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Color name
HEX #6D0C50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D0C50 it is the complementary color #92F3AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D0C50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D0C50 shade: #720C4B, #831E5E, #943071, #A54284 and #B65497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D0C50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D0C50 shade: #6D0C50, #5C003D, #4B002A, #3A0017 and #290004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D0C50 shade: #6E0C50, #6E0C36, #6E0C1C and #6E0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D0C50 shade: #6E0C50, #6E0C6B, #560C6E, #3C0C6E and #210C6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D0C50 shade matches the following richer shades: #6E0C50 and #780254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D0C50 shade: #6E0C50, #64164C, #5A2048, #502944 and #463340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D0C50 shade: #550C6E, #6E0C6C, #6E0C52, #6E0C38 and #6E0C1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D0C50 shade: #23031A, #490835, #6E0C50, #93106C and #B81487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D0C50 shade: #6D0C50, #6E3B0C and #0C6E62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D0C50 shade: #6D0C50, #526E0C and #0C526E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D0C50 shade: #6D0C50, #6E3B0C, #0C6E27 and #0C3E6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D0C50 shade: #6D0C50, #6E580C, #0C6E27 and #0C216E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 27 / 57

HEX #6D0C50

RGB 109 12 80

HSL 317.94, 0.8%, 0.24%

LAB 23.98, 45.76, -14.71

 

Complementary color

CMYK 40 / 0 / 28 / 5

HEX #92F3AF

RGB 146 243 175

HSL 137.94, 0.8%, 0.76%

LAB 88.59, -42.84, 24.02

 

CMYK 0 / 89 / 34 / 55

HEX #720C4B

RGB 114 12 75

HSL 322.94, 0.81%, 0.25%

LAB 24.79, 46.37, -10

 

CMYK 0 / 77 / 28 / 49

HEX #831E5E

RGB 131 30 94

HSL 321.98, 0.63%, 0.32%

LAB 30.79, 48.07, -13.13

 

CMYK 0 / 68 / 24 / 42

HEX #943071

RGB 148 48 113

HSL 321, 0.51%, 0.38%

LAB 37.12, 48.55, -15.3

 

CMYK 0 / 60 / 20 / 35

HEX #A54284

RGB 165 66 132

HSL 320, 0.43%, 0.45%

LAB 43.6, 48.38, -16.88

 

CMYK 0 / 54 / 17 / 29

HEX #B65497

RGB 182 84 151

HSL 318.98, 0.4%, 0.52%

LAB 50.12, 47.88, -18.1

 

CMYK 0 / 89 / 27 / 57

HEX #6D0C50

RGB 109 12 80

HSL 317.94, 0.8%, 0.24%

LAB 23.98, 45.76, -14.71

 

CMYK 0 / 100 / 34 / 64

HEX #5C003D

RGB 92 0 61

HSL 320.22, 1%, 0.18%

LAB 18.42, 42.13, -10.53

 

CMYK 0 / 100 / 44 / 71

HEX #4B002A

RGB 75 0 42

HSL 326.4, 1%, 0.15%

LAB 13.61, 35.81, -4.53

 

CMYK 0 / 100 / 60 / 77

HEX #3A0017

RGB 58 0 23

HSL 336.21, 1%, 0.11%

LAB 8.67, 29.37, 2.12

 

CMYK 0 / 100 / 90 / 84

HEX #290004

RGB 41 0 4

HSL 354.15, 1%, 0.08%

LAB 4.34, 19.52, 5.22

 

CMYK 0 / 89 / 27 / 57

HEX #6E0C50

RGB 110 12 80

HSL 318.37, 0.8%, 0.24%

LAB 24.18, 46, -14.38

 

CMYK 0 / 89 / 51 / 57

HEX #6E0C36

RGB 110 12 54

HSL 334.29, 0.8%, 0.24%

LAB 23.15, 43.08, 1.85

 

CMYK 0 / 89 / 75 / 57

HEX #6E0C1C

RGB 110 12 28

HSL 350.2, 0.8%, 0.24%

LAB 22.52, 41.24, 19.02

 

CMYK 0 / 89 / 89 / 57

HEX #6E0C0C

RGB 110 12 12

HSL 0, 0.8%, 0.24%

LAB 22.32, 40.64, 28.55

 

CMYK 0 / 89 / 27 / 57

HEX #6E0C50

RGB 110 12 80

HSL 318.37, 0.8%, 0.24%

LAB 24.18, 46, -14.38

 

CMYK 0 / 89 / 3 / 57

HEX #6E0C6B

RGB 110 12 107

HSL 301.84, 0.8%, 0.24%

LAB 25.68, 50.04, -29.84

 

CMYK 22 / 89 / 0 / 57

HEX #560C6E

RGB 86 12 110

HSL 285.31, 0.8%, 0.24%

LAB 21.46, 45.94, -38.81

 

CMYK 45 / 89 / 0 / 57

HEX #3C0C6E

RGB 60 12 110

HSL 269.39, 0.8%, 0.24%

LAB 17.22, 41.73, -45.9

 

CMYK 70 / 89 / 0 / 57

HEX #210C6E

RGB 33 12 110

HSL 252.86, 0.8%, 0.24%

LAB 13.9, 38.63, -51.5

 

CMYK 0 / 89 / 27 / 57

HEX #6E0C50

RGB 110 12 80

HSL 318.37, 0.8%, 0.24%

LAB 24.18, 46, -14.38

 

CMYK 0 / 98 / 30 / 53

HEX #780254

RGB 120 2 84

HSL 318.31, 0.97%, 0.24%

LAB 25.79, 50.82, -14.4

 

CMYK 0 / 89 / 27 / 57

HEX #6E0C50

RGB 110 12 80

HSL 318.37, 0.8%, 0.24%

LAB 24.18, 46, -14.38

 

CMYK 0 / 78 / 24 / 61

HEX #64164C

RGB 100 22 76

HSL 318.46, 0.64%, 0.24%

LAB 23.02, 39.87, -13.65

 

CMYK 0 / 64 / 20 / 65

HEX #5A2048

RGB 90 32 72

HSL 318.62, 0.48%, 0.24%

LAB 22.56, 31.78, -11.79

 

CMYK 0 / 49 / 15 / 69

HEX #502944

RGB 80 41 68

HSL 318.46, 0.32%, 0.24%

LAB 22.68, 22.39, -9.04

 

CMYK 0 / 27 / 9 / 73

HEX #463340

RGB 70 51 64

HSL 318.95, 0.16%, 0.24%

LAB 23.8, 11.11, -4.79

 

CMYK 23 / 89 / 0 / 57

HEX #550C6E

RGB 85 12 110

HSL 284.69, 0.8%, 0.24%

LAB 21.28, 45.77, -39.11

 

CMYK 0 / 89 / 2 / 57

HEX #6E0C6C

RGB 110 12 108

HSL 301.22, 0.8%, 0.24%

LAB 25.75, 50.21, -30.39

 

CMYK 0 / 89 / 25 / 57

HEX #6E0C52

RGB 110 12 82

HSL 317.14, 0.8%, 0.24%

LAB 24.28, 46.27, -15.57

 

CMYK 0 / 89 / 49 / 57

HEX #6E0C38

RGB 110 12 56

HSL 333.06, 0.8%, 0.24%

LAB 23.21, 43.27, 0.56

 

CMYK 0 / 89 / 73 / 57

HEX #6E0C1E

RGB 110 12 30

HSL 348.98, 0.8%, 0.24%

LAB 22.55, 41.34, 17.7

 

CMYK 0 / 91 / 26 / 86

HEX #23031A

RGB 35 3 26

HSL 316.88, 0.84%, 0.07%

LAB 4.49, 17.94, -6.9

 

CMYK 0 / 89 / 27 / 71

HEX #490835

RGB 73 8 53

HSL 318.46, 0.8%, 0.16%

LAB 14.66, 33.81, -10.97

 

CMYK 0 / 89 / 27 / 57

HEX #6E0C50

RGB 110 12 80

HSL 318.37, 0.8%, 0.24%

LAB 24.18, 46, -14.38

 

CMYK 0 / 89 / 27 / 42

HEX #93106C

RGB 147 16 108

HSL 317.86, 0.8%, 0.32%

LAB 33.26, 57.44, -18.09

 

CMYK 0 / 89 / 27 / 28

HEX #B81487

RGB 184 20 135

HSL 317.93, 0.8%, 0.4%

LAB 41.91, 68.14, -21.04

 

CMYK 0 / 89 / 27 / 57

HEX #6D0C50

RGB 109 12 80

HSL 317.94, 0.8%, 0.24%

LAB 23.98, 45.76, -14.71

 

CMYK 0 / 46 / 89 / 57

HEX #6E3B0C

RGB 110 59 12

HSL 28.78, 0.8%, 0.24%

LAB 30.57, 18.95, 36.13

 

CMYK 89 / 0 / 11 / 57

HEX #0C6E62

RGB 12 110 98

HSL 172.65, 0.8%, 0.24%

LAB 41.39, -28.88, -0.71

 

CMYK 0 / 89 / 27 / 57

HEX #6D0C50

RGB 109 12 80

HSL 317.94, 0.8%, 0.24%

LAB 23.98, 45.76, -14.71

 

CMYK 25 / 0 / 89 / 57

HEX #526E0C

RGB 82 110 12

HSL 77.14, 0.8%, 0.24%

LAB 42.72, -24.19, 45.39

 

CMYK 89 / 25 / 0 / 57

HEX #0C526E

RGB 12 82 110

HSL 197.14, 0.8%, 0.24%

LAB 32.34, -9.48, -21.82

 

CMYK 0 / 89 / 27 / 57

HEX #6D0C50

RGB 109 12 80

HSL 317.94, 0.8%, 0.24%

LAB 23.98, 45.76, -14.71

 

CMYK 0 / 46 / 89 / 57

HEX #6E3B0C

RGB 110 59 12

HSL 28.78, 0.8%, 0.24%

LAB 30.57, 18.95, 36.13

 

CMYK 89 / 0 / 65 / 57

HEX #0C6E27

RGB 12 110 39

HSL 136.53, 0.8%, 0.24%

LAB 40.21, -42.16, 31.58

 

CMYK 89 / 44 / 0 / 57

HEX #0C3E6E

RGB 12 62 110

HSL 209.39, 0.8%, 0.24%

LAB 25.71, 3.59, -32.29

 

CMYK 0 / 89 / 27 / 57

HEX #6D0C50

RGB 109 12 80

HSL 317.94, 0.8%, 0.24%

LAB 23.98, 45.76, -14.71

 

CMYK 0 / 20 / 89 / 57

HEX #6E580C

RGB 110 88 12

HSL 46.53, 0.8%, 0.24%

LAB 38.41, 1.4, 42.74

 

CMYK 89 / 0 / 65 / 57

HEX #0C6E27

RGB 12 110 39

HSL 136.53, 0.8%, 0.24%

LAB 40.21, -42.16, 31.58

 

CMYK 89 / 70 / 0 / 57

HEX #0C216E

RGB 12 33 110

HSL 227.14, 0.8%, 0.24%

LAB 16.95, 24.48, -46.51

 

Description

Color code: HEX #6D0C50 | qconv.com Color code: HEX #6D0C50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 12 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 12 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 27 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 27% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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