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Color name
HEX #6D4834

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D4834 it is the complementary color #92B7CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D4834. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D4834 shade: #72482F, #835A42, #946C55, #A57E68 and #B6907B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D4834. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D4834 shade: #6D4834, #5C3621, #4B240E, #3A1200 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D4834 shade: #6E4935, #6E3935 and #6E3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D4834 shade: #6E4935, #6E5835, #6E6735, #656E35 and #556E35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D4834 shade matches the following richer shades: #6E4935, #7B4527, #88411A, #953D0D and #A23900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D4834 shade: #6E4935, #604D42, #53504F, #46545C and #395869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D4834 shade: #6E353F, #6E3935, #6E4935, #6E5835 and #6E6735

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D4834 shade: #36241A, #523627, #6E4935, #8A5B42 and #A56E4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D4834 shade: #6D4834, #4E6E35 and #35376E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D4834 shade: #6D4834, #356E49 and #49356E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D4834 shade: #6D4834, #4E6E35, #355A6E and #54356E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D4834 shade: #6D4834, #3D6E35, #355A6E and #65356E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 52 / 57

HEX #6D4834

RGB 109 72 52

HSL 21.05, 0.35%, 0.32%

LAB 34.26, 13.3, 18.38

 

Complementary color

CMYK 28 / 10 / 0 / 20

HEX #92B7CB

RGB 146 183 203

HSL 201.05, 0.35%, 0.68%

LAB 72.42, -7.79, -14.17

 

CMYK 0 / 37 / 59 / 55

HEX #72482F

RGB 114 72 47

HSL 22.39, 0.42%, 0.32%

LAB 34.84, 15.09, 22.3

 

CMYK 0 / 31 / 50 / 49

HEX #835A42

RGB 131 90 66

HSL 22.15, 0.33%, 0.39%

LAB 42.05, 13.85, 20.6

 

CMYK 0 / 27 / 43 / 42

HEX #946C55

RGB 148 108 85

HSL 21.9, 0.27%, 0.46%

LAB 49.1, 12.84, 19.11

 

CMYK 0 / 24 / 37 / 35

HEX #A57E68

RGB 165 126 104

HSL 21.64, 0.25%, 0.53%

LAB 56.01, 12, 17.8

 

CMYK 0 / 21 / 32 / 29

HEX #B6907B

RGB 182 144 123

HSL 21.36, 0.29%, 0.6%

LAB 62.78, 11.29, 16.62

 

CMYK 0 / 34 / 52 / 57

HEX #6D4834

RGB 109 72 52

HSL 21.05, 0.35%, 0.32%

LAB 34.26, 13.3, 18.38

 

CMYK 0 / 41 / 64 / 64

HEX #5C3621

RGB 92 54 33

HSL 21.36, 0.47%, 0.25%

LAB 26.8, 14.68, 20.23

 

CMYK 0 / 52 / 81 / 71

HEX #4B240E

RGB 75 36 14

HSL 21.64, 0.69%, 0.17%

LAB 19.18, 16.46, 22.15

 

CMYK 0 / 69 / 100 / 77

HEX #3A1200

RGB 58 18 0

HSL 18.62, 1%, 0.11%

LAB 11.5, 18.61, 17.63

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 34 / 52 / 57

HEX #6E4935

RGB 110 73 53

HSL 21.05, 0.35%, 0.32%

LAB 34.68, 13.25, 18.33

 

CMYK 0 / 48 / 52 / 57

HEX #6E3935

RGB 110 57 53

HSL 4.21, 0.35%, 0.32%

LAB 30.64, 22.89, 12.98

 

CMYK 0 / 52 / 52 / 57

HEX #6E3535

RGB 110 53 53

HSL 0, 0.35%, 0.32%

LAB 29.71, 25.22, 11.72

 

CMYK 0 / 34 / 52 / 57

HEX #6E4935

RGB 110 73 53

HSL 21.05, 0.35%, 0.32%

LAB 34.68, 13.25, 18.33

 

CMYK 0 / 20 / 52 / 57

HEX #6E5835

RGB 110 88 53

HSL 36.84, 0.35%, 0.32%

LAB 38.81, 4.12, 23.62

 

CMYK 0 / 6 / 52 / 57

HEX #6E6735

RGB 110 103 53

HSL 52.63, 0.35%, 0.32%

LAB 43.17, -4.75, 28.99

 

CMYK 8 / 0 / 52 / 57

HEX #656E35

RGB 101 110 53

HSL 69.47, 0.35%, 0.32%

LAB 44.48, -12.8, 30.38

 

CMYK 23 / 0 / 52 / 57

HEX #556E35

RGB 85 110 53

HSL 86.32, 0.35%, 0.32%

LAB 43.27, -19.71, 28.63

 

CMYK 0 / 34 / 52 / 57

HEX #6E4935

RGB 110 73 53

HSL 21.05, 0.35%, 0.32%

LAB 34.68, 13.25, 18.33

 

CMYK 0 / 44 / 68 / 52

HEX #7B4527

RGB 123 69 39

HSL 21.43, 0.52%, 0.32%

LAB 35.23, 20.33, 27.79

 

CMYK 0 / 52 / 81 / 47

HEX #88411A

RGB 136 65 26

HSL 21.27, 0.68%, 0.32%

LAB 36.16, 27.62, 36.4

 

CMYK 0 / 59 / 91 / 42

HEX #953D0D

RGB 149 61 13

HSL 21.18, 0.84%, 0.32%

LAB 37.4, 34.73, 43.93

 

CMYK 0 / 65 / 100 / 36

HEX #A23900

RGB 162 57 0

HSL 21.11, 1%, 0.32%

LAB 38.91, 41.46, 50.35

 

CMYK 0 / 34 / 52 / 57

HEX #6E4935

RGB 110 73 53

HSL 21.05, 0.35%, 0.32%

LAB 34.68, 13.25, 18.33

 

CMYK 0 / 20 / 31 / 62

HEX #604D42

RGB 96 77 66

HSL 22, 0.19%, 0.32%

LAB 34.37, 6.14, 9.54

 

CMYK 0 / 4 / 5 / 67

HEX #53504F

RGB 83 80 79

HSL 15, 0.02%, 0.32%

LAB 34.27, 1.02, 1.02

 

CMYK 24 / 9 / 0 / 64

HEX #46545C

RGB 70 84 92

HSL 201.82, 0.14%, 0.32%

LAB 34.83, -3.44, -6.47

 

CMYK 46 / 16 / 0 / 59

HEX #395869

RGB 57 88 105

HSL 201.25, 0.3%, 0.32%

LAB 35.73, -6.38, -13.34

 

CMYK 0 / 52 / 43 / 57

HEX #6E353F

RGB 110 53 63

HSL 349.47, 0.35%, 0.32%

LAB 29.96, 26.37, 5.54

 

CMYK 0 / 48 / 52 / 57

HEX #6E3935

RGB 110 57 53

HSL 4.21, 0.35%, 0.32%

LAB 30.64, 22.89, 12.98

 

CMYK 0 / 34 / 52 / 57

HEX #6E4935

RGB 110 73 53

HSL 21.05, 0.35%, 0.32%

LAB 34.68, 13.25, 18.33

 

CMYK 0 / 20 / 52 / 57

HEX #6E5835

RGB 110 88 53

HSL 36.84, 0.35%, 0.32%

LAB 38.81, 4.12, 23.62

 

CMYK 0 / 6 / 52 / 57

HEX #6E6735

RGB 110 103 53

HSL 52.63, 0.35%, 0.32%

LAB 43.17, -4.75, 28.99

 

CMYK 0 / 33 / 52 / 79

HEX #36241A

RGB 54 36 26

HSL 21.43, 0.35%, 0.16%

LAB 16.11, 7.03, 10.08

 

CMYK 0 / 34 / 52 / 68

HEX #523627

RGB 82 54 39

HSL 20.93, 0.36%, 0.24%

LAB 25.5, 10.51, 14.47

 

CMYK 0 / 34 / 52 / 57

HEX #6E4935

RGB 110 73 53

HSL 21.05, 0.35%, 0.32%

LAB 34.68, 13.25, 18.33

 

CMYK 0 / 34 / 52 / 46

HEX #8A5B42

RGB 138 91 66

HSL 20.83, 0.35%, 0.4%

LAB 43.18, 16.34, 22.24

 

CMYK 0 / 33 / 52 / 35

HEX #A56E4F

RGB 165 110 79

HSL 21.63, 0.35%, 0.48%

LAB 51.51, 18.31, 26.12

 

CMYK 0 / 34 / 52 / 57

HEX #6D4834

RGB 109 72 52

HSL 21.05, 0.35%, 0.32%

LAB 34.26, 13.3, 18.38

 

CMYK 29 / 0 / 52 / 57

HEX #4E6E35

RGB 78 110 53

HSL 93.68, 0.35%, 0.32%

LAB 42.81, -22.58, 27.96

 

CMYK 52 / 50 / 0 / 57

HEX #35376E

RGB 53 55 110

HSL 237.89, 0.35%, 0.32%

LAB 25.61, 15.78, -32.34

 

CMYK 0 / 34 / 52 / 57

HEX #6D4834

RGB 109 72 52

HSL 21.05, 0.35%, 0.32%

LAB 34.26, 13.3, 18.38

 

CMYK 52 / 0 / 34 / 57

HEX #356E49

RGB 53 110 73

HSL 141.05, 0.35%, 0.32%

LAB 41.83, -27.91, 15.04

 

CMYK 34 / 52 / 0 / 57

HEX #49356E

RGB 73 53 110

HSL 261.05, 0.35%, 0.32%

LAB 26.99, 22.64, -30.03

 

CMYK 0 / 34 / 52 / 57

HEX #6D4834

RGB 109 72 52

HSL 21.05, 0.35%, 0.32%

LAB 34.26, 13.3, 18.38

 

CMYK 29 / 0 / 52 / 57

HEX #4E6E35

RGB 78 110 53

HSL 93.68, 0.35%, 0.32%

LAB 42.81, -22.58, 27.96

 

CMYK 52 / 18 / 0 / 57

HEX #355A6E

RGB 53 90 110

HSL 201.05, 0.35%, 0.32%

LAB 36.36, -7.11, -15.51

 

CMYK 24 / 52 / 0 / 57

HEX #54356E

RGB 84 53 110

HSL 272.63, 0.35%, 0.32%

LAB 28.27, 25.96, -27.92

 

CMYK 0 / 34 / 52 / 57

HEX #6D4834

RGB 109 72 52

HSL 21.05, 0.35%, 0.32%

LAB 34.26, 13.3, 18.38

 

CMYK 45 / 0 / 52 / 57

HEX #3D6E35

RGB 61 110 53

HSL 111.58, 0.35%, 0.32%

LAB 41.85, -28.92, 26.56

 

CMYK 52 / 18 / 0 / 57

HEX #355A6E

RGB 53 90 110

HSL 201.05, 0.35%, 0.32%

LAB 36.36, -7.11, -15.51

 

CMYK 8 / 52 / 0 / 57

HEX #65356E

RGB 101 53 110

HSL 290.53, 0.35%, 0.32%

LAB 30.49, 31.27, -24.26

 

Description

Color code: HEX #6D4834 | qconv.com Color code: HEX #6D4834 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 72 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 72 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 52 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 52% 57% C M Y K

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Provide designers and agencies with accurate color values.

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