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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D378F it is the complementary color #92C870. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D378F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D378F shade: #72378A, #83499D, #945BB0, #A56DC3 and #B67FD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D378F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D378F shade: #6D378F, #5C257C, #4B1369, #3A0156 and #290043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D378F shade: #6D378F, #84378F, #8F3781, #8F376A and #8F3752

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D378F shade: #6D378F, #55378F, #3E378F and #37378F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D378F shade matches the following richer shades: #6D378F, #71279F, #7417AF and #7807BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D378F shade: #6D378F, #69477F, #66576F, #62675E and #5E784E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D378F shade: #3D378F, #54378F, #6C378F, #83378F and #8F3783

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D378F shade: #402053, #562C71, #6D378F, #8443AC and #985ABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D378F shade: #6D378F, #8F3749 and #378F49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D378F shade: #6D378F, #8F6C37 and #378F6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D378F shade: #6D378F, #8F3749, #5A8F37 and #378F7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D378F shade: #6D378F, #8F4037, #5A8F37 and #37868F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

Complementary color

CMYK 27 / 0 / 44 / 22

HEX #92C870

RGB 146 200 112

HSL 96.82, 0.44%, 0.61%

LAB 75.2, -33.23, 38.4

 

CMYK 17 / 60 / 0 / 46

HEX #72378A

RGB 114 55 138

HSL 282.65, 0.43%, 0.38%

LAB 34.28, 40.17, -35.67

 

CMYK 17 / 54 / 0 / 38

HEX #83499D

RGB 131 73 157

HSL 281.43, 0.37%, 0.45%

LAB 41.26, 39.43, -36.01

 

CMYK 16 / 48 / 0 / 31

HEX #945BB0

RGB 148 91 176

HSL 280.24, 0.35%, 0.52%

LAB 48.15, 38.6, -36.23

 

CMYK 15 / 44 / 0 / 24

HEX #A56DC3

RGB 165 109 195

HSL 279.07, 0.42%, 0.6%

LAB 54.95, 37.77, -36.4

 

CMYK 15 / 41 / 0 / 16

HEX #B67FD6

RGB 182 127 214

HSL 277.93, 0.51%, 0.67%

LAB 61.64, 36.97, -36.55

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 26 / 70 / 0 / 51

HEX #5C257C

RGB 92 37 124

HSL 277.93, 0.54%, 0.32%

LAB 26.89, 40.59, -38.95

 

CMYK 29 / 82 / 0 / 59

HEX #4B1369

RGB 75 19 105

HSL 279.07, 0.69%, 0.24%

LAB 19.97, 40.49, -38.06

 

CMYK 33 / 99 / 0 / 66

HEX #3A0156

RGB 58 1 86

HSL 280.24, 0.98%, 0.17%

LAB 13.19, 39.51, -36.57

 

CMYK 39 / 100 / 0 / 74

HEX #290043

RGB 41 0 67

HSL 276.72, 1%, 0.13%

LAB 7.92, 33.25, -32.14

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 8 / 62 / 0 / 44

HEX #84378F

RGB 132 55 143

HSL 292.5, 0.44%, 0.39%

LAB 37.15, 46.04, -34.02

 

CMYK 0 / 62 / 10 / 44

HEX #8F3781

RGB 143 55 129

HSL 309.55, 0.44%, 0.39%

LAB 38.12, 46.51, -23.78

 

CMYK 0 / 62 / 26 / 44

HEX #8F376A

RGB 143 55 106

HSL 325.23, 0.44%, 0.39%

LAB 37.14, 42.92, -10.95

 

CMYK 0 / 62 / 43 / 44

HEX #8F3752

RGB 143 55 82

HSL 341.59, 0.44%, 0.39%

LAB 36.33, 39.85, 3.09

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 41 / 62 / 0 / 44

HEX #55378F

RGB 85 55 143

HSL 260.45, 0.44%, 0.39%

LAB 30.99, 34.06, -44.23

 

CMYK 57 / 62 / 0 / 44

HEX #3E378F

RGB 62 55 143

HSL 244.77, 0.44%, 0.39%

LAB 28.75, 29.05, -47.97

 

CMYK 62 / 62 / 0 / 44

HEX #37378F

RGB 55 55 143

HSL 240, 0.44%, 0.39%

LAB 28.19, 27.74, -48.9

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 29 / 75 / 0 / 38

HEX #71279F

RGB 113 39 159

HSL 277, 0.61%, 0.39%

LAB 32.84, 52.22, -50.83

 

CMYK 34 / 87 / 0 / 31

HEX #7417AF

RGB 116 23 175

HSL 276.71, 0.77%, 0.39%

LAB 32.75, 61.56, -60.6

 

CMYK 37 / 96 / 0 / 25

HEX #7807BF

RGB 120 7 191

HSL 276.85, 0.93%, 0.39%

LAB 33.79, 68.35, -68.37

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 17 / 44 / 0 / 50

HEX #69477F

RGB 105 71 127

HSL 276.43, 0.28%, 0.39%

LAB 36.07, 25.78, -26.14

 

CMYK 8 / 22 / 0 / 56

HEX #66576F

RGB 102 87 111

HSL 277.5, 0.12%, 0.39%

LAB 39.22, 11.1, -11.42

 

CMYK 5 / 0 / 9 / 60

HEX #62675E

RGB 98 103 94

HSL 93.33, 0.05%, 0.39%

LAB 42.92, -3.78, 4.41

 

CMYK 22 / 0 / 35 / 53

HEX #5E784E

RGB 94 120 78

HSL 97.14, 0.21%, 0.39%

LAB 47.45, -17.81, 20.08

 

CMYK 57 / 62 / 0 / 44

HEX #3D378F

RGB 61 55 143

HSL 244.09, 0.44%, 0.39%

LAB 28.66, 28.86, -48.11

 

CMYK 41 / 62 / 0 / 44

HEX #54378F

RGB 84 55 143

HSL 259.77, 0.44%, 0.39%

LAB 30.88, 33.82, -44.41

 

CMYK 24 / 62 / 0 / 44

HEX #6C378F

RGB 108 55 143

HSL 276.14, 0.44%, 0.39%

LAB 33.78, 39.75, -39.59

 

CMYK 8 / 62 / 0 / 44

HEX #83378F

RGB 131 55 143

HSL 291.82, 0.44%, 0.39%

LAB 37.01, 45.78, -34.26

 

CMYK 0 / 62 / 8 / 44

HEX #8F3783

RGB 143 55 131

HSL 308.18, 0.44%, 0.39%

LAB 38.22, 46.85, -24.87

 

CMYK 23 / 61 / 0 / 67

HEX #402053

RGB 64 32 83

HSL 277.65, 0.44%, 0.23%

LAB 19, 25.78, -25.1

 

CMYK 24 / 61 / 0 / 56

HEX #562C71

RGB 86 44 113

HSL 276.52, 0.44%, 0.31%

LAB 26.65, 32.67, -32.38

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 23 / 61 / 0 / 33

HEX #8443AC

RGB 132 67 172

HSL 277.14, 0.44%, 0.47%

LAB 41.05, 46.27, -45.26

 

CMYK 20 / 53 / 0 / 25

HEX #985ABE

RGB 152 90 190

HSL 277.2, 0.43%, 0.55%

LAB 49.14, 43.39, -42.78

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 0 / 62 / 49 / 44

HEX #8F3749

RGB 143 55 73

HSL 347.73, 0.44%, 0.39%

LAB 36.09, 38.9, 8.49

 

CMYK 62 / 0 / 49 / 44

HEX #378F49

RGB 55 143 73

HSL 132.27, 0.44%, 0.39%

LAB 52.88, -41.95, 29.5

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 0 / 24 / 62 / 44

HEX #8F6C37

RGB 143 108 55

HSL 36.14, 0.44%, 0.39%

LAB 48.06, 7.68, 34.55

 

CMYK 62 / 0 / 24 / 44

HEX #378F6C

RGB 55 143 108

HSL 156.14, 0.44%, 0.39%

LAB 53.54, -35.01, 10.94

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 0 / 62 / 49 / 44

HEX #8F3749

RGB 143 55 73

HSL 347.73, 0.44%, 0.39%

LAB 36.09, 38.9, 8.49

 

CMYK 37 / 0 / 62 / 44

HEX #5A8F37

RGB 90 143 55

HSL 96.14, 0.44%, 0.39%

LAB 54.13, -33.71, 40.4

 

CMYK 62 / 0 / 13 / 44

HEX #378F7D

RGB 55 143 125

HSL 167.73, 0.44%, 0.39%

LAB 53.96, -30.76, 1.79

 

CMYK 24 / 62 / 0 / 44

HEX #6D378F

RGB 109 55 143

HSL 276.82, 0.44%, 0.39%

LAB 33.91, 40.01, -39.37

 

CMYK 0 / 55 / 62 / 44

HEX #8F4037

RGB 143 64 55

HSL 6.14, 0.44%, 0.39%

LAB 37.45, 32.73, 21.64

 

CMYK 37 / 0 / 62 / 44

HEX #5A8F37

RGB 90 143 55

HSL 96.14, 0.44%, 0.39%

LAB 54.13, -33.71, 40.4

 

CMYK 62 / 6 / 0 / 44

HEX #37868F

RGB 55 134 143

HSL 186.14, 0.44%, 0.39%

LAB 51.66, -21.09, -12.06

 

Description

Color code: HEX #6D378F | qconv.com Color code: HEX #6D378F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 55 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 55 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 62 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 62% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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