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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D62AE it is the complementary color #929D51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D62AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D62AE shade: #7262A9, #8374BC, #9486CF, #A598E2 and #B6AAF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D62AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D62AE shade: #6D62AE, #5C509B, #4B3E88, #3A2C75 and #291A62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D62AE shade: #6B60AD, #8060AD, #9560AD, #A960AD and #AD609C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D62AE shade: #6B60AD and #6060AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D62AE shade matches the following richer shades: #6B60AD, #5E4DC0, #503AD4, #4226E7 and #3413FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D62AE shade: #6B60AD, #79749A, #878786, #959A73 and #A3AE5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D62AE shade: #607FAD, #606BAD, #6B60AD, #7F60AD and #9360AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D62AE shade: #483F7B, #584D97, #6B60AD, #857CBB and #9E97C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D62AE shade: #6D62AE, #AD6093 and #75AD60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D62AE shade: #6D62AE, #AD6B60 and #60AD6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D62AE shade: #6D62AE, #AD6093, #A3AD60 and #60AD7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D62AE shade: #6D62AE, #AD607C, #A3AD60 and #60AD91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 44 / 0 / 32

HEX #6D62AE

RGB 109 98 174

HSL 248.68, 0.32%, 0.53%

LAB 45.69, 22.88, -39.2

 

Complementary color

CMYK 7 / 0 / 48 / 38

HEX #929D51

RGB 146 157 81

HSL 68.68, 0.32%, 0.47%

LAB 62.35, -15.69, 38.16

 

CMYK 33 / 42 / 0 / 34

HEX #7262A9

RGB 114 98 169

HSL 253.52, 0.29%, 0.52%

LAB 45.88, 22.89, -35.95

 

CMYK 30 / 38 / 0 / 26

HEX #8374BC

RGB 131 116 188

HSL 252.5, 0.35%, 0.6%

LAB 52.89, 22.05, -35.85

 

CMYK 29 / 35 / 0 / 19

HEX #9486CF

RGB 148 134 207

HSL 251.51, 0.43%, 0.67%

LAB 59.75, 21.31, -35.8

 

CMYK 27 / 33 / 0 / 11

HEX #A598E2

RGB 165 152 226

HSL 250.54, 0.56%, 0.74%

LAB 66.48, 20.65, -35.79

 

CMYK 26 / 31 / 0 / 4

HEX #B6AAF5

RGB 182 170 245

HSL 249.6, 0.79%, 0.81%

LAB 73.08, 20.06, -35.82

 

CMYK 37 / 44 / 0 / 32

HEX #6D62AE

RGB 109 98 174

HSL 248.68, 0.32%, 0.53%

LAB 45.69, 22.88, -39.2

 

CMYK 41 / 48 / 0 / 39

HEX #5C509B

RGB 92 80 155

HSL 249.6, 0.32%, 0.46%

LAB 38.51, 23.94, -39.42

 

CMYK 45 / 54 / 0 / 47

HEX #4B3E88

RGB 75 62 136

HSL 250.54, 0.37%, 0.39%

LAB 31.16, 25.21, -39.69

 

CMYK 50 / 62 / 0 / 54

HEX #3A2C75

RGB 58 44 117

HSL 251.51, 0.45%, 0.32%

LAB 23.62, 26.7, -39.99

 

CMYK 58 / 73 / 0 / 62

HEX #291A62

RGB 41 26 98

HSL 252.5, 0.58%, 0.24%

LAB 15.96, 28.39, -40.18

 

CMYK 38 / 45 / 0 / 32

HEX #6B60AD

RGB 107 96 173

HSL 248.57, 0.32%, 0.53%

LAB 44.95, 23.27, -39.8

 

CMYK 26 / 45 / 0 / 32

HEX #8060AD

RGB 128 96 173

HSL 264.94, 0.32%, 0.53%

LAB 46.94, 29.19, -36.53

 

CMYK 14 / 45 / 0 / 32

HEX #9560AD

RGB 149 96 173

HSL 281.3, 0.32%, 0.53%

LAB 49.22, 35.44, -32.79

 

CMYK 2 / 45 / 0 / 32

HEX #A960AD

RGB 169 96 173

HSL 296.88, 0.32%, 0.53%

LAB 51.63, 41.53, -28.84

 

CMYK 0 / 45 / 10 / 32

HEX #AD609C

RGB 173 96 156

HSL 313.25, 0.32%, 0.53%

LAB 51.44, 39.68, -19.15

 

CMYK 38 / 45 / 0 / 32

HEX #6B60AD

RGB 107 96 173

HSL 248.57, 0.32%, 0.53%

LAB 44.95, 23.27, -39.8

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

CMYK 38 / 45 / 0 / 32

HEX #6B60AD

RGB 107 96 173

HSL 248.57, 0.32%, 0.53%

LAB 44.95, 23.27, -39.8

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 62 / 73 / 0 / 17

HEX #503AD4

RGB 80 58 212

HSL 248.57, 0.64%, 0.53%

LAB 36.9, 52.05, -75.66

 

CMYK 71 / 84 / 0 / 9

HEX #4226E7

RGB 66 38 231

HSL 248.7, 0.8%, 0.53%

LAB 34.63, 65.48, -90.35

 

CMYK 79 / 92 / 0 / 2

HEX #3413FB

RGB 52 19 251

HSL 248.53, 0.97%, 0.53%

LAB 34.32, 75.79, -102.21

 

CMYK 38 / 45 / 0 / 32

HEX #6B60AD

RGB 107 96 173

HSL 248.57, 0.32%, 0.53%

LAB 44.95, 23.27, -39.8

 

CMYK 21 / 25 / 0 / 40

HEX #79749A

RGB 121 116 154

HSL 247.89, 0.16%, 0.53%

LAB 50.56, 10.33, -19.81

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 3 / 0 / 25 / 40

HEX #959A73

RGB 149 154 115

HSL 67.69, 0.16%, 0.53%

LAB 62.29, -8.58, 19.93

 

CMYK 6 / 0 / 45 / 32

HEX #A3AE5F

RGB 163 174 95

HSL 68.35, 0.33%, 0.53%

LAB 68.67, -16.01, 39.07

 

CMYK 45 / 27 / 0 / 32

HEX #607FAD

RGB 96 127 173

HSL 215.84, 0.32%, 0.53%

LAB 52.6, 1.49, -27.86

 

CMYK 45 / 38 / 0 / 32

HEX #606BAD

RGB 96 107 173

HSL 231.43, 0.32%, 0.53%

LAB 47, 13.57, -36.62

 

CMYK 38 / 45 / 0 / 32

HEX #6B60AD

RGB 107 96 173

HSL 248.57, 0.32%, 0.53%

LAB 44.95, 23.27, -39.8

 

CMYK 27 / 45 / 0 / 32

HEX #7F60AD

RGB 127 96 173

HSL 264.16, 0.32%, 0.53%

LAB 46.84, 28.9, -36.7

 

CMYK 15 / 45 / 0 / 32

HEX #9360AD

RGB 147 96 173

HSL 279.74, 0.32%, 0.53%

LAB 48.99, 34.84, -33.16

 

CMYK 41 / 49 / 0 / 52

HEX #483F7B

RGB 72 63 123

HSL 249, 0.32%, 0.36%

LAB 30.31, 19.74, -32.97

 

CMYK 42 / 49 / 0 / 41

HEX #584D97

RGB 88 77 151

HSL 248.92, 0.32%, 0.45%

LAB 37.15, 23.58, -39.21

 

CMYK 38 / 45 / 0 / 32

HEX #6B60AD

RGB 107 96 173

HSL 248.57, 0.32%, 0.53%

LAB 44.95, 23.27, -39.8

 

CMYK 29 / 34 / 0 / 27

HEX #857CBB

RGB 133 124 187

HSL 248.57, 0.32%, 0.61%

LAB 55.06, 17.65, -31.87

 

CMYK 21 / 25 / 0 / 21

HEX #9E97C9

RGB 158 151 201

HSL 248.4, 0.32%, 0.69%

LAB 64.66, 13.12, -24.78

 

CMYK 37 / 44 / 0 / 32

HEX #6D62AE

RGB 109 98 174

HSL 248.68, 0.32%, 0.53%

LAB 45.69, 22.88, -39.2

 

CMYK 0 / 45 / 15 / 32

HEX #AD6093

RGB 173 96 147

HSL 320.26, 0.32%, 0.53%

LAB 51.1, 38.16, -14.35

 

CMYK 32 / 0 / 45 / 32

HEX #75AD60

RGB 117 173 96

HSL 103.64, 0.32%, 0.53%

LAB 65.37, -32.99, 33.79

 

CMYK 37 / 44 / 0 / 32

HEX #6D62AE

RGB 109 98 174

HSL 248.68, 0.32%, 0.53%

LAB 45.69, 22.88, -39.2

 

CMYK 0 / 38 / 45 / 32

HEX #AD6B60

RGB 173 107 96

HSL 8.57, 0.32%, 0.53%

LAB 52.11, 25.07, 17.27

 

CMYK 45 / 0 / 38 / 32

HEX #60AD6B

RGB 96 173 107

HSL 128.57, 0.32%, 0.53%

LAB 64.51, -38.09, 26.7

 

CMYK 37 / 44 / 0 / 32

HEX #6D62AE

RGB 109 98 174

HSL 248.68, 0.32%, 0.53%

LAB 45.69, 22.88, -39.2

 

CMYK 0 / 45 / 15 / 32

HEX #AD6093

RGB 173 96 147

HSL 320.26, 0.32%, 0.53%

LAB 51.1, 38.16, -14.35

 

CMYK 6 / 0 / 45 / 32

HEX #A3AD60

RGB 163 173 96

HSL 67.79, 0.32%, 0.53%

LAB 68.4, -15.39, 38.24

 

CMYK 45 / 0 / 29 / 32

HEX #60AD7A

RGB 96 173 122

HSL 140.26, 0.32%, 0.53%

LAB 64.79, -35.38, 18.97

 

CMYK 37 / 44 / 0 / 32

HEX #6D62AE

RGB 109 98 174

HSL 248.68, 0.32%, 0.53%

LAB 45.69, 22.88, -39.2

 

CMYK 0 / 45 / 28 / 32

HEX #AD607C

RGB 173 96 124

HSL 338.18, 0.32%, 0.53%

LAB 50.34, 34.64, -1.83

 

CMYK 6 / 0 / 45 / 32

HEX #A3AD60

RGB 163 173 96

HSL 67.79, 0.32%, 0.53%

LAB 68.4, -15.39, 38.24

 

CMYK 45 / 0 / 16 / 32

HEX #60AD91

RGB 96 173 145

HSL 158.18, 0.32%, 0.53%

LAB 65.29, -30.56, 7.02

 

Description

Color code: HEX #6D62AE | qconv.com Color code: HEX #6D62AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 98 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 98 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 44 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 44% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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