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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D8B21 it is the complementary color #9274DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D8B21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D8B21 shade: #728B1C, #839D2F, #94AF42, #A5C155 and #B6D368

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D8B21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D8B21 shade: #6D8B21, #5C790E, #4B6700, #3A5500 and #294300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D8B21 shade: #6E8C20, #8B8C20, #8C7020, #8C5320 and #8C3620

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D8B21 shade: #6E8C20, #518C20, #348C20, #208C2A and #208C47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D8B21 shade matches the following richer shades: #6E8C20, #749A12 and #7AA804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D8B21 shade: #6E8C20, #677E2E, #61703D, #5B624B and #555459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D8B21 shade: #8C6F20, #8C8C20, #6F8C20, #538C20 and #368C20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D8B21 shade: #394911, #536B19, #6E8C20, #88AD28 and #A2CE31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D8B21 shade: #6D8B21, #208C53 and #7E208C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D8B21 shade: #6D8B21, #206F8C and #8C206F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D8B21 shade: #6D8B21, #208C53, #3D208C and #8C205A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D8B21 shade: #6D8B21, #208C73, #3D208C and #8C203A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 76 / 45

HEX #6D8B21

RGB 109 139 33

HSL 76.98, 0.62%, 0.34%

LAB 53.84, -26.04, 49.68

 

Complementary color

CMYK 34 / 48 / 0 / 13

HEX #9274DE

RGB 146 116 222

HSL 256.98, 0.62%, 0.66%

LAB 55.96, 35.04, -50.22

 

CMYK 18 / 0 / 80 / 45

HEX #728B1C

RGB 114 139 28

HSL 73.51, 0.66%, 0.33%

LAB 54.16, -24.16, 51.79

 

CMYK 17 / 0 / 70 / 38

HEX #839D2F

RGB 131 157 47

HSL 74.18, 0.54%, 0.4%

LAB 60.91, -24.83, 51.88

 

CMYK 15 / 0 / 62 / 31

HEX #94AF42

RGB 148 175 66

HSL 74.86, 0.45%, 0.47%

LAB 67.54, -25.32, 51.28

 

CMYK 15 / 0 / 56 / 24

HEX #A5C155

RGB 165 193 85

HSL 75.56, 0.47%, 0.55%

LAB 74.06, -25.66, 50.36

 

CMYK 14 / 0 / 51 / 17

HEX #B6D368

RGB 182 211 104

HSL 76.26, 0.55%, 0.62%

LAB 80.48, -25.91, 49.29

 

CMYK 22 / 0 / 76 / 45

HEX #6D8B21

RGB 109 139 33

HSL 76.98, 0.62%, 0.34%

LAB 53.84, -26.04, 49.68

 

CMYK 24 / 0 / 88 / 53

HEX #5C790E

RGB 92 121 14

HSL 76.26, 0.79%, 0.26%

LAB 46.95, -25.26, 48.79

 

CMYK 27 / 0 / 100 / 60

HEX #4B6700

RGB 75 103 0

HSL 76.31, 1%, 0.2%

LAB 39.91, -24.15, 45.9

 

CMYK 32 / 0 / 100 / 67

HEX #3A5500

RGB 58 85 0

HSL 79.06, 1%, 0.17%

LAB 32.69, -22.62, 39.89

 

CMYK 39 / 0 / 100 / 74

HEX #294300

RGB 41 67 0

HSL 83.28, 1%, 0.13%

LAB 25.22, -21.03, 33.29

 

CMYK 21 / 0 / 77 / 45

HEX #6E8C20

RGB 110 140 32

HSL 76.67, 0.63%, 0.34%

LAB 54.21, -26.17, 50.41

 

CMYK 1 / 0 / 77 / 45

HEX #8B8C20

RGB 139 140 32

HSL 60.56, 0.63%, 0.34%

LAB 56.44, -13.42, 53.28

 

CMYK 0 / 20 / 77 / 45

HEX #8C7020

RGB 140 112 32

HSL 44.44, 0.63%, 0.34%

LAB 48.6, 2.56, 45.95

 

CMYK 0 / 41 / 77 / 45

HEX #8C5320

RGB 140 83 32

HSL 28.33, 0.63%, 0.34%

LAB 41, 19.42, 38.48

 

CMYK 0 / 61 / 77 / 45

HEX #8C3620

RGB 140 54 32

HSL 12.22, 0.63%, 0.34%

LAB 34.64, 35.29, 31.87

 

CMYK 21 / 0 / 77 / 45

HEX #6E8C20

RGB 110 140 32

HSL 76.67, 0.63%, 0.34%

LAB 54.21, -26.17, 50.41

 

CMYK 42 / 0 / 77 / 45

HEX #518C20

RGB 81 140 32

HSL 92.78, 0.63%, 0.34%

LAB 52.52, -37.52, 48.19

 

CMYK 63 / 0 / 77 / 45

HEX #348C20

RGB 52 140 32

HSL 108.89, 0.63%, 0.34%

LAB 51.37, -46.33, 46.68

 

CMYK 77 / 0 / 70 / 45

HEX #208C2A

RGB 32 140 42

HSL 125.56, 0.63%, 0.34%

LAB 50.96, -49.52, 42.17

 

CMYK 77 / 0 / 49 / 45

HEX #208C47

RGB 32 140 71

HSL 141.67, 0.63%, 0.34%

LAB 51.29, -45.55, 28.43

 

CMYK 21 / 0 / 77 / 45

HEX #6E8C20

RGB 110 140 32

HSL 76.67, 0.63%, 0.34%

LAB 54.21, -26.17, 50.41

 

CMYK 25 / 0 / 88 / 40

HEX #749A12

RGB 116 154 18

HSL 76.76, 0.79%, 0.34%

LAB 58.85, -30.97, 58.58

 

CMYK 27 / 0 / 98 / 34

HEX #7AA804

RGB 122 168 4

HSL 76.83, 0.95%, 0.34%

LAB 63.47, -35.3, 64.64

 

CMYK 21 / 0 / 77 / 45

HEX #6E8C20

RGB 110 140 32

HSL 76.67, 0.63%, 0.34%

LAB 54.21, -26.17, 50.41

 

CMYK 18 / 0 / 63 / 51

HEX #677E2E

RGB 103 126 46

HSL 77.25, 0.47%, 0.34%

LAB 49.5, -21.14, 39.7

 

CMYK 13 / 0 / 46 / 56

HEX #61703D

RGB 97 112 61

HSL 77.65, 0.29%, 0.34%

LAB 44.89, -14.7, 26.44

 

CMYK 7 / 0 / 23 / 62

HEX #5B624B

RGB 91 98 75

HSL 78.26, 0.13%, 0.34%

LAB 40.36, -7.25, 12.21

 

CMYK 4 / 6 / 0 / 65

HEX #555459

RGB 85 84 89

HSL 252, 0.03%, 0.34%

LAB 35.97, 1.49, -2.77

 

CMYK 0 / 21 / 77 / 45

HEX #8C6F20

RGB 140 111 32

HSL 43.89, 0.63%, 0.34%

LAB 48.32, 3.14, 45.69

 

CMYK 0 / 0 / 77 / 45

HEX #8C8C20

RGB 140 140 32

HSL 60, 0.63%, 0.34%

LAB 56.52, -12.96, 53.39

 

CMYK 21 / 0 / 77 / 45

HEX #6F8C20

RGB 111 140 32

HSL 76.11, 0.63%, 0.34%

LAB 54.28, -25.74, 50.49

 

CMYK 41 / 0 / 77 / 45

HEX #538C20

RGB 83 140 32

HSL 91.67, 0.63%, 0.34%

LAB 52.62, -36.8, 48.32

 

CMYK 61 / 0 / 77 / 45

HEX #368C20

RGB 54 140 32

HSL 107.78, 0.63%, 0.34%

LAB 51.43, -45.82, 46.76

 

CMYK 22 / 0 / 77 / 71

HEX #394911

RGB 57 73 17

HSL 77.14, 0.62%, 0.18%

LAB 28.58, -15.79, 29.94

 

CMYK 22 / 0 / 77 / 58

HEX #536B19

RGB 83 107 25

HSL 77.56, 0.62%, 0.26%

LAB 41.88, -21.6, 40.46

 

CMYK 21 / 0 / 77 / 45

HEX #6E8C20

RGB 110 140 32

HSL 76.67, 0.63%, 0.34%

LAB 54.21, -26.17, 50.41

 

CMYK 21 / 0 / 77 / 32

HEX #88AD28

RGB 136 173 40

HSL 76.69, 0.62%, 0.42%

LAB 65.96, -30.89, 59.43

 

CMYK 21 / 0 / 76 / 19

HEX #A2CE31

RGB 162 206 49

HSL 76.82, 0.62%, 0.5%

LAB 77.31, -35.39, 67.8

 

CMYK 22 / 0 / 76 / 45

HEX #6D8B21

RGB 109 139 33

HSL 76.98, 0.62%, 0.34%

LAB 53.84, -26.04, 49.68

 

CMYK 77 / 0 / 41 / 45

HEX #208C53

RGB 32 140 83

HSL 148.33, 0.63%, 0.34%

LAB 51.48, -43.32, 22.15

 

CMYK 10 / 77 / 0 / 45

HEX #7E208C

RGB 126 32 140

HSL 292.22, 0.63%, 0.34%

LAB 32.62, 53.58, -39.46

 

CMYK 22 / 0 / 76 / 45

HEX #6D8B21

RGB 109 139 33

HSL 76.98, 0.62%, 0.34%

LAB 53.84, -26.04, 49.68

 

CMYK 77 / 21 / 0 / 45

HEX #206F8C

RGB 32 111 140

HSL 196.11, 0.63%, 0.34%

LAB 43.61, -13.17, -22.64

 

CMYK 0 / 77 / 21 / 45

HEX #8C206F

RGB 140 32 111

HSL 316.11, 0.63%, 0.34%

LAB 33.47, 52.08, -19.78

 

CMYK 22 / 0 / 76 / 45

HEX #6D8B21

RGB 109 139 33

HSL 76.98, 0.62%, 0.34%

LAB 53.84, -26.04, 49.68

 

CMYK 77 / 0 / 41 / 45

HEX #208C53

RGB 32 140 83

HSL 148.33, 0.63%, 0.34%

LAB 51.48, -43.32, 22.15

 

CMYK 56 / 77 / 0 / 45

HEX #3D208C

RGB 61 32 140

HSL 256.11, 0.63%, 0.34%

LAB 23.4, 41.48, -54.84

 

CMYK 0 / 77 / 36 / 45

HEX #8C205A

RGB 140 32 90

HSL 327.78, 0.63%, 0.34%

LAB 32.58, 49.37, -7.65

 

CMYK 22 / 0 / 76 / 45

HEX #6D8B21

RGB 109 139 33

HSL 76.98, 0.62%, 0.34%

LAB 53.84, -26.04, 49.68

 

CMYK 77 / 0 / 18 / 45

HEX #208C73

RGB 32 140 115

HSL 166.11, 0.63%, 0.34%

LAB 52.18, -35.8, 4.91

 

CMYK 56 / 77 / 0 / 45

HEX #3D208C

RGB 61 32 140

HSL 256.11, 0.63%, 0.34%

LAB 23.4, 41.48, -54.84

 

CMYK 0 / 77 / 59 / 45

HEX #8C203A

RGB 140 32 58

HSL 345.56, 0.63%, 0.34%

LAB 31.61, 46.28, 11.93

 

Description

Color code: HEX #6D8B21 | qconv.com Color code: HEX #6D8B21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 139 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 139 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 76 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 76% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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