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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D361C it is the complementary color #92C9E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D361C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D361C shade: #723617, #83482A, #945A3D, #A56C50 and #B67E63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D361C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D361C shade: #6D361C, #5C2409, #4B1200, #3A0000 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D361C shade: #6D361C, #6D201C and #6D1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D361C shade: #6D361C, #6D4C1C, #6D621C, #626D1C and #4D6D1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D361C shade matches the following richer shades: #6D361C, #783211 and #832E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D361C shade: #6D361C, #623A27, #573E32, #4C423D and #404648

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D361C shade: #6D1C2D, #6D201C, #6D351C, #6D4B1C and #6D611C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D361C shade: #2B150B, #4C2613, #6D361C, #8E4624 and #AF562D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D361C shade: #6D361C, #436D1C and #1C226D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D361C shade: #6D361C, #1C6D35 and #351C6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D361C shade: #6D361C, #436D1C, #1C536D and #461C6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D361C shade: #6D361C, #2B6D1C, #1C536D and #5E1C6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

Complementary color

CMYK 36 / 11 / 0 / 11

HEX #92C9E3

RGB 146 201 227

HSL 199.26, 0.59%, 0.73%

LAB 78.13, -11.45, -18.58

 

CMYK 0 / 53 / 80 / 55

HEX #723617

RGB 114 54 23

HSL 20.44, 0.66%, 0.27%

LAB 30.1, 24.12, 30.72

 

CMYK 0 / 45 / 68 / 49

HEX #83482A

RGB 131 72 42

HSL 20.22, 0.51%, 0.34%

LAB 37.16, 22.34, 28.61

 

CMYK 0 / 39 / 59 / 42

HEX #945A3D

RGB 148 90 61

HSL 20, 0.42%, 0.41%

LAB 44.15, 20.82, 26.66

 

CMYK 0 / 35 / 52 / 35

HEX #A56C50

RGB 165 108 80

HSL 19.76, 0.35%, 0.48%

LAB 51.04, 19.54, 24.94

 

CMYK 0 / 31 / 46 / 29

HEX #B67E63

RGB 182 126 99

HSL 19.52, 0.36%, 0.55%

LAB 57.82, 18.45, 23.41

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 0 / 61 / 90 / 64

HEX #5C2409

RGB 92 36 9

HSL 19.52, 0.82%, 0.2%

LAB 22.15, 24.08, 28.51

 

CMYK 0 / 76 / 100 / 71

HEX #4B1200

RGB 75 18 0

HSL 14.4, 1%, 0.15%

LAB 15.11, 25.98, 23.07

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 0 / 71 / 74 / 57

HEX #6D201C

RGB 109 32 28

HSL 2.96, 0.59%, 0.27%

LAB 24.85, 33.82, 21.75

 

CMYK 0 / 74 / 74 / 57

HEX #6D1C1C

RGB 109 28 28

HSL 0, 0.59%, 0.27%

LAB 24.21, 35.57, 20.99

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 0 / 30 / 74 / 57

HEX #6D4C1C

RGB 109 76 28

HSL 35.56, 0.59%, 0.27%

LAB 35.01, 8.87, 32.98

 

CMYK 0 / 10 / 74 / 57

HEX #6D621C

RGB 109 98 28

HSL 51.85, 0.59%, 0.27%

LAB 41.33, -4.3, 39.43

 

CMYK 10 / 0 / 74 / 57

HEX #626D1C

RGB 98 109 28

HSL 68.15, 0.59%, 0.27%

LAB 43.68, -15.7, 41.42

 

CMYK 29 / 0 / 74 / 57

HEX #4D6D1C

RGB 77 109 28

HSL 83.7, 0.59%, 0.27%

LAB 42.15, -24.99, 39.39

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 0 / 58 / 86 / 53

HEX #783211

RGB 120 50 17

HSL 19.22, 0.75%, 0.27%

LAB 30.19, 28.68, 34.22

 

CMYK 0 / 65 / 96 / 49

HEX #832E05

RGB 131 46 5

HSL 19.52, 0.93%, 0.27%

LAB 31.32, 34.89, 41.02

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 0 / 41 / 60 / 62

HEX #623A27

RGB 98 58 39

HSL 19.32, 0.43%, 0.27%

LAB 28.82, 15.54, 19.19

 

CMYK 0 / 29 / 43 / 66

HEX #573E32

RGB 87 62 50

HSL 19.46, 0.27%, 0.27%

LAB 28.65, 9.14, 11.68

 

CMYK 0 / 13 / 20 / 70

HEX #4C423D

RGB 76 66 61

HSL 20, 0.11%, 0.27%

LAB 28.82, 3.31, 4.61

 

CMYK 11 / 3 / 0 / 72

HEX #404648

RGB 64 70 72

HSL 195, 0.06%, 0.27%

LAB 29.26, -1.98, -2.05

 

CMYK 0 / 74 / 59 / 57

HEX #6D1C2D

RGB 109 28 45

HSL 347.41, 0.59%, 0.27%

LAB 24.55, 36.74, 9.99

 

CMYK 0 / 71 / 74 / 57

HEX #6D201C

RGB 109 32 28

HSL 2.96, 0.59%, 0.27%

LAB 24.85, 33.82, 21.75

 

CMYK 0 / 51 / 74 / 57

HEX #6D351C

RGB 109 53 28

HSL 18.52, 0.59%, 0.27%

LAB 29.11, 22.74, 26.61

 

CMYK 0 / 31 / 74 / 57

HEX #6D4B1C

RGB 109 75 28

HSL 34.81, 0.59%, 0.27%

LAB 34.74, 9.48, 32.69

 

CMYK 0 / 11 / 74 / 57

HEX #6D611C

RGB 109 97 28

HSL 51.11, 0.59%, 0.27%

LAB 41.03, -3.72, 39.13

 

CMYK 0 / 51 / 74 / 83

HEX #2B150B

RGB 43 21 11

HSL 18.75, 0.59%, 0.11%

LAB 9.59, 10.01, 10.05

 

CMYK 0 / 50 / 75 / 70

HEX #4C2613

RGB 76 38 19

HSL 20, 0.6%, 0.19%

LAB 19.92, 16, 20.2

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 0 / 51 / 75 / 44

HEX #8E4624

RGB 142 70 36

HSL 19.25, 0.6%, 0.35%

LAB 38.3, 27.87, 33.7

 

CMYK 0 / 51 / 74 / 31

HEX #AF562D

RGB 175 86 45

HSL 18.92, 0.59%, 0.43%

LAB 46.92, 33.35, 39.69

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 39 / 0 / 74 / 57

HEX #436D1C

RGB 67 109 28

HSL 91.11, 0.59%, 0.27%

LAB 41.55, -29.02, 38.59

 

CMYK 74 / 69 / 0 / 57

HEX #1C226D

RGB 28 34 109

HSL 235.56, 0.59%, 0.27%

LAB 17.9, 25.03, -44.27

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 74 / 0 / 51 / 57

HEX #1C6D35

RGB 28 109 53

HSL 138.52, 0.59%, 0.27%

LAB 40.31, -37.32, 24.39

 

CMYK 51 / 74 / 0 / 57

HEX #351C6D

RGB 53 28 109

HSL 258.52, 0.59%, 0.27%

LAB 18.76, 32.95, -42.76

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 39 / 0 / 74 / 57

HEX #436D1C

RGB 67 109 28

HSL 91.11, 0.59%, 0.27%

LAB 41.55, -29.02, 38.59

 

CMYK 74 / 24 / 0 / 57

HEX #1C536D

RGB 28 83 109

HSL 199.26, 0.59%, 0.27%

LAB 33, -8.51, -20.14

 

CMYK 36 / 74 / 0 / 57

HEX #461C6D

RGB 70 28 109

HSL 271.11, 0.59%, 0.27%

LAB 20.97, 36.38, -39.08

 

CMYK 0 / 50 / 74 / 57

HEX #6D361C

RGB 109 54 28

HSL 19.26, 0.59%, 0.27%

LAB 29.35, 22.16, 26.87

 

CMYK 61 / 0 / 74 / 57

HEX #2B6D1C

RGB 43 109 28

HSL 108.89, 0.59%, 0.27%

LAB 40.47, -37.11, 37.13

 

CMYK 74 / 24 / 0 / 57

HEX #1C536D

RGB 28 83 109

HSL 199.26, 0.59%, 0.27%

LAB 33, -8.51, -20.14

 

CMYK 14 / 74 / 0 / 57

HEX #5E1C6D

RGB 94 28 109

HSL 288.89, 0.59%, 0.27%

LAB 24.68, 41.84, -32.9

 

Description

Color code: HEX #6D361C | qconv.com Color code: HEX #6D361C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 54 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 54 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 74 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 74% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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