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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D240E it is the complementary color #92DBF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D240E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D240E shade: #722409, #83361C, #94482F, #A55A42 and #B66C55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D240E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D240E shade: #6D240E, #5C1200, #4B0000, #3A0000 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D240E shade: #6C230E and #6C0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D240E shade: #6C230E, #6C3D0E, #6C560E, #686C0E and #4F6C0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D240E shade matches the following richer shades: #6C230E and #761E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D240E shade: #6C230E, #622917, #582E21, #4E332B and #443935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D240E shade: #6C0E2B, #6C0E12, #6C220E, #6C3B0E and #6C540E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D240E shade: #230B04, #471709, #6C230E, #902F12 and #B53C17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D240E shade: #6D240E, #456C0E and #0E1F6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D240E shade: #6D240E, #0E6C22 and #220E6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D240E shade: #6D240E, #456C0E, #0E576C and #350E6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D240E shade: #6D240E, #286C0E, #0E576C and #510E6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 87 / 57

HEX #6D240E

RGB 109 36 14

HSL 13.89, 0.77%, 0.24%

LAB 25.4, 31.32, 30.59

 

Complementary color

CMYK 39 / 9 / 0 / 5

HEX #92DBF1

RGB 146 219 241

HSL 193.89, 0.77%, 0.76%

LAB 83.51, -17.21, -17.93

 

CMYK 0 / 68 / 92 / 55

HEX #722409

RGB 114 36 9

HSL 15.43, 0.85%, 0.24%

LAB 26.33, 33.14, 34.03

 

CMYK 0 / 59 / 79 / 49

HEX #83361C

RGB 131 54 28

HSL 15.15, 0.65%, 0.31%

LAB 33.02, 31.54, 31.91

 

CMYK 0 / 51 / 68 / 42

HEX #94482F

RGB 148 72 47

HSL 14.85, 0.52%, 0.38%

LAB 39.81, 29.91, 29.48

 

CMYK 0 / 45 / 60 / 35

HEX #A55A42

RGB 165 90 66

HSL 14.55, 0.43%, 0.45%

LAB 46.59, 28.41, 27.32

 

CMYK 0 / 41 / 53 / 29

HEX #B66C55

RGB 182 108 85

HSL 14.23, 0.4%, 0.52%

LAB 53.3, 27.07, 25.43

 

CMYK 0 / 67 / 87 / 57

HEX #6D240E

RGB 109 36 14

HSL 13.89, 0.77%, 0.24%

LAB 25.4, 31.32, 30.59

 

CMYK 0 / 80 / 100 / 64

HEX #5C1200

RGB 92 18 0

HSL 11.74, 1%, 0.18%

LAB 18.83, 32.46, 28.49

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 68 / 87 / 58

HEX #6C230E

RGB 108 35 14

HSL 13.4, 0.77%, 0.24%

LAB 25.02, 31.41, 30.16

 

CMYK 0 / 87 / 87 / 58

HEX #6C0E0E

RGB 108 14 14

HSL 0, 0.77%, 0.24%

LAB 22.07, 39.55, 27.19

 

CMYK 0 / 68 / 87 / 58

HEX #6C230E

RGB 108 35 14

HSL 13.4, 0.77%, 0.24%

LAB 25.02, 31.41, 30.16

 

CMYK 0 / 44 / 87 / 58

HEX #6C3D0E

RGB 108 61 14

HSL 30, 0.77%, 0.24%

LAB 30.78, 16.88, 35.38

 

CMYK 0 / 20 / 87 / 58

HEX #6C560E

RGB 108 86 14

HSL 45.96, 0.77%, 0.24%

LAB 37.62, 1.67, 41.34

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 27 / 0 / 87 / 58

HEX #4F6C0E

RGB 79 108 14

HSL 78.51, 0.77%, 0.24%

LAB 41.87, -24.42, 44.05

 

CMYK 0 / 68 / 87 / 58

HEX #6C230E

RGB 108 35 14

HSL 13.4, 0.77%, 0.24%

LAB 25.02, 31.41, 30.16

 

CMYK 0 / 75 / 97 / 54

HEX #761E04

RGB 118 30 4

HSL 13.68, 0.93%, 0.24%

LAB 26.12, 37.16, 36.18

 

CMYK 0 / 68 / 87 / 58

HEX #6C230E

RGB 108 35 14

HSL 13.4, 0.77%, 0.24%

LAB 25.02, 31.41, 30.16

 

CMYK 0 / 58 / 77 / 62

HEX #622917

RGB 98 41 23

HSL 14.4, 0.62%, 0.24%

LAB 24.46, 24.5, 23.88

 

CMYK 0 / 48 / 63 / 65

HEX #582E21

RGB 88 46 33

HSL 14.18, 0.45%, 0.24%

LAB 24.12, 17.78, 16.77

 

CMYK 0 / 35 / 45 / 69

HEX #4E332B

RGB 78 51 43

HSL 13.71, 0.29%, 0.24%

LAB 24.2, 11.05, 10.01

 

CMYK 0 / 16 / 22 / 73

HEX #443935

RGB 68 57 53

HSL 16, 0.12%, 0.24%

LAB 24.99, 4.06, 4.28

 

CMYK 0 / 87 / 60 / 58

HEX #6C0E2B

RGB 108 14 43

HSL 341.49, 0.77%, 0.24%

LAB 22.57, 41.08, 8.63

 

CMYK 0 / 87 / 83 / 58

HEX #6C0E12

RGB 108 14 18

HSL 357.45, 0.77%, 0.24%

LAB 22.11, 39.68, 25.01

 

CMYK 0 / 69 / 87 / 58

HEX #6C220E

RGB 108 34 14

HSL 12.77, 0.77%, 0.24%

LAB 24.84, 31.9, 29.99

 

CMYK 0 / 45 / 87 / 58

HEX #6C3B0E

RGB 108 59 14

HSL 28.72, 0.77%, 0.24%

LAB 30.27, 18.08, 34.93

 

CMYK 0 / 22 / 87 / 58

HEX #6C540E

RGB 108 84 14

HSL 44.68, 0.77%, 0.24%

LAB 37.04, 2.87, 40.85

 

CMYK 0 / 69 / 89 / 86

HEX #230B04

RGB 35 11 4

HSL 13.55, 0.79%, 0.08%

LAB 5.47, 10.62, 6.74

 

CMYK 0 / 68 / 87 / 72

HEX #471709

RGB 71 23 9

HSL 13.55, 0.78%, 0.16%

LAB 15.34, 22.12, 19.53

 

CMYK 0 / 68 / 87 / 58

HEX #6C230E

RGB 108 35 14

HSL 13.4, 0.77%, 0.24%

LAB 25.02, 31.41, 30.16

 

CMYK 0 / 67 / 88 / 44

HEX #902F12

RGB 144 47 18

HSL 13.81, 0.78%, 0.32%

LAB 34, 39.63, 38.77

 

CMYK 0 / 67 / 87 / 29

HEX #B53C17

RGB 181 60 23

HSL 14.05, 0.77%, 0.4%

LAB 42.94, 47.39, 46.78

 

CMYK 0 / 67 / 87 / 57

HEX #6D240E

RGB 109 36 14

HSL 13.89, 0.77%, 0.24%

LAB 25.4, 31.32, 30.59

 

CMYK 36 / 0 / 87 / 58

HEX #456C0E

RGB 69 108 14

HSL 84.89, 0.77%, 0.24%

LAB 41.25, -28.6, 43.26

 

CMYK 87 / 71 / 0 / 58

HEX #0E1F6C

RGB 14 31 108

HSL 229.15, 0.77%, 0.24%

LAB 16.29, 25.23, -46.29

 

CMYK 0 / 67 / 87 / 57

HEX #6D240E

RGB 109 36 14

HSL 13.89, 0.77%, 0.24%

LAB 25.4, 31.32, 30.59

 

CMYK 87 / 0 / 69 / 58

HEX #0E6C22

RGB 14 108 34

HSL 132.77, 0.77%, 0.24%

LAB 39.47, -41.88, 33.18

 

CMYK 69 / 87 / 0 / 58

HEX #220E6C

RGB 34 14 108

HSL 252.77, 0.77%, 0.24%

LAB 14.04, 37.23, -49.95

 

CMYK 0 / 67 / 87 / 57

HEX #6D240E

RGB 109 36 14

HSL 13.89, 0.77%, 0.24%

LAB 25.4, 31.32, 30.59

 

CMYK 36 / 0 / 87 / 58

HEX #456C0E

RGB 69 108 14

HSL 84.89, 0.77%, 0.24%

LAB 41.25, -28.6, 43.26

 

CMYK 87 / 19 / 0 / 58

HEX #0E576C

RGB 14 87 108

HSL 193.4, 0.77%, 0.24%

LAB 33.97, -13.07, -18.05

 

CMYK 51 / 87 / 0 / 58

HEX #350E6C

RGB 53 14 108

HSL 264.89, 0.77%, 0.24%

LAB 16.27, 39.49, -46.19

 

CMYK 0 / 67 / 87 / 57

HEX #6D240E

RGB 109 36 14

HSL 13.89, 0.77%, 0.24%

LAB 25.4, 31.32, 30.59

 

CMYK 63 / 0 / 87 / 58

HEX #286C0E

RGB 40 108 14

HSL 103.4, 0.77%, 0.24%

LAB 39.93, -38.54, 41.58

 

CMYK 87 / 19 / 0 / 58

HEX #0E576C

RGB 14 87 108

HSL 193.4, 0.77%, 0.24%

LAB 33.97, -13.07, -18.05

 

CMYK 25 / 87 / 0 / 58

HEX #510E6C

RGB 81 14 108

HSL 282.77, 0.77%, 0.24%

LAB 20.62, 44.05, -38.91

 

Description

Color code: HEX #6D240E | qconv.com Color code: HEX #6D240E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 36 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 36 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 87 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 87% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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