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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BE342 it is the complementary color #941CBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BE342. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BE342 shade: #70E33D, #81F550, #92FF63, #A3FF76 and #B4FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BE342. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BE342 shade: #6BE342, #5AD12F, #49BF1C, #38AD09 and #279B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BE342 shade: #69E240, #95E240, #C1E240, #E2D840 and #E2AC40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BE342 shade: #69E240, #40E242, #40E26E, #40E29A and #40E2C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BE342 shade matches the following richer shades: #69E240 and #60F42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BE342 shade: #69E240, #72D051, #7ABF63, #83AD75 and #8C9B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BE342 shade: #C2E240, #96E240, #6BE240, #40E240 and #40E26B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BE342 shade: #42B51B, #4FD920, #69E240, #85E764 and #A1ED87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BE342 shade: #6BE342, #40E2D7 and #E240AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BE342 shade: #6BE342, #406BE2 and #E2406B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BE342 shade: #6BE342, #40E2D7, #B740E2 and #E2404B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BE342 shade: #6BE342, #40BCE2, #B740E2 and #E26640

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 71 / 11

HEX #6BE342

RGB 107 227 66

HSL 104.72, 0.74%, 0.57%

LAB 80.99, -61.35, 64.82

 

Complementary color

CMYK 22 / 85 / 0 / 26

HEX #941CBD

RGB 148 28 189

HSL 284.72, 0.74%, 0.43%

LAB 39.24, 68.01, -58.1

 

CMYK 51 / 0 / 73 / 11

HEX #70E33D

RGB 112 227 61

HSL 101.57, 0.75%, 0.56%

LAB 81.14, -60.34, 66.76

 

CMYK 47 / 0 / 67 / 4

HEX #81F550

RGB 129 245 80

HSL 102.18, 0.89%, 0.64%

LAB 87.27, -60.82, 66.42

 

CMYK 43 / 0 / 61 / 0

HEX #92FF63

RGB 146 255 99

HSL 101.92, 1%, 0.69%

LAB 91.02, -58.04, 63.15

 

CMYK 36 / 0 / 54 / 0

HEX #A3FF76

RGB 163 255 118

HSL 100.29, 1%, 0.73%

LAB 91.96, -50.89, 56.22

 

CMYK 29 / 0 / 46 / 0

HEX #B4FF89

RGB 180 255 137

HSL 98.14, 1%, 0.77%

LAB 93.03, -43.19, 48.95

 

CMYK 53 / 0 / 71 / 11

HEX #6BE342

RGB 107 227 66

HSL 104.72, 0.74%, 0.57%

LAB 80.99, -61.35, 64.82

 

CMYK 57 / 0 / 78 / 18

HEX #5AD12F

RGB 90 209 47

HSL 104.07, 0.64%, 0.5%

LAB 74.81, -60.61, 64.86

 

CMYK 62 / 0 / 85 / 25

HEX #49BF1C

RGB 73 191 28

HSL 103.44, 0.74%, 0.43%

LAB 68.58, -59.5, 64.05

 

CMYK 68 / 0 / 95 / 32

HEX #38AD09

RGB 56 173 9

HSL 102.8, 0.9%, 0.36%

LAB 62.29, -57.85, 61.89

 

CMYK 75 / 0 / 100 / 39

HEX #279B00

RGB 39 155 0

HSL 104.9, 1%, 0.3%

LAB 55.96, -55.52, 57.88

 

CMYK 54 / 0 / 72 / 11

HEX #69E240

RGB 105 226 64

HSL 104.81, 0.74%, 0.57%

LAB 80.61, -61.66, 65.12

 

CMYK 34 / 0 / 72 / 11

HEX #95E240

RGB 149 226 64

HSL 88.52, 0.74%, 0.57%

LAB 82.46, -48.1, 67.58

 

CMYK 15 / 0 / 72 / 11

HEX #C1E240

RGB 193 226 64

HSL 72.22, 0.74%, 0.57%

LAB 85.05, -31.62, 71

 

CMYK 0 / 4 / 72 / 11

HEX #E2D840

RGB 226 216 64

HSL 56.3, 0.74%, 0.57%

LAB 84.82, -13.29, 71.63

 

CMYK 0 / 24 / 72 / 11

HEX #E2AC40

RGB 226 172 64

HSL 40, 0.74%, 0.57%

LAB 73.57, 9.41, 60.57

 

CMYK 54 / 0 / 72 / 11

HEX #69E240

RGB 105 226 64

HSL 104.81, 0.74%, 0.57%

LAB 80.61, -61.66, 65.12

 

CMYK 72 / 0 / 71 / 11

HEX #40E242

RGB 64 226 66

HSL 120.74, 0.74%, 0.57%

LAB 79.54, -70.28, 62.97

 

CMYK 72 / 0 / 51 / 11

HEX #40E26E

RGB 64 226 110

HSL 137.04, 0.74%, 0.57%

LAB 79.96, -65.33, 44.66

 

CMYK 72 / 0 / 32 / 11

HEX #40E29A

RGB 64 226 154

HSL 153.33, 0.74%, 0.57%

LAB 80.64, -57.66, 23.52

 

CMYK 72 / 0 / 13 / 11

HEX #40E2C5

RGB 64 226 197

HSL 169.26, 0.74%, 0.57%

LAB 81.57, -47.8, 2.25

 

CMYK 54 / 0 / 72 / 11

HEX #69E240

RGB 105 226 64

HSL 104.81, 0.74%, 0.57%

LAB 80.61, -61.66, 65.12

 

CMYK 61 / 0 / 81 / 4

HEX #60F42E

RGB 96 244 46

HSL 104.85, 0.9%, 0.57%

LAB 85.7, -71.09, 75.35

 

CMYK 54 / 0 / 72 / 11

HEX #69E240

RGB 105 226 64

HSL 104.81, 0.74%, 0.57%

LAB 80.61, -61.66, 65.12

 

CMYK 45 / 0 / 61 / 18

HEX #72D051

RGB 114 208 81

HSL 104.41, 0.57%, 0.57%

LAB 75.63, -50.84, 53.18

 

CMYK 36 / 0 / 48 / 25

HEX #7ABF63

RGB 122 191 99

HSL 105, 0.42%, 0.57%

LAB 71.08, -39.08, 39.47

 

CMYK 24 / 0 / 32 / 32

HEX #83AD75

RGB 131 173 117

HSL 105, 0.25%, 0.57%

LAB 66.52, -24.92, 24.33

 

CMYK 10 / 0 / 13 / 39

HEX #8C9B87

RGB 140 155 135

HSL 105, 0.09%, 0.57%

LAB 62.31, -9.23, 8.69

 

CMYK 14 / 0 / 72 / 11

HEX #C2E240

RGB 194 226 64

HSL 71.85, 0.74%, 0.57%

LAB 85.11, -31.22, 71.09

 

CMYK 34 / 0 / 72 / 11

HEX #96E240

RGB 150 226 64

HSL 88.15, 0.74%, 0.57%

LAB 82.51, -47.75, 67.65

 

CMYK 53 / 0 / 72 / 11

HEX #6BE240

RGB 107 226 64

HSL 104.07, 0.74%, 0.57%

LAB 80.68, -61.13, 65.21

 

CMYK 72 / 0 / 72 / 11

HEX #40E240

RGB 64 226 64

HSL 120, 0.74%, 0.57%

LAB 79.53, -70.44, 63.67

 

CMYK 72 / 0 / 53 / 11

HEX #40E26B

RGB 64 226 107

HSL 135.93, 0.74%, 0.57%

LAB 79.92, -65.75, 46.03

 

CMYK 64 / 0 / 85 / 29

HEX #42B51B

RGB 66 181 27

HSL 104.81, 0.74%, 0.41%

LAB 65.19, -57.76, 61.2

 

CMYK 64 / 0 / 85 / 15

HEX #4FD920

RGB 79 217 32

HSL 104.76, 0.74%, 0.49%

LAB 76.92, -66.63, 70.59

 

CMYK 54 / 0 / 72 / 11

HEX #69E240

RGB 105 226 64

HSL 104.81, 0.74%, 0.57%

LAB 80.61, -61.66, 65.12

 

CMYK 42 / 0 / 57 / 9

HEX #85E764

RGB 133 231 100

HSL 104.89, 0.73%, 0.65%

LAB 83.47, -52.36, 53.98

 

CMYK 32 / 0 / 43 / 7

HEX #A1ED87

RGB 161 237 135

HSL 104.71, 0.74%, 0.73%

LAB 86.95, -41.84, 42.06

 

CMYK 53 / 0 / 71 / 11

HEX #6BE342

RGB 107 227 66

HSL 104.72, 0.74%, 0.57%

LAB 80.99, -61.35, 64.82

 

CMYK 72 / 0 / 5 / 11

HEX #40E2D7

RGB 64 226 215

HSL 175.93, 0.74%, 0.57%

LAB 82.05, -43.07, -6.6

 

CMYK 0 / 72 / 24 / 11

HEX #E240AC

RGB 226 64 172

HSL 320, 0.74%, 0.57%

LAB 54.88, 71.18, -22.56

 

CMYK 53 / 0 / 71 / 11

HEX #6BE342

RGB 107 227 66

HSL 104.72, 0.74%, 0.57%

LAB 80.99, -61.35, 64.82

 

CMYK 72 / 53 / 0 / 11

HEX #406BE2

RGB 64 107 226

HSL 224.07, 0.74%, 0.57%

LAB 48.38, 25.24, -64.95

 

CMYK 0 / 72 / 53 / 11

HEX #E2406B

RGB 226 64 107

HSL 344.07, 0.74%, 0.57%

LAB 52.84, 64.55, 13.03

 

CMYK 53 / 0 / 71 / 11

HEX #6BE342

RGB 107 227 66

HSL 104.72, 0.74%, 0.57%

LAB 80.99, -61.35, 64.82

 

CMYK 72 / 0 / 5 / 11

HEX #40E2D7

RGB 64 226 215

HSL 175.93, 0.74%, 0.57%

LAB 82.05, -43.07, -6.6

 

CMYK 19 / 72 / 0 / 11

HEX #B740E2

RGB 183 64 226

HSL 284.07, 0.74%, 0.57%

LAB 50.95, 70.11, -60.26

 

CMYK 0 / 72 / 67 / 11

HEX #E2404B

RGB 226 64 75

HSL 355.93, 0.74%, 0.57%

LAB 52.22, 62.49, 31.26

 

CMYK 53 / 0 / 71 / 11

HEX #6BE342

RGB 107 227 66

HSL 104.72, 0.74%, 0.57%

LAB 80.99, -61.35, 64.82

 

CMYK 72 / 17 / 0 / 11

HEX #40BCE2

RGB 64 188 226

HSL 194.07, 0.74%, 0.57%

LAB 71.25, -21.74, -28.82

 

CMYK 19 / 72 / 0 / 11

HEX #B740E2

RGB 183 64 226

HSL 284.07, 0.74%, 0.57%

LAB 50.95, 70.11, -60.26

 

CMYK 0 / 55 / 72 / 11

HEX #E26640

RGB 226 102 64

HSL 14.07, 0.74%, 0.57%

LAB 58.08, 45.92, 44.21

 

Description

Color code: HEX #6BE342 | qconv.com Color code: HEX #6BE342 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 227 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 227 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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