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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BE23B it is the complementary color #941DC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BE23B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BE23B shade: #70E236, #81F449, #92FF5C, #A3FF6F and #B4FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BE23B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BE23B shade: #6BE23B, #5AD028, #49BE15, #38AC02 and #279A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BE23B shade: #6BE13B, #98E13B, #C5E13B, #E1D13B and #E1A53B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BE23B shade: #6BE13B, #3EE13B, #3BE165, #3BE192 and #3BE1BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BE23B shade matches the following richer shades: #6BE13B and #63F329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BE23B shade: #6BE13B, #73CF4D, #7ABD60, #82AB72 and #8A9984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BE23B shade: #C6E13B, #99E13B, #6DE13B, #41E13B and #3BE162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BE23B shade: #45B01A, #53D41F, #6BE13B, #86E75F and #A1EC83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BE23B shade: #6BE23B, #3BE1D1 and #E13BB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BE23B shade: #6BE23B, #3B6DE1 and #E13B6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BE23B shade: #6BE23B, #3BE1D1, #B03BE1 and #E13B4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BE23B shade: #6BE23B, #3BC0E1, #B03BE1 and #E15C3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 74 / 11

HEX #6BE23B

RGB 107 226 59

HSL 102.75, 0.74%, 0.56%

LAB 80.65, -61.47, 66.89

 

Complementary color

CMYK 24 / 85 / 0 / 23

HEX #941DC4

RGB 148 29 196

HSL 282.75, 0.74%, 0.44%

LAB 39.85, 69.11, -61.22

 

CMYK 50 / 0 / 76 / 11

HEX #70E236

RGB 112 226 54

HSL 99.77, 0.75%, 0.55%

LAB 80.8, -60.41, 68.7

 

CMYK 47 / 0 / 70 / 4

HEX #81F449

RGB 129 244 73

HSL 100.35, 0.89%, 0.62%

LAB 86.92, -60.97, 68.63

 

CMYK 43 / 0 / 64 / 0

HEX #92FF5C

RGB 146 255 92

HSL 100.12, 1%, 0.68%

LAB 90.96, -58.65, 65.92

 

CMYK 36 / 0 / 56 / 0

HEX #A3FF6F

RGB 163 255 111

HSL 98.33, 1%, 0.72%

LAB 91.89, -51.6, 59.23

 

CMYK 29 / 0 / 49 / 0

HEX #B4FF82

RGB 180 255 130

HSL 96, 1%, 0.75%

LAB 92.94, -43.99, 52.12

 

CMYK 53 / 0 / 74 / 11

HEX #6BE23B

RGB 107 226 59

HSL 102.75, 0.74%, 0.56%

LAB 80.65, -61.47, 66.89

 

CMYK 57 / 0 / 81 / 18

HEX #5AD028

RGB 90 208 40

HSL 102.14, 0.68%, 0.49%

LAB 74.47, -60.64, 66.56

 

CMYK 62 / 0 / 89 / 25

HEX #49BE15

RGB 73 190 21

HSL 101.54, 0.8%, 0.41%

LAB 68.24, -59.41, 65.2

 

CMYK 67 / 0 / 99 / 33

HEX #38AC02

RGB 56 172 2

HSL 100.94, 0.98%, 0.34%

LAB 61.96, -57.69, 62.54

 

CMYK 75 / 0 / 100 / 40

HEX #279A00

RGB 39 154 0

HSL 104.81, 1%, 0.3%

LAB 55.63, -55.2, 57.62

 

CMYK 52 / 0 / 74 / 12

HEX #6BE13B

RGB 107 225 59

HSL 102.65, 0.73%, 0.56%

LAB 80.34, -61.11, 66.59

 

CMYK 32 / 0 / 74 / 12

HEX #98E13B

RGB 152 225 59

HSL 86.39, 0.73%, 0.56%

LAB 82.29, -46.92, 69.16

 

CMYK 12 / 0 / 74 / 12

HEX #C5E13B

RGB 197 225 59

HSL 70.12, 0.73%, 0.56%

LAB 85.02, -29.8, 72.72

 

CMYK 0 / 7 / 74 / 12

HEX #E1D13B

RGB 225 209 59

HSL 54.22, 0.73%, 0.56%

LAB 82.87, -10.43, 71.46

 

CMYK 0 / 27 / 74 / 12

HEX #E1A53B

RGB 225 165 59

HSL 38.31, 0.73%, 0.56%

LAB 71.71, 12.48, 60.71

 

CMYK 52 / 0 / 74 / 12

HEX #6BE13B

RGB 107 225 59

HSL 102.65, 0.73%, 0.56%

LAB 80.34, -61.11, 66.59

 

CMYK 72 / 0 / 74 / 12

HEX #3EE13B

RGB 62 225 59

HSL 118.92, 0.73%, 0.56%

LAB 79.15, -70.83, 65.01

 

CMYK 74 / 0 / 55 / 12

HEX #3BE165

RGB 59 225 101

HSL 135.18, 0.73%, 0.56%

LAB 79.45, -66.98, 48.24

 

CMYK 74 / 0 / 35 / 12

HEX #3BE192

RGB 59 225 146

HSL 151.45, 0.73%, 0.56%

LAB 80.1, -59.57, 26.9

 

CMYK 74 / 0 / 15 / 12

HEX #3BE1BF

RGB 59 225 191

HSL 167.71, 0.73%, 0.56%

LAB 81.04, -49.5, 4.64

 

CMYK 52 / 0 / 74 / 12

HEX #6BE13B

RGB 107 225 59

HSL 102.65, 0.73%, 0.56%

LAB 80.34, -61.11, 66.59

 

CMYK 59 / 0 / 83 / 5

HEX #63F329

RGB 99 243 41

HSL 102.77, 0.89%, 0.56%

LAB 85.46, -70.3, 76.37

 

CMYK 52 / 0 / 74 / 12

HEX #6BE13B

RGB 107 225 59

HSL 102.65, 0.73%, 0.56%

LAB 80.34, -61.11, 66.59

 

CMYK 44 / 0 / 63 / 19

HEX #73CF4D

RGB 115 207 77

HSL 102.46, 0.58%, 0.56%

LAB 75.33, -50.52, 54.58

 

CMYK 35 / 0 / 49 / 26

HEX #7ABD60

RGB 122 189 96

HSL 103.23, 0.41%, 0.56%

LAB 70.44, -38.57, 40.17

 

CMYK 24 / 0 / 33 / 33

HEX #82AB72

RGB 130 171 114

HSL 103.16, 0.25%, 0.56%

LAB 65.82, -24.76, 25

 

CMYK 10 / 0 / 14 / 40

HEX #8A9984

RGB 138 153 132

HSL 102.86, 0.09%, 0.56%

LAB 61.53, -9.43, 9.24

 

CMYK 12 / 0 / 74 / 12

HEX #C6E13B

RGB 198 225 59

HSL 69.76, 0.73%, 0.56%

LAB 85.08, -29.4, 72.81

 

CMYK 32 / 0 / 74 / 12

HEX #99E13B

RGB 153 225 59

HSL 86.02, 0.73%, 0.56%

LAB 82.35, -46.57, 69.23

 

CMYK 52 / 0 / 74 / 12

HEX #6DE13B

RGB 109 225 59

HSL 101.93, 0.73%, 0.56%

LAB 80.41, -60.57, 66.68

 

CMYK 71 / 0 / 74 / 12

HEX #41E13B

RGB 65 225 59

HSL 117.83, 0.73%, 0.56%

LAB 79.21, -70.35, 65.08

 

CMYK 74 / 0 / 56 / 12

HEX #3BE162

RGB 59 225 98

HSL 134.1, 0.73%, 0.56%

LAB 79.42, -67.37, 49.58

 

CMYK 61 / 0 / 85 / 31

HEX #45B01A

RGB 69 176 26

HSL 102.8, 0.74%, 0.4%

LAB 63.66, -55.37, 60.11

 

CMYK 61 / 0 / 85 / 17

HEX #53D41F

RGB 83 212 31

HSL 102.76, 0.74%, 0.48%

LAB 75.47, -64.12, 69.57

 

CMYK 52 / 0 / 74 / 12

HEX #6BE13B

RGB 107 225 59

HSL 102.65, 0.73%, 0.56%

LAB 80.34, -61.11, 66.59

 

CMYK 42 / 0 / 59 / 9

HEX #86E75F

RGB 134 231 95

HSL 102.79, 0.74%, 0.64%

LAB 83.47, -52.57, 56.19

 

CMYK 32 / 0 / 44 / 7

HEX #A1EC83

RGB 161 236 131

HSL 102.86, 0.73%, 0.72%

LAB 86.61, -41.92, 43.58

 

CMYK 53 / 0 / 74 / 11

HEX #6BE23B

RGB 107 226 59

HSL 102.75, 0.74%, 0.56%

LAB 80.65, -61.47, 66.89

 

CMYK 74 / 0 / 7 / 12

HEX #3BE1D1

RGB 59 225 209

HSL 174.22, 0.73%, 0.56%

LAB 81.5, -44.83, -4.23

 

CMYK 0 / 74 / 22 / 12

HEX #E13BB0

RGB 225 59 176

HSL 317.71, 0.73%, 0.56%

LAB 54.31, 73.03, -25.78

 

CMYK 53 / 0 / 74 / 11

HEX #6BE23B

RGB 107 226 59

HSL 102.75, 0.74%, 0.56%

LAB 80.65, -61.47, 66.89

 

CMYK 74 / 52 / 0 / 12

HEX #3B6DE1

RGB 59 109 225

HSL 221.93, 0.73%, 0.56%

LAB 48.64, 22.99, -63.98

 

CMYK 0 / 74 / 52 / 12

HEX #E13B6D

RGB 225 59 109

HSL 341.93, 0.73%, 0.56%

LAB 52.11, 66.09, 10.78

 

CMYK 53 / 0 / 74 / 11

HEX #6BE23B

RGB 107 226 59

HSL 102.75, 0.74%, 0.56%

LAB 80.65, -61.47, 66.89

 

CMYK 74 / 0 / 7 / 12

HEX #3BE1D1

RGB 59 225 209

HSL 174.22, 0.73%, 0.56%

LAB 81.5, -44.83, -4.23

 

CMYK 22 / 74 / 0 / 12

HEX #B03BE1

RGB 176 59 225

HSL 282.29, 0.73%, 0.56%

LAB 49.25, 70.4, -62.49

 

CMYK 0 / 74 / 66 / 12

HEX #E13B4C

RGB 225 59 76

HSL 353.86, 0.73%, 0.56%

LAB 51.45, 63.93, 29.67

 

CMYK 53 / 0 / 74 / 11

HEX #6BE23B

RGB 107 226 59

HSL 102.75, 0.74%, 0.56%

LAB 80.65, -61.47, 66.89

 

CMYK 74 / 15 / 0 / 12

HEX #3BC0E1

RGB 59 192 225

HSL 191.93, 0.73%, 0.56%

LAB 72.27, -24.7, -26.71

 

CMYK 22 / 74 / 0 / 12

HEX #B03BE1

RGB 176 59 225

HSL 282.29, 0.73%, 0.56%

LAB 49.25, 70.4, -62.49

 

CMYK 0 / 59 / 74 / 12

HEX #E15C3B

RGB 225 92 59

HSL 11.93, 0.73%, 0.56%

LAB 56.07, 50.02, 44.57

 

Description

Color code: HEX #6BE23B | qconv.com Color code: HEX #6BE23B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 226 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 226 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 74% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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