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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DA2E8 it is the complementary color #925D17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DA2E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DA2E8 shade: #72A2E3, #83B4F6, #94C6FF, #A5D8FF and #B6EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DA2E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DA2E8 shade: #6DA2E8, #5C90D5, #4B7EC2, #3A6CAF and #295A9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DA2E8 shade: #6DA2E8, #6D81E8, #7A6DE8, #9B6DE8 and #BD6DE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DA2E8 shade: #6DA2E8, #6D81E8 and #6D6DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DA2E8 shade matches the following richer shades: #6DA2E8 and #5FA0F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DA2E8 shade: #6DA2E8, #7BA4DA, #88A6CD, #96A8BF and #A3A9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DA2E8 shade: #6DE4E8, #6DC3E8, #6DA2E8, #6D81E8 and #796DE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DA2E8 shade: #2674DD, #498BE2, #6DA2E8, #91B9ED and #B4CFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DA2E8 shade: #6DA2E8, #CB6DE8 and #D3E86D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DA2E8 shade: #6DA2E8, #E86DA2 and #A2E86D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DA2E8 shade: #6DA2E8, #CB6DE8, #E8B36D and #8AE86D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DA2E8 shade: #6DA2E8, #E86DE0, #E8B36D and #6DE875

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

Complementary color

CMYK 0 / 36 / 84 / 43

HEX #925D17

RGB 146 93 23

HSL 34.15, 0.73%, 0.33%

LAB 44.24, 16, 45.72

 

CMYK 50 / 29 / 0 / 11

HEX #72A2E3

RGB 114 162 227

HSL 214.51, 0.67%, 0.67%

LAB 65.72, 1.73, -37.78

 

CMYK 47 / 27 / 0 / 4

HEX #83B4F6

RGB 131 180 246

HSL 214.43, 0.86%, 0.74%

LAB 72.31, 1.15, -37.82

 

CMYK 42 / 22 / 0 / 0

HEX #94C6FF

RGB 148 198 255

HSL 211.96, 1%, 0.79%

LAB 78.41, -2.07, -33.15

 

CMYK 35 / 15 / 0 / 0

HEX #A5D8FF

RGB 165 216 255

HSL 206, 1%, 0.82%

LAB 84.14, -7.23, -24.29

 

CMYK 29 / 8 / 0 / 0

HEX #B6EAFF

RGB 182 234 255

HSL 197.26, 1%, 0.86%

LAB 89.86, -11.85, -15.54

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 57 / 32 / 0 / 16

HEX #5C90D5

RGB 92 144 213

HSL 214.21, 0.59%, 0.6%

LAB 59, 2.95, -40.61

 

CMYK 61 / 35 / 0 / 24

HEX #4B7EC2

RGB 75 126 194

HSL 214.29, 0.49%, 0.53%

LAB 52.19, 3.97, -40.65

 

CMYK 67 / 38 / 0 / 31

HEX #3A6CAF

RGB 58 108 175

HSL 214.36, 0.5%, 0.46%

LAB 45.25, 5.27, -40.7

 

CMYK 74 / 42 / 0 / 39

HEX #295A9C

RGB 41 90 156

HSL 214.43, 0.58%, 0.39%

LAB 38.17, 6.96, -40.76

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 53 / 44 / 0 / 9

HEX #6D81E8

RGB 109 129 232

HSL 230.24, 0.73%, 0.67%

LAB 56.86, 21.48, -54.56

 

CMYK 47 / 53 / 0 / 9

HEX #7A6DE8

RGB 122 109 232

HSL 246.34, 0.73%, 0.67%

LAB 52.84, 36.2, -60.95

 

CMYK 33 / 53 / 0 / 9

HEX #9B6DE8

RGB 155 109 232

HSL 262.44, 0.73%, 0.67%

LAB 55.82, 43.81, -56.01

 

CMYK 19 / 53 / 0 / 9

HEX #BD6DE8

RGB 189 109 232

HSL 279.02, 0.73%, 0.67%

LAB 59.51, 52.38, -49.91

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 53 / 44 / 0 / 9

HEX #6D81E8

RGB 109 129 232

HSL 230.24, 0.73%, 0.67%

LAB 56.86, 21.48, -54.56

 

CMYK 53 / 53 / 0 / 9

HEX #6D6DE8

RGB 109 109 232

HSL 240, 0.73%, 0.67%

LAB 51.85, 33.51, -62.59

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 61 / 35 / 0 / 4

HEX #5FA0F5

RGB 95 160 245

HSL 214, 0.88%, 0.67%

LAB 65.09, 4.59, -48.71

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 44 / 25 / 0 / 15

HEX #7BA4DA

RGB 123 164 218

HSL 214.11, 0.56%, 0.67%

LAB 66.39, 0.17, -31.75

 

CMYK 34 / 19 / 0 / 20

HEX #88A6CD

RGB 136 166 205

HSL 213.91, 0.41%, 0.67%

LAB 67.21, -0.95, -23.23

 

CMYK 21 / 12 / 0 / 25

HEX #96A8BF

RGB 150 168 191

HSL 213.66, 0.24%, 0.67%

LAB 68.21, -1.24, -13.88

 

CMYK 8 / 5 / 0 / 31

HEX #A3A9B1

RGB 163 169 177

HSL 214.29, 0.08%, 0.67%

LAB 68.99, -0.52, -4.85

 

CMYK 53 / 2 / 0 / 9

HEX #6DE4E8

RGB 109 228 232

HSL 181.95, 0.73%, 0.67%

LAB 84.26, -32.28, -12.19

 

CMYK 53 / 16 / 0 / 9

HEX #6DC3E8

RGB 109 195 232

HSL 198.05, 0.73%, 0.67%

LAB 74.89, -15.88, -26.35

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 53 / 44 / 0 / 9

HEX #6D81E8

RGB 109 129 232

HSL 230.24, 0.73%, 0.67%

LAB 56.86, 21.48, -54.56

 

CMYK 48 / 53 / 0 / 9

HEX #796DE8

RGB 121 109 232

HSL 245.85, 0.73%, 0.67%

LAB 52.76, 35.99, -61.08

 

CMYK 83 / 48 / 0 / 13

HEX #2674DD

RGB 38 116 221

HSL 214.43, 0.73%, 0.51%

LAB 49.65, 14.92, -60.12

 

CMYK 68 / 38 / 0 / 11

HEX #498BE2

RGB 73 139 226

HSL 214.12, 0.73%, 0.59%

LAB 57.44, 6.82, -50.4

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 39 / 22 / 0 / 7

HEX #91B9ED

RGB 145 185 237

HSL 213.91, 0.72%, 0.75%

LAB 74.08, -0.58, -30.15

 

CMYK 26 / 15 / 0 / 5

HEX #B4CFF3

RGB 180 207 243

HSL 214.29, 0.72%, 0.83%

LAB 82.27, -1.17, -20.67

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 13 / 53 / 0 / 9

HEX #CB6DE8

RGB 203 109 232

HSL 285.85, 0.73%, 0.67%

LAB 61.19, 56.03, -47.15

 

CMYK 9 / 0 / 53 / 9

HEX #D3E86D

RGB 211 232 109

HSL 70.24, 0.73%, 0.67%

LAB 88.29, -24.25, 56.67

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 0 / 53 / 30 / 9

HEX #E86DA2

RGB 232 109 162

HSL 334.15, 0.73%, 0.67%

LAB 62.26, 53.17, -5.55

 

CMYK 30 / 0 / 53 / 9

HEX #A2E86D

RGB 162 232 109

HSL 94.15, 0.73%, 0.67%

LAB 85.25, -42.39, 52.34

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 13 / 53 / 0 / 9

HEX #CB6DE8

RGB 203 109 232

HSL 285.85, 0.73%, 0.67%

LAB 61.19, 56.03, -47.15

 

CMYK 0 / 23 / 53 / 9

HEX #E8B36D

RGB 232 179 109

HSL 34.15, 0.73%, 0.67%

LAB 76.38, 11.19, 42.86

 

CMYK 41 / 0 / 53 / 9

HEX #8AE86D

RGB 138 232 109

HSL 105.85, 0.73%, 0.67%

LAB 84.08, -50.25, 50.67

 

CMYK 53 / 30 / 0 / 9

HEX #6DA2E8

RGB 109 162 232

HSL 214.15, 0.73%, 0.67%

LAB 65.68, 2.12, -40.61

 

CMYK 0 / 53 / 3 / 9

HEX #E86DE0

RGB 232 109 224

HSL 303.9, 0.73%, 0.67%

LAB 64.54, 62.3, -37.16

 

CMYK 0 / 23 / 53 / 9

HEX #E8B36D

RGB 232 179 109

HSL 34.15, 0.73%, 0.67%

LAB 76.38, 11.19, 42.86

 

CMYK 53 / 0 / 50 / 9

HEX #6DE875

RGB 109 232 117

HSL 123.9, 0.73%, 0.67%

LAB 83.05, -57.37, 45.39

 

Description

Color code: HEX #6DA2E8 | qconv.com Color code: HEX #6DA2E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 162 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 162 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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