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Color name
HEX #6C36F6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C36F6 it is the complementary color #93C909. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C36F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C36F6 shade: #7136F1, #8248FF, #935AFF, #A46CFF and #B57EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C36F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C36F6 shade: #6C36F6, #5B24E3, #4A12D0, #3900BD and #2800AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C36F6 shade: #6C37F5, #A037F5, #D337F5, #F537E4 and #F537B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C36F6 shade: #6C37F5, #3937F5 and #3737F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C36F6 shade matches the following richer shades: #6C37F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C36F6 shade: #6C37F5, #7448E4, #7B59D3, #836AC2 and #8A7AB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C36F6 shade: #376AF5, #3737F5, #6A37F5, #9C37F5 and #CF37F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C36F6 shade: #4109D0, #500FF3, #6C37F5, #895EF7 and #A686F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C36F6 shade: #6C36F6, #F5379C and #50F537

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C36F6 shade: #6C36F6, #F56A37 and #37F56A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C36F6 shade: #6C36F6, #F5379C, #C2F537 and #37F590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C36F6 shade: #6C36F6, #F53763, #C2F537 and #37F5C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 78 / 0 / 4

HEX #6C36F6

RGB 108 54 246

HSL 256.88, 0.91%, 0.59%

LAB 41.97, 66.77, -86.58

 

Complementary color

CMYK 27 / 0 / 96 / 21

HEX #93C909

RGB 147 201 9

HSL 76.88, 0.91%, 0.41%

LAB 74.82, -40.17, 73.58

 

CMYK 53 / 78 / 0 / 5

HEX #7136F1

RGB 113 54 241

HSL 258.93, 0.87%, 0.58%

LAB 42, 66.06, -83.7

 

CMYK 49 / 72 / 0 / 0

HEX #8248FF

RGB 130 72 255

HSL 259.02, 1%, 0.64%

LAB 47.75, 64.01, -82.03

 

CMYK 42 / 65 / 0 / 0

HEX #935AFF

RGB 147 90 255

HSL 260.73, 1%, 0.68%

LAB 52.66, 58.08, -73.95

 

CMYK 36 / 58 / 0 / 0

HEX #A46CFF

RGB 164 108 255

HSL 262.86, 1%, 0.71%

LAB 57.88, 52.2, -65.42

 

CMYK 29 / 51 / 0 / 0

HEX #B57EFF

RGB 181 126 255

HSL 265.58, 1%, 0.75%

LAB 63.31, 46.57, -56.63

 

CMYK 56 / 78 / 0 / 4

HEX #6C36F6

RGB 108 54 246

HSL 256.88, 0.91%, 0.59%

LAB 41.97, 66.77, -86.58

 

CMYK 60 / 84 / 0 / 11

HEX #5B24E3

RGB 91 36 227

HSL 257.28, 0.77%, 0.52%

LAB 36.05, 67.04, -85.65

 

CMYK 64 / 91 / 0 / 18

HEX #4A12D0

RGB 74 18 208

HSL 257.68, 0.84%, 0.44%

LAB 30.5, 66.26, -83.94

 

CMYK 70 / 100 / 0 / 26

HEX #3900BD

RGB 57 0 189

HSL 258.1, 1%, 0.37%

LAB 25.39, 64.3, -81.32

 

CMYK 76 / 100 / 0 / 33

HEX #2800AA

RGB 40 0 170

HSL 254.12, 1%, 0.33%

LAB 21.41, 59.07, -76.62

 

CMYK 56 / 78 / 0 / 4

HEX #6C37F5

RGB 108 55 245

HSL 256.74, 0.9%, 0.59%

LAB 42.02, 66.08, -85.93

 

CMYK 35 / 78 / 0 / 4

HEX #A037F5

RGB 160 55 245

HSL 273.16, 0.9%, 0.59%

LAB 48.01, 73.2, -75.89

 

CMYK 14 / 78 / 0 / 4

HEX #D337F5

RGB 211 55 245

HSL 289.26, 0.9%, 0.59%

LAB 55.25, 81.75, -63.8

 

CMYK 0 / 78 / 7 / 4

HEX #F537E4

RGB 245 55 228

HSL 305.37, 0.9%, 0.59%

LAB 59.66, 85.5, -46.93

 

CMYK 0 / 78 / 28 / 4

HEX #F537B1

RGB 245 55 177

HSL 321.47, 0.9%, 0.59%

LAB 57.39, 78.96, -21.35

 

CMYK 56 / 78 / 0 / 4

HEX #6C37F5

RGB 108 55 245

HSL 256.74, 0.9%, 0.59%

LAB 42.02, 66.08, -85.93

 

CMYK 77 / 78 / 0 / 4

HEX #3937F5

RGB 57 55 245

HSL 240.63, 0.9%, 0.59%

LAB 38.19, 61.5, -92.39

 

CMYK 78 / 78 / 0 / 4

HEX #3737F5

RGB 55 55 245

HSL 240, 0.9%, 0.59%

LAB 38.09, 61.37, -92.56

 

CMYK 56 / 78 / 0 / 4

HEX #6C37F5

RGB 108 55 245

HSL 256.74, 0.9%, 0.59%

LAB 42.02, 66.08, -85.93

 

CMYK 56 / 78 / 0 / 4

HEX #6C37F5

RGB 108 55 245

HSL 256.74, 0.9%, 0.59%

LAB 42.02, 66.08, -85.93

 

CMYK 49 / 68 / 0 / 11

HEX #7448E4

RGB 116 72 228

HSL 256.92, 0.74%, 0.59%

LAB 44.16, 54.61, -72.79

 

CMYK 42 / 58 / 0 / 17

HEX #7B59D3

RGB 123 89 211

HSL 256.72, 0.58%, 0.59%

LAB 47.05, 42.04, -58.38

 

CMYK 32 / 45 / 0 / 24

HEX #836AC2

RGB 131 106 194

HSL 257.05, 0.42%, 0.59%

LAB 50.72, 29.54, -42.72

 

CMYK 22 / 31 / 0 / 31

HEX #8A7AB1

RGB 138 122 177

HSL 257.45, 0.26%, 0.59%

LAB 54.55, 17.86, -26.89

 

CMYK 78 / 57 / 0 / 4

HEX #376AF5

RGB 55 106 245

HSL 223.89, 0.9%, 0.59%

LAB 49.15, 31.73, -74.39

 

CMYK 78 / 78 / 0 / 4

HEX #3737F5

RGB 55 55 245

HSL 240, 0.9%, 0.59%

LAB 38.09, 61.37, -92.56

 

CMYK 57 / 78 / 0 / 4

HEX #6A37F5

RGB 106 55 245

HSL 256.11, 0.9%, 0.59%

LAB 41.83, 65.85, -86.26

 

CMYK 36 / 78 / 0 / 4

HEX #9C37F5

RGB 156 55 245

HSL 271.89, 0.9%, 0.59%

LAB 47.49, 72.58, -76.76

 

CMYK 16 / 78 / 0 / 4

HEX #CF37F5

RGB 207 55 245

HSL 288, 0.9%, 0.59%

LAB 54.65, 81.04, -64.81

 

CMYK 69 / 96 / 0 / 18

HEX #4109D0

RGB 65 9 208

HSL 256.88, 0.92%, 0.43%

LAB 29.09, 67.57, -86.31

 

CMYK 67 / 94 / 0 / 5

HEX #500FF3

RGB 80 15 243

HSL 257.11, 0.9%, 0.51%

LAB 35.04, 75.69, -96.45

 

CMYK 56 / 78 / 0 / 4

HEX #6C37F5

RGB 108 55 245

HSL 256.74, 0.9%, 0.59%

LAB 42.02, 66.08, -85.93

 

CMYK 45 / 62 / 0 / 3

HEX #895EF7

RGB 137 94 247

HSL 256.86, 0.91%, 0.67%

LAB 51.88, 51.98, -70.82

 

CMYK 33 / 46 / 0 / 2

HEX #A686F9

RGB 166 134 249

HSL 256.7, 0.91%, 0.75%

LAB 63.34, 36.88, -53.39

 

CMYK 56 / 78 / 0 / 4

HEX #6C36F6

RGB 108 54 246

HSL 256.88, 0.91%, 0.59%

LAB 41.97, 66.77, -86.58

 

CMYK 0 / 78 / 36 / 4

HEX #F5379C

RGB 245 55 156

HSL 328.11, 0.9%, 0.59%

LAB 56.63, 76.71, -10.22

 

CMYK 67 / 0 / 78 / 4

HEX #50F537

RGB 80 245 55

HSL 112.11, 0.9%, 0.59%

LAB 85.65, -74.21, 72.72

 

CMYK 56 / 78 / 0 / 4

HEX #6C36F6

RGB 108 54 246

HSL 256.88, 0.91%, 0.59%

LAB 41.97, 66.77, -86.58

 

CMYK 0 / 57 / 78 / 4

HEX #F56A37

RGB 245 106 55

HSL 16.11, 0.9%, 0.59%

LAB 61.65, 50.62, 53.34

 

CMYK 78 / 0 / 57 / 4

HEX #37F56A

RGB 55 245 106

HSL 136.11, 0.9%, 0.59%

LAB 85.58, -73.34, 53.24

 

CMYK 56 / 78 / 0 / 4

HEX #6C36F6

RGB 108 54 246

HSL 256.88, 0.91%, 0.59%

LAB 41.97, 66.77, -86.58

 

CMYK 0 / 78 / 36 / 4

HEX #F5379C

RGB 245 55 156

HSL 328.11, 0.9%, 0.59%

LAB 56.63, 76.71, -10.22

 

CMYK 21 / 0 / 78 / 4

HEX #C2F537

RGB 194 245 55

HSL 76.11, 0.9%, 0.59%

LAB 90.34, -40.24, 78.8

 

CMYK 78 / 0 / 41 / 4

HEX #37F590

RGB 55 245 144

HSL 148.11, 0.9%, 0.59%

LAB 86.07, -67.59, 35.84

 

CMYK 56 / 78 / 0 / 4

HEX #6C36F6

RGB 108 54 246

HSL 256.88, 0.91%, 0.59%

LAB 41.97, 66.77, -86.58

 

CMYK 0 / 78 / 60 / 4

HEX #F53763

RGB 245 55 99

HSL 346.11, 0.9%, 0.59%

LAB 55.12, 72.08, 21.49

 

CMYK 21 / 0 / 78 / 4

HEX #C2F537

RGB 194 245 55

HSL 76.11, 0.9%, 0.59%

LAB 90.34, -40.24, 78.8

 

CMYK 78 / 0 / 18 / 4

HEX #37F5C9

RGB 55 245 201

HSL 166.11, 0.9%, 0.59%

LAB 87.16, -55.62, 8.2

 

Description

Color code: HEX #6C36F6 | qconv.com Color code: HEX #6C36F6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 54 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 54 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 78 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 78% 0% 4% C M Y K

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Provide designers and agencies with accurate color values.

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