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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D49A6 it is the complementary color #92B659. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D49A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D49A6 shade: #7249A1, #835BB4, #946DC7, #A57FDA and #B691ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D49A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D49A6 shade: #6D49A6, #5C3793, #4B2580, #3A136D and #29015A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D49A6 shade: #6D49A6, #8649A6, #9F49A6, #A64994 and #A6497B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D49A6 shade: #6D49A6, #5449A6 and #4949A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D49A6 shade matches the following richer shades: #6D49A6, #6835B9, #6422CD and #600EE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D49A6 shade: #6D49A6, #715C93, #766F7F, #7A836C and #7E9659

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D49A6 shade: #4957A6, #5449A6, #6C49A6, #8549A6 and #9E49A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D49A6 shade: #472F6D, #5A3C89, #6D49A6, #825FB9 and #987CC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D49A6 shade: #6D49A6, #A64970 and #4AA649

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D49A6 shade: #6D49A6, #A66C49 and #49A66C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D49A6 shade: #6D49A6, #A64970, #82A649 and #49A67F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D49A6 shade: #6D49A6, #A64954, #82A649 and #49A69B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

Complementary color

CMYK 20 / 0 / 51 / 29

HEX #92B659

RGB 146 182 89

HSL 83.23, 0.39%, 0.53%

LAB 69.67, -27.4, 43

 

CMYK 29 / 55 / 0 / 37

HEX #7249A1

RGB 114 73 161

HSL 267.95, 0.38%, 0.46%

LAB 39.44, 35.7, -41.41

 

CMYK 27 / 49 / 0 / 29

HEX #835BB4

RGB 131 91 180

HSL 266.97, 0.37%, 0.53%

LAB 46.45, 34.71, -41.38

 

CMYK 26 / 45 / 0 / 22

HEX #946DC7

RGB 148 109 199

HSL 266, 0.45%, 0.6%

LAB 53.34, 33.78, -41.34

 

CMYK 24 / 42 / 0 / 15

HEX #A57FDA

RGB 165 127 218

HSL 265.05, 0.55%, 0.68%

LAB 60.1, 32.92, -41.31

 

CMYK 23 / 39 / 0 / 7

HEX #B691ED

RGB 182 145 237

HSL 264.13, 0.72%, 0.75%

LAB 66.76, 32.13, -41.31

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 37 / 63 / 0 / 42

HEX #5C3793

RGB 92 55 147

HSL 264.13, 0.46%, 0.4%

LAB 32.07, 36.82, -44.91

 

CMYK 41 / 71 / 0 / 50

HEX #4B2580

RGB 75 37 128

HSL 265.05, 0.55%, 0.32%

LAB 24.88, 37.86, -44.84

 

CMYK 47 / 83 / 0 / 57

HEX #3A136D

RGB 58 19 109

HSL 266, 0.7%, 0.25%

LAB 17.78, 38.42, -44.35

 

CMYK 54 / 99 / 0 / 65

HEX #29015A

RGB 41 1 90

HSL 266.97, 0.98%, 0.18%

LAB 10.79, 38.42, -43.34

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 19 / 56 / 0 / 35

HEX #8649A6

RGB 134 73 166

HSL 279.35, 0.39%, 0.47%

LAB 42.13, 42.27, -39.96

 

CMYK 4 / 56 / 0 / 35

HEX #9F49A6

RGB 159 73 166

HSL 295.48, 0.39%, 0.47%

LAB 45.48, 49.09, -34.45

 

CMYK 0 / 56 / 11 / 35

HEX #A64994

RGB 166 73 148

HSL 311.61, 0.39%, 0.47%

LAB 45.65, 47.89, -23.38

 

CMYK 0 / 56 / 26 / 35

HEX #A6497B

RGB 166 73 123

HSL 327.74, 0.39%, 0.47%

LAB 44.66, 44.04, -9.77

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 49 / 56 / 0 / 35

HEX #5449A6

RGB 84 73 166

HSL 247.1, 0.39%, 0.47%

LAB 36.75, 29.73, -48.88

 

CMYK 56 / 56 / 0 / 35

HEX #4949A6

RGB 73 73 166

HSL 240, 0.39%, 0.47%

LAB 35.86, 27.4, -50.36

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 44 / 71 / 0 / 27

HEX #6835B9

RGB 104 53 185

HSL 263.18, 0.55%, 0.47%

LAB 35.97, 50.56, -61.34

 

CMYK 51 / 83 / 0 / 20

HEX #6422CD

RGB 100 34 205

HSL 263.16, 0.72%, 0.47%

LAB 34.52, 63.1, -75.45

 

CMYK 57 / 94 / 0 / 12

HEX #600EE0

RGB 96 14 224

HSL 263.43, 0.88%, 0.47%

LAB 34.36, 72.36, -86.71

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 23 / 37 / 0 / 42

HEX #715C93

RGB 113 92 147

HSL 262.91, 0.23%, 0.47%

LAB 43.17, 20.48, -27.15

 

CMYK 7 / 13 / 0 / 50

HEX #766F7F

RGB 118 111 127

HSL 266.25, 0.07%, 0.47%

LAB 47.95, 6, -7.84

 

CMYK 7 / 0 / 18 / 49

HEX #7A836C

RGB 122 131 108

HSL 83.48, 0.1%, 0.47%

LAB 53.44, -7.74, 11.33

 

CMYK 16 / 0 / 41 / 41

HEX #7E9659

RGB 126 150 89

HSL 83.61, 0.26%, 0.47%

LAB 58.95, -19.27, 29.41

 

CMYK 56 / 48 / 0 / 35

HEX #4957A6

RGB 73 87 166

HSL 230.97, 0.39%, 0.47%

LAB 39.56, 18.4, -44.42

 

CMYK 49 / 56 / 0 / 35

HEX #5449A6

RGB 84 73 166

HSL 247.1, 0.39%, 0.47%

LAB 36.75, 29.73, -48.88

 

CMYK 35 / 56 / 0 / 35

HEX #6C49A6

RGB 108 73 166

HSL 262.58, 0.39%, 0.47%

LAB 39.08, 35.46, -45.01

 

CMYK 20 / 56 / 0 / 35

HEX #8549A6

RGB 133 73 166

HSL 278.71, 0.39%, 0.47%

LAB 42.01, 42, -40.17

 

CMYK 5 / 56 / 0 / 35

HEX #9E49A6

RGB 158 73 166

HSL 294.84, 0.39%, 0.47%

LAB 45.34, 48.82, -34.68

 

CMYK 35 / 57 / 0 / 57

HEX #472F6D

RGB 71 47 109

HSL 263.23, 0.4%, 0.31%

LAB 25.19, 25.62, -32.27

 

CMYK 34 / 56 / 0 / 46

HEX #5A3C89

RGB 90 60 137

HSL 263.38, 0.39%, 0.39%

LAB 32.28, 30.63, -38.42

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 30 / 49 / 0 / 27

HEX #825FB9

RGB 130 95 185

HSL 263.33, 0.39%, 0.55%

LAB 47.54, 33.38, -42.57

 

CMYK 23 / 37 / 0 / 23

HEX #987CC5

RGB 152 124 197

HSL 263.01, 0.39%, 0.63%

LAB 57.19, 25.83, -34.12

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 0 / 56 / 33 / 35

HEX #A64970

RGB 166 73 112

HSL 334.84, 0.39%, 0.47%

LAB 44.29, 42.55, -3.6

 

CMYK 55 / 0 / 56 / 35

HEX #4AA649

RGB 74 166 73

HSL 119.35, 0.39%, 0.47%

LAB 60.97, -46.42, 39.52

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 0 / 35 / 56 / 35

HEX #A66C49

RGB 166 108 73

HSL 22.58, 0.39%, 0.47%

LAB 51.05, 19.33, 28.95

 

CMYK 56 / 0 / 35 / 35

HEX #49A66C

RGB 73 166 108

HSL 142.58, 0.39%, 0.47%

LAB 61.46, -41.05, 21.93

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 0 / 56 / 33 / 35

HEX #A64970

RGB 166 73 112

HSL 334.84, 0.39%, 0.47%

LAB 44.29, 42.55, -3.6

 

CMYK 22 / 0 / 56 / 35

HEX #82A649

RGB 130 166 73

HSL 83.23, 0.39%, 0.47%

LAB 63.75, -27.54, 43.49

 

CMYK 56 / 0 / 23 / 35

HEX #49A67F

RGB 73 166 127

HSL 154.84, 0.39%, 0.47%

LAB 61.84, -37.08, 12

 

CMYK 34 / 56 / 0 / 35

HEX #6D49A6

RGB 109 73 166

HSL 263.23, 0.39%, 0.47%

LAB 39.19, 35.71, -44.83

 

CMYK 0 / 56 / 49 / 35

HEX #A64954

RGB 166 73 84

HSL 352.9, 0.39%, 0.47%

LAB 43.53, 39.37, 12.52

 

CMYK 22 / 0 / 56 / 35

HEX #82A649

RGB 130 166 73

HSL 83.23, 0.39%, 0.47%

LAB 63.75, -27.54, 43.49

 

CMYK 56 / 0 / 7 / 35

HEX #49A69B

RGB 73 166 155

HSL 172.9, 0.39%, 0.47%

LAB 62.55, -30.21, -2.64

 

Description

Color code: HEX #6D49A6 | qconv.com Color code: HEX #6D49A6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 73 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 73 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 56 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 56% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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