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Color name
HEX #6D7C10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D7C10 it is the complementary color #9283EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D7C10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D7C10 shade: #727C0B, #838E1E, #94A031, #A5B244 and #B6C457

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D7C10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D7C10 shade: #6D7C10, #5C6A00, #4B5800, #3A4600 and #293400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D7C10 shade: #6B790F, #796B0F, #794F0F, #79320F and #79160F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D7C10 shade: #6B790F, #4E790F, #31790F, #15790F and #0F7926

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D7C10 shade matches the following richer shades: #6B790F and #738504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D7C10 shade: #6B790F, #636E1A, #5B6326, #535831 and #4A4D3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D7C10 shade: #794F0F, #796B0F, #6B790F, #4F790F and #33790F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D7C10 shade: #2A3006, #4B550B, #6B790F, #8B9E14 and #ABC219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D7C10 shade: #6D7C10, #0F7933 and #5D0F79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D7C10 shade: #6D7C10, #0F6B79 and #790F6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D7C10 shade: #6D7C10, #0F7933, #1D0F79 and #790F56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D7C10 shade: #6D7C10, #0F7952, #1D0F79 and #790F36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 87 / 51

HEX #6D7C10

RGB 109 124 16

HSL 68.33, 0.77%, 0.27%

LAB 49.14, -19.18, 50.64

 

Complementary color

CMYK 39 / 45 / 0 / 6

HEX #9283EF

RGB 146 131 239

HSL 248.33, 0.77%, 0.73%

LAB 60.41, 30.92, -52.64

 

CMYK 8 / 0 / 91 / 51

HEX #727C0B

RGB 114 124 11

HSL 65.31, 0.84%, 0.26%

LAB 49.52, -17.04, 52.25

 

CMYK 8 / 0 / 79 / 44

HEX #838E1E

RGB 131 142 30

HSL 65.89, 0.65%, 0.34%

LAB 56.35, -18.14, 53.62

 

CMYK 7 / 0 / 69 / 37

HEX #94A031

RGB 148 160 49

HSL 66.49, 0.53%, 0.41%

LAB 63.06, -18.98, 53.67

 

CMYK 7 / 0 / 62 / 30

HEX #A5B244

RGB 165 178 68

HSL 67.09, 0.45%, 0.48%

LAB 69.65, -19.62, 53.06

 

CMYK 7 / 0 / 56 / 23

HEX #B6C457

RGB 182 196 87

HSL 67.71, 0.48%, 0.55%

LAB 76.14, -20.12, 52.14

 

CMYK 12 / 0 / 87 / 51

HEX #6D7C10

RGB 109 124 16

HSL 68.33, 0.77%, 0.27%

LAB 49.14, -19.18, 50.64

 

CMYK 13 / 0 / 100 / 58

HEX #5C6A00

RGB 92 106 0

HSL 67.92, 1%, 0.21%

LAB 42.13, -17.96, 48.12

 

CMYK 15 / 0 / 100 / 65

HEX #4B5800

RGB 75 88 0

HSL 68.86, 1%, 0.17%

LAB 34.95, -16.3, 42.15

 

CMYK 17 / 0 / 100 / 73

HEX #3A4600

RGB 58 70 0

HSL 70.29, 1%, 0.14%

LAB 27.52, -14.6, 35.83

 

CMYK 21 / 0 / 100 / 80

HEX #293400

RGB 41 52 0

HSL 72.69, 1%, 0.1%

LAB 19.75, -12.86, 27.59

 

CMYK 12 / 0 / 88 / 53

HEX #6B790F

RGB 107 121 15

HSL 67.92, 0.78%, 0.27%

LAB 48.05, -18.55, 49.91

 

CMYK 0 / 12 / 88 / 53

HEX #796B0F

RGB 121 107 15

HSL 52.08, 0.78%, 0.27%

LAB 45.1, -4.25, 47.94

 

CMYK 0 / 35 / 88 / 53

HEX #794F0F

RGB 121 79 15

HSL 36.23, 0.78%, 0.27%

LAB 37.28, 12.27, 41.35

 

CMYK 0 / 59 / 88 / 53

HEX #79320F

RGB 121 50 15

HSL 19.81, 0.78%, 0.27%

LAB 30.35, 29.04, 35.37

 

CMYK 0 / 82 / 88 / 53

HEX #79160F

RGB 121 22 15

HSL 3.96, 0.78%, 0.27%

LAB 25.78, 41.36, 31.31

 

CMYK 12 / 0 / 88 / 53

HEX #6B790F

RGB 107 121 15

HSL 67.92, 0.78%, 0.27%

LAB 48.05, -18.55, 49.91

 

CMYK 36 / 0 / 88 / 53

HEX #4E790F

RGB 78 121 15

HSL 84.34, 0.78%, 0.27%

LAB 46.08, -31.04, 47.45

 

CMYK 60 / 0 / 88 / 53

HEX #31790F

RGB 49 121 15

HSL 100.75, 0.78%, 0.27%

LAB 44.75, -41, 45.76

 

CMYK 83 / 0 / 88 / 53

HEX #15790F

RGB 21 121 15

HSL 116.6, 0.78%, 0.27%

LAB 44.04, -46.93, 44.86

 

CMYK 88 / 0 / 69 / 53

HEX #0F7926

RGB 15 121 38

HSL 133.02, 0.78%, 0.27%

LAB 44.11, -45.76, 36.44

 

CMYK 12 / 0 / 88 / 53

HEX #6B790F

RGB 107 121 15

HSL 67.92, 0.78%, 0.27%

LAB 48.05, -18.55, 49.91

 

CMYK 14 / 0 / 97 / 48

HEX #738504

RGB 115 133 4

HSL 68.37, 0.94%, 0.27%

LAB 52.32, -21.42, 55.8

 

CMYK 12 / 0 / 88 / 53

HEX #6B790F

RGB 107 121 15

HSL 67.92, 0.78%, 0.27%

LAB 48.05, -18.55, 49.91

 

CMYK 10 / 0 / 76 / 57

HEX #636E1A

RGB 99 110 26

HSL 67.86, 0.62%, 0.27%

LAB 44.06, -15.89, 42.6

 

CMYK 8 / 0 / 62 / 61

HEX #5B6326

RGB 91 99 38

HSL 67.87, 0.45%, 0.27%

LAB 40.06, -12.69, 32.88

 

CMYK 6 / 0 / 44 / 65

HEX #535831

RGB 83 88 49

HSL 67.69, 0.28%, 0.27%

LAB 36.06, -8.89, 21.92

 

CMYK 4 / 0 / 22 / 70

HEX #4A4D3C

RGB 74 77 60

HSL 70.59, 0.12%, 0.27%

LAB 32.01, -4.66, 9.7

 

CMYK 0 / 35 / 88 / 53

HEX #794F0F

RGB 121 79 15

HSL 36.23, 0.78%, 0.27%

LAB 37.28, 12.27, 41.35

 

CMYK 0 / 12 / 88 / 53

HEX #796B0F

RGB 121 107 15

HSL 52.08, 0.78%, 0.27%

LAB 45.1, -4.25, 47.94

 

CMYK 12 / 0 / 88 / 53

HEX #6B790F

RGB 107 121 15

HSL 67.92, 0.78%, 0.27%

LAB 48.05, -18.55, 49.91

 

CMYK 35 / 0 / 88 / 53

HEX #4F790F

RGB 79 121 15

HSL 83.77, 0.78%, 0.27%

LAB 46.14, -30.64, 47.52

 

CMYK 58 / 0 / 88 / 53

HEX #33790F

RGB 51 121 15

HSL 99.62, 0.78%, 0.27%

LAB 44.82, -40.42, 45.85

 

CMYK 13 / 0 / 88 / 81

HEX #2A3006

RGB 42 48 6

HSL 68.57, 0.78%, 0.11%

LAB 18.45, -9.43, 23.66

 

CMYK 12 / 0 / 87 / 67

HEX #4B550B

RGB 75 85 11

HSL 68.11, 0.77%, 0.19%

LAB 34.02, -14.21, 37.91

 

CMYK 12 / 0 / 88 / 53

HEX #6B790F

RGB 107 121 15

HSL 67.92, 0.78%, 0.27%

LAB 48.05, -18.55, 49.91

 

CMYK 12 / 0 / 87 / 38

HEX #8B9E14

RGB 139 158 20

HSL 68.26, 0.78%, 0.35%

LAB 61.65, -23.11, 61.13

 

CMYK 12 / 0 / 87 / 24

HEX #ABC219

RGB 171 194 25

HSL 68.17, 0.77%, 0.43%

LAB 74.39, -26.97, 71.59

 

CMYK 12 / 0 / 87 / 51

HEX #6D7C10

RGB 109 124 16

HSL 68.33, 0.77%, 0.27%

LAB 49.14, -19.18, 50.64

 

CMYK 88 / 0 / 58 / 53

HEX #0F7933

RGB 15 121 51

HSL 140.38, 0.78%, 0.27%

LAB 44.25, -44.01, 30.25

 

CMYK 23 / 88 / 0 / 53

HEX #5D0F79

RGB 93 15 121

HSL 284.15, 0.78%, 0.27%

LAB 23.83, 48.66, -41.98

 

CMYK 12 / 0 / 87 / 51

HEX #6D7C10

RGB 109 124 16

HSL 68.33, 0.77%, 0.27%

LAB 49.14, -19.18, 50.64

 

CMYK 88 / 12 / 0 / 53

HEX #0F6B79

RGB 15 107 121

HSL 187.92, 0.78%, 0.27%

LAB 41.21, -19.5, -14.93

 

CMYK 0 / 88 / 12 / 53

HEX #790F6B

RGB 121 15 107

HSL 307.92, 0.78%, 0.27%

LAB 28.03, 51.72, -25.99

 

CMYK 12 / 0 / 87 / 51

HEX #6D7C10

RGB 109 124 16

HSL 68.33, 0.77%, 0.27%

LAB 49.14, -19.18, 50.64

 

CMYK 88 / 0 / 58 / 53

HEX #0F7933

RGB 15 121 51

HSL 140.38, 0.78%, 0.27%

LAB 44.25, -44.01, 30.25

 

CMYK 76 / 88 / 0 / 53

HEX #1D0F79

RGB 29 15 121

HSL 247.92, 0.78%, 0.27%

LAB 15.4, 40.42, -56.14

 

CMYK 0 / 88 / 29 / 53

HEX #790F56

RGB 121 15 86

HSL 319.81, 0.78%, 0.27%

LAB 26.96, 48.78, -13.92

 

CMYK 12 / 0 / 87 / 51

HEX #6D7C10

RGB 109 124 16

HSL 68.33, 0.77%, 0.27%

LAB 49.14, -19.18, 50.64

 

CMYK 88 / 0 / 32 / 53

HEX #0F7952

RGB 15 121 82

HSL 157.92, 0.78%, 0.27%

LAB 44.78, -37.89, 13.64

 

CMYK 76 / 88 / 0 / 53

HEX #1D0F79

RGB 29 15 121

HSL 247.92, 0.78%, 0.27%

LAB 15.4, 40.42, -56.14

 

CMYK 0 / 88 / 55 / 53

HEX #790F36

RGB 121 15 54

HSL 337.92, 0.78%, 0.27%

LAB 25.78, 45.43, 5.93

 

Description

Color code: HEX #6D7C10 | qconv.com Color code: HEX #6D7C10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 124 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 124 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 87 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 87% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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