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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C0DAF it is the complementary color #93F250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C0DAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C0DAF shade: #710DAA, #821FBD, #9331D0, #A443E3 and #B555F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C0DAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C0DAF shade: #6C0DAF, #5B009C, #4A0089, #390076 and #280063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C0DAF shade: #6C0DAF, #980DAF, #AF0D9B, #AF0D6F and #AF0D43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C0DAF shade: #6C0DAF, #400DAF, #140DAF and #0D0DAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C0DAF shade matches the following richer shades: #6C0DAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C0DAF shade: #6C0DAF, #691CA0, #672B90, #643B81 and #614A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C0DAF shade: #150DAF, #400DAF, #6B0DAF, #970DAF and #AF0D9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C0DAF shade: #3C0762, #540A89, #6C0DAF, #8410D5 and #9920EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C0DAF shade: #6C0DAF, #AF0D30 and #0DAF2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C0DAF shade: #6C0DAF, #AF6B0D and #0DAF6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C0DAF shade: #6C0DAF, #AF0D30, #50AF0D and #0DAF8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C0DAF shade: #6C0DAF, #AF1A0D, #50AF0D and #0DA1AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

Complementary color

CMYK 39 / 0 / 67 / 5

HEX #93F250

RGB 147 242 80

HSL 95.19, 0.86%, 0.63%

LAB 87.14, -54.19, 66.51

 

CMYK 34 / 92 / 0 / 33

HEX #710DAA

RGB 113 13 170

HSL 278.22, 0.86%, 0.36%

LAB 31.12, 62.28, -60.28

 

CMYK 31 / 84 / 0 / 26

HEX #821FBD

RGB 130 31 189

HSL 277.59, 0.72%, 0.43%

LAB 36.74, 64.4, -62.29

 

CMYK 29 / 76 / 0 / 18

HEX #9331D0

RGB 147 49 208

HSL 276.98, 0.63%, 0.5%

LAB 42.69, 65.29, -63.57

 

CMYK 28 / 70 / 0 / 11

HEX #A443E3

RGB 164 67 227

HSL 276.38, 0.74%, 0.58%

LAB 48.83, 65.43, -64.39

 

CMYK 26 / 65 / 0 / 4

HEX #B555F6

RGB 181 85 246

HSL 275.78, 0.9%, 0.65%

LAB 55.05, 65.12, -64.91

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 42 / 100 / 0 / 39

HEX #5B009C

RGB 91 0 156

HSL 275, 1%, 0.31%

LAB 25.64, 59.03, -60.91

 

CMYK 46 / 100 / 0 / 46

HEX #4A0089

RGB 74 0 137

HSL 272.41, 1%, 0.27%

LAB 21.06, 53.16, -56.76

 

CMYK 52 / 100 / 0 / 54

HEX #390076

RGB 57 0 118

HSL 268.98, 1%, 0.23%

LAB 16.39, 47.18, -52.47

 

CMYK 60 / 100 / 0 / 61

HEX #280063

RGB 40 0 99

HSL 264.24, 1%, 0.19%

LAB 11.63, 41.1, -47.98

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 13 / 93 / 0 / 31

HEX #980DAF

RGB 152 13 175

HSL 291.48, 0.86%, 0.37%

LAB 37.95, 68.93, -51.88

 

CMYK 0 / 93 / 11 / 31

HEX #AF0D9B

RGB 175 13 155

HSL 307.41, 0.86%, 0.37%

LAB 40.85, 69.86, -35

 

CMYK 0 / 93 / 37 / 31

HEX #AF0D6F

RGB 175 13 111

HSL 323.7, 0.86%, 0.37%

LAB 38.81, 64.53, -11

 

CMYK 0 / 93 / 62 / 31

HEX #AF0D43

RGB 175 13 67

HSL 340, 0.86%, 0.37%

LAB 37.49, 60.93, 15.24

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 63 / 93 / 0 / 31

HEX #400DAF

RGB 64 13 175

HSL 258.89, 0.86%, 0.37%

LAB 25.18, 58.52, -73.3

 

CMYK 89 / 93 / 0 / 31

HEX #140DAF

RGB 20 13 175

HSL 242.59, 0.86%, 0.37%

LAB 22.06, 56.62, -78.58

 

CMYK 93 / 93 / 0 / 31

HEX #0D0DAF

RGB 13 13 175

HSL 240, 0.86%, 0.37%

LAB 21.83, 56.5, -78.97

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 34 / 83 / 0 / 37

HEX #691CA0

RGB 105 28 160

HSL 275, 0.7%, 0.37%

LAB 30.33, 55.15, -55.57

 

CMYK 28 / 70 / 0 / 44

HEX #672B90

RGB 103 43 144

HSL 275.64, 0.54%, 0.37%

LAB 30.94, 44.92, -44.82

 

CMYK 22 / 54 / 0 / 49

HEX #643B81

RGB 100 59 129

HSL 275.14, 0.37%, 0.37%

LAB 32.75, 31.91, -32.65

 

CMYK 15 / 35 / 0 / 55

HEX #614A72

RGB 97 74 114

HSL 274.5, 0.21%, 0.37%

LAB 35.31, 18.11, -19.32

 

CMYK 88 / 93 / 0 / 31

HEX #150DAF

RGB 21 13 175

HSL 242.96, 0.86%, 0.37%

LAB 22.1, 56.64, -78.51

 

CMYK 63 / 93 / 0 / 31

HEX #400DAF

RGB 64 13 175

HSL 258.89, 0.86%, 0.37%

LAB 25.18, 58.52, -73.3

 

CMYK 39 / 93 / 0 / 31

HEX #6B0DAF

RGB 107 13 175

HSL 274.81, 0.86%, 0.37%

LAB 30.66, 62.59, -64.07

 

CMYK 14 / 93 / 0 / 31

HEX #970DAF

RGB 151 13 175

HSL 291.11, 0.86%, 0.37%

LAB 37.77, 68.77, -52.17

 

CMYK 0 / 93 / 11 / 31

HEX #AF0D9C

RGB 175 13 156

HSL 307.04, 0.86%, 0.37%

LAB 40.9, 70, -35.52

 

CMYK 39 / 93 / 0 / 62

HEX #3C0762

RGB 60 7 98

HSL 274.95, 0.87%, 0.21%

LAB 15.46, 40.39, -40.9

 

CMYK 39 / 93 / 0 / 46

HEX #540A89

RGB 84 10 137

HSL 274.96, 0.86%, 0.29%

LAB 23.37, 51.97, -52.92

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 38 / 92 / 0 / 16

HEX #8410D5

RGB 132 16 213

HSL 275.33, 0.86%, 0.45%

LAB 37.99, 72.95, -74.24

 

CMYK 36 / 87 / 0 / 7

HEX #9920EE

RGB 153 32 238

HSL 275.24, 0.86%, 0.53%

LAB 44.2, 77.45, -78.21

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 0 / 93 / 73 / 31

HEX #AF0D30

RGB 175 13 48

HSL 347.04, 0.86%, 0.37%

LAB 37.14, 59.95, 26.93

 

CMYK 93 / 0 / 76 / 31

HEX #0DAF2A

RGB 13 175 42

HSL 130.74, 0.86%, 0.37%

LAB 62.43, -62.5, 53.91

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 0 / 39 / 93 / 31

HEX #AF6B0D

RGB 175 107 13

HSL 34.81, 0.86%, 0.37%

LAB 51.45, 20.89, 56.14

 

CMYK 93 / 0 / 39 / 31

HEX #0DAF6B

RGB 13 175 107

HSL 154.81, 0.86%, 0.37%

LAB 63.18, -53.38, 24.58

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 0 / 93 / 73 / 31

HEX #AF0D30

RGB 175 13 48

HSL 347.04, 0.86%, 0.37%

LAB 37.14, 59.95, 26.93

 

CMYK 54 / 0 / 93 / 31

HEX #50AF0D

RGB 80 175 13

HSL 95.19, 0.86%, 0.37%

LAB 63.67, -52.53, 62.77

 

CMYK 93 / 0 / 20 / 31

HEX #0DAF8C

RGB 13 175 140

HSL 167.04, 0.86%, 0.37%

LAB 63.87, -45.73, 7.5

 

CMYK 38 / 93 / 0 / 31

HEX #6C0DAF

RGB 108 13 175

HSL 275.19, 0.86%, 0.37%

LAB 30.81, 62.71, -63.82

 

CMYK 0 / 85 / 93 / 31

HEX #AF1A0D

RGB 175 26 13

HSL 4.81, 0.86%, 0.37%

LAB 37.63, 56.61, 46.37

 

CMYK 54 / 0 / 93 / 31

HEX #50AF0D

RGB 80 175 13

HSL 95.19, 0.86%, 0.37%

LAB 63.67, -52.53, 62.77

 

CMYK 93 / 8 / 0 / 31

HEX #0DA1AF

RGB 13 161 175

HSL 185.19, 0.86%, 0.37%

LAB 60.49, -29.12, -17.1

 

Description

Color code: HEX #6C0DAF | qconv.com Color code: HEX #6C0DAF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 13 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 13 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 93 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 93% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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