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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C186B it is the complementary color #93E794. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C186B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C186B shade: #711866, #822A79, #933C8C, #A44E9F and #B560B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C186B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C186B shade: #6C186B, #5B0658, #4A0045, #390032 and #28001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C186B shade: #6C176B, #6C1754, #6C173D, #6C1727 and #6C1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C186B shade: #6C176B, #56176C, #3F176C, #29176C and #17176C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C186B shade matches the following richer shades: #6C176B, #770D76 and #820280

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C186B shade: #6C176B, #622261, #572D56, #4C384C and #414241

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C186B shade: #3F176C, #56176C, #6C176C, #6C1756 and #6C173F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C186B shade: #290928, #4A104A, #6C176B, #8E1F8D and #B026AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C186B shade: #6C186B, #6C2817 and #176C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C186B shade: #6C186B, #6C6C17 and #176C6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C186B shade: #6C186B, #6C2817, #176C17 and #175B6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C186B shade: #6C186B, #6C4217, #176C17 and #17426C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 1 / 58

HEX #6C186B

RGB 108 24 107

HSL 300.71, 0.64%, 0.26%

LAB 26.46, 46.28, -28.63

 

Complementary color

CMYK 36 / 0 / 36 / 9

HEX #93E794

RGB 147 231 148

HSL 120.71, 0.64%, 0.74%

LAB 84.74, -41.78, 32.58

 

CMYK 0 / 79 / 10 / 56

HEX #711866

RGB 113 24 102

HSL 307.42, 0.65%, 0.27%

LAB 27.08, 46.62, -24.34

 

CMYK 0 / 68 / 7 / 49

HEX #822A79

RGB 130 42 121

HSL 306.14, 0.51%, 0.34%

LAB 33.53, 47.31, -26.14

 

CMYK 0 / 59 / 5 / 42

HEX #933C8C

RGB 147 60 140

HSL 304.83, 0.42%, 0.41%

LAB 40.13, 47.22, -27.35

 

CMYK 0 / 52 / 3 / 36

HEX #A44E9F

RGB 164 78 159

HSL 303.49, 0.36%, 0.47%

LAB 46.77, 46.75, -28.23

 

CMYK 0 / 47 / 2 / 29

HEX #B560B2

RGB 181 96 178

HSL 302.12, 0.36%, 0.54%

LAB 53.39, 46.1, -28.9

 

CMYK 0 / 78 / 1 / 58

HEX #6C186B

RGB 108 24 107

HSL 300.71, 0.64%, 0.26%

LAB 26.46, 46.28, -28.63

 

CMYK 0 / 93 / 3 / 64

HEX #5B0658

RGB 91 6 88

HSL 302.12, 0.88%, 0.19%

LAB 20.28, 44.26, -26.15

 

CMYK 0 / 100 / 7 / 71

HEX #4A0045

RGB 74 0 69

HSL 304.05, 1%, 0.15%

LAB 14.87, 39.35, -21.97

 

CMYK 0 / 100 / 12 / 78

HEX #390032

RGB 57 0 50

HSL 307.37, 1%, 0.11%

LAB 9.8, 32.64, -16.66

 

CMYK 0 / 100 / 23 / 84

HEX #28001F

RGB 40 0 31

HSL 313.5, 1%, 0.08%

LAB 4.97, 23.48, -10.06

 

CMYK 0 / 79 / 1 / 58

HEX #6C176B

RGB 108 23 107

HSL 300.71, 0.65%, 0.26%

LAB 26.34, 46.61, -28.82

 

CMYK 0 / 79 / 22 / 58

HEX #6C1754

RGB 108 23 84

HSL 316.94, 0.65%, 0.26%

LAB 25.08, 42.89, -15.71

 

CMYK 0 / 79 / 44 / 58

HEX #6C173D

RGB 108 23 61

HSL 333.18, 0.65%, 0.26%

LAB 24.12, 39.92, -1.61

 

CMYK 0 / 79 / 64 / 58

HEX #6C1727

RGB 108 23 39

HSL 348.71, 0.65%, 0.26%

LAB 23.5, 37.9, 12.65

 

CMYK 0 / 79 / 79 / 58

HEX #6C1717

RGB 108 23 23

HSL 0, 0.65%, 0.26%

LAB 23.21, 36.96, 23.03

 

CMYK 0 / 79 / 1 / 58

HEX #6C176B

RGB 108 23 107

HSL 300.71, 0.65%, 0.26%

LAB 26.34, 46.61, -28.82

 

CMYK 20 / 79 / 0 / 58

HEX #56176C

RGB 86 23 108

HSL 284.47, 0.65%, 0.26%

LAB 22.56, 41.87, -35.73

 

CMYK 42 / 79 / 0 / 58

HEX #3F176C

RGB 63 23 108

HSL 268.24, 0.65%, 0.26%

LAB 19.02, 37.17, -41.63

 

CMYK 62 / 79 / 0 / 58

HEX #29176C

RGB 41 23 108

HSL 252.71, 0.65%, 0.26%

LAB 16.34, 33.47, -46.14

 

CMYK 79 / 79 / 0 / 58

HEX #17176C

RGB 23 23 108

HSL 240, 0.65%, 0.26%

LAB 14.83, 31.31, -48.67

 

CMYK 0 / 79 / 1 / 58

HEX #6C176B

RGB 108 23 107

HSL 300.71, 0.65%, 0.26%

LAB 26.34, 46.61, -28.82

 

CMYK 0 / 89 / 1 / 53

HEX #770D76

RGB 119 13 118

HSL 300.57, 0.8%, 0.26%

LAB 28.16, 53.47, -32.85

 

CMYK 0 / 98 / 2 / 49

HEX #820280

RGB 130 2 128

HSL 300.94, 0.97%, 0.26%

LAB 30.27, 58.98, -35.69

 

CMYK 0 / 79 / 1 / 58

HEX #6C176B

RGB 108 23 107

HSL 300.71, 0.65%, 0.26%

LAB 26.34, 46.61, -28.82

 

CMYK 0 / 65 / 1 / 62

HEX #622261

RGB 98 34 97

HSL 300.94, 0.48%, 0.26%

LAB 25.57, 37.77, -23.64

 

CMYK 0 / 48 / 1 / 66

HEX #572D56

RGB 87 45 86

HSL 301.43, 0.32%, 0.26%

LAB 25.49, 26.15, -16.68

 

CMYK 0 / 26 / 0 / 70

HEX #4C384C

RGB 76 56 76

HSL 300, 0.15%, 0.26%

LAB 26.41, 12.9, -8.79

 

CMYK 2 / 0 / 2 / 74

HEX #414241

RGB 65 66 65

HSL 120, 0.01%, 0.26%

LAB 27.85, -0.64, 0.46

 

CMYK 42 / 79 / 0 / 58

HEX #3F176C

RGB 63 23 108

HSL 268.24, 0.65%, 0.26%

LAB 19.02, 37.17, -41.63

 

CMYK 20 / 79 / 0 / 58

HEX #56176C

RGB 86 23 108

HSL 284.47, 0.65%, 0.26%

LAB 22.56, 41.87, -35.73

 

CMYK 0 / 79 / 0 / 58

HEX #6C176C

RGB 108 23 108

HSL 300, 0.65%, 0.26%

LAB 26.4, 46.79, -29.37

 

CMYK 0 / 79 / 20 / 58

HEX #6C1756

RGB 108 23 86

HSL 315.53, 0.65%, 0.26%

LAB 25.18, 43.18, -16.88

 

CMYK 0 / 79 / 42 / 58

HEX #6C173F

RGB 108 23 63

HSL 331.76, 0.65%, 0.26%

LAB 24.19, 40.14, -2.87

 

CMYK 0 / 78 / 2 / 84

HEX #290928

RGB 41 9 40

HSL 301.88, 0.64%, 0.1%

LAB 7.41, 21.53, -13.21

 

CMYK 0 / 78 / 0 / 71

HEX #4A104A

RGB 74 16 74

HSL 300, 0.64%, 0.18%

LAB 17.09, 34.78, -21.92

 

CMYK 0 / 79 / 1 / 58

HEX #6C176B

RGB 108 23 107

HSL 300.71, 0.65%, 0.26%

LAB 26.34, 46.61, -28.82

 

CMYK 0 / 78 / 1 / 44

HEX #8E1F8D

RGB 142 31 141

HSL 300.54, 0.64%, 0.34%

LAB 35.31, 57.5, -35.62

 

CMYK 0 / 78 / 1 / 31

HEX #B026AE

RGB 176 38 174

HSL 300.87, 0.64%, 0.42%

LAB 43.76, 67.98, -41.74

 

CMYK 0 / 78 / 1 / 58

HEX #6C186B

RGB 108 24 107

HSL 300.71, 0.64%, 0.26%

LAB 26.46, 46.28, -28.63

 

CMYK 0 / 63 / 79 / 58

HEX #6C2817

RGB 108 40 23

HSL 12, 0.65%, 0.26%

LAB 26.06, 29.25, 26.15

 

CMYK 79 / 0 / 31 / 58

HEX #176C4A

RGB 23 108 74

HSL 156, 0.65%, 0.26%

LAB 40.25, -33.35, 12.14

 

CMYK 0 / 78 / 1 / 58

HEX #6C186B

RGB 108 24 107

HSL 300.71, 0.64%, 0.26%

LAB 26.46, 46.28, -28.63

 

CMYK 0 / 0 / 79 / 58

HEX #6C6C17

RGB 108 108 23

HSL 60, 0.65%, 0.26%

LAB 44.2, -10.74, 44.12

 

CMYK 79 / 0 / 0 / 58

HEX #176C6C

RGB 23 108 108

HSL 180, 0.65%, 0.26%

LAB 41.2, -23.64, -7.05

 

CMYK 0 / 78 / 1 / 58

HEX #6C186B

RGB 108 24 107

HSL 300.71, 0.64%, 0.26%

LAB 26.46, 46.28, -28.63

 

CMYK 0 / 63 / 79 / 58

HEX #6C2817

RGB 108 40 23

HSL 12, 0.65%, 0.26%

LAB 26.06, 29.25, 26.15

 

CMYK 79 / 0 / 79 / 58

HEX #176C17

RGB 23 108 23

HSL 120, 0.65%, 0.26%

LAB 39.53, -41.7, 38.01

 

CMYK 79 / 16 / 0 / 58

HEX #175B6C

RGB 23 91 108

HSL 192, 0.65%, 0.26%

LAB 35.49, -14.37, -15.69

 

CMYK 0 / 78 / 1 / 58

HEX #6C186B

RGB 108 24 107

HSL 300.71, 0.64%, 0.26%

LAB 26.46, 46.28, -28.63

 

CMYK 0 / 39 / 79 / 58

HEX #6C4217

RGB 108 66 23

HSL 30.35, 0.65%, 0.26%

LAB 32.14, 14.22, 32.49

 

CMYK 79 / 0 / 79 / 58

HEX #176C17

RGB 23 108 23

HSL 120, 0.65%, 0.26%

LAB 39.53, -41.7, 38.01

 

CMYK 79 / 39 / 0 / 58

HEX #17426C

RGB 23 66 108

HSL 209.65, 0.65%, 0.26%

LAB 27.19, 1.29, -28.64

 

Description

Color code: HEX #6C186B | qconv.com Color code: HEX #6C186B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 24 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 24 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 1 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 1% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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