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Color name
HEX #6D4E16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D4E16 it is the complementary color #92B1E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D4E16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D4E16 shade: #724E11, #836024, #947237, #A5844A and #B6965D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D4E16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D4E16 shade: #6D4E16, #5C3C03, #4B2A00, #3A1800 and #290600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D4E16 shade: #6E4E16, #6E3716, #6E1F16 and #6E1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D4E16 shade: #6E4E16, #6E6616, #5E6E16, #466E16 and #2E6E16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D4E16 shade matches the following richer shades: #6E4E16, #78510B and #835501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D4E16 shade: #6E4E16, #634B21, #58482B, #4D4536 and #434241

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D4E16 shade: #6E1F16, #6E3616, #6E4D16, #6E6516 and #5F6E16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D4E16 shade: #291D08, #4B360F, #6E4E16, #90671D and #B27F24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D4E16 shade: #6D4E16, #256E16 and #2A166E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D4E16 shade: #6D4E16, #166E4D and #4D166E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D4E16 shade: #6D4E16, #256E16, #16366E and #5F166E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D4E16 shade: #6D4E16, #166E22, #16366E and #6E1662

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 80 / 57

HEX #6D4E16

RGB 109 78 22

HSL 38.62, 0.66%, 0.26%

LAB 35.51, 7.33, 36.35

 

Complementary color

CMYK 37 / 24 / 0 / 9

HEX #92B1E9

RGB 146 177 233

HSL 218.62, 0.66%, 0.74%

LAB 71.85, 3.02, -31.41

 

CMYK 0 / 32 / 85 / 55

HEX #724E11

RGB 114 78 17

HSL 37.73, 0.74%, 0.26%

LAB 36.11, 9.56, 39.23

 

CMYK 0 / 27 / 73 / 49

HEX #836024

RGB 131 96 36

HSL 37.89, 0.57%, 0.33%

LAB 43.24, 7.84, 38.49

 

CMYK 0 / 23 / 63 / 42

HEX #947237

RGB 148 114 55

HSL 38.06, 0.46%, 0.4%

LAB 50.22, 6.49, 37.2

 

CMYK 0 / 20 / 55 / 35

HEX #A5844A

RGB 165 132 74

HSL 38.24, 0.38%, 0.47%

LAB 57.07, 5.41, 35.79

 

CMYK 0 / 18 / 49 / 29

HEX #B6965D

RGB 182 150 93

HSL 38.43, 0.38%, 0.54%

LAB 63.79, 4.53, 34.41

 

CMYK 0 / 28 / 80 / 57

HEX #6D4E16

RGB 109 78 22

HSL 38.62, 0.66%, 0.26%

LAB 35.51, 7.33, 36.35

 

CMYK 0 / 35 / 97 / 64

HEX #5C3C03

RGB 92 60 3

HSL 38.43, 0.94%, 0.19%

LAB 28.15, 9.29, 36.64

 

CMYK 0 / 44 / 100 / 71

HEX #4B2A00

RGB 75 42 0

HSL 33.6, 1%, 0.15%

LAB 20.64, 11.97, 29.7

 

CMYK 0 / 59 / 100 / 77

HEX #3A1800

RGB 58 24 0

HSL 24.83, 1%, 0.11%

LAB 12.94, 14.92, 19.58

 

CMYK 0 / 85 / 100 / 84

HEX #290600

RGB 41 6 0

HSL 8.78, 1%, 0.08%

LAB 5.43, 16.42, 8.45

 

CMYK 0 / 29 / 80 / 57

HEX #6E4E16

RGB 110 78 22

HSL 38.18, 0.67%, 0.26%

LAB 35.64, 7.82, 36.51

 

CMYK 0 / 50 / 80 / 57

HEX #6E3716

RGB 110 55 22

HSL 22.5, 0.67%, 0.26%

LAB 29.68, 21.7, 30.61

 

CMYK 0 / 72 / 80 / 57

HEX #6E1F16

RGB 110 31 22

HSL 6.14, 0.67%, 0.26%

LAB 24.81, 34.35, 25.52

 

CMYK 0 / 80 / 80 / 57

HEX #6E1616

RGB 110 22 22

HSL 0, 0.67%, 0.26%

LAB 23.49, 37.96, 24.1

 

CMYK 0 / 29 / 80 / 57

HEX #6E4E16

RGB 110 78 22

HSL 38.18, 0.67%, 0.26%

LAB 35.64, 7.82, 36.51

 

CMYK 0 / 7 / 80 / 57

HEX #6E6616

RGB 110 102 22

HSL 54.55, 0.67%, 0.26%

LAB 42.58, -6.43, 43.05

 

CMYK 15 / 0 / 80 / 57

HEX #5E6E16

RGB 94 110 22

HSL 70.91, 0.67%, 0.26%

LAB 43.64, -18.4, 43.53

 

CMYK 36 / 0 / 80 / 57

HEX #466E16

RGB 70 110 22

HSL 87.27, 0.67%, 0.26%

LAB 42.02, -28.73, 41.43

 

CMYK 58 / 0 / 80 / 57

HEX #2E6E16

RGB 46 110 22

HSL 103.64, 0.67%, 0.26%

LAB 40.88, -37.13, 39.94

 

CMYK 0 / 29 / 80 / 57

HEX #6E4E16

RGB 110 78 22

HSL 38.18, 0.67%, 0.26%

LAB 35.64, 7.82, 36.51

 

CMYK 0 / 33 / 91 / 53

HEX #78510B

RGB 120 81 11

HSL 38.53, 0.83%, 0.26%

LAB 37.67, 10.47, 42.92

 

CMYK 0 / 35 / 99 / 49

HEX #835501

RGB 131 85 1

HSL 38.77, 0.98%, 0.26%

LAB 40.12, 13.14, 48.29

 

CMYK 0 / 29 / 80 / 57

HEX #6E4E16

RGB 110 78 22

HSL 38.18, 0.67%, 0.26%

LAB 35.64, 7.82, 36.51

 

CMYK 0 / 24 / 67 / 61

HEX #634B21

RGB 99 75 33

HSL 38.18, 0.5%, 0.26%

LAB 33.55, 4.95, 28.4

 

CMYK 0 / 18 / 51 / 65

HEX #58482B

RGB 88 72 43

HSL 38.67, 0.34%, 0.26%

LAB 31.54, 2.42, 19.88

 

CMYK 0 / 10 / 30 / 70

HEX #4D4536

RGB 77 69 54

HSL 39.13, 0.18%, 0.26%

LAB 29.66, 0.64, 10.31

 

CMYK 0 / 1 / 3 / 74

HEX #434241

RGB 67 66 65

HSL 30, 0.02%, 0.26%

LAB 28.04, 0.2, 0.75

 

CMYK 0 / 72 / 80 / 57

HEX #6E1F16

RGB 110 31 22

HSL 6.14, 0.67%, 0.26%

LAB 24.81, 34.35, 25.52

 

CMYK 0 / 51 / 80 / 57

HEX #6E3616

RGB 110 54 22

HSL 21.82, 0.67%, 0.26%

LAB 29.44, 22.29, 30.37

 

CMYK 0 / 30 / 80 / 57

HEX #6E4D16

RGB 110 77 22

HSL 37.5, 0.67%, 0.26%

LAB 35.36, 8.43, 36.25

 

CMYK 0 / 8 / 80 / 57

HEX #6E6516

RGB 110 101 22

HSL 53.86, 0.67%, 0.26%

LAB 42.28, -5.86, 42.78

 

CMYK 14 / 0 / 80 / 57

HEX #5F6E16

RGB 95 110 22

HSL 70.23, 0.67%, 0.26%

LAB 43.72, -17.94, 43.63

 

CMYK 0 / 29 / 80 / 84

HEX #291D08

RGB 41 29 8

HSL 38.18, 0.67%, 0.1%

LAB 11.74, 2.92, 14.23

 

CMYK 0 / 28 / 80 / 71

HEX #4B360F

RGB 75 54 15

HSL 39, 0.67%, 0.18%

LAB 24.22, 4.89, 27.05

 

CMYK 0 / 29 / 80 / 57

HEX #6E4E16

RGB 110 78 22

HSL 38.18, 0.67%, 0.26%

LAB 35.64, 7.82, 36.51

 

CMYK 0 / 28 / 80 / 44

HEX #90671D

RGB 144 103 29

HSL 38.61, 0.66%, 0.34%

LAB 46.6, 9.5, 45.44

 

CMYK 0 / 29 / 80 / 30

HEX #B27F24

RGB 178 127 36

HSL 38.45, 0.66%, 0.42%

LAB 56.85, 11.67, 53.67

 

CMYK 0 / 28 / 80 / 57

HEX #6D4E16

RGB 109 78 22

HSL 38.62, 0.66%, 0.26%

LAB 35.51, 7.33, 36.35

 

CMYK 66 / 0 / 80 / 57

HEX #256E16

RGB 37 110 22

HSL 109.77, 0.67%, 0.26%

LAB 40.58, -39.57, 39.54

 

CMYK 62 / 80 / 0 / 57

HEX #2A166E

RGB 42 22 110

HSL 253.64, 0.67%, 0.26%

LAB 16.46, 34.8, -47.23

 

CMYK 0 / 28 / 80 / 57

HEX #6D4E16

RGB 109 78 22

HSL 38.62, 0.66%, 0.26%

LAB 35.51, 7.33, 36.35

 

CMYK 80 / 0 / 30 / 57

HEX #166E4D

RGB 22 110 77

HSL 157.5, 0.67%, 0.26%

LAB 40.99, -33.63, 11.37

 

CMYK 30 / 80 / 0 / 57

HEX #4D166E

RGB 77 22 110

HSL 277.5, 0.67%, 0.26%

LAB 21.12, 40.85, -39.43

 

CMYK 0 / 28 / 80 / 57

HEX #6D4E16

RGB 109 78 22

HSL 38.62, 0.66%, 0.26%

LAB 35.51, 7.33, 36.35

 

CMYK 66 / 0 / 80 / 57

HEX #256E16

RGB 37 110 22

HSL 109.77, 0.67%, 0.26%

LAB 40.58, -39.57, 39.54

 

CMYK 80 / 51 / 0 / 57

HEX #16366E

RGB 22 54 110

HSL 218.18, 0.67%, 0.26%

LAB 23.45, 10.34, -35.9

 

CMYK 14 / 80 / 0 / 57

HEX #5F166E

RGB 95 22 110

HSL 289.77, 0.67%, 0.26%

LAB 24.1, 44.61, -34.46

 

CMYK 0 / 28 / 80 / 57

HEX #6D4E16

RGB 109 78 22

HSL 38.62, 0.66%, 0.26%

LAB 35.51, 7.33, 36.35

 

CMYK 80 / 0 / 69 / 57

HEX #166E22

RGB 22 110 34

HSL 128.18, 0.67%, 0.26%

LAB 40.31, -41.48, 34.14

 

CMYK 80 / 51 / 0 / 57

HEX #16366E

RGB 22 54 110

HSL 218.18, 0.67%, 0.26%

LAB 23.45, 10.34, -35.9

 

CMYK 0 / 80 / 11 / 57

HEX #6E1662

RGB 110 22 98

HSL 308.18, 0.67%, 0.26%

LAB 26.07, 45.89, -23.37

 

Description

Color code: HEX #6D4E16 | qconv.com Color code: HEX #6D4E16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 78 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 78 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 80 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 80% 57% C M Y K

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Provide designers and agencies with accurate color values.

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