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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DBB25 it is the complementary color #9244DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DBB25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DBB25 shade: #72BB20, #83CD33, #94DF46, #A5F159 and #B6FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DBB25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DBB25 shade: #6DBB25, #5CA912, #4B9700, #3A8500 and #297300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DBB25 shade: #6DBB25, #95BB25, #BBB825, #BB8F25 and #BB6725

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DBB25 shade: #6DBB25, #44BB25, #25BB2D, #25BB56 and #25BB7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DBB25 shade matches the following richer shades: #6DBB25, #6CCD12 and #6BDF00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DBB25 shade: #6DBB25, #6DA937, #6E9749, #6F845B and #70726D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DBB25 shade: #BBB825, #95BB25, #6DBB25, #45BB25 and #25BB2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DBB25 shade: #457617, #59981E, #6DBB25, #81D632 and #96DD55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DBB25 shade: #6DBB25, #25BB90 and #BB25A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DBB25 shade: #6DBB25, #256DBB and #BB256D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DBB25 shade: #6DBB25, #25BB90, #7225BB and #BB254F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DBB25 shade: #6DBB25, #25B8BB, #7225BB and #BB2725

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

Complementary color

CMYK 33 / 69 / 0 / 15

HEX #9244DA

RGB 146 68 218

HSL 271.2, 0.67%, 0.56%

LAB 46.05, 59.49, -63.87

 

CMYK 39 / 0 / 83 / 27

HEX #72BB20

RGB 114 187 32

HSL 88.26, 0.71%, 0.43%

LAB 68.91, -45.77, 63.98

 

CMYK 36 / 0 / 75 / 20

HEX #83CD33

RGB 131 205 51

HSL 88.83, 0.61%, 0.5%

LAB 75.28, -46.38, 64.62

 

CMYK 34 / 0 / 69 / 13

HEX #94DF46

RGB 148 223 70

HSL 89.41, 0.71%, 0.57%

LAB 81.57, -46.8, 64.5

 

CMYK 32 / 0 / 63 / 5

HEX #A5F159

RGB 165 241 89

HSL 90, 0.84%, 0.65%

LAB 87.79, -47.07, 63.94

 

CMYK 29 / 0 / 58 / 0

HEX #B6FF6C

RGB 182 255 108

HSL 89.8, 1%, 0.71%

LAB 92.82, -45.53, 61.84

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 46 / 0 / 89 / 34

HEX #5CA912

RGB 92 169 18

HSL 90.6, 0.81%, 0.37%

LAB 62.25, -46.42, 60.93

 

CMYK 50 / 0 / 100 / 41

HEX #4B9700

RGB 75 151 0

HSL 90.2, 1%, 0.3%

LAB 55.71, -45.26, 58.15

 

CMYK 56 / 0 / 100 / 48

HEX #3A8500

RGB 58 133 0

HSL 93.83, 1%, 0.26%

LAB 49.1, -43.52, 52.67

 

CMYK 64 / 0 / 100 / 55

HEX #297300

RGB 41 115 0

HSL 98.61, 1%, 0.23%

LAB 42.36, -41.51, 47.1

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 20 / 0 / 80 / 27

HEX #95BB25

RGB 149 187 37

HSL 75.2, 0.67%, 0.44%

LAB 70.91, -32.32, 65.18

 

CMYK 0 / 2 / 80 / 27

HEX #BBB825

RGB 187 184 37

HSL 58.8, 0.67%, 0.44%

LAB 72.88, -14.86, 67.99

 

CMYK 0 / 24 / 80 / 27

HEX #BB8F25

RGB 187 143 37

HSL 42.4, 0.67%, 0.44%

LAB 61.95, 6.88, 58.32

 

CMYK 0 / 45 / 80 / 27

HEX #BB6725

RGB 187 103 37

HSL 26.4, 0.67%, 0.44%

LAB 52.29, 28.9, 49.44

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 64 / 0 / 80 / 27

HEX #44BB25

RGB 68 187 37

HSL 107.6, 0.67%, 0.44%

LAB 67.2, -58.84, 60.42

 

CMYK 80 / 0 / 76 / 27

HEX #25BB2D

RGB 37 187 45

HSL 123.2, 0.67%, 0.44%

LAB 66.61, -63.71, 57.12

 

CMYK 80 / 0 / 54 / 27

HEX #25BB56

RGB 37 187 86

HSL 139.6, 0.67%, 0.44%

LAB 66.98, -59.23, 40.23

 

CMYK 80 / 0 / 32 / 27

HEX #25BB7F

RGB 37 187 127

HSL 156, 0.67%, 0.44%

LAB 67.63, -51.78, 19.89

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 47 / 0 / 91 / 20

HEX #6CCD12

RGB 108 205 18

HSL 91.12, 0.84%, 0.44%

LAB 74.12, -55.27, 71.13

 

CMYK 52 / 0 / 100 / 13

HEX #6BDF00

RGB 107 223 0

HSL 91.21, 1%, 0.44%

LAB 79.56, -62.42, 77.38

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 36 / 0 / 67 / 34

HEX #6DA937

RGB 109 169 55

HSL 91.58, 0.51%, 0.44%

LAB 63.26, -38.5, 50.66

 

CMYK 27 / 0 / 52 / 41

HEX #6E9749

RGB 110 151 73

HSL 91.54, 0.35%, 0.44%

LAB 57.97, -28.03, 36.34

 

CMYK 16 / 0 / 31 / 48

HEX #6F845B

RGB 111 132 91

HSL 90.73, 0.18%, 0.44%

LAB 52.55, -15.46, 19.71

 

CMYK 2 / 0 / 4 / 55

HEX #70726D

RGB 112 114 109

HSL 84, 0.02%, 0.44%

LAB 47.73, -1.77, 2.5

 

CMYK 0 / 2 / 80 / 27

HEX #BBB825

RGB 187 184 37

HSL 58.8, 0.67%, 0.44%

LAB 72.88, -14.86, 67.99

 

CMYK 20 / 0 / 80 / 27

HEX #95BB25

RGB 149 187 37

HSL 75.2, 0.67%, 0.44%

LAB 70.91, -32.32, 65.18

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 63 / 0 / 80 / 27

HEX #45BB25

RGB 69 187 37

HSL 107.2, 0.67%, 0.44%

LAB 67.23, -58.62, 60.45

 

CMYK 80 / 0 / 76 / 27

HEX #25BB2C

RGB 37 187 44

HSL 122.8, 0.67%, 0.44%

LAB 66.61, -63.78, 57.45

 

CMYK 42 / 0 / 81 / 54

HEX #457617

RGB 69 118 23

HSL 90.95, 0.67%, 0.28%

LAB 44.64, -32.74, 43.55

 

CMYK 41 / 0 / 80 / 40

HEX #59981E

RGB 89 152 30

HSL 90.98, 0.67%, 0.36%

LAB 56.76, -39.95, 53.02

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 40 / 0 / 77 / 16

HEX #81D632

RGB 129 214 50

HSL 91.1, 0.67%, 0.52%

LAB 77.87, -50.81, 67.38

 

CMYK 32 / 0 / 62 / 13

HEX #96DD55

RGB 150 221 85

HSL 91.32, 0.67%, 0.6%

LAB 81.21, -44.09, 58.16

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 80 / 0 / 23 / 27

HEX #25BB90

RGB 37 187 144

HSL 162.8, 0.67%, 0.44%

LAB 67.98, -47.87, 11.18

 

CMYK 0 / 80 / 10 / 27

HEX #BB25A9

RGB 187 37 169

HSL 307.2, 0.67%, 0.44%

LAB 45.29, 69.75, -36.23

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 80 / 42 / 0 / 27

HEX #256DBB

RGB 37 109 187

HSL 211.2, 0.67%, 0.44%

LAB 45.52, 6.22, -47.29

 

CMYK 0 / 80 / 42 / 27

HEX #BB256D

RGB 187 37 109

HSL 331.2, 0.67%, 0.44%

LAB 42.75, 62.42, -3.61

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 80 / 0 / 23 / 27

HEX #25BB90

RGB 37 187 144

HSL 162.8, 0.67%, 0.44%

LAB 67.98, -47.87, 11.18

 

CMYK 39 / 80 / 0 / 27

HEX #7225BB

RGB 114 37 187

HSL 270.8, 0.67%, 0.44%

LAB 34.98, 59.58, -64.08

 

CMYK 0 / 80 / 58 / 27

HEX #BB254F

RGB 187 37 79

HSL 343.2, 0.67%, 0.44%

LAB 41.93, 59.92, 14.02

 

CMYK 42 / 0 / 80 / 27

HEX #6DBB25

RGB 109 187 37

HSL 91.2, 0.67%, 0.44%

LAB 68.7, -47.25, 62.34

 

CMYK 80 / 2 / 0 / 27

HEX #25B8BB

RGB 37 184 187

HSL 181.2, 0.67%, 0.44%

LAB 68.21, -34.82, -12.11

 

CMYK 39 / 80 / 0 / 27

HEX #7225BB

RGB 114 37 187

HSL 270.8, 0.67%, 0.44%

LAB 34.98, 59.58, -64.08

 

CMYK 0 / 79 / 80 / 27

HEX #BB2725

RGB 187 39 37

HSL 0.8, 0.67%, 0.44%

LAB 41.45, 57.26, 38.92

 

Description

Color code: HEX #6DBB25 | qconv.com Color code: HEX #6DBB25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 187 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 187 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 80 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 80% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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