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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D3285 it is the complementary color #92CD7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D3285. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D3285 shade: #723280, #834493, #9456A6, #A568B9 and #B67ACC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D3285. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D3285 shade: #6D3285, #5C2072, #4B0E5F, #3A004C and #290039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D3285 shade: #6D3285, #833285, #853270, #85325A and #853243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D3285 shade: #6D3285, #563285, #403285 and #323285

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D3285 shade matches the following richer shades: #6D3285, #732393, #7914A2 and #8005B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D3285 shade: #6D3285, #664176, #605067, #5A5F58 and #546D49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D3285 shade: #403285, #563285, #6C3285, #823285 and #853271

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D3285 shade: #3C1B49, #542767, #6D3285, #853DA3 and #9C4EBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D3285 shade: #6D3285, #85323A and #32854B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D3285 shade: #6D3285, #856C32 and #32856C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D3285 shade: #6D3285, #85323A, #4B8532 and #32857C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D3285 shade: #6D3285, #854332, #4B8532 and #327485

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

Complementary color

CMYK 29 / 0 / 40 / 20

HEX #92CD7A

RGB 146 205 122

HSL 102.65, 0.45%, 0.64%

LAB 76.79, -34.21, 35.37

 

CMYK 11 / 61 / 0 / 50

HEX #723280

RGB 114 50 128

HSL 289.23, 0.44%, 0.35%

LAB 32.74, 40.59, -31.93

 

CMYK 11 / 54 / 0 / 42

HEX #834493

RGB 131 68 147

HSL 287.85, 0.37%, 0.42%

LAB 39.69, 39.96, -32.45

 

CMYK 11 / 48 / 0 / 35

HEX #9456A6

RGB 148 86 166

HSL 286.5, 0.32%, 0.49%

LAB 46.58, 39.19, -32.82

 

CMYK 11 / 44 / 0 / 27

HEX #A568B9

RGB 165 104 185

HSL 285.19, 0.37%, 0.57%

LAB 53.39, 38.39, -33.1

 

CMYK 11 / 40 / 0 / 20

HEX #B67ACC

RGB 182 122 204

HSL 283.9, 0.45%, 0.64%

LAB 60.09, 37.6, -33.34

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 19 / 72 / 0 / 55

HEX #5C2072

RGB 92 32 114

HSL 283.9, 0.56%, 0.29%

LAB 25.33, 40.67, -35.09

 

CMYK 21 / 85 / 0 / 63

HEX #4B0E5F

RGB 75 14 95

HSL 285.19, 0.74%, 0.21%

LAB 18.52, 40.08, -33.81

 

CMYK 24 / 100 / 0 / 70

HEX #3A004C

RGB 58 0 76

HSL 285.79, 1%, 0.15%

LAB 12.1, 37.76, -31.49

 

CMYK 28 / 100 / 0 / 78

HEX #290039

RGB 41 0 57

HSL 283.16, 1%, 0.11%

LAB 6.93, 30.72, -26.58

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 2 / 62 / 0 / 48

HEX #833285

RGB 131 50 133

HSL 298.55, 0.45%, 0.36%

LAB 35.6, 46.2, -30.35

 

CMYK 0 / 62 / 16 / 48

HEX #853270

RGB 133 50 112

HSL 315.18, 0.45%, 0.36%

LAB 34.88, 43.1, -18.33

 

CMYK 0 / 62 / 32 / 48

HEX #85325A

RGB 133 50 90

HSL 331.08, 0.45%, 0.36%

LAB 34, 39.85, -5.66

 

CMYK 0 / 62 / 50 / 48

HEX #853243

RGB 133 50 67

HSL 347.71, 0.45%, 0.36%

LAB 33.29, 37.15, 8.18

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 35 / 62 / 0 / 48

HEX #563285

RGB 86 50 133

HSL 266.02, 0.45%, 0.36%

LAB 29.29, 34.44, -40.77

 

CMYK 52 / 62 / 0 / 48

HEX #403285

RGB 64 50 133

HSL 250.12, 0.45%, 0.36%

LAB 26.92, 29.36, -44.72

 

CMYK 62 / 62 / 0 / 48

HEX #323285

RGB 50 50 133

HSL 240, 0.45%, 0.36%

LAB 25.72, 26.6, -46.72

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 22 / 76 / 0 / 42

HEX #732393

RGB 115 35 147

HSL 282.86, 0.62%, 0.36%

LAB 31.7, 51.6, -45.34

 

CMYK 25 / 88 / 0 / 36

HEX #7914A2

RGB 121 20 162

HSL 282.68, 0.78%, 0.36%

LAB 32.2, 60.37, -53.63

 

CMYK 28 / 97 / 0 / 31

HEX #8005B1

RGB 128 5 177

HSL 282.91, 0.95%, 0.36%

LAB 33.72, 66.83, -60.13

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 14 / 45 / 0 / 54

HEX #664176

RGB 102 65 118

HSL 281.89, 0.29%, 0.36%

LAB 33.8, 26.31, -24.12

 

CMYK 7 / 22 / 0 / 60

HEX #605067

RGB 96 80 103

HSL 281.74, 0.13%, 0.36%

LAB 36.37, 11.4, -10.82

 

CMYK 5 / 0 / 7 / 63

HEX #5A5F58

RGB 90 95 88

HSL 102.86, 0.04%, 0.36%

LAB 39.69, -3.43, 3.32

 

CMYK 23 / 0 / 33 / 57

HEX #546D49

RGB 84 109 73

HSL 101.67, 0.2%, 0.36%

LAB 43.22, -16.65, 17.2

 

CMYK 52 / 62 / 0 / 48

HEX #403285

RGB 64 50 133

HSL 250.12, 0.45%, 0.36%

LAB 26.92, 29.36, -44.72

 

CMYK 35 / 62 / 0 / 48

HEX #563285

RGB 86 50 133

HSL 266.02, 0.45%, 0.36%

LAB 29.29, 34.44, -40.77

 

CMYK 19 / 62 / 0 / 48

HEX #6C3285

RGB 108 50 133

HSL 281.93, 0.45%, 0.36%

LAB 32.17, 40.07, -35.99

 

CMYK 2 / 62 / 0 / 48

HEX #823285

RGB 130 50 133

HSL 297.83, 0.45%, 0.36%

LAB 35.44, 45.93, -30.6

 

CMYK 0 / 62 / 15 / 48

HEX #853271

RGB 133 50 113

HSL 314.46, 0.45%, 0.36%

LAB 34.92, 43.26, -18.89

 

CMYK 18 / 63 / 0 / 71

HEX #3C1B49

RGB 60 27 73

HSL 283.04, 0.46%, 0.2%

LAB 16.63, 25.04, -22.11

 

CMYK 18 / 62 / 0 / 60

HEX #542767

RGB 84 39 103

HSL 282.19, 0.45%, 0.28%

LAB 24.69, 32.5, -29.1

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 18 / 63 / 0 / 36

HEX #853DA3

RGB 133 61 163

HSL 282.35, 0.46%, 0.44%

LAB 39.53, 47.54, -42.33

 

CMYK 17 / 58 / 0 / 27

HEX #9C4EBB

RGB 156 78 187

HSL 282.94, 0.44%, 0.52%

LAB 47.11, 50.05, -44.23

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 0 / 62 / 56 / 48

HEX #85323A

RGB 133 50 58

HSL 354.22, 0.45%, 0.36%

LAB 33.08, 36.31, 13.7

 

CMYK 62 / 0 / 44 / 48

HEX #32854B

RGB 50 133 75

HSL 138.07, 0.45%, 0.36%

LAB 49.45, -38.65, 24

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 0 / 19 / 62 / 48

HEX #856C32

RGB 133 108 50

HSL 41.93, 0.45%, 0.36%

LAB 46.9, 2.71, 35.55

 

CMYK 62 / 0 / 19 / 48

HEX #32856C

RGB 50 133 108

HSL 161.93, 0.45%, 0.36%

LAB 50.14, -31.43, 6.11

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 0 / 62 / 56 / 48

HEX #85323A

RGB 133 50 58

HSL 354.22, 0.45%, 0.36%

LAB 33.08, 36.31, 13.7

 

CMYK 44 / 0 / 62 / 48

HEX #4B8532

RGB 75 133 50

HSL 101.93, 0.45%, 0.36%

LAB 50.1, -35.02, 38.01

 

CMYK 62 / 0 / 7 / 48

HEX #32857C

RGB 50 133 124

HSL 173.49, 0.45%, 0.36%

LAB 50.58, -27.13, -2.59

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 0 / 50 / 62 / 48

HEX #854332

RGB 133 67 50

HSL 12.29, 0.45%, 0.36%

LAB 36.43, 26.63, 23.06

 

CMYK 44 / 0 / 62 / 48

HEX #4B8532

RGB 75 133 50

HSL 101.93, 0.45%, 0.36%

LAB 50.1, -35.02, 38.01

 

CMYK 62 / 13 / 0 / 48

HEX #327485

RGB 50 116 133

HSL 192.29, 0.45%, 0.36%

LAB 45.45, -15.46, -15.6

 

Description

Color code: HEX #6D3285 | qconv.com Color code: HEX #6D3285 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 50 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 50 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 62 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 62% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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