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Color name
HEX #6D5D1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D5D1F it is the complementary color #92A2E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D5D1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D5D1F shade: #725D1A, #836F2D, #948140, #A59353 and #B6A566

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D5D1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D5D1F shade: #6D5D1F, #5C4B0C, #4B3900, #3A2700 and #291500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D5D1F shade: #6B5B1E, #6B461E, #6B311E and #6B1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D5D1F shade: #6B5B1E, #666B1E, #516B1E, #3C6B1E and #286B1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D5D1F shade matches the following richer shades: #6B5B1E, #766213 and #816808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D5D1F shade: #6B5B1E, #605529, #554E34, #49473F and #3E414A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D5D1F shade: #6B311E, #6B461E, #6B5A1E, #676B1E and #526B1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D5D1F shade: #2B240C, #4B4015, #6B5B1E, #8B7727 and #AB9230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D5D1F shade: #6D5D1F, #1F6B1E and #3B1E6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D5D1F shade: #6D5D1F, #1E6B5A and #5A1E6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D5D1F shade: #6D5D1F, #1F6B1E, #1E2F6B and #6A1E6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D5D1F shade: #6D5D1F, #1E6B34, #1E2F6B and #6B1E55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 72 / 57

HEX #6D5D1F

RGB 109 93 31

HSL 47.69, 0.56%, 0.27%

LAB 39.88, -1.19, 36.6

 

Complementary color

CMYK 35 / 28 / 0 / 12

HEX #92A2E0

RGB 146 162 224

HSL 227.69, 0.56%, 0.73%

LAB 67.53, 9.05, -33.18

 

CMYK 0 / 18 / 77 / 55

HEX #725D1A

RGB 114 93 26

HSL 45.68, 0.63%, 0.27%

LAB 40.38, 0.95, 39.53

 

CMYK 0 / 15 / 66 / 49

HEX #836F2D

RGB 131 111 45

HSL 46.05, 0.49%, 0.35%

LAB 47.47, -0.32, 38.65

 

CMYK 0 / 13 / 57 / 42

HEX #948140

RGB 148 129 64

HSL 46.43, 0.4%, 0.42%

LAB 54.41, -1.29, 37.42

 

CMYK 0 / 11 / 50 / 35

HEX #A59353

RGB 165 147 83

HSL 46.83, 0.33%, 0.49%

LAB 61.21, -2.06, 36.11

 

CMYK 0 / 9 / 44 / 29

HEX #B6A566

RGB 182 165 102

HSL 47.25, 0.35%, 0.56%

LAB 67.88, -2.69, 34.83

 

CMYK 0 / 15 / 72 / 57

HEX #6D5D1F

RGB 109 93 31

HSL 47.69, 0.56%, 0.27%

LAB 39.88, -1.19, 36.6

 

CMYK 0 / 18 / 87 / 64

HEX #5C4B0C

RGB 92 75 12

HSL 47.25, 0.77%, 0.2%

LAB 32.56, 0.25, 36.92

 

CMYK 0 / 24 / 100 / 71

HEX #4B3900

RGB 75 57 0

HSL 45.6, 1%, 0.15%

LAB 25.02, 2.24, 34.22

 

CMYK 0 / 33 / 100 / 77

HEX #3A2700

RGB 58 39 0

HSL 40.34, 1%, 0.11%

LAB 17.23, 4.88, 25.08

 

CMYK 0 / 49 / 100 / 84

HEX #291500

RGB 41 21 0

HSL 30.73, 1%, 0.08%

LAB 9.06, 7.86, 13.72

 

CMYK 0 / 15 / 72 / 58

HEX #6B5B1E

RGB 107 91 30

HSL 47.53, 0.56%, 0.27%

LAB 39.07, -1.04, 36.17

 

CMYK 0 / 35 / 72 / 58

HEX #6B461E

RGB 107 70 30

HSL 31.17, 0.56%, 0.27%

LAB 33.14, 11.7, 29.85

 

CMYK 0 / 54 / 72 / 58

HEX #6B311E

RGB 107 49 30

HSL 14.81, 0.56%, 0.27%

LAB 27.89, 24.29, 23.94

 

CMYK 0 / 72 / 72 / 58

HEX #6B1E1E

RGB 107 30 30

HSL 0, 0.56%, 0.27%

LAB 24.16, 34.1, 19.52

 

CMYK 0 / 15 / 72 / 58

HEX #6B5B1E

RGB 107 91 30

HSL 47.53, 0.56%, 0.27%

LAB 39.07, -1.04, 36.17

 

CMYK 5 / 0 / 72 / 58

HEX #666B1E

RGB 102 107 30

HSL 63.9, 0.56%, 0.27%

LAB 43.41, -12.63, 40.44

 

CMYK 24 / 0 / 72 / 58

HEX #516B1E

RGB 81 107 30

HSL 80.26, 0.56%, 0.27%

LAB 41.78, -22.13, 38.25

 

CMYK 44 / 0 / 72 / 58

HEX #3C6B1E

RGB 60 107 30

HSL 96.62, 0.56%, 0.27%

LAB 40.52, -30.57, 36.56

 

CMYK 63 / 0 / 72 / 58

HEX #286B1E

RGB 40 107 30

HSL 112.21, 0.56%, 0.27%

LAB 39.68, -36.94, 35.41

 

CMYK 0 / 15 / 72 / 58

HEX #6B5B1E

RGB 107 91 30

HSL 47.53, 0.56%, 0.27%

LAB 39.07, -1.04, 36.17

 

CMYK 0 / 17 / 84 / 54

HEX #766213

RGB 118 98 19

HSL 47.88, 0.72%, 0.27%

LAB 42.21, -0.36, 44.09

 

CMYK 0 / 19 / 94 / 49

HEX #816808

RGB 129 104 8

HSL 47.6, 0.88%, 0.27%

LAB 45.06, 1.16, 49.95

 

CMYK 0 / 15 / 72 / 58

HEX #6B5B1E

RGB 107 91 30

HSL 47.53, 0.56%, 0.27%

LAB 39.07, -1.04, 36.17

 

CMYK 0 / 11 / 57 / 62

HEX #605529

RGB 96 85 41

HSL 48, 0.4%, 0.27%

LAB 36.26, -1.9, 27.02

 

CMYK 0 / 8 / 39 / 67

HEX #554E34

RGB 85 78 52

HSL 47.27, 0.24%, 0.27%

LAB 33.2, -1.57, 16.46

 

CMYK 0 / 3 / 14 / 71

HEX #49473F

RGB 73 71 63

HSL 48, 0.07%, 0.27%

LAB 30.11, -0.81, 5.11

 

CMYK 16 / 12 / 0 / 71

HEX #3E414A

RGB 62 65 74

HSL 225, 0.09%, 0.27%

LAB 27.57, 0.94, -5.87

 

CMYK 0 / 54 / 72 / 58

HEX #6B311E

RGB 107 49 30

HSL 14.81, 0.56%, 0.27%

LAB 27.89, 24.29, 23.94

 

CMYK 0 / 35 / 72 / 58

HEX #6B461E

RGB 107 70 30

HSL 31.17, 0.56%, 0.27%

LAB 33.14, 11.7, 29.85

 

CMYK 0 / 16 / 72 / 58

HEX #6B5A1E

RGB 107 90 30

HSL 46.75, 0.56%, 0.27%

LAB 38.78, -0.44, 35.87

 

CMYK 4 / 0 / 72 / 58

HEX #676B1E

RGB 103 107 30

HSL 63.12, 0.56%, 0.27%

LAB 43.5, -12.16, 40.55

 

CMYK 23 / 0 / 72 / 58

HEX #526B1E

RGB 82 107 30

HSL 79.48, 0.56%, 0.27%

LAB 41.85, -21.69, 38.35

 

CMYK 0 / 16 / 72 / 83

HEX #2B240C

RGB 43 36 12

HSL 46.45, 0.56%, 0.11%

LAB 14.41, -0.49, 16.17

 

CMYK 0 / 15 / 72 / 71

HEX #4B4015

RGB 75 64 21

HSL 47.78, 0.56%, 0.19%

LAB 27.34, -1.11, 27.22

 

CMYK 0 / 15 / 72 / 58

HEX #6B5B1E

RGB 107 91 30

HSL 47.53, 0.56%, 0.27%

LAB 39.07, -1.04, 36.17

 

CMYK 0 / 14 / 72 / 45

HEX #8B7727

RGB 139 119 39

HSL 48, 0.56%, 0.35%

LAB 50.49, -1.53, 44.85

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 0 / 15 / 72 / 57

HEX #6D5D1F

RGB 109 93 31

HSL 47.69, 0.56%, 0.27%

LAB 39.88, -1.19, 36.6

 

CMYK 71 / 0 / 72 / 58

HEX #1F6B1E

RGB 31 107 30

HSL 119.22, 0.56%, 0.27%

LAB 39.41, -39.13, 35.04

 

CMYK 45 / 72 / 0 / 58

HEX #3B1E6B

RGB 59 30 107

HSL 262.6, 0.56%, 0.27%

LAB 19.72, 32.4, -39.87

 

CMYK 0 / 15 / 72 / 57

HEX #6D5D1F

RGB 109 93 31

HSL 47.69, 0.56%, 0.27%

LAB 39.88, -1.19, 36.6

 

CMYK 72 / 0 / 16 / 58

HEX #1E6B5A

RGB 30 107 90

HSL 166.75, 0.56%, 0.27%

LAB 40.46, -27.58, 2.82

 

CMYK 16 / 72 / 0 / 58

HEX #5A1E6B

RGB 90 30 107

HSL 286.75, 0.56%, 0.27%

LAB 24.21, 39.57, -32.41

 

CMYK 0 / 15 / 72 / 57

HEX #6D5D1F

RGB 109 93 31

HSL 47.69, 0.56%, 0.27%

LAB 39.88, -1.19, 36.6

 

CMYK 71 / 0 / 72 / 58

HEX #1F6B1E

RGB 31 107 30

HSL 119.22, 0.56%, 0.27%

LAB 39.41, -39.13, 35.04

 

CMYK 72 / 56 / 0 / 58

HEX #1E2F6B

RGB 30 47 107

HSL 226.75, 0.56%, 0.27%

LAB 21.47, 15.34, -37.15

 

CMYK 1 / 72 / 0 / 58

HEX #6A1E6B

RGB 106 30 107

HSL 299.22, 0.56%, 0.27%

LAB 26.89, 43.55, -27.97

 

CMYK 0 / 15 / 72 / 57

HEX #6D5D1F

RGB 109 93 31

HSL 47.69, 0.56%, 0.27%

LAB 39.88, -1.19, 36.6

 

CMYK 72 / 0 / 51 / 58

HEX #1E6B34

RGB 30 107 52

HSL 137.14, 0.56%, 0.27%

LAB 39.65, -36.3, 24.12

 

CMYK 72 / 56 / 0 / 58

HEX #1E2F6B

RGB 30 47 107

HSL 226.75, 0.56%, 0.27%

LAB 21.47, 15.34, -37.15

 

CMYK 0 / 72 / 21 / 58

HEX #6B1E55

RGB 107 30 85

HSL 317.14, 0.56%, 0.27%

LAB 25.89, 40.07, -15.13

 

Description

Color code: HEX #6D5D1F | qconv.com Color code: HEX #6D5D1F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 93 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 93 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 72 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 72% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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