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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D7884 it is the complementary color #92877B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D7884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D7884 shade: #72787F, #838A92, #949CA5, #A5AEB8 and #B6C0CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D7884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D7884 shade: #6D7884, #5C6671, #4B545E, #3A424B and #293038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D7884 shade: #6B7783, #6B7083, #6D6B83, #736B83 and #7A6B83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D7884 shade: #6B7783, #6B7083 and #6B6B83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D7884 shade matches the following richer shades: #6B7783, #587697, #4575AA, #3174BE and #1E73D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D7884 shade: #6B7783, #7F7870, #92795D, #A67949 and #B97A36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D7884 shade: #6B8383, #6B7D83, #6B7783, #6B7183 and #6D6B83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D7884 shade: #464E56, #59626D, #6B7783, #818B97 and #97A0AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D7884 shade: #6D7884, #7D6B83 and #81836B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D7884 shade: #6D7884, #836B77 and #77836B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D7884 shade: #6D7884, #7D6B83, #83786B and #72836B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D7884 shade: #6D7884, #836B83, #83786B and #6B836C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 9 / 0 / 48

HEX #6D7884

RGB 109 120 132

HSL 211.3, 0.1%, 0.47%

LAB 49.92, -1.38, -7.94

 

Complementary color

CMYK 0 / 8 / 16 / 43

HEX #92877B

RGB 146 135 123

HSL 31.3, 0.1%, 0.53%

LAB 56.95, 2.01, 7.94

 

CMYK 10 / 6 / 0 / 50

HEX #72787F

RGB 114 120 127

HSL 212.31, 0.05%, 0.47%

LAB 50.15, -0.74, -4.61

 

CMYK 10 / 5 / 0 / 43

HEX #838A92

RGB 131 138 146

HSL 212, 0.06%, 0.54%

LAB 57.15, -0.88, -5.15

 

CMYK 10 / 5 / 0 / 35

HEX #949CA5

RGB 148 156 165

HSL 211.76, 0.09%, 0.61%

LAB 63.99, -1.01, -5.68

 

CMYK 10 / 5 / 0 / 28

HEX #A5AEB8

RGB 165 174 184

HSL 211.58, 0.12%, 0.68%

LAB 70.69, -1.13, -6.2

 

CMYK 10 / 5 / 0 / 20

HEX #B6C0CB

RGB 182 192 203

HSL 211.43, 0.17%, 0.75%

LAB 77.25, -1.26, -6.71

 

CMYK 17 / 9 / 0 / 48

HEX #6D7884

RGB 109 120 132

HSL 211.3, 0.1%, 0.47%

LAB 49.92, -1.38, -7.94

 

CMYK 19 / 10 / 0 / 56

HEX #5C6671

RGB 92 102 113

HSL 211.43, 0.1%, 0.4%

LAB 42.72, -1.25, -7.47

 

CMYK 20 / 11 / 0 / 63

HEX #4B545E

RGB 75 84 94

HSL 211.58, 0.11%, 0.33%

LAB 35.29, -1.12, -7.01

 

CMYK 23 / 12 / 0 / 71

HEX #3A424B

RGB 58 66 75

HSL 211.76, 0.13%, 0.26%

LAB 27.58, -0.98, -6.54

 

CMYK 27 / 14 / 0 / 78

HEX #293038

RGB 41 48 56

HSL 212, 0.15%, 0.19%

LAB 19.52, -0.82, -6.09

 

CMYK 18 / 9 / 0 / 49

HEX #6B7783

RGB 107 119 131

HSL 210, 0.1%, 0.47%

LAB 49.45, -1.73, -8.07

 

CMYK 18 / 15 / 0 / 49

HEX #6B7083

RGB 107 112 131

HSL 227.5, 0.1%, 0.47%

LAB 47.43, 2.39, -11.09

 

CMYK 17 / 18 / 0 / 49

HEX #6D6B83

RGB 109 107 131

HSL 245, 0.1%, 0.47%

LAB 46.18, 6.08, -12.96

 

CMYK 12 / 18 / 0 / 49

HEX #736B83

RGB 115 107 131

HSL 260, 0.1%, 0.47%

LAB 46.71, 8.2, -12.11

 

CMYK 7 / 18 / 0 / 49

HEX #7A6B83

RGB 122 107 131

HSL 277.5, 0.1%, 0.47%

LAB 47.35, 10.72, -11.08

 

CMYK 18 / 9 / 0 / 49

HEX #6B7783

RGB 107 119 131

HSL 210, 0.1%, 0.47%

LAB 49.45, -1.73, -8.07

 

CMYK 18 / 15 / 0 / 49

HEX #6B7083

RGB 107 112 131

HSL 227.5, 0.1%, 0.47%

LAB 47.43, 2.39, -11.09

 

CMYK 18 / 18 / 0 / 49

HEX #6B6B83

RGB 107 107 131

HSL 240, 0.1%, 0.47%

LAB 46.02, 5.38, -13.23

 

CMYK 18 / 9 / 0 / 49

HEX #6B7783

RGB 107 119 131

HSL 210, 0.1%, 0.47%

LAB 49.45, -1.73, -8.07

 

CMYK 42 / 22 / 0 / 41

HEX #587697

RGB 88 118 151

HSL 211.43, 0.26%, 0.47%

LAB 48.59, -1.83, -21.27

 

CMYK 59 / 31 / 0 / 33

HEX #4575AA

RGB 69 117 170

HSL 211.49, 0.42%, 0.47%

LAB 48.12, 0.1, -33.21

 

CMYK 74 / 39 / 0 / 25

HEX #3174BE

RGB 49 116 190

HSL 211.49, 0.59%, 0.47%

LAB 48.08, 4.41, -44.92

 

CMYK 86 / 45 / 0 / 18

HEX #1E73D1

RGB 30 115 209

HSL 211.51, 0.75%, 0.47%

LAB 48.44, 10.31, -55.27

 

CMYK 18 / 9 / 0 / 49

HEX #6B7783

RGB 107 119 131

HSL 210, 0.1%, 0.47%

LAB 49.45, -1.73, -8.07

 

CMYK 0 / 6 / 12 / 50

HEX #7F7870

RGB 127 120 112

HSL 32, 0.06%, 0.47%

LAB 50.82, 1.19, 5.34

 

CMYK 0 / 17 / 36 / 43

HEX #92795D

RGB 146 121 93

HSL 31.7, 0.22%, 0.47%

LAB 52.48, 5.48, 18.99

 

CMYK 0 / 27 / 56 / 35

HEX #A67949

RGB 166 121 73

HSL 30.97, 0.39%, 0.47%

LAB 54.3, 11.96, 32.99

 

CMYK 0 / 34 / 71 / 27

HEX #B97A36

RGB 185 122 54

HSL 31.15, 0.55%, 0.47%

LAB 56.58, 18.37, 45.94

 

CMYK 18 / 0 / 0 / 49

HEX #6B8383

RGB 107 131 131

HSL 180, 0.1%, 0.47%

LAB 52.95, -8.59, -2.88

 

CMYK 18 / 5 / 0 / 49

HEX #6B7D83

RGB 107 125 131

HSL 195, 0.1%, 0.47%

LAB 51.19, -5.19, -5.47

 

CMYK 18 / 9 / 0 / 49

HEX #6B7783

RGB 107 119 131

HSL 210, 0.1%, 0.47%

LAB 49.45, -1.73, -8.07

 

CMYK 18 / 14 / 0 / 49

HEX #6B7183

RGB 107 113 131

HSL 225, 0.1%, 0.47%

LAB 47.72, 1.8, -10.66

 

CMYK 17 / 18 / 0 / 49

HEX #6D6B83

RGB 109 107 131

HSL 245, 0.1%, 0.47%

LAB 46.18, 6.08, -12.96

 

CMYK 19 / 9 / 0 / 66

HEX #464E56

RGB 70 78 86

HSL 210, 0.1%, 0.31%

LAB 32.75, -1.25, -5.79

 

CMYK 18 / 10 / 0 / 57

HEX #59626D

RGB 89 98 109

HSL 213, 0.1%, 0.39%

LAB 41.16, -0.89, -7.4

 

CMYK 18 / 9 / 0 / 49

HEX #6B7783

RGB 107 119 131

HSL 210, 0.1%, 0.47%

LAB 49.45, -1.73, -8.07

 

CMYK 15 / 8 / 0 / 41

HEX #818B97

RGB 129 139 151

HSL 212.73, 0.1%, 0.55%

LAB 57.43, -1.05, -7.62

 

CMYK 11 / 6 / 0 / 33

HEX #97A0AA

RGB 151 160 170

HSL 211.58, 0.1%, 0.63%

LAB 65.45, -1.14, -6.29

 

CMYK 17 / 9 / 0 / 48

HEX #6D7884

RGB 109 120 132

HSL 211.3, 0.1%, 0.47%

LAB 49.92, -1.38, -7.94

 

CMYK 5 / 18 / 0 / 49

HEX #7D6B83

RGB 125 107 131

HSL 285, 0.1%, 0.47%

LAB 47.64, 11.81, -10.62

 

CMYK 2 / 0 / 18 / 49

HEX #81836B

RGB 129 131 107

HSL 65, 0.1%, 0.47%

LAB 53.99, -5.15, 12.75

 

CMYK 17 / 9 / 0 / 48

HEX #6D7884

RGB 109 120 132

HSL 211.3, 0.1%, 0.47%

LAB 49.92, -1.38, -7.94

 

CMYK 0 / 18 / 9 / 49

HEX #836B77

RGB 131 107 119

HSL 330, 0.1%, 0.47%

LAB 47.84, 11.66, -3.09

 

CMYK 9 / 0 / 18 / 49

HEX #77836B

RGB 119 131 107

HSL 90, 0.1%, 0.47%

LAB 53.19, -9.08, 11.51

 

CMYK 17 / 9 / 0 / 48

HEX #6D7884

RGB 109 120 132

HSL 211.3, 0.1%, 0.47%

LAB 49.92, -1.38, -7.94

 

CMYK 5 / 18 / 0 / 49

HEX #7D6B83

RGB 125 107 131

HSL 285, 0.1%, 0.47%

LAB 47.64, 11.81, -10.62

 

CMYK 0 / 8 / 18 / 49

HEX #83786B

RGB 131 120 107

HSL 32.5, 0.1%, 0.47%

LAB 51.06, 1.92, 8.67

 

CMYK 13 / 0 / 18 / 49

HEX #72836B

RGB 114 131 107

HSL 102.5, 0.1%, 0.47%

LAB 52.81, -11.01, 10.93

 

CMYK 17 / 9 / 0 / 48

HEX #6D7884

RGB 109 120 132

HSL 211.3, 0.1%, 0.47%

LAB 49.92, -1.38, -7.94

 

CMYK 0 / 18 / 0 / 49

HEX #836B83

RGB 131 107 131

HSL 300, 0.1%, 0.47%

LAB 48.23, 14.01, -9.67

 

CMYK 0 / 8 / 18 / 49

HEX #83786B

RGB 131 120 107

HSL 32.5, 0.1%, 0.47%

LAB 51.06, 1.92, 8.67

 

CMYK 18 / 0 / 18 / 49

HEX #6B836C

RGB 107 131 108

HSL 122.5, 0.1%, 0.47%

LAB 52.33, -13.45, 9.61

 

Description

Color code: HEX #6D7884 | qconv.com Color code: HEX #6D7884 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 120 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 120 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 9 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 9% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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