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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C66B0 it is the complementary color #93994F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C66B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C66B0 shade: #7166AB, #8278BE, #938AD1, #A49CE4 and #B5AEF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C66B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C66B0 shade: #6C66B0, #5B549D, #4A428A, #393077 and #281E64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C66B0 shade: #6D67B0, #8167B0, #9567B0, #A867B0 and #B067A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C66B0 shade: #6D67B0 and #6767B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C66B0 shade matches the following richer shades: #6D67B0, #5D54C3, #4E42D6, #3E2FE8 and #2F1DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C66B0 shade: #6D67B0, #7D7A9E, #8C8C8B, #9C9F79 and #ABB166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C66B0 shade: #6789B0, #6776B0, #6C67B0, #8067B0 and #9367B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C66B0 shade: #484382, #57519D, #6D67B0, #8782BE and #A19DCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C66B0 shade: #6C66B0, #B0679D and #80B067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C66B0 shade: #6C66B0, #B06C67 and #67B06C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C66B0 shade: #6C66B0, #B0679D, #ACB067 and #67B07B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C66B0 shade: #6C66B0, #B06787, #ACB067 and #67B091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 42 / 0 / 31

HEX #6C66B0

RGB 108 102 176

HSL 244.86, 0.32%, 0.55%

LAB 46.74, 20.73, -38.71

 

Complementary color

CMYK 4 / 0 / 48 / 40

HEX #93994F

RGB 147 153 79

HSL 64.86, 0.32%, 0.45%

LAB 61.26, -13.38, 37.88

 

CMYK 34 / 40 / 0 / 33

HEX #7166AB

RGB 113 102 171

HSL 249.57, 0.29%, 0.54%

LAB 46.91, 20.72, -35.49

 

CMYK 32 / 37 / 0 / 25

HEX #8278BE

RGB 130 120 190

HSL 248.57, 0.35%, 0.61%

LAB 53.92, 19.92, -35.4

 

CMYK 30 / 34 / 0 / 18

HEX #938AD1

RGB 147 138 209

HSL 247.61, 0.44%, 0.68%

LAB 60.77, 19.21, -35.35

 

CMYK 28 / 32 / 0 / 11

HEX #A49CE4

RGB 164 156 228

HSL 246.67, 0.57%, 0.75%

LAB 67.48, 18.58, -35.34

 

CMYK 27 / 30 / 0 / 3

HEX #B5AEF7

RGB 181 174 247

HSL 245.75, 0.82%, 0.83%

LAB 74.07, 18.02, -35.38

 

CMYK 39 / 42 / 0 / 31

HEX #6C66B0

RGB 108 102 176

HSL 244.86, 0.32%, 0.55%

LAB 46.74, 20.73, -38.71

 

CMYK 42 / 46 / 0 / 38

HEX #5B549D

RGB 91 84 157

HSL 245.75, 0.3%, 0.47%

LAB 39.58, 21.77, -38.93

 

CMYK 46 / 52 / 0 / 46

HEX #4A428A

RGB 74 66 138

HSL 246.67, 0.35%, 0.4%

LAB 32.23, 23.01, -39.21

 

CMYK 52 / 60 / 0 / 53

HEX #393077

RGB 57 48 119

HSL 247.61, 0.43%, 0.33%

LAB 24.69, 24.52, -39.54

 

CMYK 60 / 70 / 0 / 61

HEX #281E64

RGB 40 30 100

HSL 248.57, 0.54%, 0.25%

LAB 16.99, 26.34, -39.83

 

CMYK 38 / 41 / 0 / 31

HEX #6D67B0

RGB 109 103 176

HSL 244.93, 0.32%, 0.55%

LAB 47.09, 20.39, -38.17

 

CMYK 27 / 41 / 0 / 31

HEX #8167B0

RGB 129 103 176

HSL 261.37, 0.32%, 0.55%

LAB 48.89, 26.1, -35.21

 

CMYK 15 / 41 / 0 / 31

HEX #9567B0

RGB 149 103 176

HSL 277.81, 0.32%, 0.55%

LAB 50.95, 32.13, -31.83

 

CMYK 5 / 41 / 0 / 31

HEX #A867B0

RGB 168 103 176

HSL 293.42, 0.32%, 0.55%

LAB 53.12, 38.02, -28.28

 

CMYK 0 / 41 / 6 / 31

HEX #B067A5

RGB 176 103 165

HSL 309.04, 0.32%, 0.55%

LAB 53.65, 38.49, -20.99

 

CMYK 38 / 41 / 0 / 31

HEX #6D67B0

RGB 109 103 176

HSL 244.93, 0.32%, 0.55%

LAB 47.09, 20.39, -38.17

 

CMYK 41 / 41 / 0 / 31

HEX #6767B0

RGB 103 103 176

HSL 240, 0.32%, 0.55%

LAB 46.6, 18.77, -38.96

 

CMYK 38 / 41 / 0 / 31

HEX #6D67B0

RGB 109 103 176

HSL 244.93, 0.32%, 0.55%

LAB 47.09, 20.39, -38.17

 

CMYK 52 / 57 / 0 / 24

HEX #5D54C3

RGB 93 84 195

HSL 244.86, 0.48%, 0.55%

LAB 42.17, 33.92, -57.18

 

CMYK 64 / 69 / 0 / 16

HEX #4E42D6

RGB 78 66 214

HSL 244.86, 0.64%, 0.55%

LAB 38.5, 48.05, -74.19

 

CMYK 73 / 80 / 0 / 9

HEX #3E2FE8

RGB 62 47 232

HSL 244.86, 0.8%, 0.55%

LAB 35.76, 61.72, -89.05

 

CMYK 81 / 88 / 0 / 2

HEX #2F1DFB

RGB 47 29 251

HSL 244.86, 0.97%, 0.55%

LAB 34.9, 73.08, -101.25

 

CMYK 38 / 41 / 0 / 31

HEX #6D67B0

RGB 109 103 176

HSL 244.93, 0.32%, 0.55%

LAB 47.09, 20.39, -38.17

 

CMYK 21 / 23 / 0 / 38

HEX #7D7A9E

RGB 125 122 158

HSL 245, 0.16%, 0.55%

LAB 52.67, 9.07, -18.88

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 2 / 0 / 24 / 38

HEX #9C9F79

RGB 156 159 121

HSL 64.74, 0.17%, 0.55%

LAB 64.36, -7.61, 19.53

 

CMYK 3 / 0 / 42 / 31

HEX #ABB166

RGB 171 177 102

HSL 64.8, 0.32%, 0.55%

LAB 70.22, -13.54, 37.57

 

CMYK 41 / 22 / 0 / 31

HEX #6789B0

RGB 103 137 176

HSL 212.05, 0.32%, 0.55%

LAB 56, -1.6, -24.3

 

CMYK 41 / 33 / 0 / 31

HEX #6776B0

RGB 103 118 176

HSL 227.67, 0.32%, 0.55%

LAB 50.66, 9.62, -32.59

 

CMYK 39 / 41 / 0 / 31

HEX #6C67B0

RGB 108 103 176

HSL 244.11, 0.32%, 0.55%

LAB 47, 20.12, -38.3

 

CMYK 27 / 41 / 0 / 31

HEX #8067B0

RGB 128 103 176

HSL 260.55, 0.32%, 0.55%

LAB 48.79, 25.8, -35.37

 

CMYK 16 / 41 / 0 / 31

HEX #9367B0

RGB 147 103 176

HSL 276.16, 0.32%, 0.55%

LAB 50.73, 31.52, -32.19

 

CMYK 45 / 48 / 0 / 49

HEX #484382

RGB 72 67 130

HSL 244.76, 0.32%, 0.39%

LAB 31.82, 19.31, -34.94

 

CMYK 45 / 48 / 0 / 38

HEX #57519D

RGB 87 81 157

HSL 244.74, 0.32%, 0.47%

LAB 38.46, 22.62, -40.74

 

CMYK 38 / 41 / 0 / 31

HEX #6D67B0

RGB 109 103 176

HSL 244.93, 0.32%, 0.55%

LAB 47.09, 20.39, -38.17

 

CMYK 29 / 32 / 0 / 25

HEX #8782BE

RGB 135 130 190

HSL 245, 0.32%, 0.63%

LAB 56.91, 15.49, -30.69

 

CMYK 21 / 23 / 0 / 20

HEX #A19DCD

RGB 161 157 205

HSL 245, 0.32%, 0.71%

LAB 66.6, 11.6, -24.02

 

CMYK 39 / 42 / 0 / 31

HEX #6C66B0

RGB 108 102 176

HSL 244.86, 0.32%, 0.55%

LAB 46.74, 20.73, -38.71

 

CMYK 0 / 41 / 11 / 31

HEX #B0679D

RGB 176 103 157

HSL 315.62, 0.32%, 0.55%

LAB 53.35, 37.08, -16.79

 

CMYK 27 / 0 / 41 / 31

HEX #80B067

RGB 128 176 103

HSL 99.45, 0.32%, 0.55%

LAB 66.99, -29.54, 32.35

 

CMYK 39 / 42 / 0 / 31

HEX #6C66B0

RGB 108 102 176

HSL 244.86, 0.32%, 0.55%

LAB 46.74, 20.73, -38.71

 

CMYK 0 / 39 / 41 / 31

HEX #B06C67

RGB 176 108 103

HSL 4.11, 0.32%, 0.55%

LAB 52.88, 26.5, 14.29

 

CMYK 41 / 0 / 39 / 31

HEX #67B06C

RGB 103 176 108

HSL 124.11, 0.32%, 0.55%

LAB 65.76, -37.16, 27.87

 

CMYK 39 / 42 / 0 / 31

HEX #6C66B0

RGB 108 102 176

HSL 244.86, 0.32%, 0.55%

LAB 46.74, 20.73, -38.71

 

CMYK 0 / 41 / 11 / 31

HEX #B0679D

RGB 176 103 157

HSL 315.62, 0.32%, 0.55%

LAB 53.35, 37.08, -16.79

 

CMYK 2 / 0 / 41 / 31

HEX #ACB067

RGB 172 176 103

HSL 63.29, 0.32%, 0.55%

LAB 70.04, -12.51, 36.84

 

CMYK 41 / 0 / 30 / 31

HEX #67B07B

RGB 103 176 123

HSL 136.44, 0.32%, 0.55%

LAB 66.03, -34.54, 20.18

 

CMYK 39 / 42 / 0 / 31

HEX #6C66B0

RGB 108 102 176

HSL 244.86, 0.32%, 0.55%

LAB 46.74, 20.73, -38.71

 

CMYK 0 / 41 / 23 / 31

HEX #B06787

RGB 176 103 135

HSL 333.7, 0.32%, 0.55%

LAB 52.6, 33.52, -4.98

 

CMYK 2 / 0 / 41 / 31

HEX #ACB067

RGB 172 176 103

HSL 63.29, 0.32%, 0.55%

LAB 70.04, -12.51, 36.84

 

CMYK 41 / 0 / 18 / 31

HEX #67B091

RGB 103 176 145

HSL 154.52, 0.32%, 0.55%

LAB 66.5, -30.09, 8.79

 

Description

Color code: HEX #6C66B0 | qconv.com Color code: HEX #6C66B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 102 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 102 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 42 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 42% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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