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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5962 it is the complementary color #93A69D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5962 shade: #71595D, #826B70, #937D83, #A48F96 and #B5A1A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5962 shade: #6C5962, #5B474F, #4A353C, #392329 and #281116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5962 shade: #6D5962, #6D595D and #6D5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5962 shade: #6D5962, #6D5968, #6D596D, #67596D and #62596D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5962 shade matches the following richer shades: #6D5962, #7D4962, #8D3961, #9D2960 and #AD195F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5962 shade: #6D5962, #5D6963, #4D7964, #3D8965 and #2D9966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5962 shade: #6D596D, #6D5968, #6D5963, #6D595D and #6D5A59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5962 shade: #403439, #56464E, #6D5962, #846C77 and #98818C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5962 shade: #6C5962, #6D6759 and #596B6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5962 shade: #6C5962, #636D59 and #59636D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5962 shade: #6C5962, #6D6759, #596D63 and #595F6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5962 shade: #6C5962, #6D6D59, #596D63 and #59596D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 9 / 58

HEX #6C5962

RGB 108 89 98

HSL 331.58, 0.1%, 0.39%

LAB 39.94, 9.44, -2.26

 

Complementary color

CMYK 11 / 0 / 5 / 35

HEX #93A69D

RGB 147 166 157

HSL 151.58, 0.1%, 0.61%

LAB 66.45, -8.45, 2.4

 

CMYK 0 / 21 / 18 / 56

HEX #71595D

RGB 113 89 93

HSL 350, 0.12%, 0.4%

LAB 40.32, 10.54, 1.45

 

CMYK 0 / 18 / 14 / 49

HEX #826B70

RGB 130 107 112

HSL 346.96, 0.1%, 0.46%

LAB 47.54, 9.98, 0.63

 

CMYK 0 / 15 / 11 / 42

HEX #937D83

RGB 147 125 131

HSL 343.64, 0.09%, 0.53%

LAB 54.56, 9.5, -0.12

 

CMYK 0 / 13 / 9 / 36

HEX #A48F96

RGB 164 143 150

HSL 340, 0.1%, 0.6%

LAB 61.43, 9.08, -0.82

 

CMYK 0 / 11 / 7 / 29

HEX #B5A1A9

RGB 181 161 169

HSL 336, 0.12%, 0.67%

LAB 68.15, 8.7, -1.48

 

CMYK 0 / 18 / 9 / 58

HEX #6C5962

RGB 108 89 98

HSL 331.58, 0.1%, 0.39%

LAB 39.94, 9.44, -2.26

 

CMYK 0 / 22 / 13 / 64

HEX #5B474F

RGB 91 71 79

HSL 336, 0.12%, 0.32%

LAB 32.47, 10.01, -1.52

 

CMYK 0 / 28 / 19 / 71

HEX #4A353C

RGB 74 53 60

HSL 340, 0.17%, 0.25%

LAB 24.73, 10.7, -0.68

 

CMYK 0 / 39 / 28 / 78

HEX #392329

RGB 57 35 41

HSL 343.64, 0.24%, 0.18%

LAB 16.66, 11.57, 0.34

 

CMYK 0 / 58 / 45 / 84

HEX #281116

RGB 40 17 22

HSL 346.96, 0.4%, 0.11%

LAB 8.22, 12.69, 1.72

 

CMYK 0 / 18 / 10 / 57

HEX #6D5962

RGB 109 89 98

HSL 333, 0.1%, 0.39%

LAB 40.04, 9.84, -2.09

 

CMYK 0 / 18 / 15 / 57

HEX #6D595D

RGB 109 89 93

HSL 348, 0.1%, 0.39%

LAB 39.89, 8.9, 0.77

 

CMYK 0 / 18 / 18 / 57

HEX #6D5959

RGB 109 89 89

HSL 0, 0.1%, 0.39%

LAB 39.78, 8.18, 3.07

 

CMYK 0 / 18 / 10 / 57

HEX #6D5962

RGB 109 89 98

HSL 333, 0.1%, 0.39%

LAB 40.04, 9.84, -2.09

 

CMYK 0 / 18 / 5 / 57

HEX #6D5968

RGB 109 89 104

HSL 315, 0.1%, 0.39%

LAB 40.24, 11.03, -5.51

 

CMYK 0 / 18 / 0 / 57

HEX #6D596D

RGB 109 89 109

HSL 300, 0.1%, 0.39%

LAB 40.41, 12.06, -8.33

 

CMYK 6 / 18 / 0 / 57

HEX #67596D

RGB 103 89 109

HSL 282, 0.1%, 0.39%

LAB 39.8, 9.79, -9.3

 

CMYK 10 / 18 / 0 / 57

HEX #62596D

RGB 98 89 109

HSL 267, 0.1%, 0.39%

LAB 39.32, 7.92, -10.08

 

CMYK 0 / 18 / 10 / 57

HEX #6D5962

RGB 109 89 98

HSL 333, 0.1%, 0.39%

LAB 40.04, 9.84, -2.09

 

CMYK 0 / 42 / 22 / 51

HEX #7D4962

RGB 125 73 98

HSL 331.15, 0.26%, 0.39%

LAB 37.85, 25.78, -5.12

 

CMYK 0 / 60 / 31 / 45

HEX #8D3961

RGB 141 57 97

HSL 331.43, 0.42%, 0.39%

LAB 36.84, 40.05, -5.74

 

CMYK 0 / 74 / 39 / 38

HEX #9D2960

RGB 157 41 96

HSL 331.55, 0.59%, 0.39%

LAB 37.11, 51.72, -4.41

 

CMYK 0 / 86 / 45 / 32

HEX #AD195F

RGB 173 25 95

HSL 331.62, 0.75%, 0.39%

LAB 38.56, 60.46, -1.28

 

CMYK 0 / 18 / 10 / 57

HEX #6D5962

RGB 109 89 98

HSL 333, 0.1%, 0.39%

LAB 40.04, 9.84, -2.09

 

CMYK 11 / 0 / 6 / 59

HEX #5D6963

RGB 93 105 99

HSL 150, 0.06%, 0.39%

LAB 43.26, -5.87, 1.82

 

CMYK 36 / 0 / 17 / 53

HEX #4D7964

RGB 77 121 100

HSL 151.36, 0.22%, 0.39%

LAB 47.2, -20.21, 6.75

 

CMYK 55 / 0 / 26 / 46

HEX #3D8965

RGB 61 137 101

HSL 151.58, 0.38%, 0.39%

LAB 51.64, -32.48, 12.32

 

CMYK 71 / 0 / 33 / 40

HEX #2D9966

RGB 45 153 102

HSL 151.67, 0.55%, 0.39%

LAB 56.39, -42.58, 18.23

 

CMYK 0 / 18 / 0 / 57

HEX #6D596D

RGB 109 89 109

HSL 300, 0.1%, 0.39%

LAB 40.41, 12.06, -8.33

 

CMYK 0 / 18 / 5 / 57

HEX #6D5968

RGB 109 89 104

HSL 315, 0.1%, 0.39%

LAB 40.24, 11.03, -5.51

 

CMYK 0 / 18 / 9 / 57

HEX #6D5963

RGB 109 89 99

HSL 330, 0.1%, 0.39%

LAB 40.08, 10.04, -2.66

 

CMYK 0 / 18 / 15 / 57

HEX #6D595D

RGB 109 89 93

HSL 348, 0.1%, 0.39%

LAB 39.89, 8.9, 0.77

 

CMYK 0 / 17 / 18 / 57

HEX #6D5A59

RGB 109 90 89

HSL 3, 0.1%, 0.39%

LAB 40.06, 7.57, 3.47

 

CMYK 0 / 19 / 11 / 75

HEX #403439

RGB 64 52 57

HSL 335, 0.1%, 0.23%

LAB 23.14, 6.38, -1.14

 

CMYK 0 / 19 / 9 / 66

HEX #56464E

RGB 86 70 78

HSL 330, 0.1%, 0.31%

LAB 31.6, 8.37, -2.22

 

CMYK 0 / 18 / 10 / 57

HEX #6D5962

RGB 109 89 98

HSL 333, 0.1%, 0.39%

LAB 40.04, 9.84, -2.09

 

CMYK 0 / 18 / 10 / 48

HEX #846C77

RGB 132 108 119

HSL 332.5, 0.1%, 0.47%

LAB 48.21, 11.45, -2.53

 

CMYK 0 / 15 / 8 / 40

HEX #98818C

RGB 152 129 140

HSL 331.3, 0.1%, 0.55%

LAB 56.36, 10.74, -2.66

 

CMYK 0 / 18 / 9 / 58

HEX #6C5962

RGB 108 89 98

HSL 331.58, 0.1%, 0.39%

LAB 39.94, 9.44, -2.26

 

CMYK 0 / 6 / 18 / 57

HEX #6D6759

RGB 109 103 89

HSL 42, 0.1%, 0.39%

LAB 43.76, -0.24, 8.75

 

CMYK 18 / 2 / 0 / 57

HEX #596B6D

RGB 89 107 109

HSL 186, 0.1%, 0.39%

LAB 43.86, -6.24, -3.38

 

CMYK 0 / 18 / 9 / 58

HEX #6C5962

RGB 108 89 98

HSL 331.58, 0.1%, 0.39%

LAB 39.94, 9.44, -2.26

 

CMYK 9 / 0 / 18 / 57

HEX #636D59

RGB 99 109 89

HSL 90, 0.1%, 0.39%

LAB 44.68, -7.83, 9.91

 

CMYK 18 / 9 / 0 / 57

HEX #59636D

RGB 89 99 109

HSL 210, 0.1%, 0.39%

LAB 41.46, -1.49, -6.95

 

CMYK 0 / 18 / 9 / 58

HEX #6C5962

RGB 108 89 98

HSL 331.58, 0.1%, 0.39%

LAB 39.94, 9.44, -2.26

 

CMYK 0 / 6 / 18 / 57

HEX #6D6759

RGB 109 103 89

HSL 42, 0.1%, 0.39%

LAB 43.76, -0.24, 8.75

 

CMYK 18 / 0 / 9 / 57

HEX #596D63

RGB 89 109 99

HSL 150, 0.1%, 0.39%

LAB 44.18, -9.67, 3.11

 

CMYK 18 / 13 / 0 / 57

HEX #595F6D

RGB 89 95 109

HSL 222, 0.1%, 0.39%

LAB 40.27, 0.93, -8.73

 

CMYK 0 / 18 / 9 / 58

HEX #6C5962

RGB 108 89 98

HSL 331.58, 0.1%, 0.39%

LAB 39.94, 9.44, -2.26

 

CMYK 0 / 0 / 18 / 57

HEX #6D6D59

RGB 109 109 89

HSL 60, 0.1%, 0.39%

LAB 45.51, -3.75, 11.2

 

CMYK 18 / 0 / 9 / 57

HEX #596D63

RGB 89 109 99

HSL 150, 0.1%, 0.39%

LAB 44.18, -9.67, 3.11

 

CMYK 18 / 18 / 0 / 57

HEX #59596D

RGB 89 89 109

HSL 240, 0.1%, 0.39%

LAB 38.5, 4.62, -11.39

 

Description

Color code: HEX #6C5962 | qconv.com Color code: HEX #6C5962 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 89 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 89 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 9 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 9% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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