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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C0E89 it is the complementary color #93F176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C0E89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C0E89 shade: #710E84, #822097, #9332AA, #A444BD and #B556D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C0E89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C0E89 shade: #6C0E89, #5B0076, #4A0063, #390050 and #28003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C0E89 shade: #6D0E8A, #8A0E86, #8A0E64, #8A0E43 and #8A0E22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C0E89 shade: #6D0E8A, #4B0E8A, #2A0E8A and #0E0E8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C0E89 shade matches the following richer shades: #6D0E8A and #730296

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C0E89 shade: #6D0E8A, #661A7E, #602771, #593365 and #534058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C0E89 shade: #290E8A, #4A0E8A, #6B0E8A, #8A0E88 and #8A0E67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C0E89 shade: #32063F, #4F0A65, #6D0E8A, #8A12AF and #A816D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C0E89 shade: #6C0E89, #8A0E14 and #0E8A39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C0E89 shade: #6C0E89, #8A6B0E and #0E8A6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C0E89 shade: #6C0E89, #8A0E14, #2D8A0E and #0E8A84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C0E89 shade: #6C0E89, #8A2D0E, #2D8A0E and #0E6B8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 90 / 0 / 46

HEX #6C0E89

RGB 108 14 137

HSL 285.85, 0.81%, 0.3%

LAB 27.6, 54.69, -45.85

 

Complementary color

CMYK 39 / 0 / 51 / 5

HEX #93F176

RGB 147 241 118

HSL 105.85, 0.81%, 0.7%

LAB 87.2, -50.13, 50.35

 

CMYK 14 / 89 / 0 / 48

HEX #710E84

RGB 113 14 132

HSL 290.34, 0.81%, 0.29%

LAB 28.09, 54.59, -41.88

 

CMYK 14 / 79 / 0 / 41

HEX #822097

RGB 130 32 151

HSL 289.41, 0.65%, 0.36%

LAB 34.01, 56.48, -43.94

 

CMYK 14 / 71 / 0 / 33

HEX #9332AA

RGB 147 50 170

HSL 288.5, 0.55%, 0.43%

LAB 40.22, 57.16, -45.28

 

CMYK 13 / 64 / 0 / 26

HEX #A444BD

RGB 164 68 189

HSL 287.6, 0.48%, 0.5%

LAB 46.58, 57.16, -46.17

 

CMYK 13 / 59 / 0 / 18

HEX #B556D0

RGB 181 86 208

HSL 286.72, 0.56%, 0.58%

LAB 52.99, 56.78, -46.79

 

CMYK 21 / 90 / 0 / 46

HEX #6C0E89

RGB 108 14 137

HSL 285.85, 0.81%, 0.3%

LAB 27.6, 54.69, -45.85

 

CMYK 23 / 100 / 0 / 54

HEX #5B0076

RGB 91 0 118

HSL 286.27, 1%, 0.23%

LAB 22.06, 51.21, -42.96

 

CMYK 25 / 100 / 0 / 61

HEX #4A0063

RGB 74 0 99

HSL 284.85, 1%, 0.19%

LAB 17.26, 44.94, -38.53

 

CMYK 29 / 100 / 0 / 69

HEX #390050

RGB 57 0 80

HSL 282.75, 1%, 0.16%

LAB 12.28, 38.46, -33.96

 

CMYK 34 / 100 / 0 / 76

HEX #28003D

RGB 40 0 61

HSL 279.34, 1%, 0.12%

LAB 7.12, 31.56, -29.17

 

CMYK 21 / 90 / 0 / 46

HEX #6D0E8A

RGB 109 14 138

HSL 285.97, 0.82%, 0.3%

LAB 27.85, 55.05, -46.06

 

CMYK 0 / 90 / 3 / 46

HEX #8A0E86

RGB 138 14 134

HSL 301.94, 0.82%, 0.3%

LAB 32.79, 59.57, -35.35

 

CMYK 0 / 90 / 28 / 46

HEX #8A0E64

RGB 138 14 100

HSL 318.39, 0.82%, 0.3%

LAB 30.97, 54.77, -16.63

 

CMYK 0 / 90 / 51 / 46

HEX #8A0E43

RGB 138 14 67

HSL 334.35, 0.82%, 0.3%

LAB 29.72, 51.31, 3.24

 

CMYK 0 / 90 / 75 / 46

HEX #8A0E22

RGB 138 14 34

HSL 350.32, 0.82%, 0.3%

LAB 28.99, 49.21, 24.24

 

CMYK 21 / 90 / 0 / 46

HEX #6D0E8A

RGB 109 14 138

HSL 285.97, 0.82%, 0.3%

LAB 27.85, 55.05, -46.06

 

CMYK 46 / 90 / 0 / 46

HEX #4B0E8A

RGB 75 14 138

HSL 269.52, 0.82%, 0.3%

LAB 22.46, 50.06, -55.08

 

CMYK 70 / 90 / 0 / 46

HEX #2A0E8A

RGB 42 14 138

HSL 253.55, 0.82%, 0.3%

LAB 18.55, 46.8, -61.68

 

CMYK 90 / 90 / 0 / 46

HEX #0E0E8A

RGB 14 14 138

HSL 240, 0.82%, 0.3%

LAB 16.71, 45.42, -64.78

 

CMYK 21 / 90 / 0 / 46

HEX #6D0E8A

RGB 109 14 138

HSL 285.97, 0.82%, 0.3%

LAB 27.85, 55.05, -46.06

 

CMYK 23 / 99 / 0 / 41

HEX #730296

RGB 115 2 150

HSL 285.81, 0.97%, 0.3%

LAB 29.13, 60.38, -51.34

 

CMYK 21 / 90 / 0 / 46

HEX #6D0E8A

RGB 109 14 138

HSL 285.97, 0.82%, 0.3%

LAB 27.85, 55.05, -46.06

 

CMYK 19 / 79 / 0 / 51

HEX #661A7E

RGB 102 26 126

HSL 285.6, 0.66%, 0.3%

LAB 26.93, 47.92, -40.06

 

CMYK 15 / 65 / 0 / 56

HEX #602771

RGB 96 39 113

HSL 286.22, 0.49%, 0.3%

LAB 27.1, 38.07, -31.58

 

CMYK 12 / 50 / 0 / 60

HEX #593365

RGB 89 51 101

HSL 285.6, 0.33%, 0.3%

LAB 27.93, 26.55, -22.63

 

CMYK 6 / 27 / 0 / 65

HEX #534058

RGB 83 64 88

HSL 287.5, 0.16%, 0.3%

LAB 29.94, 13.18, -11.19

 

CMYK 70 / 90 / 0 / 46

HEX #290E8A

RGB 41 14 138

HSL 253.06, 0.82%, 0.3%

LAB 18.45, 46.73, -61.83

 

CMYK 46 / 90 / 0 / 46

HEX #4A0E8A

RGB 74 14 138

HSL 269.03, 0.82%, 0.3%

LAB 22.32, 49.94, -55.32

 

CMYK 22 / 90 / 0 / 46

HEX #6B0E8A

RGB 107 14 138

HSL 285, 0.82%, 0.3%

LAB 27.5, 54.72, -46.63

 

CMYK 0 / 90 / 1 / 46

HEX #8A0E88

RGB 138 14 136

HSL 300.97, 0.82%, 0.3%

LAB 32.91, 59.88, -36.4

 

CMYK 0 / 90 / 25 / 46

HEX #8A0E67

RGB 138 14 103

HSL 316.94, 0.82%, 0.3%

LAB 31.11, 55.14, -18.35

 

CMYK 21 / 90 / 0 / 75

HEX #32063F

RGB 50 6 63

HSL 286.32, 0.83%, 0.14%

LAB 10.31, 30.73, -25.32

 

CMYK 22 / 90 / 0 / 60

HEX #4F0A65

RGB 79 10 101

HSL 285.49, 0.82%, 0.22%

LAB 19.3, 43.33, -36.48

 

CMYK 21 / 90 / 0 / 46

HEX #6D0E8A

RGB 109 14 138

HSL 285.97, 0.82%, 0.3%

LAB 27.85, 55.05, -46.06

 

CMYK 21 / 90 / 0 / 31

HEX #8A12AF

RGB 138 18 175

HSL 285.86, 0.81%, 0.38%

LAB 35.85, 65.93, -55.39

 

CMYK 21 / 90 / 0 / 16

HEX #A816D5

RGB 168 22 213

HSL 285.86, 0.81%, 0.46%

LAB 43.8, 76.67, -64.51

 

CMYK 21 / 90 / 0 / 46

HEX #6C0E89

RGB 108 14 137

HSL 285.85, 0.81%, 0.3%

LAB 27.6, 54.69, -45.85

 

CMYK 0 / 90 / 86 / 46

HEX #8A0E14

RGB 138 14 20

HSL 357.1, 0.82%, 0.3%

LAB 28.82, 48.73, 32.67

 

CMYK 90 / 0 / 59 / 46

HEX #0E8A39

RGB 14 138 57

HSL 140.81, 0.82%, 0.3%

LAB 50.18, -49.13, 34.25

 

CMYK 21 / 90 / 0 / 46

HEX #6C0E89

RGB 108 14 137

HSL 285.85, 0.81%, 0.3%

LAB 27.6, 54.69, -45.85

 

CMYK 0 / 22 / 90 / 46

HEX #8A6B0E

RGB 138 107 14

HSL 45, 0.82%, 0.3%

LAB 46.91, 3.87, 50.43

 

CMYK 90 / 0 / 22 / 46

HEX #0E8A6B

RGB 14 138 107

HSL 165, 0.82%, 0.3%

LAB 51.07, -38.81, 7.92

 

CMYK 21 / 90 / 0 / 46

HEX #6C0E89

RGB 108 14 137

HSL 285.85, 0.81%, 0.3%

LAB 27.6, 54.69, -45.85

 

CMYK 0 / 90 / 86 / 46

HEX #8A0E14

RGB 138 14 20

HSL 357.1, 0.82%, 0.3%

LAB 28.82, 48.73, 32.67

 

CMYK 67 / 0 / 90 / 46

HEX #2D8A0E

RGB 45 138 14

HSL 105, 0.82%, 0.3%

LAB 50.41, -48.27, 50.93

 

CMYK 90 / 0 / 4 / 46

HEX #0E8A84

RGB 14 138 132

HSL 177.1, 0.82%, 0.3%

LAB 51.77, -31.64, -5.58

 

CMYK 21 / 90 / 0 / 46

HEX #6C0E89

RGB 108 14 137

HSL 285.85, 0.81%, 0.3%

LAB 27.6, 54.69, -45.85

 

CMYK 0 / 67 / 90 / 46

HEX #8A2D0E

RGB 138 45 14

HSL 15, 0.82%, 0.3%

LAB 32.51, 38.21, 38.87

 

CMYK 67 / 0 / 90 / 46

HEX #2D8A0E

RGB 45 138 14

HSL 105, 0.82%, 0.3%

LAB 50.41, -48.27, 50.93

 

CMYK 90 / 22 / 0 / 46

HEX #0E6B8A

RGB 14 107 138

HSL 195, 0.82%, 0.3%

LAB 41.91, -13.38, -24.1

 

Description

Color code: HEX #6C0E89 | qconv.com Color code: HEX #6C0E89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 14 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 14 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 90 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 90% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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