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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C248B it is the complementary color #93DB74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C248B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C248B shade: #712486, #823699, #9348AC, #A45ABF and #B56CD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C248B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C248B shade: #6C248B, #5B1278, #4A0065, #390052 and #28003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C248B shade: #6B2389, #862389, #892371, #892355 and #89233A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C248B shade: #6B2389, #4F2389, #332389 and #232389

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C248B shade matches the following richer shades: #6B2389, #701597 and #7607A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C248B shade: #6B2389, #65317B, #5F3F6D, #5A4D5F and #545B51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C248B shade: #322389, #4E2389, #692389, #842389 and #892373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C248B shade: #381248, #511B69, #6B2389, #842CAA and #9D35CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C248B shade: #6C248B, #89232F and #238940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C248B shade: #6C248B, #896923 and #238969

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C248B shade: #6C248B, #89232F, #438923 and #23897D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C248B shade: #6C248B, #893623, #438923 and #237789

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 74 / 0 / 45

HEX #6C248B

RGB 108 36 139

HSL 281.94, 0.59%, 0.34%

LAB 30.19, 48.02, -42.89

 

Complementary color

CMYK 33 / 0 / 47 / 14

HEX #93DB74

RGB 147 219 116

HSL 101.94, 0.59%, 0.66%

LAB 80.81, -40.98, 43.46

 

CMYK 16 / 73 / 0 / 47

HEX #712486

RGB 113 36 134

HSL 287.14, 0.58%, 0.33%

LAB 30.63, 48.07, -39.05

 

CMYK 15 / 65 / 0 / 40

HEX #823699

RGB 130 54 153

HSL 286.06, 0.48%, 0.41%

LAB 37.27, 48.04, -39.94

 

CMYK 15 / 58 / 0 / 33

HEX #9348AC

RGB 147 72 172

HSL 285, 0.41%, 0.48%

LAB 43.97, 47.56, -40.5

 

CMYK 14 / 53 / 0 / 25

HEX #A45ABF

RGB 164 90 191

HSL 283.96, 0.44%, 0.55%

LAB 50.65, 46.88, -40.87

 

CMYK 14 / 49 / 0 / 18

HEX #B56CD2

RGB 181 108 210

HSL 282.94, 0.53%, 0.62%

LAB 57.27, 46.11, -41.15

 

CMYK 22 / 74 / 0 / 45

HEX #6C248B

RGB 108 36 139

HSL 281.94, 0.59%, 0.34%

LAB 30.19, 48.02, -42.89

 

CMYK 24 / 85 / 0 / 53

HEX #5B1278

RGB 91 18 120

HSL 282.94, 0.74%, 0.27%

LAB 23.71, 47.22, -41.55

 

CMYK 27 / 100 / 0 / 60

HEX #4A0065

RGB 74 0 101

HSL 283.96, 1%, 0.2%

LAB 17.44, 45.35, -39.55

 

CMYK 30 / 100 / 0 / 68

HEX #390052

RGB 57 0 82

HSL 281.71, 1%, 0.16%

LAB 12.47, 38.89, -35.02

 

CMYK 37 / 100 / 0 / 75

HEX #28003F

RGB 40 0 63

HSL 278.1, 1%, 0.12%

LAB 7.32, 32.08, -30.28

 

CMYK 22 / 74 / 0 / 46

HEX #6B2389

RGB 107 35 137

HSL 282.35, 0.59%, 0.34%

LAB 29.75, 47.79, -42.37

 

CMYK 2 / 74 / 0 / 46

HEX #862389

RGB 134 35 137

HSL 298.24, 0.59%, 0.34%

LAB 34.14, 53.76, -35.09

 

CMYK 0 / 74 / 18 / 46

HEX #892371

RGB 137 35 113

HSL 314.12, 0.59%, 0.34%

LAB 33.38, 50.58, -21.23

 

CMYK 0 / 74 / 38 / 46

HEX #892355

RGB 137 35 85

HSL 330.59, 0.59%, 0.34%

LAB 32.2, 46.88, -5.02

 

CMYK 0 / 74 / 58 / 46

HEX #89233A

RGB 137 35 58

HSL 346.47, 0.59%, 0.34%

LAB 31.41, 44.25, 11.55

 

CMYK 22 / 74 / 0 / 46

HEX #6B2389

RGB 107 35 137

HSL 282.35, 0.59%, 0.34%

LAB 29.75, 47.79, -42.37

 

CMYK 42 / 74 / 0 / 46

HEX #4F2389

RGB 79 35 137

HSL 265.88, 0.59%, 0.34%

LAB 25.77, 42.13, -49

 

CMYK 63 / 74 / 0 / 46

HEX #332389

RGB 51 35 137

HSL 249.41, 0.59%, 0.34%

LAB 22.7, 37.49, -54.17

 

CMYK 74 / 74 / 0 / 46

HEX #232389

RGB 35 35 137

HSL 240, 0.59%, 0.34%

LAB 21.45, 35.53, -56.26

 

CMYK 22 / 74 / 0 / 46

HEX #6B2389

RGB 107 35 137

HSL 282.35, 0.59%, 0.34%

LAB 29.75, 47.79, -42.37

 

CMYK 26 / 86 / 0 / 41

HEX #701597

RGB 112 21 151

HSL 282, 0.76%, 0.34%

LAB 29.95, 56.46, -50.65

 

CMYK 28 / 96 / 0 / 35

HEX #7607A5

RGB 118 7 165

HSL 282.15, 0.92%, 0.34%

LAB 31.16, 62.89, -57.16

 

CMYK 22 / 74 / 0 / 46

HEX #6B2389

RGB 107 35 137

HSL 282.35, 0.59%, 0.34%

LAB 29.75, 47.79, -42.37

 

CMYK 18 / 60 / 0 / 52

HEX #65317B

RGB 101 49 123

HSL 282.16, 0.43%, 0.34%

LAB 30.38, 36.43, -32.65

 

CMYK 13 / 42 / 0 / 57

HEX #5F3F6D

RGB 95 63 109

HSL 281.74, 0.27%, 0.34%

LAB 32.02, 23.08, -21.3

 

CMYK 5 / 19 / 0 / 63

HEX #5A4D5F

RGB 90 77 95

HSL 283.33, 0.1%, 0.34%

LAB 34.62, 9.18, -8.51

 

CMYK 8 / 0 / 11 / 64

HEX #545B51

RGB 84 91 81

HSL 102, 0.06%, 0.34%

LAB 37.77, -4.88, 4.83

 

CMYK 64 / 74 / 0 / 46

HEX #322389

RGB 50 35 137

HSL 248.82, 0.59%, 0.34%

LAB 22.61, 37.35, -54.32

 

CMYK 43 / 74 / 0 / 46

HEX #4E2389

RGB 78 35 137

HSL 265.29, 0.59%, 0.34%

LAB 25.65, 41.94, -49.22

 

CMYK 23 / 74 / 0 / 46

HEX #692389

RGB 105 35 137

HSL 281.18, 0.59%, 0.34%

LAB 29.44, 47.37, -42.88

 

CMYK 4 / 74 / 0 / 46

HEX #842389

RGB 132 35 137

HSL 297.06, 0.59%, 0.34%

LAB 33.8, 53.31, -35.65

 

CMYK 0 / 74 / 16 / 46

HEX #892373

RGB 137 35 115

HSL 312.94, 0.59%, 0.34%

LAB 33.47, 50.88, -22.35

 

CMYK 22 / 75 / 0 / 72

HEX #381248

RGB 56 18 72

HSL 282.22, 0.6%, 0.18%

LAB 14.07, 28.72, -25.55

 

CMYK 23 / 74 / 0 / 59

HEX #511B69

RGB 81 27 105

HSL 281.54, 0.59%, 0.26%

LAB 22.14, 38.35, -34.51

 

CMYK 22 / 74 / 0 / 46

HEX #6B2389

RGB 107 35 137

HSL 282.35, 0.59%, 0.34%

LAB 29.75, 47.79, -42.37

 

CMYK 22 / 74 / 0 / 33

HEX #842CAA

RGB 132 44 170

HSL 281.9, 0.59%, 0.42%

LAB 37.13, 56.36, -50.37

 

CMYK 22 / 74 / 0 / 21

HEX #9D35CA

RGB 157 53 202

HSL 281.88, 0.58%, 0.5%

LAB 44.2, 64.41, -57.59

 

CMYK 22 / 74 / 0 / 45

HEX #6C248B

RGB 108 36 139

HSL 281.94, 0.59%, 0.34%

LAB 30.19, 48.02, -42.89

 

CMYK 0 / 74 / 66 / 46

HEX #89232F

RGB 137 35 47

HSL 352.94, 0.59%, 0.34%

LAB 31.17, 43.46, 18.45

 

CMYK 74 / 0 / 53 / 46

HEX #238940

RGB 35 137 64

HSL 137.06, 0.59%, 0.34%

LAB 50.24, -45.11, 30.83

 

CMYK 22 / 74 / 0 / 45

HEX #6C248B

RGB 108 36 139

HSL 281.94, 0.59%, 0.34%

LAB 30.19, 48.02, -42.89

 

CMYK 0 / 23 / 74 / 46

HEX #896923

RGB 137 105 35

HSL 41.18, 0.59%, 0.34%

LAB 46.37, 5.34, 42.38

 

CMYK 74 / 0 / 23 / 46

HEX #238969

RGB 35 137 105

HSL 161.18, 0.59%, 0.34%

LAB 51, -36.65, 9.02

 

CMYK 22 / 74 / 0 / 45

HEX #6C248B

RGB 108 36 139

HSL 281.94, 0.59%, 0.34%

LAB 30.19, 48.02, -42.89

 

CMYK 0 / 74 / 66 / 46

HEX #89232F

RGB 137 35 47

HSL 352.94, 0.59%, 0.34%

LAB 31.17, 43.46, 18.45

 

CMYK 51 / 0 / 74 / 46

HEX #438923

RGB 67 137 35

HSL 101.18, 0.59%, 0.34%

LAB 50.93, -40.72, 45.3

 

CMYK 74 / 0 / 9 / 46

HEX #23897D

RGB 35 137 125

HSL 172.94, 0.59%, 0.34%

LAB 51.53, -31.23, -1.82

 

CMYK 22 / 74 / 0 / 45

HEX #6C248B

RGB 108 36 139

HSL 281.94, 0.59%, 0.34%

LAB 30.19, 48.02, -42.89

 

CMYK 0 / 61 / 74 / 46

HEX #893623

RGB 137 54 35

HSL 11.18, 0.59%, 0.34%

LAB 34.14, 34.27, 29.46

 

CMYK 51 / 0 / 74 / 46

HEX #438923

RGB 67 137 35

HSL 101.18, 0.59%, 0.34%

LAB 50.93, -40.72, 45.3

 

CMYK 74 / 13 / 0 / 46

HEX #237789

RGB 35 119 137

HSL 190.59, 0.59%, 0.34%

LAB 46.12, -18.29, -16.99

 

Description

Color code: HEX #6C248B | qconv.com Color code: HEX #6C248B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 36 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 36 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 74 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 74% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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