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Color name
HEX #6D2650

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D2650 it is the complementary color #92D9AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D2650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D2650 shade: #72264B, #83385E, #944A71, #A55C84 and #B66E97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D2650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D2650 shade: #6D2650, #5C143D, #4B022A, #3A0017 and #290004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D2650 shade: #6D2650, #6D263D, #6D262A and #6D2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D2650 shade: #6D2650, #6D2663, #64266D, #51266D and #3D266D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D2650 shade matches the following richer shades: #6D2650, #791A52, #850E54 and #910257

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D2650 shade: #6D2650, #61324E, #553E4C, #494A49 and #3D5647

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D2650 shade: #63266D, #6D2663, #6D2651, #6D263E and #6D262B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D2650 shade: #301023, #4E1B3A, #6D2650, #8B3166 and #AA3B7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D2650 shade: #6D2650, #6D5126 and #266D6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D2650 shade: #6D2650, #516D26 and #26516D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D2650 shade: #6D2650, #6D5126, #266D42 and #26426D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D2650 shade: #6D2650, #6D6626, #266D42 and #262D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

Complementary color

CMYK 33 / 0 / 19 / 15

HEX #92D9AF

RGB 146 217 175

HSL 144.51, 0.48%, 0.71%

LAB 81.2, -30.99, 13.73

 

CMYK 0 / 67 / 34 / 55

HEX #72264B

RGB 114 38 75

HSL 330.79, 0.5%, 0.3%

LAB 28.04, 37.25, -5.11

 

CMYK 0 / 57 / 28 / 49

HEX #83385E

RGB 131 56 94

HSL 329.6, 0.4%, 0.37%

LAB 34.93, 36.74, -6.87

 

CMYK 0 / 50 / 24 / 42

HEX #944A71

RGB 148 74 113

HSL 328.38, 0.33%, 0.44%

LAB 41.82, 35.98, -8.18

 

CMYK 0 / 44 / 20 / 35

HEX #A55C84

RGB 165 92 132

HSL 327.12, 0.29%, 0.5%

LAB 48.66, 35.15, -9.22

 

CMYK 0 / 40 / 17 / 29

HEX #B66E97

RGB 182 110 151

HSL 325.83, 0.33%, 0.57%

LAB 55.41, 34.33, -10.09

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 78 / 34 / 64

HEX #5C143D

RGB 92 20 61

HSL 325.83, 0.64%, 0.22%

LAB 20.49, 36.19, -7.37

 

CMYK 0 / 97 / 44 / 71

HEX #4B022A

RGB 75 2 42

HSL 327.12, 0.95%, 0.15%

LAB 13.86, 35.07, -4.14

 

CMYK 0 / 100 / 60 / 77

HEX #3A0017

RGB 58 0 23

HSL 336.21, 1%, 0.11%

LAB 8.67, 29.37, 2.12

 

CMYK 0 / 100 / 90 / 84

HEX #290004

RGB 41 0 4

HSL 354.15, 1%, 0.08%

LAB 4.34, 19.52, 5.22

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 65 / 44 / 57

HEX #6D263D

RGB 109 38 61

HSL 340.56, 0.48%, 0.29%

LAB 26.66, 33.79, 2.12

 

CMYK 0 / 65 / 61 / 57

HEX #6D262A

RGB 109 38 42

HSL 356.62, 0.48%, 0.29%

LAB 26.17, 31.9, 14.19

 

CMYK 0 / 65 / 65 / 57

HEX #6D2626

RGB 109 38 38

HSL 0, 0.48%, 0.29%

LAB 26.09, 31.59, 16.74

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 65 / 9 / 57

HEX #6D2663

RGB 109 38 99

HSL 308.45, 0.48%, 0.29%

LAB 28.22, 39.42, -20.67

 

CMYK 8 / 65 / 0 / 57

HEX #64266D

RGB 100 38 109

HSL 292.39, 0.48%, 0.29%

LAB 27.3, 38.79, -28.67

 

CMYK 26 / 65 / 0 / 57

HEX #51266D

RGB 81 38 109

HSL 276.34, 0.48%, 0.29%

LAB 24.45, 33.7, -33.38

 

CMYK 44 / 65 / 0 / 57

HEX #3D266D

RGB 61 38 109

HSL 259.44, 0.48%, 0.29%

LAB 21.88, 28.67, -37.65

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 79 / 32 / 53

HEX #791A52

RGB 121 26 82

HSL 324.63, 0.65%, 0.29%

LAB 27.88, 45.14, -9.86

 

CMYK 0 / 89 / 37 / 48

HEX #850E54

RGB 133 14 84

HSL 324.71, 0.81%, 0.29%

LAB 29.26, 51.7, -8.86

 

CMYK 0 / 99 / 40 / 43

HEX #910257

RGB 145 2 87

HSL 324.34, 0.97%, 0.29%

LAB 31.23, 56.76, -7.62

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 48 / 20 / 62

HEX #61324E

RGB 97 50 78

HSL 324.26, 0.32%, 0.29%

LAB 27.77, 25.27, -7.78

 

CMYK 0 / 27 / 11 / 67

HEX #553E4C

RGB 85 62 76

HSL 323.48, 0.16%, 0.29%

LAB 29.15, 12.67, -4.56

 

CMYK 1 / 0 / 1 / 71

HEX #494A49

RGB 73 74 73

HSL 120, 0.01%, 0.29%

LAB 31.34, -0.63, 0.45

 

CMYK 29 / 0 / 17 / 66

HEX #3D5647

RGB 61 86 71

HSL 144, 0.17%, 0.29%

LAB 34.2, -13.06, 5.71

 

CMYK 9 / 65 / 0 / 57

HEX #63266D

RGB 99 38 109

HSL 291.55, 0.48%, 0.29%

LAB 27.14, 38.52, -28.93

 

CMYK 0 / 65 / 9 / 57

HEX #6D2663

RGB 109 38 99

HSL 308.45, 0.48%, 0.29%

LAB 28.22, 39.42, -20.67

 

CMYK 0 / 65 / 26 / 57

HEX #6D2651

RGB 109 38 81

HSL 323.66, 0.48%, 0.29%

LAB 27.38, 36.46, -10.16

 

CMYK 0 / 65 / 43 / 57

HEX #6D263E

RGB 109 38 62

HSL 339.72, 0.48%, 0.29%

LAB 26.69, 33.9, 1.49

 

CMYK 0 / 65 / 61 / 57

HEX #6D262B

RGB 109 38 43

HSL 355.77, 0.48%, 0.29%

LAB 26.19, 31.98, 13.55

 

CMYK 0 / 67 / 27 / 81

HEX #301023

RGB 48 16 35

HSL 324.38, 0.5%, 0.13%

LAB 9.96, 19.07, -5.4

 

CMYK 0 / 65 / 26 / 69

HEX #4E1B3A

RGB 78 27 58

HSL 323.53, 0.49%, 0.21%

LAB 18.84, 27.96, -8.04

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 65 / 27 / 45

HEX #8B3166

RGB 139 49 102

HSL 324.67, 0.48%, 0.37%

LAB 35.29, 43.88, -11.28

 

CMYK 0 / 65 / 26 / 33

HEX #AA3B7D

RGB 170 59 125

HSL 324.32, 0.48%, 0.45%

LAB 43, 51.97, -13.45

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 26 / 65 / 57

HEX #6D5126

RGB 109 81 38

HSL 36.34, 0.48%, 0.29%

LAB 36.51, 6.51, 29.35

 

CMYK 65 / 0 / 0 / 57

HEX #266D6D

RGB 38 109 109

HSL 180, 0.48%, 0.29%

LAB 41.93, -21.55, -6.53

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 26 / 0 / 65 / 57

HEX #516D26

RGB 81 109 38

HSL 83.66, 0.48%, 0.29%

LAB 42.5, -22.49, 35.37

 

CMYK 65 / 26 / 0 / 57

HEX #26516D

RGB 38 81 109

HSL 203.66, 0.48%, 0.29%

LAB 32.7, -5.44, -20.58

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 26 / 65 / 57

HEX #6D5126

RGB 109 81 38

HSL 36.34, 0.48%, 0.29%

LAB 36.51, 6.51, 29.35

 

CMYK 65 / 0 / 39 / 57

HEX #266D42

RGB 38 109 66

HSL 143.66, 0.48%, 0.29%

LAB 40.8, -32.78, 17.67

 

CMYK 65 / 39 / 0 / 57

HEX #26426D

RGB 38 66 109

HSL 216.34, 0.48%, 0.29%

LAB 27.88, 4.35, -28.15

 

CMYK 0 / 65 / 27 / 57

HEX #6D2650

RGB 109 38 80

HSL 324.51, 0.48%, 0.29%

LAB 27.34, 36.31, -9.56

 

CMYK 0 / 6 / 65 / 57

HEX #6D6626

RGB 109 102 38

HSL 54.08, 0.48%, 0.29%

LAB 42.6, -5.96, 36.14

 

CMYK 65 / 0 / 39 / 57

HEX #266D42

RGB 38 109 66

HSL 143.66, 0.48%, 0.29%

LAB 40.8, -32.78, 17.67

 

CMYK 65 / 59 / 0 / 57

HEX #262D6D

RGB 38 45 109

HSL 234.08, 0.48%, 0.29%

LAB 21.55, 18.99, -38.28

 

Description

Color code: HEX #6D2650 | qconv.com Color code: HEX #6D2650 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 38 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 38 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 27 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 27% 57% C M Y K

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Provide designers and agencies with accurate color values.

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