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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D50B2 it is the complementary color #92AF4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D50B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D50B2 shade: #7250AD, #8362C0, #9474D3, #A586E6 and #B698F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D50B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D50B2 shade: #6D50B2, #5C3E9F, #4B2C8C, #3A1A79 and #290866

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D50B2 shade: #6E51B2, #8851B2, #A251B2, #B251A8 and #B2518E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D50B2 shade: #6E51B2, #5351B2 and #5151B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D50B2 shade matches the following richer shades: #6E51B2, #653DC6, #5D28DB and #5514EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D50B2 shade: #6E51B2, #76659E, #7E798A, #868D76 and #8FA261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D50B2 shade: #5169B2, #5251B2, #6C51B2, #8651B2 and #A051B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D50B2 shade: #4A367B, #5C4298, #6E51B2, #866DBF and #9D8ACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D50B2 shade: #6D50B2, #B25183 and #5CB251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D50B2 shade: #6D50B2, #B26C51 and #51B26C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D50B2 shade: #6D50B2, #B25183, #97B251 and #51B280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D50B2 shade: #6D50B2, #B25166, #97B251 and #51B29D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 55 / 0 / 30

HEX #6D50B2

RGB 109 80 178

HSL 257.76, 0.39%, 0.51%

LAB 41.54, 34.87, -48.18

 

Complementary color

CMYK 17 / 0 / 56 / 31

HEX #92AF4D

RGB 146 175 77

HSL 77.76, 0.39%, 0.49%

LAB 67.51, -25.19, 46.21

 

CMYK 34 / 54 / 0 / 32

HEX #7250AD

RGB 114 80 173

HSL 261.94, 0.37%, 0.5%

LAB 41.74, 34.76, -44.88

 

CMYK 32 / 49 / 0 / 25

HEX #8362C0

RGB 131 98 192

HSL 261.06, 0.43%, 0.57%

LAB 48.72, 33.71, -44.74

 

CMYK 30 / 45 / 0 / 17

HEX #9474D3

RGB 148 116 211

HSL 260.21, 0.52%, 0.64%

LAB 55.57, 32.74, -44.63

 

CMYK 28 / 42 / 0 / 10

HEX #A586E6

RGB 165 134 230

HSL 259.38, 0.66%, 0.71%

LAB 62.31, 31.86, -44.54

 

CMYK 27 / 39 / 0 / 2

HEX #B698F9

RGB 182 152 249

HSL 258.56, 0.89%, 0.79%

LAB 68.93, 31.06, -44.48

 

CMYK 39 / 55 / 0 / 30

HEX #6D50B2

RGB 109 80 178

HSL 257.76, 0.39%, 0.51%

LAB 41.54, 34.87, -48.18

 

CMYK 42 / 61 / 0 / 38

HEX #5C3E9F

RGB 92 62 159

HSL 258.56, 0.44%, 0.43%

LAB 34.44, 36.12, -48.36

 

CMYK 46 / 69 / 0 / 45

HEX #4B2C8C

RGB 75 44 140

HSL 259.38, 0.52%, 0.36%

LAB 27.27, 37.4, -48.45

 

CMYK 52 / 79 / 0 / 53

HEX #3A1A79

RGB 58 26 121

HSL 260.21, 0.65%, 0.29%

LAB 20.12, 38.47, -48.26

 

CMYK 60 / 92 / 0 / 60

HEX #290866

RGB 41 8 102

HSL 261.06, 0.85%, 0.22%

LAB 13.26, 38.63, -47.28

 

CMYK 38 / 54 / 0 / 30

HEX #6E51B2

RGB 110 81 178

HSL 257.94, 0.39%, 0.51%

LAB 41.87, 34.53, -47.64

 

CMYK 24 / 54 / 0 / 30

HEX #8851B2

RGB 136 81 178

HSL 274.02, 0.39%, 0.51%

LAB 44.71, 41.23, -42.94

 

CMYK 9 / 54 / 0 / 30

HEX #A251B2

RGB 162 81 178

HSL 290.1, 0.39%, 0.51%

LAB 47.98, 48.28, -37.54

 

CMYK 0 / 54 / 6 / 30

HEX #B251A8

RGB 178 81 168

HSL 306.19, 0.39%, 0.51%

LAB 49.71, 50.92, -28.81

 

CMYK 0 / 54 / 20 / 30

HEX #B2518E

RGB 178 81 142

HSL 322.27, 0.39%, 0.51%

LAB 48.64, 46.73, -15.05

 

CMYK 38 / 54 / 0 / 30

HEX #6E51B2

RGB 110 81 178

HSL 257.94, 0.39%, 0.51%

LAB 41.87, 34.53, -47.64

 

CMYK 53 / 54 / 0 / 30

HEX #5351B2

RGB 83 81 178

HSL 241.24, 0.39%, 0.51%

LAB 39.48, 28.32, -51.61

 

CMYK 54 / 54 / 0 / 30

HEX #5151B2

RGB 81 81 178

HSL 240, 0.39%, 0.51%

LAB 39.32, 27.91, -51.86

 

CMYK 38 / 54 / 0 / 30

HEX #6E51B2

RGB 110 81 178

HSL 257.94, 0.39%, 0.51%

LAB 41.87, 34.53, -47.64

 

CMYK 49 / 69 / 0 / 22

HEX #653DC6

RGB 101 61 198

HSL 257.52, 0.55%, 0.51%

LAB 38.17, 49.5, -65.39

 

CMYK 58 / 82 / 0 / 14

HEX #5D28DB

RGB 93 40 219

HSL 257.77, 0.71%, 0.51%

LAB 35.91, 63.71, -81.29

 

CMYK 64 / 92 / 0 / 6

HEX #5514EF

RGB 85 20 239

HSL 257.81, 0.87%, 0.51%

LAB 35.33, 74.04, -93.69

 

CMYK 38 / 54 / 0 / 30

HEX #6E51B2

RGB 110 81 178

HSL 257.94, 0.39%, 0.51%

LAB 41.87, 34.53, -47.64

 

CMYK 25 / 36 / 0 / 38

HEX #76659E

RGB 118 101 158

HSL 257.89, 0.23%, 0.51%

LAB 46.48, 19.38, -28.49

 

CMYK 9 / 12 / 0 / 46

HEX #7E798A

RGB 126 121 138

HSL 257.65, 0.07%, 0.51%

LAB 51.78, 5.4, -8.55

 

CMYK 5 / 0 / 16 / 45

HEX #868D76

RGB 134 141 118

HSL 78.26, 0.09%, 0.51%

LAB 57.49, -6.88, 11.42

 

CMYK 12 / 0 / 40 / 36

HEX #8FA261

RGB 143 162 97

HSL 77.54, 0.26%, 0.51%

LAB 63.79, -17.67, 31.59

 

CMYK 54 / 41 / 0 / 30

HEX #5169B2

RGB 81 105 178

HSL 225.15, 0.39%, 0.51%

LAB 45.73, 12.76, -41.62

 

CMYK 54 / 54 / 0 / 30

HEX #5251B2

RGB 82 81 178

HSL 240.62, 0.39%, 0.51%

LAB 39.4, 28.11, -51.74

 

CMYK 39 / 54 / 0 / 30

HEX #6C51B2

RGB 108 81 178

HSL 256.7, 0.39%, 0.51%

LAB 41.67, 34.03, -47.97

 

CMYK 25 / 54 / 0 / 30

HEX #8651B2

RGB 134 81 178

HSL 272.78, 0.39%, 0.51%

LAB 44.47, 40.7, -43.33

 

CMYK 10 / 54 / 0 / 30

HEX #A051B2

RGB 160 81 178

HSL 288.87, 0.39%, 0.51%

LAB 47.72, 47.73, -37.98

 

CMYK 40 / 56 / 0 / 52

HEX #4A367B

RGB 74 54 123

HSL 257.39, 0.39%, 0.35%

LAB 28.18, 26.09, -36.37

 

CMYK 39 / 57 / 0 / 40

HEX #5C4298

RGB 92 66 152

HSL 258.14, 0.39%, 0.43%

LAB 34.88, 31.72, -43.42

 

CMYK 38 / 54 / 0 / 30

HEX #6E51B2

RGB 110 81 178

HSL 257.94, 0.39%, 0.51%

LAB 41.87, 34.53, -47.64

 

CMYK 30 / 43 / 0 / 25

HEX #866DBF

RGB 134 109 191

HSL 258.29, 0.39%, 0.59%

LAB 51.57, 27.83, -39.63

 

CMYK 23 / 32 / 0 / 20

HEX #9D8ACB

RGB 157 138 203

HSL 257.54, 0.38%, 0.67%

LAB 61.36, 20.71, -31

 

CMYK 39 / 55 / 0 / 30

HEX #6D50B2

RGB 109 80 178

HSL 257.76, 0.39%, 0.51%

LAB 41.54, 34.87, -48.18

 

CMYK 0 / 54 / 26 / 30

HEX #B25183

RGB 178 81 131

HSL 329.07, 0.39%, 0.51%

LAB 48.25, 45.14, -9.05

 

CMYK 48 / 0 / 54 / 30

HEX #5CB251

RGB 92 178 81

HSL 113.2, 0.39%, 0.51%

LAB 65.52, -45.24, 41.24

 

CMYK 39 / 55 / 0 / 30

HEX #6D50B2

RGB 109 80 178

HSL 257.76, 0.39%, 0.51%

LAB 41.54, 34.87, -48.18

 

CMYK 0 / 39 / 54 / 30

HEX #B26C51

RGB 178 108 81

HSL 16.7, 0.39%, 0.51%

LAB 52.71, 25.07, 26.85

 

CMYK 54 / 0 / 39 / 30

HEX #51B26C

RGB 81 178 108

HSL 136.7, 0.39%, 0.51%

LAB 65.49, -44.17, 27.35

 

CMYK 39 / 55 / 0 / 30

HEX #6D50B2

RGB 109 80 178

HSL 257.76, 0.39%, 0.51%

LAB 41.54, 34.87, -48.18

 

CMYK 0 / 54 / 26 / 30

HEX #B25183

RGB 178 81 131

HSL 329.07, 0.39%, 0.51%

LAB 48.25, 45.14, -9.05

 

CMYK 15 / 0 / 54 / 30

HEX #97B251

RGB 151 178 81

HSL 76.7, 0.39%, 0.51%

LAB 68.76, -24.28, 45.86

 

CMYK 54 / 0 / 28 / 30

HEX #51B280

RGB 81 178 128

HSL 149.07, 0.39%, 0.51%

LAB 65.86, -40.34, 17.09

 

CMYK 39 / 55 / 0 / 30

HEX #6D50B2

RGB 109 80 178

HSL 257.76, 0.39%, 0.51%

LAB 41.54, 34.87, -48.18

 

CMYK 0 / 54 / 43 / 30

HEX #B25166

RGB 178 81 102

HSL 347.01, 0.39%, 0.51%

LAB 47.38, 41.53, 7.21

 

CMYK 15 / 0 / 54 / 30

HEX #97B251

RGB 151 178 81

HSL 76.7, 0.39%, 0.51%

LAB 68.76, -24.28, 45.86

 

CMYK 54 / 0 / 12 / 30

HEX #51B29D

RGB 81 178 157

HSL 167.01, 0.39%, 0.51%

LAB 66.54, -33.71, 2.1

 

Description

Color code: HEX #6D50B2 | qconv.com Color code: HEX #6D50B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 80 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 80 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 55 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 55% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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