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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D7AB3 it is the complementary color #92854C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D7AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D7AB3 shade: #727AAE, #838CC1, #949ED4, #A5B0E7 and #B6C2FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D7AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D7AB3 shade: #6D7AB3, #5C68A0, #4B568D, #3A447A and #293267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D7AB3 shade: #6A78B2, #706AB2, #846AB2, #976AB2 and #AB6AB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D7AB3 shade: #6A78B2 and #6A6AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D7AB3 shade matches the following richer shades: #6A78B2, #586CC4, #4661D7, #3455E9 and #224AFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D7AB3 shade: #6A78B2, #7D83A0, #8F8F8E, #A19A7C and #B3A56A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D7AB3 shade: #6A9FB2, #6A8CB2, #6A79B2, #6F6AB2 and #826AB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D7AB3 shade: #455186, #5361A1, #6A78B2, #8691C0 and #A1A9CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D7AB3 shade: #6D7AB3, #B26AB2 and #95B26A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D7AB3 shade: #6D7AB3, #B26A79 and #79B26A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D7AB3 shade: #6D7AB3, #B26AB2, #B2A46A and #6AB26A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D7AB3 shade: #6D7AB3, #B26A9D, #B2A46A and #6AB280

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 32 / 0 / 30

HEX #6D7AB3

RGB 109 122 179

HSL 228.86, 0.32%, 0.56%

LAB 52.31, 9.73, -31.7

 

Complementary color

CMYK 0 / 9 / 48 / 43

HEX #92854C

RGB 146 133 76

HSL 48.86, 0.32%, 0.44%

LAB 55.49, -3.28, 32.37

 

CMYK 34 / 30 / 0 / 32

HEX #727AAE

RGB 114 122 174

HSL 232, 0.27%, 0.56%

LAB 52.46, 9.77, -28.57

 

CMYK 32 / 27 / 0 / 24

HEX #838CC1

RGB 131 140 193

HSL 231.29, 0.33%, 0.64%

LAB 59.37, 9.25, -28.6

 

CMYK 30 / 25 / 0 / 17

HEX #949ED4

RGB 148 158 212

HSL 230.63, 0.43%, 0.71%

LAB 66.14, 8.8, -28.68

 

CMYK 29 / 24 / 0 / 9

HEX #A5B0E7

RGB 165 176 231

HSL 230, 0.58%, 0.78%

LAB 72.77, 8.4, -28.8

 

CMYK 27 / 22 / 0 / 2

HEX #B6C2FA

RGB 182 194 250

HSL 229.41, 0.87%, 0.85%

LAB 79.29, 8.04, -28.94

 

CMYK 39 / 32 / 0 / 30

HEX #6D7AB3

RGB 109 122 179

HSL 228.86, 0.32%, 0.56%

LAB 52.31, 9.73, -31.7

 

CMYK 43 / 35 / 0 / 37

HEX #5C68A0

RGB 92 104 160

HSL 229.41, 0.27%, 0.49%

LAB 45.24, 10.43, -31.77

 

CMYK 47 / 39 / 0 / 45

HEX #4B568D

RGB 75 86 141

HSL 230, 0.31%, 0.42%

LAB 37.98, 11.28, -31.91

 

CMYK 52 / 44 / 0 / 52

HEX #3A447A

RGB 58 68 122

HSL 230.63, 0.36%, 0.35%

LAB 30.49, 12.37, -32.13

 

CMYK 60 / 51 / 0 / 60

HEX #293267

RGB 41 50 103

HSL 231.29, 0.43%, 0.28%

LAB 22.76, 13.84, -32.44

 

CMYK 40 / 33 / 0 / 30

HEX #6A78B2

RGB 106 120 178

HSL 228.33, 0.32%, 0.56%

LAB 51.51, 9.82, -32.4

 

CMYK 37 / 40 / 0 / 30

HEX #706AB2

RGB 112 106 178

HSL 245, 0.32%, 0.56%

LAB 48.22, 19.95, -37.53

 

CMYK 26 / 40 / 0 / 30

HEX #846AB2

RGB 132 106 178

HSL 261.67, 0.32%, 0.56%

LAB 50.01, 25.71, -34.59

 

CMYK 15 / 40 / 0 / 30

HEX #976AB2

RGB 151 106 178

HSL 277.5, 0.32%, 0.56%

LAB 51.95, 31.48, -31.41

 

CMYK 4 / 40 / 0 / 30

HEX #AB6AB2

RGB 171 106 178

HSL 294.17, 0.32%, 0.56%

LAB 54.22, 37.71, -27.71

 

CMYK 40 / 33 / 0 / 30

HEX #6A78B2

RGB 106 120 178

HSL 228.33, 0.32%, 0.56%

LAB 51.51, 9.82, -32.4

 

CMYK 40 / 40 / 0 / 30

HEX #6A6AB2

RGB 106 106 178

HSL 240, 0.32%, 0.56%

LAB 47.73, 18.32, -38.33

 

CMYK 40 / 33 / 0 / 30

HEX #6A78B2

RGB 106 120 178

HSL 228.33, 0.32%, 0.56%

LAB 51.51, 9.82, -32.4

 

CMYK 55 / 45 / 0 / 23

HEX #586CC4

RGB 88 108 196

HSL 228.89, 0.48%, 0.56%

LAB 47.99, 18.33, -48.42

 

CMYK 67 / 55 / 0 / 16

HEX #4661D7

RGB 70 97 215

HSL 228.83, 0.64%, 0.56%

LAB 45.3, 28.47, -63.68

 

CMYK 78 / 64 / 0 / 9

HEX #3455E9

RGB 52 85 233

HSL 229.06, 0.8%, 0.56%

LAB 42.93, 40.25, -77.81

 

CMYK 86 / 71 / 0 / 2

HEX #224AFB

RGB 34 74 251

HSL 228.94, 0.96%, 0.56%

LAB 41.54, 51.95, -90.25

 

CMYK 40 / 33 / 0 / 30

HEX #6A78B2

RGB 106 120 178

HSL 228.33, 0.32%, 0.56%

LAB 51.51, 9.82, -32.4

 

CMYK 22 / 18 / 0 / 37

HEX #7D83A0

RGB 125 131 160

HSL 229.71, 0.16%, 0.56%

LAB 55.21, 4.29, -16.18

 

CMYK 0 / 0 / 1 / 44

HEX #8F8F8E

RGB 143 143 142

HSL 60, 0%, 0.56%

LAB 59.38, -0.19, 0.52

 

CMYK 0 / 4 / 23 / 37

HEX #A19A7C

RGB 161 154 124

HSL 48.65, 0.16%, 0.56%

LAB 63.46, -2.48, 16.7

 

CMYK 0 / 8 / 41 / 30

HEX #B3A56A

RGB 179 165 106

HSL 48.49, 0.32%, 0.56%

LAB 67.68, -3.5, 32.4

 

CMYK 40 / 11 / 0 / 30

HEX #6A9FB2

RGB 106 159 178

HSL 195.83, 0.32%, 0.56%

LAB 62.57, -12.53, -15.39

 

CMYK 40 / 21 / 0 / 30

HEX #6A8CB2

RGB 106 140 178

HSL 211.67, 0.32%, 0.56%

LAB 57.11, -1.94, -23.72

 

CMYK 40 / 32 / 0 / 30

HEX #6A79B2

RGB 106 121 178

HSL 227.5, 0.32%, 0.56%

LAB 51.78, 9.22, -31.97

 

CMYK 38 / 40 / 0 / 30

HEX #6F6AB2

RGB 111 106 178

HSL 244.17, 0.32%, 0.56%

LAB 48.14, 19.68, -37.66

 

CMYK 27 / 40 / 0 / 30

HEX #826AB2

RGB 130 106 178

HSL 260, 0.32%, 0.56%

LAB 49.82, 25.12, -34.9

 

CMYK 49 / 40 / 0 / 47

HEX #455186

RGB 69 81 134

HSL 228.92, 0.32%, 0.4%

LAB 35.74, 10.66, -31.2

 

CMYK 48 / 40 / 0 / 37

HEX #5361A1

RGB 83 97 161

HSL 229.23, 0.32%, 0.48%

LAB 42.71, 12.74, -36.4

 

CMYK 40 / 33 / 0 / 30

HEX #6A78B2

RGB 106 120 178

HSL 228.33, 0.32%, 0.56%

LAB 51.51, 9.82, -32.4

 

CMYK 30 / 24 / 0 / 25

HEX #8691C0

RGB 134 145 192

HSL 228.62, 0.32%, 0.64%

LAB 60.89, 6.99, -25.68

 

CMYK 22 / 18 / 0 / 19

HEX #A1A9CE

RGB 161 169 206

HSL 229.33, 0.31%, 0.72%

LAB 69.76, 5.12, -19.74

 

CMYK 39 / 32 / 0 / 30

HEX #6D7AB3

RGB 109 122 179

HSL 228.86, 0.32%, 0.56%

LAB 52.31, 9.73, -31.7

 

CMYK 0 / 40 / 0 / 30

HEX #B26AB2

RGB 178 106 178

HSL 300, 0.32%, 0.56%

LAB 55.06, 39.91, -26.34

 

CMYK 16 / 0 / 40 / 30

HEX #95B26A

RGB 149 178 106

HSL 84.17, 0.32%, 0.56%

LAB 68.95, -22.29, 33.56

 

CMYK 39 / 32 / 0 / 30

HEX #6D7AB3

RGB 109 122 179

HSL 228.86, 0.32%, 0.56%

LAB 52.31, 9.73, -31.7

 

CMYK 0 / 40 / 32 / 30

HEX #B26A79

RGB 178 106 121

HSL 347.5, 0.32%, 0.56%

LAB 53.12, 30.62, 4.07

 

CMYK 32 / 0 / 40 / 30

HEX #79B26A

RGB 121 178 106

HSL 107.5, 0.32%, 0.56%

LAB 67.24, -32.52, 31.02

 

CMYK 39 / 32 / 0 / 30

HEX #6D7AB3

RGB 109 122 179

HSL 228.86, 0.32%, 0.56%

LAB 52.31, 9.73, -31.7

 

CMYK 0 / 40 / 0 / 30

HEX #B26AB2

RGB 178 106 178

HSL 300, 0.32%, 0.56%

LAB 55.06, 39.91, -26.34

 

CMYK 0 / 8 / 40 / 30

HEX #B2A46A

RGB 178 164 106

HSL 48.33, 0.32%, 0.56%

LAB 67.32, -3.38, 31.92

 

CMYK 40 / 0 / 40 / 30

HEX #6AB26A

RGB 106 178 106

HSL 120, 0.32%, 0.56%

LAB 66.48, -37.45, 29.89

 

CMYK 39 / 32 / 0 / 30

HEX #6D7AB3

RGB 109 122 179

HSL 228.86, 0.32%, 0.56%

LAB 52.31, 9.73, -31.7

 

CMYK 0 / 40 / 12 / 30

HEX #B26A9D

RGB 178 106 157

HSL 317.5, 0.32%, 0.56%

LAB 54.25, 36.13, -15.4

 

CMYK 0 / 8 / 40 / 30

HEX #B2A46A

RGB 178 164 106

HSL 48.33, 0.32%, 0.56%

LAB 67.32, -3.38, 31.92

 

CMYK 40 / 0 / 28 / 30

HEX #6AB280

RGB 106 178 128

HSL 138.33, 0.32%, 0.56%

LAB 66.87, -33.63, 18.64

 

Description

Color code: HEX #6D7AB3 | qconv.com Color code: HEX #6D7AB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 122 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 122 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 32 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 32% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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