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Color name
HEX #6C402C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C402C it is the complementary color #93BFD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C402C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C402C shade: #714027, #82523A, #93644D, #A47660 and #B58873

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C402C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C402C shade: #6C402C, #5B2E19, #4A1C06, #390A00 and #280000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C402C shade: #6C402C, #6C2F2C and #6C2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C402C shade: #6C402C, #6C512C, #6C632C, #646C2C and #536C2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C402C shade matches the following richer shades: #6C402C, #793B1F, #853713 and #913207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C402C shade: #6C402C, #604538, #534945, #474E51 and #3B535D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C402C shade: #6C2C3B, #6C2E2C, #6C3F2C, #6C502C and #6C612C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C402C shade: #321D14, #4F2F20, #6C402C, #895138 and #A76344

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C402C shade: #6C402C, #4C6C2C and #2C326C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C402C shade: #6C402C, #2C6C3F and #3F2C6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C402C shade: #6C402C, #4C6C2C, #2C596C and #4C2C6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C402C shade: #6C402C, #396C2C, #2C596C and #5F2C6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

Complementary color

CMYK 30 / 9 / 0 / 17

HEX #93BFD3

RGB 147 191 211

HSL 198.75, 0.42%, 0.7%

LAB 74.93, -9.84, -14.75

 

CMYK 0 / 43 / 65 / 56

HEX #714027

RGB 113 64 39

HSL 20.27, 0.49%, 0.3%

LAB 32.53, 18.78, 24.24

 

CMYK 0 / 37 / 55 / 49

HEX #82523A

RGB 130 82 58

HSL 20, 0.38%, 0.37%

LAB 39.72, 17.34, 22.33

 

CMYK 0 / 32 / 48 / 42

HEX #93644D

RGB 147 100 77

HSL 19.71, 0.31%, 0.44%

LAB 46.78, 16.15, 20.69

 

CMYK 0 / 28 / 41 / 36

HEX #A47660

RGB 164 118 96

HSL 19.41, 0.27%, 0.51%

LAB 53.7, 15.15, 19.24

 

CMYK 0 / 25 / 36 / 29

HEX #B58873

RGB 181 136 115

HSL 19.09, 0.31%, 0.58%

LAB 60.49, 14.31, 17.96

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 0 / 49 / 73 / 64

HEX #5B2E19

RGB 91 46 25

HSL 19.09, 0.57%, 0.23%

LAB 24.48, 18.54, 22.36

 

CMYK 0 / 62 / 92 / 71

HEX #4A1C06

RGB 74 28 6

HSL 19.41, 0.85%, 0.16%

LAB 16.99, 20.47, 22.94

 

CMYK 0 / 82 / 100 / 78

HEX #390A00

RGB 57 10 0

HSL 10.53, 1%, 0.11%

LAB 9.7, 22.42, 15.07

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 0 / 56 / 59 / 58

HEX #6C2F2C

RGB 108 47 44

HSL 2.81, 0.42%, 0.3%

LAB 27.85, 26.91, 15.05

 

CMYK 0 / 59 / 59 / 58

HEX #6C2C2C

RGB 108 44 44

HSL 0, 0.42%, 0.3%

LAB 27.22, 28.55, 14.22

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 0 / 25 / 59 / 58

HEX #6C512C

RGB 108 81 44

HSL 34.69, 0.42%, 0.3%

LAB 36.47, 6.54, 25.9

 

CMYK 0 / 8 / 59 / 58

HEX #6C632C

RGB 108 99 44

HSL 51.56, 0.42%, 0.3%

LAB 41.68, -4.21, 32.03

 

CMYK 7 / 0 / 59 / 58

HEX #646C2C

RGB 100 108 44

HSL 67.5, 0.42%, 0.3%

LAB 43.68, -13.03, 34.12

 

CMYK 23 / 0 / 59 / 58

HEX #536C2C

RGB 83 108 44

HSL 83.44, 0.42%, 0.3%

LAB 42.38, -20.53, 32.29

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 0 / 51 / 74 / 53

HEX #793B1F

RGB 121 59 31

HSL 18.67, 0.59%, 0.3%

LAB 32.46, 24.74, 29.14

 

CMYK 0 / 59 / 86 / 48

HEX #853713

RGB 133 55 19

HSL 18.95, 0.75%, 0.3%

LAB 33.49, 31.49, 37.1

 

CMYK 0 / 66 / 95 / 43

HEX #913207

RGB 145 50 7

HSL 18.7, 0.91%, 0.3%

LAB 34.63, 38.41, 43.69

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 0 / 28 / 42 / 62

HEX #604538

RGB 96 69 56

HSL 19.5, 0.26%, 0.3%

LAB 31.87, 9.68, 12.41

 

CMYK 0 / 12 / 17 / 67

HEX #534945

RGB 83 73 69

HSL 17.14, 0.09%, 0.3%

LAB 31.88, 3.43, 3.92

 

CMYK 12 / 4 / 0 / 68

HEX #474E51

RGB 71 78 81

HSL 198, 0.07%, 0.3%

LAB 32.66, -2.1, -2.74

 

CMYK 37 / 11 / 0 / 64

HEX #3B535D

RGB 59 83 93

HSL 197.65, 0.22%, 0.3%

LAB 33.79, -6.3, -8.75

 

CMYK 0 / 59 / 45 / 58

HEX #6C2C3B

RGB 108 44 59

HSL 345.94, 0.42%, 0.3%

LAB 27.59, 30.09, 4.76

 

CMYK 0 / 57 / 59 / 58

HEX #6C2E2C

RGB 108 46 44

HSL 1.88, 0.42%, 0.3%

LAB 27.64, 27.46, 14.77

 

CMYK 0 / 42 / 59 / 58

HEX #6C3F2C

RGB 108 63 44

HSL 17.81, 0.42%, 0.3%

LAB 31.64, 17.54, 19.93

 

CMYK 0 / 26 / 59 / 58

HEX #6C502C

RGB 108 80 44

HSL 33.75, 0.42%, 0.3%

LAB 36.19, 7.15, 25.56

 

CMYK 0 / 10 / 59 / 58

HEX #6C612C

RGB 108 97 44

HSL 49.69, 0.42%, 0.3%

LAB 41.09, -3.04, 31.35

 

CMYK 0 / 42 / 60 / 80

HEX #321D14

RGB 50 29 20

HSL 18, 0.43%, 0.14%

LAB 13.27, 9.06, 10.4

 

CMYK 0 / 41 / 59 / 69

HEX #4F2F20

RGB 79 47 32

HSL 19.15, 0.42%, 0.22%

LAB 23, 12.81, 15.7

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 0 / 41 / 59 / 46

HEX #895138

RGB 137 81 56

HSL 18.52, 0.42%, 0.38%

LAB 40.39, 20.82, 24.56

 

CMYK 0 / 41 / 59 / 35

HEX #A76344

RGB 167 99 68

HSL 18.79, 0.42%, 0.46%

LAB 48.95, 24.4, 29.18

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 30 / 0 / 59 / 58

HEX #4C6C2C

RGB 76 108 44

HSL 90, 0.42%, 0.3%

LAB 41.91, -23.45, 31.63

 

CMYK 59 / 54 / 0 / 58

HEX #2C326C

RGB 44 50 108

HSL 234.38, 0.42%, 0.3%

LAB 23.34, 16.36, -34.74

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 59 / 0 / 42 / 58

HEX #2C6C3F

RGB 44 108 63

HSL 137.81, 0.42%, 0.3%

LAB 40.6, -31.47, 19.19

 

CMYK 42 / 59 / 0 / 58

HEX #3F2C6C

RGB 63 44 108

HSL 257.81, 0.42%, 0.3%

LAB 23.47, 25.07, -34.42

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 30 / 0 / 59 / 58

HEX #4C6C2C

RGB 76 108 44

HSL 90, 0.42%, 0.3%

LAB 41.91, -23.45, 31.63

 

CMYK 59 / 18 / 0 / 58

HEX #2C596C

RGB 44 89 108

HSL 197.81, 0.42%, 0.3%

LAB 35.52, -9.38, -15.58

 

CMYK 30 / 59 / 0 / 58

HEX #4C2C6C

RGB 76 44 108

HSL 270, 0.42%, 0.3%

LAB 25.02, 28.6, -31.87

 

CMYK 0 / 41 / 59 / 58

HEX #6C402C

RGB 108 64 44

HSL 18.75, 0.42%, 0.3%

LAB 31.89, 16.93, 20.25

 

CMYK 47 / 0 / 59 / 58

HEX #396C2C

RGB 57 108 44

HSL 107.81, 0.42%, 0.3%

LAB 40.86, -30.58, 30.13

 

CMYK 59 / 18 / 0 / 58

HEX #2C596C

RGB 44 89 108

HSL 197.81, 0.42%, 0.3%

LAB 35.52, -9.38, -15.58

 

CMYK 12 / 59 / 0 / 58

HEX #5F2C6C

RGB 95 44 108

HSL 287.81, 0.42%, 0.3%

LAB 27.62, 34.05, -27.57

 

Description

Color code: HEX #6C402C | qconv.com Color code: HEX #6C402C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 64 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 64 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 59 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 59% 58% C M Y K

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Provide designers and agencies with accurate color values.

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