -36.31, 48.83

 

CMYK 45 / 0 / 93 / 37

HEX #58A10B

RGB 88 161 11

HSL 89.2, 0.87%, 0.34%

LAB 59.52, -44.73, 59.77

 

CMYK 46 / 0 / 94 / 22

HEX #6DC80D

RGB 109 200 13

HSL 89.2, 0.88%, 0.42%

LAB 72.62, -53.16, 70.58

 

CMYK 45 / 0 / 93 / 7

HEX #82EE11

RGB 130 238 17

HSL 89.32, 0.87%, 0.5%

LAB 84.96, -60.86, 80.49

 

CMYK 38 / 0 / 77 / 5

HEX #96F137

RGB 150 241 55

HSL 89.35, 0.87%, 0.58%

LAB 86.83, -54.36, 74.69

 

CMYK 45 / 0 / 93 / 22

HEX #6DC70E

RGB 109 199 14

HSL 89.19, 0.87%, 0.42%

LAB 72.32, -52.76, 70.21

 

CMYK 94 / 0 / 30 / 22

HEX #0DC88D

RGB 13 200 141

HSL 161.07, 0.88%, 0.42%

LAB 71.77, -55.3, 18.07

 

CMYK 0 / 94 / 8 / 22

HEX #C80DB8

RGB 200 13 184

HSL 305.13, 0.88%, 0.42%

LAB 47.01, 78.45, -42.21

 

CMYK 45 / 0 / 93 / 22

HEX #6DC70E

RGB 109 199 14

HSL 89.19, 0.87%, 0.42%

LAB 72.32, -52.76, 70.21

 

CMYK 94 / 45 / 0 / 22

HEX #0D6EC8

RGB 13 110 200

HSL 208.88, 0.88%, 0.42%

LAB 46.19, 8.99, -53.75

 

CMYK 0 / 94 / 45 / 22

HEX #C80D6E

RGB 200 13 110

HSL 328.88, 0.88%, 0.42%

LAB 43.79, 70.07, -2.42

 

CMYK 45 / 0 / 93 / 22

HEX #6DC70E

RGB 109 199 14

HSL 89.19, 0.87%, 0.42%

LAB 72.32, -52.76, 70.21

 

CMYK 94 / 0 / 30 / 22

HEX #0DC88D

RGB 13 200 141

HSL 161.07, 0.88%, 0.42%

LAB 71.77, -55.3, 18.07

 

CMYK 49 / 94 / 0 / 22

HEX #670DC8

RGB 103 13 200

HSL 268.88, 0.88%, 0.42%

LAB 32.57, 67.65, -75.74

 

CMYK 0 / 94 / 64 / 22

HEX #C80D48

RGB 200 13 72

HSL 341.07, 0.88%, 0.42%

LAB 42.82, 67.41, 20.08

 

CMYK 45 / 0 / 93 / 22

HEX #6DC70E

RGB 109 199 14

HSL 89.19, 0.87%, 0.42%

LAB 72.32, -52.76, 70.21

 

CMYK 94 / 0 / 1 / 22

HEX #0DC8C5

RGB 13 200 197

HSL 179.04, 0.88%, 0.42%

LAB 73.17, -40.56, -10.19

 

CMYK 49 / 94 / 0 / 22

HEX #670DC8

RGB 103 13 200

HSL 268.88, 0.88%, 0.42%

LAB 32.57, 67.65, -75.74

 

CMYK 0 / 94 / 92 / 22

HEX #C80D11

RGB 200 13 17

HSL 358.72, 0.88%, 0.42%

LAB 42.17, 65.6, 50.34

 

Description

Color code: HEX #6DC70E | qconv.com Color code: HEX #6DC70E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 199 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 199 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 93 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 93% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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