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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C2438 it is the complementary color #93DBC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C2438. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C2438 shade: #712433, #823646, #934859, #A45A6C and #B56C7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C2438. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C2438 shade: #6C2438, #5B1225, #4A0012, #390000 and #280000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C2438 shade: #6B2337, #6B2324 and #6B2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C2438 shade: #6B2337, #6B234A, #6B235E, #64236B and #51236B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C2438 shade matches the following richer shades: #6B2337, #761832, #820C2D and #8D0128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C2438 shade: #6B2337, #5F2F3C, #533A41, #484646 and #3C514C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C2438 shade: #6B235E, #6B234A, #6B2337, #6B2324 and #6B3523

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C2438 shade: #2D0F17, #4C1927, #6B2337, #8A2E47 and #A83857

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C2438 shade: #6C2438, #6B6523 and #23546B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C2438 shade: #6C2438, #376B23 and #23376B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C2438 shade: #6C2438, #6B6523, #236B56 and #23296B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C2438 shade: #6C2438, #5B6B23, #236B56 and #33236B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 48 / 58

HEX #6C2438

RGB 108 36 56

HSL 343.33, 0.5%, 0.28%

LAB 25.97, 33.84, 4.47

 

Complementary color

CMYK 33 / 0 / 9 / 14

HEX #93DBC7

RGB 147 219 199

HSL 163.33, 0.5%, 0.72%

LAB 82.37, -26.76, 2.69

 

CMYK 0 / 68 / 55 / 56

HEX #712433

RGB 113 36 51

HSL 348.31, 0.52%, 0.29%

LAB 26.77, 35.13, 9.1

 

CMYK 0 / 58 / 46 / 49

HEX #823646

RGB 130 54 70

HSL 347.37, 0.41%, 0.36%

LAB 33.62, 34.36, 6.62

 

CMYK 0 / 51 / 39 / 42

HEX #934859

RGB 147 72 89

HSL 346.4, 0.34%, 0.43%

LAB 40.51, 33.39, 4.76

 

CMYK 0 / 45 / 34 / 36

HEX #A45A6C

RGB 164 90 108

HSL 345.41, 0.29%, 0.5%

LAB 47.35, 32.41, 3.27

 

CMYK 0 / 40 / 30 / 29

HEX #B56C7F

RGB 181 108 127

HSL 344.38, 0.33%, 0.57%

LAB 54.11, 31.47, 2.03

 

CMYK 0 / 67 / 48 / 58

HEX #6C2438

RGB 108 36 56

HSL 343.33, 0.5%, 0.28%

LAB 25.97, 33.84, 4.47

 

CMYK 0 / 80 / 59 / 64

HEX #5B1225

RGB 91 18 37

HSL 344.38, 0.67%, 0.21%

LAB 19.18, 33.99, 7.61

 

CMYK 0 / 100 / 76 / 71

HEX #4A0012

RGB 74 0 18

HSL 345.41, 1%, 0.15%

LAB 12.6, 33.54, 11.62

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 67 / 49 / 58

HEX #6B2337

RGB 107 35 55

HSL 343.33, 0.51%, 0.28%

LAB 25.57, 33.86, 4.56

 

CMYK 0 / 67 / 66 / 58

HEX #6B2324

RGB 107 35 36

HSL 359.17, 0.51%, 0.28%

LAB 25.12, 32.16, 16.75

 

CMYK 0 / 67 / 67 / 58

HEX #6B2323

RGB 107 35 35

HSL 0, 0.51%, 0.28%

LAB 25.1, 32.09, 17.39

 

CMYK 0 / 67 / 49 / 58

HEX #6B2337

RGB 107 35 55

HSL 343.33, 0.51%, 0.28%

LAB 25.57, 33.86, 4.56

 

CMYK 0 / 67 / 31 / 58

HEX #6B234A

RGB 107 35 74

HSL 327.5, 0.51%, 0.28%

LAB 26.22, 36.22, -7.3

 

CMYK 0 / 67 / 12 / 58

HEX #6B235E

RGB 107 35 94

HSL 310.83, 0.51%, 0.28%

LAB 27.12, 39.35, -19.15

 

CMYK 7 / 67 / 0 / 58

HEX #64236B

RGB 100 35 107

HSL 294.17, 0.51%, 0.28%

LAB 26.66, 39.82, -28.4

 

CMYK 24 / 67 / 0 / 58

HEX #51236B

RGB 81 35 107

HSL 278.33, 0.51%, 0.28%

LAB 23.71, 34.83, -33.27

 

CMYK 0 / 67 / 49 / 58

HEX #6B2337

RGB 107 35 55

HSL 343.33, 0.51%, 0.28%

LAB 25.57, 33.86, 4.56

 

CMYK 0 / 80 / 58 / 54

HEX #761832

RGB 118 24 50

HSL 343.4, 0.66%, 0.28%

LAB 25.97, 41.59, 8.82

 

CMYK 0 / 91 / 65 / 49

HEX #820C2D

RGB 130 12 45

HSL 343.22, 0.83%, 0.28%

LAB 27.29, 47.94, 14.44

 

CMYK 0 / 99 / 72 / 45

HEX #8D0128

RGB 141 1 40

HSL 343.29, 0.99%, 0.28%

LAB 29, 52.46, 20.48

 

CMYK 0 / 67 / 49 / 58

HEX #6B2337

RGB 107 35 55

HSL 343.33, 0.51%, 0.28%

LAB 25.57, 33.86, 4.56

 

CMYK 0 / 51 / 37 / 63

HEX #5F2F3C

RGB 95 47 60

HSL 343.75, 0.34%, 0.28%

LAB 26.13, 23.39, 1.73

 

CMYK 0 / 30 / 22 / 67

HEX #533A41

RGB 83 58 65

HSL 343.2, 0.18%, 0.28%

LAB 27.43, 12.28, 0.07

 

CMYK 0 / 3 / 3 / 72

HEX #484646

RGB 72 70 70

HSL 0, 0.01%, 0.28%

LAB 29.91, 0.84, 0.29

 

CMYK 26 / 0 / 6 / 68

HEX #3C514C

RGB 60 81 76

HSL 165.71, 0.15%, 0.28%

LAB 32.63, -9.31, 0.29

 

CMYK 0 / 67 / 12 / 58

HEX #6B235E

RGB 107 35 94

HSL 310.83, 0.51%, 0.28%

LAB 27.12, 39.35, -19.15

 

CMYK 0 / 67 / 31 / 58

HEX #6B234A

RGB 107 35 74

HSL 327.5, 0.51%, 0.28%

LAB 26.22, 36.22, -7.3

 

CMYK 0 / 67 / 49 / 58

HEX #6B2337

RGB 107 35 55

HSL 343.33, 0.51%, 0.28%

LAB 25.57, 33.86, 4.56

 

CMYK 0 / 67 / 66 / 58

HEX #6B2324

RGB 107 35 36

HSL 359.17, 0.51%, 0.28%

LAB 25.12, 32.16, 16.75

 

CMYK 0 / 50 / 67 / 58

HEX #6B3523

RGB 107 53 35

HSL 15, 0.51%, 0.28%

LAB 28.89, 22.31, 22.06

 

CMYK 0 / 67 / 49 / 82

HEX #2D0F17

RGB 45 15 23

HSL 344, 0.5%, 0.12%

LAB 8.67, 16.47, 1.75

 

CMYK 0 / 67 / 49 / 70

HEX #4C1927

RGB 76 25 39

HSL 343.53, 0.5%, 0.2%

LAB 17.36, 25.58, 3.18

 

CMYK 0 / 67 / 49 / 58

HEX #6B2337

RGB 107 35 55

HSL 343.33, 0.51%, 0.28%

LAB 25.57, 33.86, 4.56

 

CMYK 0 / 67 / 49 / 46

HEX #8A2E47

RGB 138 46 71

HSL 343.7, 0.5%, 0.36%

LAB 33.59, 41.17, 6.13

 

CMYK 0 / 67 / 48 / 34

HEX #A83857

RGB 168 56 87

HSL 343.39, 0.5%, 0.44%

LAB 40.96, 48.27, 7.12

 

CMYK 0 / 67 / 48 / 58

HEX #6C2438

RGB 108 36 56

HSL 343.33, 0.5%, 0.28%

LAB 25.97, 33.84, 4.47

 

CMYK 0 / 6 / 67 / 58

HEX #6B6523

RGB 107 101 35

HSL 55, 0.51%, 0.28%

LAB 42.08, -6.55, 36.96

 

CMYK 67 / 21 / 0 / 58

HEX #23546B

RGB 35 84 107

HSL 199.17, 0.51%, 0.28%

LAB 33.48, -8.61, -18.14

 

CMYK 0 / 67 / 48 / 58

HEX #6C2438

RGB 108 36 56

HSL 343.33, 0.5%, 0.28%

LAB 25.97, 33.84, 4.47

 

CMYK 49 / 0 / 67 / 58

HEX #376B23

RGB 55 107 35

HSL 103.33, 0.51%, 0.28%

LAB 40.33, -31.85, 33.99

 

CMYK 67 / 49 / 0 / 58

HEX #23376B

RGB 35 55 107

HSL 223.33, 0.51%, 0.28%

LAB 24.17, 10.57, -32.8

 

CMYK 0 / 67 / 48 / 58

HEX #6C2438

RGB 108 36 56

HSL 343.33, 0.5%, 0.28%

LAB 25.97, 33.84, 4.47

 

CMYK 0 / 6 / 67 / 58

HEX #6B6523

RGB 107 101 35

HSL 55, 0.51%, 0.28%

LAB 42.08, -6.55, 36.96

 

CMYK 67 / 0 / 20 / 58

HEX #236B56

RGB 35 107 86

HSL 162.5, 0.51%, 0.28%

LAB 40.48, -27.76, 5.29

 

CMYK 67 / 62 / 0 / 58

HEX #23296B

RGB 35 41 107

HSL 235, 0.51%, 0.28%

LAB 20.06, 20.48, -39.42

 

CMYK 0 / 67 / 48 / 58

HEX #6C2438

RGB 108 36 56

HSL 343.33, 0.5%, 0.28%

LAB 25.97, 33.84, 4.47

 

CMYK 15 / 0 / 67 / 58

HEX #5B6B23

RGB 91 107 35

HSL 73.33, 0.51%, 0.28%

LAB 42.55, -17.32, 37.05

 

CMYK 67 / 0 / 20 / 58

HEX #236B56

RGB 35 107 86

HSL 162.5, 0.51%, 0.28%

LAB 40.48, -27.76, 5.29

 

CMYK 52 / 67 / 0 / 58

HEX #33236B

RGB 51 35 107

HSL 253.33, 0.51%, 0.28%

LAB 19.91, 27.68, -39.6

 

Description

Color code: HEX #6C2438 | qconv.com Color code: HEX #6C2438 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 36 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 36 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 48 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 48% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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