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Color name
HEX #6BEF1A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BEF1A it is the complementary color #9410E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BEF1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BEF1A shade: #70EF15, #81FF28, #92FF3B, #A3FF4E and #B4FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BEF1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BEF1A shade: #6BEF1A, #5ADD07, #49CB00, #38B900 and #27A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BEF1A shade: #6BEF1A, #A4EF1A, #DDEF1A, #EFC61A and #EF8D1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BEF1A shade: #6BEF1A, #31EF1A, #1AEF3B, #1AEF75 and #1AEFAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BEF1A shade matches the following richer shades: #6BEF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BEF1A shade: #6BEF1A, #6FDB2D, #74C741, #79B355 and #7E9F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BEF1A shade: #DDEF1A, #A4EF1A, #6BEF1A, #32EF1A and #1AEF3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BEF1A shade: #48AA0B, #58D10E, #6BEF1A, #84F140 and #9CF467

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BEF1A shade: #6BEF1A, #1AEFC8 and #EF1AC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BEF1A shade: #6BEF1A, #1A6BEF and #EF1A6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BEF1A shade: #6BEF1A, #1AEFC8, #9D1AEF and #EF1A41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BEF1A shade: #6BEF1A, #1AD6EF, #9D1AEF and #EF321A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

Complementary color

CMYK 35 / 93 / 0 / 10

HEX #9410E5

RGB 148 16 229

HSL 277.18, 0.87%, 0.48%

LAB 41.73, 77.99, -77.19

 

CMYK 53 / 0 / 91 / 6

HEX #70EF15

RGB 112 239 21

HSL 94.95, 0.87%, 0.51%

LAB 84.6, -66.32, 79.43

 

CMYK 49 / 0 / 84 / 0

HEX #81FF28

RGB 129 255 40

HSL 95.16, 1%, 0.58%

LAB 90.02, -66.71, 80.98

 

CMYK 43 / 0 / 77 / 0

HEX #92FF3B

RGB 146 255 59

HSL 93.37, 1%, 0.62%

LAB 90.76, -60.87, 77.15

 

CMYK 36 / 0 / 69 / 0

HEX #A3FF4E

RGB 163 255 78

HSL 91.19, 1%, 0.65%

LAB 91.62, -54.32, 72.11

 

CMYK 29 / 0 / 62 / 0

HEX #B4FF61

RGB 180 255 97

HSL 88.48, 1%, 0.69%

LAB 92.61, -47.15, 66.18

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 59 / 0 / 97 / 13

HEX #5ADD07

RGB 90 221 7

HSL 96.73, 0.94%, 0.45%

LAB 78.4, -66.06, 75.59

 

CMYK 64 / 0 / 100 / 20

HEX #49CB00

RGB 73 203 0

HSL 98.42, 1%, 0.4%

LAB 72.31, -64.18, 71.21

 

CMYK 70 / 0 / 100 / 27

HEX #38B900

RGB 56 185 0

HSL 101.84, 1%, 0.36%

LAB 66.17, -61.91, 66.16

 

CMYK 77 / 0 / 100 / 35

HEX #27A700

RGB 39 167 0

HSL 105.99, 1%, 0.33%

LAB 59.95, -59.26, 61.06

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 31 / 0 / 89 / 6

HEX #A4EF1A

RGB 164 239 26

HSL 81.13, 0.87%, 0.52%

LAB 86.85, -49.72, 81.47

 

CMYK 8 / 0 / 89 / 6

HEX #DDEF1A

RGB 221 239 26

HSL 65.07, 0.87%, 0.52%

LAB 90.4, -27.65, 85.82

 

CMYK 0 / 17 / 89 / 6

HEX #EFC61A

RGB 239 198 26

HSL 48.45, 0.87%, 0.52%

LAB 81.19, 0.19, 79.24

 

CMYK 0 / 41 / 89 / 6

HEX #EF8D1A

RGB 239 141 26

HSL 32.39, 0.87%, 0.52%

LAB 67.63, 30.1, 68.84

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 79 / 0 / 89 / 6

HEX #31EF1A

RGB 49 239 26

HSL 113.52, 0.87%, 0.52%

LAB 83.16, -78.41, 76.89

 

CMYK 89 / 0 / 75 / 6

HEX #1AEF3B

RGB 26 239 59

HSL 129.3, 0.87%, 0.52%

LAB 83.06, -78.83, 68.73

 

CMYK 89 / 0 / 51 / 6

HEX #1AEF75

RGB 26 239 117

HSL 145.63, 0.87%, 0.52%

LAB 83.57, -72.49, 45.68

 

CMYK 89 / 0 / 27 / 6

HEX #1AEFAE

RGB 26 239 174

HSL 161.69, 0.87%, 0.52%

LAB 84.49, -61.81, 18.4

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 49 / 0 / 79 / 14

HEX #6FDB2D

RGB 111 219 45

HSL 97.24, 0.71%, 0.52%

LAB 78.6, -58.61, 69.26

 

CMYK 42 / 0 / 67 / 22

HEX #74C741

RGB 116 199 65

HSL 97.16, 0.54%, 0.52%

LAB 72.85, -48.01, 56.86

 

CMYK 32 / 0 / 53 / 30

HEX #79B355

RGB 121 179 85

HSL 97.02, 0.38%, 0.52%

LAB 67.25, -35.74, 41.69

 

CMYK 21 / 0 / 34 / 38

HEX #7E9F69

RGB 126 159 105

HSL 96.67, 0.22%, 0.52%

LAB 61.87, -21.6, 24.57

 

CMYK 8 / 0 / 89 / 6

HEX #DDEF1A

RGB 221 239 26

HSL 65.07, 0.87%, 0.52%

LAB 90.4, -27.65, 85.82

 

CMYK 31 / 0 / 89 / 6

HEX #A4EF1A

RGB 164 239 26

HSL 81.13, 0.87%, 0.52%

LAB 86.85, -49.72, 81.47

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 79 / 0 / 89 / 6

HEX #32EF1A

RGB 50 239 26

HSL 113.24, 0.87%, 0.52%

LAB 83.17, -78.3, 76.91

 

CMYK 89 / 0 / 76 / 6

HEX #1AEF3A

RGB 26 239 58

HSL 129.01, 0.87%, 0.52%

LAB 83.05, -78.9, 69.04

 

CMYK 58 / 0 / 94 / 33

HEX #48AA0B

RGB 72 170 11

HSL 96.98, 0.88%, 0.35%

LAB 61.78, -52.97, 61.39

 

CMYK 58 / 0 / 93 / 18

HEX #58D10E

RGB 88 209 14

HSL 97.23, 0.87%, 0.44%

LAB 74.64, -62.39, 71.8

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 45 / 0 / 73 / 5

HEX #84F140

RGB 132 241 64

HSL 96.95, 0.86%, 0.6%

LAB 86.1, -59.56, 70.93

 

CMYK 36 / 0 / 58 / 4

HEX #9CF467

RGB 156 244 103

HSL 97.45, 0.87%, 0.68%

LAB 88.33, -50.11, 58.53

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 89 / 0 / 16 / 6

HEX #1AEFC8

RGB 26 239 200

HSL 169.01, 0.87%, 0.52%

LAB 85.06, -55.62, 5.66

 

CMYK 0 / 89 / 20 / 6

HEX #EF1AC0

RGB 239 26 192

HSL 313.24, 0.87%, 0.52%

LAB 54.96, 85.2, -33.87

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 89 / 55 / 0 / 6

HEX #1A6BEF

RGB 26 107 239

HSL 217.18, 0.87%, 0.52%

LAB 48.22, 26.73, -72.57

 

CMYK 0 / 89 / 55 / 6

HEX #EF1A6B

RGB 239 26 107

HSL 337.18, 0.87%, 0.52%

LAB 52.01, 77.2, 12.24

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 89 / 0 / 16 / 6

HEX #1AEFC8

RGB 26 239 200

HSL 169.01, 0.87%, 0.52%

LAB 85.06, -55.62, 5.66

 

CMYK 34 / 89 / 0 / 6

HEX #9D1AEF

RGB 157 26 239

HSL 276.9, 0.87%, 0.52%

LAB 44.43, 79.4, -78.37

 

CMYK 0 / 89 / 73 / 6

HEX #EF1A41

RGB 239 26 65

HSL 349.01, 0.87%, 0.52%

LAB 51.23, 75.02, 36.52

 

CMYK 55 / 0 / 89 / 6

HEX #6BEF1A

RGB 107 239 26

HSL 97.18, 0.87%, 0.52%

LAB 84.45, -67.51, 78.5

 

CMYK 89 / 10 / 0 / 6

HEX #1AD6EF

RGB 26 214 239

HSL 187.04, 0.87%, 0.52%

LAB 78.78, -33.67, -24.34

 

CMYK 34 / 89 / 0 / 6

HEX #9D1AEF

RGB 157 26 239

HSL 276.9, 0.87%, 0.52%

LAB 44.43, 79.4, -78.37

 

CMYK 0 / 79 / 89 / 6

HEX #EF321A

RGB 239 50 26

HSL 6.76, 0.87%, 0.52%

LAB 52.63, 69.03, 57.73

 

Description

Color code: HEX #6BEF1A | qconv.com Color code: HEX #6BEF1A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 239 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 239 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 89 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 89% 6% C M Y K

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Provide designers and agencies with accurate color values.

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