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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D79B6 it is the complementary color #928649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D79B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D79B6 shade: #7279B1, #838BC4, #949DD7, #A5AFEA and #B6C1FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D79B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D79B6 shade: #6D79B6, #5C67A3, #4B5590, #3A437D and #29316A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D79B6 shade: #6D79B5, #746DB5, #886DB5, #9B6DB5 and #AF6DB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D79B6 shade: #6D79B5 and #6D6DB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D79B6 shade matches the following richer shades: #6D79B5, #5B6DC7, #4961D9, #3755EA and #2649FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D79B6 shade: #6D79B5, #7E84A3, #909092, #A29C80 and #B4A86E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D79B6 shade: #6D9FB5, #6D8CB5, #6D79B5, #746DB5 and #876DB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D79B6 shade: #45518A, #5361A5, #6D79B5, #8892C3 and #A4ABD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D79B6 shade: #6D79B6, #B56DB3 and #96B56D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D79B6 shade: #6D79B6, #B56D79 and #79B56D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D79B6 shade: #6D79B6, #B56DB3, #B5A96D and #6DB56F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D79B6 shade: #6D79B6, #B56D9D, #B5A96D and #6DB585

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 34 / 0 / 29

HEX #6D79B6

RGB 109 121 182

HSL 230.14, 0.33%, 0.57%

LAB 52.18, 11.19, -33.64

 

Complementary color

CMYK 0 / 8 / 50 / 43

HEX #928649

RGB 146 134 73

HSL 50.14, 0.33%, 0.43%

LAB 55.73, -4.13, 34.26

 

CMYK 36 / 32 / 0 / 31

HEX #7279B1

RGB 114 121 177

HSL 233.33, 0.29%, 0.57%

LAB 52.32, 11.19, -30.52

 

CMYK 33 / 29 / 0 / 23

HEX #838BC4

RGB 131 139 196

HSL 232.62, 0.36%, 0.64%

LAB 59.23, 10.62, -30.52

 

CMYK 31 / 27 / 0 / 16

HEX #949DD7

RGB 148 157 215

HSL 231.94, 0.46%, 0.71%

LAB 65.99, 10.13, -30.57

 

CMYK 29 / 25 / 0 / 8

HEX #A5AFEA

RGB 165 175 234

HSL 231.3, 0.62%, 0.78%

LAB 72.63, 9.69, -30.65

 

CMYK 28 / 24 / 0 / 1

HEX #B6C1FD

RGB 182 193 253

HSL 230.7, 0.95%, 0.85%

LAB 79.14, 9.29, -30.77

 

CMYK 40 / 34 / 0 / 29

HEX #6D79B6

RGB 109 121 182

HSL 230.14, 0.33%, 0.57%

LAB 52.18, 11.19, -33.64

 

CMYK 44 / 37 / 0 / 36

HEX #5C67A3

RGB 92 103 163

HSL 230.7, 0.28%, 0.5%

LAB 45.11, 11.95, -33.74

 

CMYK 48 / 41 / 0 / 44

HEX #4B5590

RGB 75 85 144

HSL 231.3, 0.32%, 0.43%

LAB 37.85, 12.89, -33.92

 

CMYK 54 / 46 / 0 / 51

HEX #3A437D

RGB 58 67 125

HSL 231.94, 0.37%, 0.36%

LAB 30.39, 14.07, -34.17

 

CMYK 61 / 54 / 0 / 58

HEX #29316A

RGB 41 49 106

HSL 232.62, 0.44%, 0.29%

LAB 22.68, 15.66, -34.51

 

CMYK 40 / 33 / 0 / 29

HEX #6D79B5

RGB 109 121 181

HSL 230, 0.33%, 0.57%

LAB 52.13, 10.9, -33.14

 

CMYK 36 / 40 / 0 / 29

HEX #746DB5

RGB 116 109 181

HSL 245.83, 0.33%, 0.57%

LAB 49.48, 20.09, -37.26

 

CMYK 25 / 40 / 0 / 29

HEX #886DB5

RGB 136 109 181

HSL 262.5, 0.33%, 0.57%

LAB 51.28, 25.88, -34.31

 

CMYK 14 / 40 / 0 / 29

HEX #9B6DB5

RGB 155 109 181

HSL 278.33, 0.33%, 0.57%

LAB 53.21, 31.67, -31.14

 

CMYK 3 / 40 / 0 / 29

HEX #AF6DB5

RGB 175 109 181

HSL 295, 0.33%, 0.57%

LAB 55.47, 37.91, -27.47

 

CMYK 40 / 33 / 0 / 29

HEX #6D79B5

RGB 109 121 181

HSL 230, 0.33%, 0.57%

LAB 52.13, 10.9, -33.14

 

CMYK 40 / 40 / 0 / 29

HEX #6D6DB5

RGB 109 109 181

HSL 240, 0.33%, 0.57%

LAB 48.91, 18.16, -38.19

 

CMYK 40 / 33 / 0 / 29

HEX #6D79B5

RGB 109 121 181

HSL 230, 0.33%, 0.57%

LAB 52.13, 10.9, -33.14

 

CMYK 54 / 45 / 0 / 22

HEX #5B6DC7

RGB 91 109 199

HSL 230, 0.49%, 0.57%

LAB 48.62, 19.33, -49.13

 

CMYK 66 / 55 / 0 / 15

HEX #4961D9

RGB 73 97 217

HSL 230, 0.65%, 0.57%

LAB 45.6, 29.61, -64.33

 

CMYK 76 / 64 / 0 / 8

HEX #3755EA

RGB 55 85 234

HSL 229.94, 0.81%, 0.57%

LAB 43.14, 40.88, -78.03

 

CMYK 85 / 71 / 0 / 1

HEX #2649FC

RGB 38 73 252

HSL 230.19, 0.97%, 0.57%

LAB 41.54, 53.06, -90.79

 

CMYK 40 / 33 / 0 / 29

HEX #6D79B5

RGB 109 121 181

HSL 230, 0.33%, 0.57%

LAB 52.13, 10.9, -33.14

 

CMYK 23 / 19 / 0 / 36

HEX #7E84A3

RGB 126 132 163

HSL 230.27, 0.17%, 0.57%

LAB 55.67, 4.76, -17.2

 

CMYK 1 / 1 / 0 / 43

HEX #909092

RGB 144 144 146

HSL 240, 0.01%, 0.57%

LAB 59.84, 0.4, -1.07

 

CMYK 0 / 4 / 21 / 36

HEX #A29C80

RGB 162 156 128

HSL 49.41, 0.15%, 0.57%

LAB 64.17, -2.58, 15.47

 

CMYK 0 / 7 / 39 / 29

HEX #B4A86E

RGB 180 168 110

HSL 49.71, 0.32%, 0.57%

LAB 68.63, -4.24, 31.53

 

CMYK 40 / 12 / 0 / 29

HEX #6D9FB5

RGB 109 159 181

HSL 198.33, 0.33%, 0.57%

LAB 62.83, -10.92, -16.67

 

CMYK 40 / 23 / 0 / 29

HEX #6D8CB5

RGB 109 140 181

HSL 214.17, 0.33%, 0.57%

LAB 57.41, -0.28, -24.95

 

CMYK 40 / 33 / 0 / 29

HEX #6D79B5

RGB 109 121 181

HSL 230, 0.33%, 0.57%

LAB 52.13, 10.9, -33.14

 

CMYK 36 / 40 / 0 / 29

HEX #746DB5

RGB 116 109 181

HSL 245.83, 0.33%, 0.57%

LAB 49.48, 20.09, -37.26

 

CMYK 25 / 40 / 0 / 29

HEX #876DB5

RGB 135 109 181

HSL 261.67, 0.33%, 0.57%

LAB 51.18, 25.58, -34.47

 

CMYK 50 / 41 / 0 / 46

HEX #45518A

RGB 69 81 138

HSL 229.57, 0.33%, 0.41%

LAB 35.96, 11.97, -33.3

 

CMYK 50 / 41 / 0 / 35

HEX #5361A5

RGB 83 97 165

HSL 229.76, 0.33%, 0.49%

LAB 42.92, 14.01, -38.42

 

CMYK 40 / 33 / 0 / 29

HEX #6D79B5

RGB 109 121 181

HSL 230, 0.33%, 0.57%

LAB 52.13, 10.9, -33.14

 

CMYK 30 / 25 / 0 / 24

HEX #8892C3

RGB 136 146 195

HSL 229.83, 0.33%, 0.65%

LAB 61.42, 7.78, -26.54

 

CMYK 22 / 18 / 0 / 18

HEX #A4ABD1

RGB 164 171 209

HSL 230.67, 0.33%, 0.73%

LAB 70.61, 5.64, -20.08

 

CMYK 40 / 34 / 0 / 29

HEX #6D79B6

RGB 109 121 182

HSL 230.14, 0.33%, 0.57%

LAB 52.18, 11.19, -33.64

 

CMYK 0 / 40 / 1 / 29

HEX #B56DB3

RGB 181 109 179

HSL 301.67, 0.33%, 0.57%

LAB 56.1, 39.42, -25.28

 

CMYK 17 / 0 / 40 / 29

HEX #96B56D

RGB 150 181 109

HSL 85.83, 0.33%, 0.57%

LAB 69.92, -23.01, 33.26

 

CMYK 40 / 34 / 0 / 29

HEX #6D79B6

RGB 109 121 182

HSL 230.14, 0.33%, 0.57%

LAB 52.18, 11.19, -33.64

 

CMYK 0 / 40 / 33 / 29

HEX #B56D79

RGB 181 109 121

HSL 350, 0.33%, 0.57%

LAB 54.18, 30.11, 5.65

 

CMYK 33 / 0 / 40 / 29

HEX #79B56D

RGB 121 181 109

HSL 110, 0.33%, 0.57%

LAB 68.18, -33.48, 30.67

 

CMYK 40 / 34 / 0 / 29

HEX #6D79B6

RGB 109 121 182

HSL 230.14, 0.33%, 0.57%

LAB 52.18, 11.19, -33.64

 

CMYK 0 / 40 / 1 / 29

HEX #B56DB3

RGB 181 109 179

HSL 301.67, 0.33%, 0.57%

LAB 56.1, 39.42, -25.28

 

CMYK 0 / 7 / 40 / 29

HEX #B5A96D

RGB 181 169 109

HSL 50, 0.33%, 0.57%

LAB 68.97, -4.48, 32.52

 

CMYK 40 / 0 / 39 / 29

HEX #6DB56F

RGB 109 181 111

HSL 121.67, 0.33%, 0.57%

LAB 67.61, -37.07, 28.76

 

CMYK 40 / 34 / 0 / 29

HEX #6D79B6

RGB 109 121 182

HSL 230.14, 0.33%, 0.57%

LAB 52.18, 11.19, -33.64

 

CMYK 0 / 40 / 13 / 29

HEX #B56D9D

RGB 181 109 157

HSL 320, 0.33%, 0.57%

LAB 55.27, 35.52, -13.81

 

CMYK 0 / 7 / 40 / 29

HEX #B5A96D

RGB 181 169 109

HSL 50, 0.33%, 0.57%

LAB 68.97, -4.48, 32.52

 

CMYK 40 / 0 / 27 / 29

HEX #6DB585

RGB 109 181 133

HSL 140, 0.33%, 0.57%

LAB 68.02, -33.19, 17.52

 

Description

Color code: HEX #6D79B6 | qconv.com Color code: HEX #6D79B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 121 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 121 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 34 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 34% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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