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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D747D it is the complementary color #928B82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D747D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D747D shade: #727478, #83868B, #94989E, #A5AAB1 and #B6BCC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D747D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D747D shade: #6D747D, #5C626A, #4B5057, #3A3E44 and #292C31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D747D shade: #6D747D, #6D6F7D, #6E6D7D, #736D7D and #776D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D747D shade: #6D747D, #6D6F7D and #6D6D7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D747D shade matches the following richer shades: #6D747D, #5A7190, #476FA3, #346DB6 and #216AC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D747D shade: #6D747D, #80766A, #937957, #A67B44 and #B97D31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D747D shade: #6D7D7D, #6D787D, #6D747D, #6D707D and #6E6D7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D747D shade: #464B51, #595F67, #6D747D, #818892 and #979DA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D747D shade: #6D747D, #796D7D and #7B7D6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D747D shade: #6D747D, #7D6D74 and #747D6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D747D shade: #6D747D, #796D7D, #7D766D and #717D6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D747D shade: #6D747D, #7D6D7C, #7D766D and #6D7D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

Complementary color

CMYK 0 / 5 / 11 / 43

HEX #928B82

RGB 146 139 130

HSL 33.75, 0.07%, 0.54%

LAB 58.22, 0.96, 5.73

 

CMYK 5 / 3 / 0 / 53

HEX #727478

RGB 114 116 120

HSL 220, 0.03%, 0.46%

LAB 48.79, 0.08, -2.47

 

CMYK 6 / 4 / 0 / 45

HEX #83868B

RGB 131 134 139

HSL 217.5, 0.03%, 0.53%

LAB 55.83, -0.08, -3.07

 

CMYK 6 / 4 / 0 / 38

HEX #94989E

RGB 148 152 158

HSL 216, 0.05%, 0.6%

LAB 62.69, -0.24, -3.65

 

CMYK 7 / 4 / 0 / 31

HEX #A5AAB1

RGB 165 170 177

HSL 215, 0.07%, 0.67%

LAB 69.41, -0.38, -4.21

 

CMYK 7 / 4 / 0 / 23

HEX #B6BCC4

RGB 182 188 196

HSL 214.29, 0.11%, 0.74%

LAB 76.01, -0.52, -4.76

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 13 / 8 / 0 / 58

HEX #5C626A

RGB 92 98 106

HSL 214.29, 0.07%, 0.39%

LAB 41.3, -0.52, -5.33

 

CMYK 14 / 8 / 0 / 66

HEX #4B5057

RGB 75 80 87

HSL 215, 0.07%, 0.32%

LAB 33.82, -0.37, -4.79

 

CMYK 15 / 9 / 0 / 73

HEX #3A3E44

RGB 58 62 68

HSL 216, 0.08%, 0.25%

LAB 26.05, -0.2, -4.24

 

CMYK 16 / 10 / 0 / 81

HEX #292C31

RGB 41 44 49

HSL 217.5, 0.09%, 0.18%

LAB 17.89, -0.03, -3.68

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 13 / 11 / 0 / 51

HEX #6D6F7D

RGB 109 111 125

HSL 232.5, 0.07%, 0.46%

LAB 47.11, 2.29, -7.99

 

CMYK 12 / 13 / 0 / 51

HEX #6E6D7D

RGB 110 109 125

HSL 243.75, 0.07%, 0.46%

LAB 46.62, 3.84, -8.7

 

CMYK 8 / 13 / 0 / 51

HEX #736D7D

RGB 115 109 125

HSL 262.5, 0.07%, 0.46%

LAB 47.06, 5.66, -8.01

 

CMYK 5 / 13 / 0 / 51

HEX #776D7D

RGB 119 109 125

HSL 277.5, 0.07%, 0.46%

LAB 47.42, 7.13, -7.43

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 13 / 11 / 0 / 51

HEX #6D6F7D

RGB 109 111 125

HSL 232.5, 0.07%, 0.46%

LAB 47.11, 2.29, -7.99

 

CMYK 13 / 13 / 0 / 51

HEX #6D6D7D

RGB 109 109 125

HSL 240, 0.07%, 0.46%

LAB 46.54, 3.48, -8.84

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 38 / 22 / 0 / 44

HEX #5A7190

RGB 90 113 144

HSL 214.44, 0.23%, 0.46%

LAB 46.97, -0.3, -19.63

 

CMYK 56 / 32 / 0 / 36

HEX #476FA3

RGB 71 111 163

HSL 213.91, 0.39%, 0.46%

LAB 46.11, 1.83, -32.26

 

CMYK 71 / 40 / 0 / 29

HEX #346DB6

RGB 52 109 182

HSL 213.69, 0.56%, 0.46%

LAB 45.7, 6.23, -44.08

 

CMYK 84 / 47 / 0 / 21

HEX #216AC9

RGB 33 106 201

HSL 213.93, 0.72%, 0.46%

LAB 45.43, 13.16, -55.53

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 0 / 8 / 17 / 50

HEX #80766A

RGB 128 118 106

HSL 32.73, 0.09%, 0.46%

LAB 50.2, 1.69, 8

 

CMYK 0 / 18 / 41 / 42

HEX #937957

RGB 147 121 87

HSL 34, 0.26%, 0.46%

LAB 52.47, 5.16, 22.43

 

CMYK 0 / 26 / 59 / 35

HEX #A67B44

RGB 166 123 68

HSL 33.67, 0.42%, 0.46%

LAB 54.75, 10.41, 36.2

 

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

CMYK 13 / 0 / 0 / 51

HEX #6D7D7D

RGB 109 125 125

HSL 180, 0.07%, 0.46%

LAB 51.15, -5.85, -1.99

 

CMYK 13 / 4 / 0 / 51

HEX #6D787D

RGB 109 120 125

HSL 198.75, 0.07%, 0.46%

LAB 49.7, -2.99, -4.14

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 13 / 10 / 0 / 51

HEX #6D707D

RGB 109 112 125

HSL 228.75, 0.07%, 0.46%

LAB 47.39, 1.7, -7.56

 

CMYK 12 / 13 / 0 / 51

HEX #6E6D7D

RGB 110 109 125

HSL 243.75, 0.07%, 0.46%

LAB 46.62, 3.84, -8.7

 

CMYK 14 / 7 / 0 / 68

HEX #464B51

RGB 70 75 81

HSL 212.73, 0.07%, 0.3%

LAB 31.64, -0.61, -4.26

 

CMYK 14 / 8 / 0 / 60

HEX #595F67

RGB 89 95 103

HSL 214.29, 0.07%, 0.38%

LAB 40.06, -0.51, -5.36

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 12 / 7 / 0 / 43

HEX #818892

RGB 129 136 146

HSL 215.29, 0.07%, 0.54%

LAB 56.44, -0.45, -6.23

 

CMYK 8 / 5 / 0 / 35

HEX #979DA5

RGB 151 157 165

HSL 214.29, 0.07%, 0.62%

LAB 64.49, -0.53, -4.91

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 3 / 13 / 0 / 51

HEX #796D7D

RGB 121 109 125

HSL 285, 0.07%, 0.46%

LAB 47.6, 7.87, -7.14

 

CMYK 2 / 0 / 13 / 51

HEX #7B7D6D

RGB 123 125 109

HSL 67.5, 0.07%, 0.46%

LAB 51.82, -3.8, 8.47

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 0 / 13 / 7 / 51

HEX #7D6D74

RGB 125 109 116

HSL 333.75, 0.07%, 0.46%

LAB 47.7, 7.58, -1.58

 

CMYK 7 / 0 / 13 / 51

HEX #747D6D

RGB 116 125 109

HSL 93.75, 0.07%, 0.46%

LAB 51.25, -6.53, 7.59

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 3 / 13 / 0 / 51

HEX #796D7D

RGB 121 109 125

HSL 285, 0.07%, 0.46%

LAB 47.6, 7.87, -7.14

 

CMYK 0 / 6 / 13 / 51

HEX #7D766D

RGB 125 118 109

HSL 33.75, 0.07%, 0.46%

LAB 50, 1.01, 5.91

 

CMYK 10 / 0 / 13 / 51

HEX #717D6D

RGB 113 125 109

HSL 105, 0.07%, 0.46%

LAB 51.02, -7.68, 7.22

 

CMYK 13 / 7 / 0 / 51

HEX #6D747D

RGB 109 116 125

HSL 213.75, 0.07%, 0.46%

LAB 48.54, -0.66, -5.85

 

CMYK 0 / 13 / 1 / 51

HEX #7D6D7C

RGB 125 109 124

HSL 303.75, 0.07%, 0.46%

LAB 47.95, 9.16, -5.99

 

CMYK 0 / 6 / 13 / 51

HEX #7D766D

RGB 125 118 109

HSL 33.75, 0.07%, 0.46%

LAB 50, 1.01, 5.91

 

CMYK 13 / 0 / 13 / 51

HEX #6D7D6D

RGB 109 125 109

HSL 120, 0.07%, 0.46%

LAB 50.71, -9.2, 6.75

 

Description

Color code: HEX #6D747D | qconv.com Color code: HEX #6D747D | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 116 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 116 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 7 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 7% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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