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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D44E4 it is the complementary color #92BB1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D44E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D44E4 shade: #7244DF, #8356F2, #9468FF, #A57AFF and #B68CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D44E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D44E4 shade: #6D44E4, #5C32D1, #4B20BE, #3A0EAB and #290098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D44E4 shade: #6C43E4, #9843E4, #C343E4, #E443D9 and #E443AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D44E4 shade: #6C43E4 and #4343E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D44E4 shade matches the following richer shades: #6C43E4 and #6432F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D44E4 shade: #6C43E4, #7554D2, #7D66C1, #8677B0 and #8E889E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D44E4 shade: #4371E4, #4346E4, #6B43E4, #9643E4 and #C143E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D44E4 shade: #431ABA, #501FDE, #6C43E4, #8867E9 and #A58BEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D44E4 shade: #6D44E4, #E4439B and #5BE443

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D44E4 shade: #6D44E4, #E46B43 and #43E46B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D44E4 shade: #6D44E4, #E4439B, #BCE443 and #43E48B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D44E4 shade: #6D44E4, #E4436B, #BCE443 and #43E4BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 70 / 0 / 11

HEX #6D44E4

RGB 109 68 228

HSL 255.38, 0.75%, 0.58%

LAB 42.74, 55.54, -75.13

 

Complementary color

CMYK 22 / 0 / 86 / 27

HEX #92BB1B

RGB 146 187 27

HSL 75.38, 0.75%, 0.42%

LAB 70.68, -33.88, 67.4

 

CMYK 49 / 70 / 0 / 13

HEX #7244DF

RGB 114 68 223

HSL 257.81, 0.71%, 0.57%

LAB 42.82, 54.96, -72.14

 

CMYK 46 / 64 / 0 / 5

HEX #8356F2

RGB 131 86 242

HSL 257.31, 0.86%, 0.64%

LAB 49.36, 53.76, -72.14

 

CMYK 42 / 59 / 0 / 0

HEX #9468FF

RGB 148 104 255

HSL 257.48, 1%, 0.7%

LAB 55.5, 50.92, -69.35

 

CMYK 35 / 52 / 0 / 0

HEX #A57AFF

RGB 165 122 255

HSL 259.4, 1%, 0.74%

LAB 60.9, 44.85, -60.57

 

CMYK 29 / 45 / 0 / 0

HEX #B68CFF

RGB 182 140 255

HSL 261.91, 1%, 0.77%

LAB 66.46, 39.17, -51.64

 

CMYK 52 / 70 / 0 / 11

HEX #6D44E4

RGB 109 68 228

HSL 255.38, 0.75%, 0.58%

LAB 42.74, 55.54, -75.13

 

CMYK 56 / 76 / 0 / 18

HEX #5C32D1

RGB 92 50 209

HSL 255.85, 0.63%, 0.51%

LAB 36.29, 56.67, -74.89

 

CMYK 61 / 83 / 0 / 25

HEX #4B20BE

RGB 75 32 190

HSL 256.33, 0.71%, 0.44%

LAB 30.03, 57.31, -74.17

 

CMYK 66 / 92 / 0 / 33

HEX #3A0EAB

RGB 58 14 171

HSL 256.82, 0.85%, 0.36%

LAB 24.17, 56.85, -72.58

 

CMYK 73 / 100 / 0 / 40

HEX #290098

RGB 41 0 152

HSL 256.18, 1%, 0.3%

LAB 18.96, 54.62, -69.7

 

CMYK 53 / 71 / 0 / 11

HEX #6C43E4

RGB 108 67 228

HSL 255.28, 0.75%, 0.58%

LAB 42.47, 55.89, -75.59

 

CMYK 33 / 71 / 0 / 11

HEX #9843E4

RGB 152 67 228

HSL 271.68, 0.75%, 0.58%

LAB 47.35, 63.37, -67.41

 

CMYK 14 / 71 / 0 / 11

HEX #C343E4

RGB 195 67 228

HSL 287.7, 0.75%, 0.58%

LAB 53.19, 71.78, -57.71

 

CMYK 0 / 71 / 5 / 11

HEX #E443D9

RGB 228 67 217

HSL 304.1, 0.75%, 0.58%

LAB 57.58, 76.91, -44.2

 

CMYK 0 / 71 / 24 / 11

HEX #E443AE

RGB 228 67 174

HSL 320.12, 0.75%, 0.58%

LAB 55.65, 70.92, -22.51

 

CMYK 53 / 71 / 0 / 11

HEX #6C43E4

RGB 108 67 228

HSL 255.28, 0.75%, 0.58%

LAB 42.47, 55.89, -75.59

 

CMYK 71 / 71 / 0 / 11

HEX #4343E4

RGB 67 67 228

HSL 240, 0.75%, 0.58%

LAB 39.26, 50.68, -80.98

 

CMYK 53 / 71 / 0 / 11

HEX #6C43E4

RGB 108 67 228

HSL 255.28, 0.75%, 0.58%

LAB 42.47, 55.89, -75.59

 

CMYK 59 / 80 / 0 / 4

HEX #6432F5

RGB 100 50 245

HSL 255.38, 0.91%, 0.58%

LAB 40.55, 67.29, -88.39

 

CMYK 53 / 71 / 0 / 11

HEX #6C43E4

RGB 108 67 228

HSL 255.28, 0.75%, 0.58%

LAB 42.47, 55.89, -75.59

 

CMYK 44 / 60 / 0 / 18

HEX #7554D2

RGB 117 84 210

HSL 255.71, 0.58%, 0.58%

LAB 45.33, 43.31, -60.62

 

CMYK 35 / 47 / 0 / 24

HEX #7D66C1

RGB 125 102 193

HSL 255.16, 0.42%, 0.58%

LAB 49.15, 30.03, -44.68

 

CMYK 24 / 32 / 0 / 31

HEX #8677B0

RGB 134 119 176

HSL 255.79, 0.27%, 0.58%

LAB 53.38, 18.13, -28.16

 

CMYK 10 / 14 / 0 / 38

HEX #8E889E

RGB 142 136 158

HSL 256.36, 0.1%, 0.58%

LAB 57.87, 6.7, -10.87

 

CMYK 71 / 50 / 0 / 11

HEX #4371E4

RGB 67 113 228

HSL 222.86, 0.75%, 0.58%

LAB 50.22, 22.59, -63.09

 

CMYK 71 / 69 / 0 / 11

HEX #4346E4

RGB 67 70 228

HSL 238.88, 0.75%, 0.58%

LAB 39.87, 48.98, -79.97

 

CMYK 53 / 71 / 0 / 11

HEX #6B43E4

RGB 107 67 228

HSL 254.91, 0.75%, 0.58%

LAB 42.37, 55.74, -75.75

 

CMYK 34 / 71 / 0 / 11

HEX #9643E4

RGB 150 67 228

HSL 270.93, 0.75%, 0.58%

LAB 47.11, 63, -67.83

 

CMYK 15 / 71 / 0 / 11

HEX #C143E4

RGB 193 67 228

HSL 286.96, 0.75%, 0.58%

LAB 52.9, 71.38, -58.18

 

CMYK 64 / 86 / 0 / 27

HEX #431ABA

RGB 67 26 186

HSL 255.38, 0.75%, 0.42%

LAB 28.05, 57.75, -75.09

 

CMYK 64 / 86 / 0 / 13

HEX #501FDE

RGB 80 31 222

HSL 255.39, 0.75%, 0.5%

LAB 33.9, 66.54, -86.38

 

CMYK 53 / 71 / 0 / 11

HEX #6C43E4

RGB 108 67 228

HSL 255.28, 0.75%, 0.58%

LAB 42.47, 55.89, -75.59

 

CMYK 42 / 56 / 0 / 9

HEX #8867E9

RGB 136 103 233

HSL 255.23, 0.75%, 0.66%

LAB 52.75, 43, -61.59

 

CMYK 31 / 42 / 0 / 7

HEX #A58BEE

RGB 165 139 238

HSL 255.76, 0.74%, 0.74%

LAB 63.87, 31.01, -46.51

 

CMYK 52 / 70 / 0 / 11

HEX #6D44E4

RGB 109 68 228

HSL 255.38, 0.75%, 0.58%

LAB 42.74, 55.54, -75.13

 

CMYK 0 / 71 / 32 / 11

HEX #E4439B

RGB 228 67 155

HSL 327.2, 0.75%, 0.58%

LAB 54.94, 68.65, -12.46

 

CMYK 60 / 0 / 71 / 11

HEX #5BE443

RGB 91 228 67

HSL 111.06, 0.75%, 0.58%

LAB 80.8, -65.58, 64.11

 

CMYK 52 / 70 / 0 / 11

HEX #6D44E4

RGB 109 68 228

HSL 255.38, 0.75%, 0.58%

LAB 42.74, 55.54, -75.13

 

CMYK 0 / 53 / 71 / 11

HEX #E46B43

RGB 228 107 67

HSL 14.91, 0.75%, 0.58%

LAB 59.36, 44.39, 44.16

 

CMYK 71 / 0 / 53 / 11

HEX #43E46B

RGB 67 228 107

HSL 134.91, 0.75%, 0.58%

LAB 80.59, -65.96, 46.86

 

CMYK 52 / 70 / 0 / 11

HEX #6D44E4

RGB 109 68 228

HSL 255.38, 0.75%, 0.58%

LAB 42.74, 55.54, -75.13

 

CMYK 0 / 71 / 32 / 11

HEX #E4439B

RGB 228 67 155

HSL 327.2, 0.75%, 0.58%

LAB 54.94, 68.65, -12.46

 

CMYK 18 / 0 / 71 / 11

HEX #BCE443

RGB 188 228 67

HSL 74.91, 0.75%, 0.58%

LAB 85.29, -34.34, 70.09

 

CMYK 71 / 0 / 39 / 11

HEX #43E48B

RGB 67 228 139

HSL 146.83, 0.75%, 0.58%

LAB 81.04, -60.86, 31.76

 

CMYK 52 / 70 / 0 / 11

HEX #6D44E4

RGB 109 68 228

HSL 255.38, 0.75%, 0.58%

LAB 42.74, 55.54, -75.13

 

CMYK 0 / 71 / 53 / 11

HEX #E4436B

RGB 228 67 107

HSL 345.09, 0.75%, 0.58%

LAB 53.57, 64.09, 14.09

 

CMYK 18 / 0 / 71 / 11

HEX #BCE443

RGB 188 228 67

HSL 74.91, 0.75%, 0.58%

LAB 85.29, -34.34, 70.09

 

CMYK 71 / 0 / 18 / 11

HEX #43E4BC

RGB 67 228 188

HSL 165.09, 0.75%, 0.58%

LAB 82.01, -50.47, 7.64

 

Description

Color code: HEX #6D44E4 | qconv.com Color code: HEX #6D44E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 68 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 68 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 70 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 70% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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