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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C02CE it is the complementary color #93FD31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C02CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C02CE shade: #7102C9, #8214DC, #9326EF, #A438FF and #B54AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C02CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C02CE shade: #6C02CE, #5B00BB, #4A00A8, #390095 and #280082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C02CE shade: #6C02CF, #A302CF, #CF02C2, #CF028B and #CF0254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C02CE shade: #6C02CF, #3502CF and #0202CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C02CE shade matches the following richer shades: #6C02CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C02CE shade: #6C02CF, #6B13BE, #6B23AD, #6A349C and #69458B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C02CE shade: #0205CF, #3502CF, #6B02CF, #A202CF and #CF02C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C02CE shade: #41017D, #5701A6, #6C02CF, #8202F7 and #9626FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C02CE shade: #6C02CE, #CF023C and #02CF19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C02CE shade: #6C02CE, #CF6B02 and #02CF6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C02CE shade: #6C02CE, #CF023C, #65CF02 and #02CF94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C02CE shade: #6C02CE, #CF0502, #65CF02 and #02CBCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 99 / 0 / 19

HEX #6C02CE

RGB 108 2 206

HSL 271.18, 0.98%, 0.41%

LAB 33.32, 71.01, -77.98

 

Complementary color

CMYK 42 / 0 / 81 / 1

HEX #93FD31

RGB 147 253 49

HSL 91.18, 0.98%, 0.59%

LAB 90.17, -60.26, 79.33

 

CMYK 44 / 99 / 0 / 21

HEX #7102C9

RGB 113 2 201

HSL 273.47, 0.98%, 0.4%

LAB 33.5, 70.4, -74.74

 

CMYK 41 / 91 / 0 / 14

HEX #8214DC

RGB 130 20 220

HSL 273, 0.83%, 0.47%

LAB 38.57, 73.49, -77.31

 

CMYK 38 / 84 / 0 / 6

HEX #9326EF

RGB 147 38 239

HSL 272.54, 0.86%, 0.54%

LAB 43.98, 75.38, -79.17

 

CMYK 36 / 78 / 0 / 0

HEX #A438FF

RGB 164 56 255

HSL 272.56, 1%, 0.61%

LAB 49.42, 75.61, -79.14

 

CMYK 29 / 71 / 0 / 0

HEX #B54AFF

RGB 181 74 255

HSL 275.47, 1%, 0.65%

LAB 53.96, 71.73, -71.65

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CE

RGB 108 2 206

HSL 271.18, 0.98%, 0.41%

LAB 33.32, 71.01, -77.98

 

CMYK 51 / 100 / 0 / 27

HEX #5B00BB

RGB 91 0 187

HSL 269.2, 1%, 0.37%

LAB 28.93, 65.8, -74.14

 

CMYK 56 / 100 / 0 / 34

HEX #4A00A8

RGB 74 0 168

HSL 266.43, 1%, 0.33%

LAB 24.59, 60.25, -70.03

 

CMYK 62 / 100 / 0 / 42

HEX #390095

RGB 57 0 149

HSL 262.95, 1%, 0.29%

LAB 20.2, 54.65, -65.74

 

CMYK 69 / 100 / 0 / 49

HEX #280082

RGB 40 0 130

HSL 258.46, 1%, 0.25%

LAB 15.81, 49.02, -61.18

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CF

RGB 108 2 207

HSL 271.02, 0.98%, 0.41%

LAB 33.43, 71.23, -78.39

 

CMYK 21 / 99 / 0 / 19

HEX #A302CF

RGB 163 2 207

HSL 287.12, 0.98%, 0.41%

LAB 41.74, 77.29, -64.43

 

CMYK 0 / 99 / 6 / 19

HEX #CF02C2

RGB 207 2 194

HSL 303.8, 0.98%, 0.41%

LAB 48.52, 81.97, -45.58

 

CMYK 0 / 99 / 33 / 19

HEX #CF028B

RGB 207 2 139

HSL 319.9, 0.98%, 0.41%

LAB 45.87, 75.31, -17.01

 

CMYK 0 / 99 / 59 / 19

HEX #CF0254

RGB 207 2 84

HSL 336, 0.98%, 0.41%

LAB 44.16, 70.81, 14.59

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CF

RGB 108 2 207

HSL 271.02, 0.98%, 0.41%

LAB 33.43, 71.23, -78.39

 

CMYK 74 / 99 / 0 / 19

HEX #3502CF

RGB 53 2 207

HSL 254.93, 0.98%, 0.41%

LAB 27.59, 68.09, -88.25

 

CMYK 99 / 99 / 0 / 19

HEX #0202CF

RGB 2 2 207

HSL 240, 0.98%, 0.41%

LAB 25.45, 67.28, -91.88

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CF

RGB 108 2 207

HSL 271.02, 0.98%, 0.41%

LAB 33.43, 71.23, -78.39

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CF

RGB 108 2 207

HSL 271.02, 0.98%, 0.41%

LAB 33.43, 71.23, -78.39

 

CMYK 44 / 90 / 0 / 25

HEX #6B13BE

RGB 107 19 190

HSL 270.88, 0.82%, 0.41%

LAB 32.5, 64.65, -69.96

 

CMYK 38 / 80 / 0 / 32

HEX #6B23AD

RGB 107 35 173

HSL 271.3, 0.66%, 0.41%

LAB 32.58, 55.96, -59.72

 

CMYK 32 / 67 / 0 / 39

HEX #6A349C

RGB 106 52 156

HSL 271.15, 0.5%, 0.41%

LAB 33.82, 44.02, -47.48

 

CMYK 24 / 50 / 0 / 45

HEX #69458B

RGB 105 69 139

HSL 270.86, 0.34%, 0.41%

LAB 36.22, 29.95, -33.28

 

CMYK 99 / 98 / 0 / 19

HEX #0205CF

RGB 2 5 207

HSL 239.12, 0.98%, 0.41%

LAB 25.64, 66.67, -91.55

 

CMYK 74 / 99 / 0 / 19

HEX #3502CF

RGB 53 2 207

HSL 254.93, 0.98%, 0.41%

LAB 27.59, 68.09, -88.25

 

CMYK 48 / 99 / 0 / 19

HEX #6B02CF

RGB 107 2 207

HSL 270.73, 0.98%, 0.41%

LAB 33.29, 71.14, -78.61

 

CMYK 22 / 99 / 0 / 19

HEX #A202CF

RGB 162 2 207

HSL 286.83, 0.98%, 0.41%

LAB 41.58, 77.16, -64.71

 

CMYK 0 / 99 / 5 / 19

HEX #CF02C4

RGB 207 2 196

HSL 303.22, 0.98%, 0.41%

LAB 48.63, 82.24, -46.57

 

CMYK 48 / 99 / 0 / 51

HEX #41017D

RGB 65 1 125

HSL 270.97, 0.98%, 0.25%

LAB 18.48, 49.27, -53.48

 

CMYK 48 / 99 / 0 / 35

HEX #5701A6

RGB 87 1 166

HSL 271.27, 0.99%, 0.33%

LAB 26.16, 60.63, -66.16

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CF

RGB 108 2 207

HSL 271.02, 0.98%, 0.41%

LAB 33.43, 71.23, -78.39

 

CMYK 47 / 99 / 0 / 3

HEX #8202F7

RGB 130 2 247

HSL 271.35, 0.98%, 0.49%

LAB 40.42, 81.46, -89.62

 

CMYK 40 / 85 / 0 / 1

HEX #9626FC

RGB 150 38 252

HSL 271.4, 0.97%, 0.57%

LAB 45.49, 78.52, -83.97

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CE

RGB 108 2 206

HSL 271.18, 0.98%, 0.41%

LAB 33.32, 71.01, -77.98

 

CMYK 0 / 99 / 71 / 19

HEX #CF023C

RGB 207 2 60

HSL 343.02, 0.98%, 0.41%

LAB 43.7, 69.58, 28.98

 

CMYK 99 / 0 / 88 / 19

HEX #02CF19

RGB 2 207 25

HSL 126.73, 0.98%, 0.41%

LAB 72.7, -72.96, 67.92

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CE

RGB 108 2 206

HSL 271.18, 0.98%, 0.41%

LAB 33.32, 71.01, -77.98

 

CMYK 0 / 48 / 99 / 19

HEX #CF6B02

RGB 207 107 2

HSL 30.73, 0.98%, 0.41%

LAB 55.87, 34.38, 63.41

 

CMYK 99 / 0 / 48 / 19

HEX #02CF6B

RGB 2 207 107

HSL 150.73, 0.98%, 0.41%

LAB 73.35, -64.81, 37.75

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CE

RGB 108 2 206

HSL 271.18, 0.98%, 0.41%

LAB 33.32, 71.01, -77.98

 

CMYK 0 / 99 / 71 / 19

HEX #CF023C

RGB 207 2 60

HSL 343.02, 0.98%, 0.41%

LAB 43.7, 69.58, 28.98

 

CMYK 51 / 0 / 99 / 19

HEX #65CF02

RGB 101 207 2

HSL 91.02, 0.98%, 0.41%

LAB 74.44, -58.38, 73.06

 

CMYK 99 / 0 / 29 / 19

HEX #02CF94

RGB 2 207 148

HSL 162.73, 0.98%, 0.41%

LAB 74.05, -56.7, 17.49

 

CMYK 48 / 99 / 0 / 19

HEX #6C02CE

RGB 108 2 206

HSL 271.18, 0.98%, 0.41%

LAB 33.32, 71.01, -77.98

 

CMYK 0 / 98 / 99 / 19

HEX #CF0502

RGB 207 5 2

HSL 0.88, 0.98%, 0.41%

LAB 43.33, 68.01, 56.81

 

CMYK 51 / 0 / 99 / 19

HEX #65CF02

RGB 101 207 2

HSL 91.02, 0.98%, 0.41%

LAB 74.44, -58.38, 73.06

 

CMYK 99 / 2 / 0 / 19

HEX #02CBCF

RGB 2 203 207

HSL 181.17, 0.98%, 0.41%

LAB 74.34, -39.23, -13.87

 

Description

Color code: HEX #6C02CE | qconv.com Color code: HEX #6C02CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 2 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 2 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 99 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 99% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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