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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C649C it is the complementary color #939B63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C649C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C649C shade: #716497, #8276AA, #9388BD, #A49AD0 and #B5ACE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C649C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C649C shade: #6C649C, #5B5289, #4A4076, #392E63 and #281C50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C649C shade: #6B639B, #7A639B, #89639B, #98639B and #9B638F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C649C shade: #6B639B and #63639B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C649C shade matches the following richer shades: #6B639B, #5C4EB0, #4D3AC4, #3F25D9 and #3010EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C649C shade: #6B639B, #7A7886, #888C72, #97A15D and #A6B549

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C649C shade: #63799B, #636A9B, #6A639B, #79639B and #88639B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C649C shade: #484369, #5A5382, #6B639B, #837CAB and #9B95BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C649C shade: #6C649C, #9B6388 and #729B63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C649C shade: #6C649C, #9B6A63 and #639B6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C649C shade: #6C649C, #9B6388, #949B63 and #639B76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C649C shade: #6C649C, #9B6378, #949B63 and #639B86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 36 / 0 / 39

HEX #6C649C

RGB 108 100 156

HSL 248.57, 0.22%, 0.5%

LAB 45.22, 16.38, -29.33

 

Complementary color

CMYK 5 / 0 / 36 / 39

HEX #939B63

RGB 147 155 99

HSL 68.57, 0.22%, 0.5%

LAB 62.12, -12.14, 28.43

 

CMYK 25 / 34 / 0 / 41

HEX #716497

RGB 113 100 151

HSL 255.29, 0.2%, 0.49%

LAB 45.44, 16.62, -26

 

CMYK 24 / 31 / 0 / 33

HEX #8276AA

RGB 130 118 170

HSL 253.85, 0.23%, 0.56%

LAB 52.51, 15.99, -26.06

 

CMYK 22 / 28 / 0 / 26

HEX #9388BD

RGB 147 136 189

HSL 252.45, 0.29%, 0.64%

LAB 59.42, 15.43, -26.16

 

CMYK 21 / 26 / 0 / 18

HEX #A49AD0

RGB 164 154 208

HSL 251.11, 0.36%, 0.71%

LAB 66.18, 14.92, -26.3

 

CMYK 20 / 24 / 0 / 11

HEX #B5ACE3

RGB 181 172 227

HSL 249.82, 0.5%, 0.78%

LAB 72.81, 14.47, -26.46

 

CMYK 31 / 36 / 0 / 39

HEX #6C649C

RGB 108 100 156

HSL 248.57, 0.22%, 0.5%

LAB 45.22, 16.38, -29.33

 

CMYK 34 / 40 / 0 / 46

HEX #5B5289

RGB 91 82 137

HSL 249.82, 0.25%, 0.43%

LAB 37.96, 17.18, -29.41

 

CMYK 37 / 46 / 0 / 54

HEX #4A4076

RGB 74 64 118

HSL 251.11, 0.3%, 0.36%

LAB 30.47, 18.14, -29.56

 

CMYK 42 / 54 / 0 / 61

HEX #392E63

RGB 57 46 99

HSL 252.45, 0.37%, 0.28%

LAB 22.74, 19.32, -29.8

 

CMYK 50 / 65 / 0 / 69

HEX #281C50

RGB 40 28 80

HSL 253.85, 0.48%, 0.21%

LAB 14.74, 20.78, -30.08

 

CMYK 31 / 36 / 0 / 39

HEX #6B639B

RGB 107 99 155

HSL 248.57, 0.22%, 0.5%

LAB 44.82, 16.42, -29.37

 

CMYK 21 / 36 / 0 / 39

HEX #7A639B

RGB 122 99 155

HSL 264.64, 0.22%, 0.5%

LAB 46.21, 21.1, -27.1

 

CMYK 12 / 36 / 0 / 39

HEX #89639B

RGB 137 99 155

HSL 280.71, 0.22%, 0.5%

LAB 47.76, 25.96, -24.58

 

CMYK 2 / 36 / 0 / 39

HEX #98639B

RGB 152 99 155

HSL 296.79, 0.22%, 0.5%

LAB 49.45, 30.92, -21.83

 

CMYK 0 / 36 / 8 / 39

HEX #9B638F

RGB 155 99 143

HSL 312.86, 0.22%, 0.5%

LAB 49.34, 29.64, -14.86

 

CMYK 31 / 36 / 0 / 39

HEX #6B639B

RGB 107 99 155

HSL 248.57, 0.22%, 0.5%

LAB 44.82, 16.42, -29.37

 

CMYK 36 / 36 / 0 / 39

HEX #63639B

RGB 99 99 155

HSL 240, 0.22%, 0.5%

LAB 44.15, 14.04, -30.48

 

CMYK 31 / 36 / 0 / 39

HEX #6B639B

RGB 107 99 155

HSL 248.57, 0.22%, 0.5%

LAB 44.82, 16.42, -29.37

 

CMYK 48 / 56 / 0 / 31

HEX #5C4EB0

RGB 92 78 176

HSL 248.57, 0.39%, 0.5%

LAB 39.34, 31.51, -50.61

 

CMYK 61 / 70 / 0 / 23

HEX #4D3AC4

RGB 77 58 196

HSL 248.26, 0.54%, 0.5%

LAB 35.18, 46.79, -69.2

 

CMYK 71 / 83 / 0 / 15

HEX #3F25D9

RGB 63 37 217

HSL 248.67, 0.71%, 0.5%

LAB 32.68, 61.79, -85.56

 

CMYK 80 / 93 / 0 / 7

HEX #3010EE

RGB 48 16 238

HSL 248.65, 0.87%, 0.5%

LAB 32.2, 73.07, -98.41

 

CMYK 31 / 36 / 0 / 39

HEX #6B639B

RGB 107 99 155

HSL 248.57, 0.22%, 0.5%

LAB 44.82, 16.42, -29.37

 

CMYK 9 / 10 / 0 / 47

HEX #7A7886

RGB 122 120 134

HSL 248.57, 0.06%, 0.5%

LAB 51.03, 3.68, -7.35

 

CMYK 3 / 0 / 19 / 45

HEX #888C72

RGB 136 140 114

HSL 69.23, 0.1%, 0.5%

LAB 57.27, -6.22, 13.42

 

CMYK 6 / 0 / 42 / 37

HEX #97A15D

RGB 151 161 93

HSL 68.82, 0.27%, 0.5%

LAB 64.05, -14.4, 34.15

 

CMYK 8 / 0 / 60 / 29

HEX #A6B549

RGB 166 181 73

HSL 68.33, 0.43%, 0.5%

LAB 70.62, -20.34, 51.94

 

CMYK 36 / 22 / 0 / 39

HEX #63799B

RGB 99 121 155

HSL 216.43, 0.22%, 0.5%

LAB 50.33, 0.7, -20.9

 

CMYK 36 / 32 / 0 / 39

HEX #636A9B

RGB 99 106 155

HSL 232.5, 0.22%, 0.5%

LAB 46.08, 9.73, -27.46

 

CMYK 32 / 36 / 0 / 39

HEX #6A639B

RGB 106 99 155

HSL 247.5, 0.22%, 0.5%

LAB 44.74, 16.12, -29.52

 

CMYK 22 / 36 / 0 / 39

HEX #79639B

RGB 121 99 155

HSL 263.57, 0.22%, 0.5%

LAB 46.12, 20.78, -27.26

 

CMYK 12 / 36 / 0 / 39

HEX #88639B

RGB 136 99 155

HSL 279.64, 0.22%, 0.5%

LAB 47.66, 25.63, -24.75

 

CMYK 31 / 36 / 0 / 59

HEX #484369

RGB 72 67 105

HSL 247.89, 0.22%, 0.34%

LAB 30.43, 11.72, -21.42

 

CMYK 31 / 36 / 0 / 49

HEX #5A5382

RGB 90 83 130

HSL 248.94, 0.22%, 0.42%

LAB 37.79, 14.28, -25.4

 

CMYK 31 / 36 / 0 / 39

HEX #6B639B

RGB 107 99 155

HSL 248.57, 0.22%, 0.5%

LAB 44.82, 16.42, -29.37

 

CMYK 23 / 27 / 0 / 33

HEX #837CAB

RGB 131 124 171

HSL 248.94, 0.22%, 0.58%

LAB 54.22, 13.01, -24

 

CMYK 17 / 20 / 0 / 27

HEX #9B95BB

RGB 155 149 187

HSL 249.47, 0.22%, 0.66%

LAB 63.39, 10.07, -18.91

 

CMYK 31 / 36 / 0 / 39

HEX #6C649C

RGB 108 100 156

HSL 248.57, 0.22%, 0.5%

LAB 45.22, 16.38, -29.33

 

CMYK 0 / 36 / 12 / 39

HEX #9B6388

RGB 155 99 136

HSL 320.36, 0.22%, 0.5%

LAB 49.09, 28.38, -11.08

 

CMYK 26 / 0 / 36 / 39

HEX #729B63

RGB 114 155 99

HSL 103.93, 0.22%, 0.5%

LAB 59.82, -24.95, 24.98

 

CMYK 31 / 36 / 0 / 39

HEX #6C649C

RGB 108 100 156

HSL 248.57, 0.22%, 0.5%

LAB 45.22, 16.38, -29.33

 

CMYK 0 / 32 / 36 / 39

HEX #9B6A63

RGB 155 106 99

HSL 7.5, 0.22%, 0.5%

LAB 49.71, 18.67, 11.85

 

CMYK 36 / 0 / 32 / 39

HEX #639B6A

RGB 99 155 106

HSL 127.5, 0.22%, 0.5%

LAB 59.1, -28.97, 20.03

 

CMYK 31 / 36 / 0 / 39

HEX #6C649C

RGB 108 100 156

HSL 248.57, 0.22%, 0.5%

LAB 45.22, 16.38, -29.33

 

CMYK 0 / 36 / 12 / 39

HEX #9B6388

RGB 155 99 136

HSL 320.36, 0.22%, 0.5%

LAB 49.09, 28.38, -11.08

 

CMYK 5 / 0 / 36 / 39

HEX #949B63

RGB 148 155 99

HSL 67.5, 0.22%, 0.5%

LAB 62.2, -11.73, 28.55

 

CMYK 36 / 0 / 24 / 39

HEX #639B76

RGB 99 155 118

HSL 140.36, 0.22%, 0.5%

LAB 59.35, -26.69, 13.68

 

CMYK 31 / 36 / 0 / 39

HEX #6C649C

RGB 108 100 156

HSL 248.57, 0.22%, 0.5%

LAB 45.22, 16.38, -29.33

 

CMYK 0 / 36 / 23 / 39

HEX #9B6378

RGB 155 99 120

HSL 337.5, 0.22%, 0.5%

LAB 48.57, 25.71, -2.31

 

CMYK 5 / 0 / 36 / 39

HEX #949B63

RGB 148 155 99

HSL 67.5, 0.22%, 0.5%

LAB 62.2, -11.73, 28.55

 

CMYK 36 / 0 / 14 / 39

HEX #639B86

RGB 99 155 134

HSL 157.5, 0.22%, 0.5%

LAB 59.72, -23.31, 5.2

 

Description

Color code: HEX #6C649C | qconv.com Color code: HEX #6C649C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 100 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 100 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 36 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 36% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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