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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D7D16 it is the complementary color #9282E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D7D16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D7D16 shade: #727D11, #838F24, #94A137, #A5B34A and #B6C55D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D7D16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D7D16 shade: #6D7D16, #5C6B03, #4B5900, #3A4700 and #293500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D7D16 shade: #6D7D16, #7D7116, #7D5516, #7D3A16 and #7D1E16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D7D16 shade: #6D7D16, #517D16, #357D16, #197D16 and #167D2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D7D16 shade matches the following richer shades: #6D7D16 and #75890A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D7D16 shade: #6D7D16, #657122, #5D652E, #54593A and #4C4D46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D7D16 shade: #7D5616, #7D7116, #6E7D16, #527D16 and #367D16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D7D16 shade: #303709, #4F5A0F, #6D7D16, #8CA01C and #AAC322

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D7D16 shade: #6D7D16, #167D3A and #63167D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D7D16 shade: #6D7D16, #166E7D and #7D166E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D7D16 shade: #6D7D16, #167D3A, #25167D and #7D1659

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D7D16 shade: #6D7D16, #167D59, #25167D and #7D163A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

Complementary color

CMYK 37 / 44 / 0 / 9

HEX #9282E9

RGB 146 130 233

HSL 249.32, 0.7%, 0.71%

LAB 59.85, 29.87, -50.19

 

CMYK 9 / 0 / 86 / 51

HEX #727D11

RGB 114 125 17

HSL 66.11, 0.76%, 0.28%

LAB 49.84, -17.4, 51.15

 

CMYK 8 / 0 / 75 / 44

HEX #838F24

RGB 131 143 36

HSL 66.73, 0.6%, 0.35%

LAB 56.68, -18.38, 51.88

 

CMYK 8 / 0 / 66 / 37

HEX #94A137

RGB 148 161 55

HSL 67.36, 0.49%, 0.42%

LAB 63.39, -19.11, 51.57

 

CMYK 8 / 0 / 59 / 30

HEX #A5B34A

RGB 165 179 74

HSL 68, 0.42%, 0.5%

LAB 69.99, -19.67, 50.77

 

CMYK 8 / 0 / 53 / 23

HEX #B6C55D

RGB 182 197 93

HSL 68.65, 0.47%, 0.57%

LAB 76.48, -20.1, 49.75

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 14 / 0 / 97 / 58

HEX #5C6B03

RGB 92 107 3

HSL 68.65, 0.95%, 0.22%

LAB 42.46, -18.41, 47.62

 

CMYK 16 / 0 / 100 / 65

HEX #4B5900

RGB 75 89 0

HSL 69.44, 1%, 0.17%

LAB 35.28, -16.85, 42.4

 

CMYK 18 / 0 / 100 / 72

HEX #3A4700

RGB 58 71 0

HSL 70.99, 1%, 0.14%

LAB 27.86, -15.17, 36.13

 

CMYK 23 / 0 / 100 / 79

HEX #293500

RGB 41 53 0

HSL 73.58, 1%, 0.1%

LAB 20.11, -13.44, 28

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 0 / 10 / 82 / 51

HEX #7D7116

RGB 125 113 22

HSL 53.01, 0.7%, 0.29%

LAB 47.27, -5.52, 47.84

 

CMYK 0 / 32 / 82 / 51

HEX #7D5516

RGB 125 85 22

HSL 36.7, 0.7%, 0.29%

LAB 39.44, 10.84, 40.77

 

CMYK 0 / 54 / 82 / 51

HEX #7D3A16

RGB 125 58 22

HSL 20.97, 0.7%, 0.29%

LAB 32.8, 26.61, 34.51

 

CMYK 0 / 76 / 82 / 51

HEX #7D1E16

RGB 125 30 22

HSL 4.66, 0.7%, 0.29%

LAB 27.7, 40.1, 29.48

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 35 / 0 / 82 / 51

HEX #517D16

RGB 81 125 22

HSL 85.63, 0.7%, 0.29%

LAB 47.59, -31.39, 46.87

 

CMYK 58 / 0 / 82 / 51

HEX #357D16

RGB 53 125 22

HSL 101.94, 0.7%, 0.29%

LAB 46.29, -41.04, 45.19

 

CMYK 80 / 0 / 82 / 51

HEX #197D16

RGB 25 125 22

HSL 118.25, 0.7%, 0.29%

LAB 45.54, -47.25, 44.22

 

CMYK 82 / 0 / 63 / 51

HEX #167D2E

RGB 22 125 46

HSL 133.98, 0.7%, 0.29%

LAB 45.68, -45.32, 34.46

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 15 / 0 / 93 / 46

HEX #75890A

RGB 117 137 10

HSL 69.45, 0.86%, 0.29%

LAB 53.7, -22.44, 55.9

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 11 / 0 / 70 / 56

HEX #657122

RGB 101 113 34

HSL 69.11, 0.54%, 0.29%

LAB 45.21, -16.1, 40.52

 

CMYK 8 / 0 / 54 / 60

HEX #5D652E

RGB 93 101 46

HSL 68.73, 0.37%, 0.29%

LAB 40.95, -12.12, 29.77

 

CMYK 6 / 0 / 35 / 65

HEX #54593A

RGB 84 89 58

HSL 69.68, 0.21%, 0.29%

LAB 36.62, -7.77, 17.32

 

CMYK 1 / 0 / 9 / 70

HEX #4C4D46

RGB 76 77 70

HSL 68.57, 0.05%, 0.29%

LAB 32.45, -1.88, 4.01

 

CMYK 0 / 31 / 82 / 51

HEX #7D5616

RGB 125 86 22

HSL 37.28, 0.7%, 0.29%

LAB 39.7, 10.24, 41.02

 

CMYK 0 / 10 / 82 / 51

HEX #7D7116

RGB 125 113 22

HSL 53.01, 0.7%, 0.29%

LAB 47.27, -5.52, 47.84

 

CMYK 12 / 0 / 82 / 51

HEX #6E7D16

RGB 110 125 22

HSL 68.74, 0.7%, 0.29%

LAB 49.54, -19.04, 49.37

 

CMYK 34 / 0 / 82 / 51

HEX #527D16

RGB 82 125 22

HSL 85.05, 0.7%, 0.29%

LAB 47.65, -30.99, 46.94

 

CMYK 57 / 0 / 82 / 51

HEX #367D16

RGB 54 125 22

HSL 101.36, 0.7%, 0.29%

LAB 46.32, -40.74, 45.24

 

CMYK 13 / 0 / 84 / 78

HEX #303709

RGB 48 55 9

HSL 69.13, 0.72%, 0.13%

LAB 21.51, -10.35, 26.04

 

CMYK 12 / 0 / 83 / 65

HEX #4F5A0F

RGB 79 90 15

HSL 68.8, 0.71%, 0.21%

LAB 36, -14.89, 38.49

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 13 / 0 / 83 / 37

HEX #8CA01C

RGB 140 160 28

HSL 69.09, 0.7%, 0.37%

LAB 62.34, -23.42, 59.81

 

CMYK 13 / 0 / 83 / 24

HEX #AAC322

RGB 170 195 34

HSL 69.32, 0.7%, 0.45%

LAB 74.63, -27.61, 69.78

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 82 / 0 / 54 / 51

HEX #167D3A

RGB 22 125 58

HSL 140.97, 0.7%, 0.29%

LAB 45.83, -43.54, 28.51

 

CMYK 21 / 82 / 0 / 51

HEX #63167D

RGB 99 22 125

HSL 284.85, 0.7%, 0.29%

LAB 25.88, 48.49, -41.15

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 82 / 12 / 0 / 51

HEX #166E7D

RGB 22 110 125

HSL 188.74, 0.7%, 0.29%

LAB 42.47, -19.08, -15.42

 

CMYK 0 / 82 / 12 / 51

HEX #7D166E

RGB 125 22 110

HSL 308.74, 0.7%, 0.29%

LAB 29.56, 51.33, -25.45

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 82 / 0 / 54 / 51

HEX #167D3A

RGB 22 125 58

HSL 140.97, 0.7%, 0.29%

LAB 45.83, -43.54, 28.51

 

CMYK 70 / 82 / 0 / 51

HEX #25167D

RGB 37 22 125

HSL 248.74, 0.7%, 0.29%

LAB 17.68, 39.01, -54.9

 

CMYK 0 / 82 / 29 / 51

HEX #7D1659

RGB 125 22 89

HSL 320.97, 0.7%, 0.29%

LAB 28.52, 48.36, -13.43

 

CMYK 13 / 0 / 82 / 51

HEX #6D7D16

RGB 109 125 22

HSL 69.32, 0.7%, 0.29%

LAB 49.47, -19.49, 49.27

 

CMYK 82 / 0 / 29 / 51

HEX #167D59

RGB 22 125 89

HSL 159.03, 0.7%, 0.29%

LAB 46.39, -37.15, 11.8

 

CMYK 70 / 82 / 0 / 51

HEX #25167D

RGB 37 22 125

HSL 248.74, 0.7%, 0.29%

LAB 17.68, 39.01, -54.9

 

CMYK 0 / 82 / 54 / 51

HEX #7D163A

RGB 125 22 58

HSL 339.03, 0.7%, 0.29%

LAB 27.41, 45.01, 5.62

 

Description

Color code: HEX #6D7D16 | qconv.com Color code: HEX #6D7D16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 125 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 125 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 82 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 82% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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