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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C8227 it is the complementary color #937DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C8227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C8227 shade: #718222, #829435, #93A648, #A4B85B and #B5CA6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C8227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C8227 shade: #6C8227, #5B7014, #4A5E01, #394C00 and #283A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C8227 shade: #6B8126, #817F26, #816626, #814E26 and #813526

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C8227 shade: #6B8126, #538126, #3A8126, #26812B and #268143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C8227 shade matches the following richer shades: #6B8126, #728F19 and #799C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C8227 shade: #6B8126, #647334, #5D6641, #56584F and #4F4B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C8227 shade: #816626, #817E26, #6C8126, #548126 and #3B8126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C8227 shade: #364213, #51611D, #6B8126, #85A130 and #A0C139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C8227 shade: #6C8227, #26814E and #722681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C8227 shade: #6C8227, #266C81 and #81266C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C8227 shade: #6C8227, #26814E, #3B2681 and #81265A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C8227 shade: #6C8227, #268169, #3B2681 and #81263E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 70 / 49

HEX #6C8227

RGB 108 130 39

HSL 74.51, 0.54%, 0.33%

LAB 51.04, -21.58, 44.54

 

Complementary color

CMYK 32 / 42 / 0 / 15

HEX #937DD8

RGB 147 125 216

HSL 254.51, 0.54%, 0.67%

LAB 57.87, 28.55, -43.82

 

CMYK 13 / 0 / 74 / 49

HEX #718222

RGB 113 130 34

HSL 70.63, 0.59%, 0.32%

LAB 51.37, -19.71, 47.01

 

CMYK 12 / 0 / 64 / 42

HEX #829435

RGB 130 148 53

HSL 71.37, 0.47%, 0.39%

LAB 58.21, -20.32, 46.53

 

CMYK 11 / 0 / 57 / 35

HEX #93A648

RGB 147 166 72

HSL 72.13, 0.39%, 0.47%

LAB 64.92, -20.76, 45.61

 

CMYK 11 / 0 / 51 / 28

HEX #A4B85B

RGB 164 184 91

HSL 72.9, 0.4%, 0.54%

LAB 71.51, -21.07, 44.52

 

CMYK 10 / 0 / 46 / 21

HEX #B5CA6E

RGB 181 202 110

HSL 73.7, 0.46%, 0.61%

LAB 77.99, -21.31, 43.36

 

CMYK 17 / 0 / 70 / 49

HEX #6C8227

RGB 108 130 39

HSL 74.51, 0.54%, 0.33%

LAB 51.04, -21.58, 44.54

 

CMYK 19 / 0 / 82 / 56

HEX #5B7014

RGB 91 112 20

HSL 73.7, 0.7%, 0.26%

LAB 44.04, -20.9, 44.49

 

CMYK 21 / 0 / 99 / 63

HEX #4A5E01

RGB 74 94 1

HSL 72.9, 0.98%, 0.19%

LAB 36.86, -19.96, 43.25

 

CMYK 25 / 0 / 100 / 70

HEX #394C00

RGB 57 76 0

HSL 75, 1%, 0.15%

LAB 29.51, -18.39, 37.43

 

CMYK 31 / 0 / 100 / 77

HEX #283A00

RGB 40 58 0

HSL 78.62, 1%, 0.11%

LAB 21.86, -16.75, 29.89

 

CMYK 17 / 0 / 71 / 49

HEX #6B8126

RGB 107 129 38

HSL 74.51, 0.54%, 0.33%

LAB 50.65, -21.57, 44.54

 

CMYK 0 / 2 / 71 / 49

HEX #817F26

RGB 129 127 38

HSL 58.68, 0.54%, 0.33%

LAB 51.82, -10.66, 46.3

 

CMYK 0 / 21 / 71 / 49

HEX #816626

RGB 129 102 38

HSL 42.2, 0.54%, 0.33%

LAB 44.67, 3.5, 38.97

 

CMYK 0 / 40 / 71 / 49

HEX #814E26

RGB 129 78 38

HSL 26.37, 0.54%, 0.33%

LAB 38.3, 17.68, 32.06

 

CMYK 0 / 59 / 71 / 49

HEX #813526

RGB 129 53 38

HSL 9.89, 0.54%, 0.33%

LAB 32.6, 31.77, 25.54

 

CMYK 17 / 0 / 71 / 49

HEX #6B8126

RGB 107 129 38

HSL 74.51, 0.54%, 0.33%

LAB 50.65, -21.57, 44.54

 

CMYK 36 / 0 / 71 / 49

HEX #538126

RGB 83 129 38

HSL 90.33, 0.54%, 0.33%

LAB 49.1, -31.42, 42.46

 

CMYK 55 / 0 / 71 / 49

HEX #3A8126

RGB 58 129 38

HSL 106.81, 0.54%, 0.33%

LAB 47.93, -39.95, 40.87

 

CMYK 71 / 0 / 67 / 49

HEX #26812B

RGB 38 129 43

HSL 123.3, 0.54%, 0.33%

LAB 47.35, -44.44, 37.84

 

CMYK 71 / 0 / 48 / 49

HEX #268143

RGB 38 129 67

HSL 139.12, 0.54%, 0.33%

LAB 47.65, -40.98, 26.01

 

CMYK 17 / 0 / 71 / 49

HEX #6B8126

RGB 107 129 38

HSL 74.51, 0.54%, 0.33%

LAB 50.65, -21.57, 44.54

 

CMYK 20 / 0 / 83 / 44

HEX #728F19

RGB 114 143 25

HSL 74.75, 0.7%, 0.33%

LAB 55.37, -26.27, 53.79

 

CMYK 22 / 0 / 93 / 39

HEX #799C0B

RGB 121 156 11

HSL 74.48, 0.87%, 0.33%

LAB 59.77, -30.01, 60.73

 

CMYK 17 / 0 / 71 / 49

HEX #6B8126

RGB 107 129 38

HSL 74.51, 0.54%, 0.33%

LAB 50.65, -21.57, 44.54

 

CMYK 13 / 0 / 55 / 55

HEX #647334

RGB 100 115 52

HSL 74.29, 0.38%, 0.33%

LAB 45.93, -16.07, 32.61

 

CMYK 9 / 0 / 36 / 60

HEX #5D6641

RGB 93 102 65

HSL 74.59, 0.22%, 0.33%

LAB 41.55, -10.3, 19.8

 

CMYK 2 / 0 / 10 / 65

HEX #56584F

RGB 86 88 79

HSL 73.33, 0.05%, 0.33%

LAB 36.97, -2.65, 4.94

 

CMYK 15 / 19 / 0 / 64

HEX #4F4B5D

RGB 79 75 93

HSL 253.33, 0.11%, 0.33%

LAB 32.89, 5.79, -9.96

 

CMYK 0 / 21 / 71 / 49

HEX #816626

RGB 129 102 38

HSL 42.2, 0.54%, 0.33%

LAB 44.67, 3.5, 38.97

 

CMYK 0 / 2 / 71 / 49

HEX #817E26

RGB 129 126 38

HSL 58.02, 0.54%, 0.33%

LAB 51.53, -10.11, 46.01

 

CMYK 16 / 0 / 71 / 49

HEX #6C8126

RGB 108 129 38

HSL 73.85, 0.54%, 0.33%

LAB 50.72, -21.14, 44.64

 

CMYK 35 / 0 / 71 / 49

HEX #548126

RGB 84 129 38

HSL 89.67, 0.54%, 0.33%

LAB 49.16, -31.04, 42.54

 

CMYK 54 / 0 / 71 / 49

HEX #3B8126

RGB 59 129 38

HSL 106.15, 0.54%, 0.33%

LAB 47.97, -39.66, 40.92

 

CMYK 18 / 0 / 71 / 74

HEX #364213

RGB 54 66 19

HSL 75.32, 0.55%, 0.17%

LAB 25.94, -13.08, 26.15

 

CMYK 16 / 0 / 70 / 62

HEX #51611D

RGB 81 97 29

HSL 74.12, 0.54%, 0.25%

LAB 38.53, -16.93, 35.32

 

CMYK 17 / 0 / 71 / 49

HEX #6B8126

RGB 107 129 38

HSL 74.51, 0.54%, 0.33%

LAB 50.65, -21.57, 44.54

 

CMYK 17 / 0 / 70 / 37

HEX #85A130

RGB 133 161 48

HSL 74.87, 0.54%, 0.41%

LAB 62.24, -25.9, 52.88

 

CMYK 17 / 0 / 70 / 24

HEX #A0C139

RGB 160 193 57

HSL 74.56, 0.54%, 0.49%

LAB 73.49, -29.72, 61.35

 

CMYK 17 / 0 / 70 / 49

HEX #6C8227

RGB 108 130 39

HSL 74.51, 0.54%, 0.33%

LAB 51.04, -21.58, 44.54

 

CMYK 71 / 0 / 40 / 49

HEX #26814E

RGB 38 129 78

HSL 146.37, 0.54%, 0.33%

LAB 47.83, -38.9, 20.14

 

CMYK 12 / 71 / 0 / 49

HEX #722681

RGB 114 38 129

HSL 290.11, 0.54%, 0.33%

LAB 30.76, 46.44, -35.71

 

CMYK 17 / 0 / 70 / 49

HEX #6C8227

RGB 108 130 39

HSL 74.51, 0.54%, 0.33%

LAB 51.04, -21.58, 44.54

 

CMYK 71 / 16 / 0 / 49

HEX #266C81

RGB 38 108 129

HSL 193.85, 0.54%, 0.33%

LAB 42.34, -14.46, -17.99

 

CMYK 0 / 71 / 16 / 49

HEX #81266C

RGB 129 38 108

HSL 313.85, 0.54%, 0.33%

LAB 32.11, 46.56, -20.13

 

CMYK 17 / 0 / 70 / 49

HEX #6C8227

RGB 108 130 39

HSL 74.51, 0.54%, 0.33%

LAB 51.04, -21.58, 44.54

 

CMYK 71 / 0 / 40 / 49

HEX #26814E

RGB 38 129 78

HSL 146.37, 0.54%, 0.33%

LAB 47.83, -38.9, 20.14

 

CMYK 54 / 71 / 0 / 49

HEX #3B2681

RGB 59 38 129

HSL 253.85, 0.54%, 0.33%

LAB 23.34, 34.47, -48.06

 

CMYK 0 / 71 / 30 / 49

HEX #81265A

RGB 129 38 90

HSL 325.71, 0.54%, 0.33%

LAB 31.33, 43.96, -9.74

 

CMYK 17 / 0 / 70 / 49

HEX #6C8227

RGB 108 130 39

HSL 74.51, 0.54%, 0.33%

LAB 51.04, -21.58, 44.54

 

CMYK 71 / 0 / 19 / 49

HEX #268169

RGB 38 129 105

HSL 164.18, 0.54%, 0.33%

LAB 48.43, -32.58, 5.36

 

CMYK 54 / 71 / 0 / 49

HEX #3B2681

RGB 59 38 129

HSL 253.85, 0.54%, 0.33%

LAB 23.34, 34.47, -48.06

 

CMYK 0 / 71 / 52 / 49

HEX #81263E

RGB 129 38 62

HSL 344.18, 0.54%, 0.33%

LAB 30.4, 40.78, 7.29

 

Description

Color code: HEX #6C8227 | qconv.com Color code: HEX #6C8227 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 130 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 130 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 70 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 70% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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