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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BE010 it is the complementary color #941FEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BE010. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BE010 shade: #70E00B, #81F21E, #92FF31, #A3FF44 and #B4FF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BE010. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BE010 shade: #6BE010, #5ACE00, #49BC00, #38AA00 and #279800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BE010 shade: #6AE00F, #A3E00F, #DBE00F, #E0AC0F and #E0740F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BE010 shade: #6AE00F, #32E00F, #0FE024, #0FE05D and #0FE095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BE010 shade matches the following richer shades: #6AE00F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BE010 shade: #6AE00F, #6DCC22, #6FB936, #72A549 and #74925D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BE010 shade: #DCE00F, #A5E00F, #6DE00F, #35E00F and #0FE020

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BE010 shade: #46920A, #58B90C, #6AE00F, #80F028 and #96F24F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BE010 shade: #6BE010, #0FE0AB and #E00FC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BE010 shade: #6BE010, #0F6DE0 and #E00F6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BE010 shade: #6BE010, #0FE0AB, #820FE0 and #E00F43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BE010 shade: #6BE010, #0FD5E0, #820FE0 and #E01A0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 93 / 12

HEX #6BE010

RGB 107 224 16

HSL 93.75, 0.87%, 0.47%

LAB 79.88, -62.53, 76.11

 

Complementary color

CMYK 38 / 87 / 0 / 6

HEX #941FEF

RGB 148 31 239

HSL 273.75, 0.87%, 0.53%

LAB 43.52, 77.26, -79.92

 

CMYK 50 / 0 / 95 / 12

HEX #70E00B

RGB 112 224 11

HSL 91.55, 0.91%, 0.46%

LAB 80.06, -61.2, 76.86

 

CMYK 47 / 0 / 88 / 5

HEX #81F21E

RGB 129 242 30

HSL 91.98, 0.89%, 0.53%

LAB 86.14, -62.34, 79.57

 

CMYK 43 / 0 / 81 / 0

HEX #92FF31

RGB 146 255 49

HSL 91.75, 1%, 0.6%

LAB 90.71, -61.33, 79.8

 

CMYK 36 / 0 / 73 / 0

HEX #A3FF44

RGB 163 255 68

HSL 89.52, 1%, 0.63%

LAB 91.56, -54.93, 75.44

 

CMYK 29 / 0 / 66 / 0

HEX #B4FF57

RGB 180 255 87

HSL 86.79, 1%, 0.67%

LAB 92.54, -47.91, 70.02

 

CMYK 52 / 0 / 93 / 12

HEX #6BE010

RGB 107 224 16

HSL 93.75, 0.87%, 0.47%

LAB 79.88, -62.53, 76.11

 

CMYK 56 / 0 / 100 / 19

HEX #5ACE00

RGB 90 206 0

HSL 93.79, 1%, 0.4%

LAB 73.75, -61.09, 72.56

 

CMYK 61 / 0 / 100 / 26

HEX #49BC00

RGB 73 188 0

HSL 96.7, 1%, 0.37%

LAB 67.56, -59.21, 67.45

 

CMYK 67 / 0 / 100 / 33

HEX #38AA00

RGB 56 170 0

HSL 100.24, 1%, 0.33%

LAB 61.3, -57.08, 62.29

 

CMYK 74 / 0 / 100 / 40

HEX #279800

RGB 39 152 0

HSL 104.61, 1%, 0.3%

LAB 54.96, -54.56, 57.08

 

CMYK 53 / 0 / 93 / 12

HEX #6AE00F

RGB 106 224 15

HSL 93.88, 0.87%, 0.47%

LAB 79.85, -62.83, 76.18

 

CMYK 27 / 0 / 93 / 12

HEX #A3E00F

RGB 163 224 15

HSL 77.51, 0.87%, 0.47%

LAB 82.45, -43.98, 79.37

 

CMYK 2 / 0 / 93 / 12

HEX #DBE00F

RGB 219 224 15

HSL 61.44, 0.87%, 0.47%

LAB 86.21, -21.5, 83.91

 

CMYK 0 / 23 / 93 / 12

HEX #E0AC0F

RGB 224 172 15

HSL 45.07, 0.87%, 0.47%

LAB 73.15, 7.11, 74.31

 

CMYK 0 / 48 / 93 / 12

HEX #E0740F

RGB 224 116 15

HSL 29, 0.87%, 0.47%

LAB 60.22, 36.77, 65.08

 

CMYK 53 / 0 / 93 / 12

HEX #6AE00F

RGB 106 224 15

HSL 93.88, 0.87%, 0.47%

LAB 79.85, -62.83, 76.18

 

CMYK 78 / 0 / 93 / 12

HEX #32E00F

RGB 50 224 15

HSL 109.95, 0.87%, 0.47%

LAB 78.48, -74.3, 74.49

 

CMYK 93 / 0 / 84 / 12

HEX #0FE024

RGB 15 224 36

HSL 126.03, 0.87%, 0.47%

LAB 78.19, -76.63, 70.48

 

CMYK 93 / 0 / 58 / 12

HEX #0FE05D

RGB 15 224 93

HSL 142.39, 0.87%, 0.47%

LAB 78.58, -71.73, 50.72

 

CMYK 93 / 0 / 33 / 12

HEX #0FE095

RGB 15 224 149

HSL 158.47, 0.87%, 0.47%

LAB 79.38, -62.26, 24.3

 

CMYK 53 / 0 / 93 / 12

HEX #6AE00F

RGB 106 224 15

HSL 93.88, 0.87%, 0.47%

LAB 79.85, -62.83, 76.18

 

CMYK 53 / 0 / 93 / 12

HEX #6AE00F

RGB 106 224 15

HSL 93.88, 0.87%, 0.47%

LAB 79.85, -62.83, 76.18

 

CMYK 47 / 0 / 83 / 20

HEX #6DCC22

RGB 109 204 34

HSL 93.53, 0.71%, 0.47%

LAB 73.9, -54.07, 67.84

 

CMYK 40 / 0 / 71 / 27

HEX #6FB936

RGB 111 185 54

HSL 93.89, 0.55%, 0.47%

LAB 68.27, -44.73, 56.29

 

CMYK 31 / 0 / 56 / 35

HEX #72A549

RGB 114 165 73

HSL 93.26, 0.39%, 0.47%

LAB 62.48, -33.17, 41.76

 

CMYK 21 / 0 / 36 / 43

HEX #74925D

RGB 116 146 93

HSL 93.96, 0.22%, 0.47%

LAB 57.13, -20.56, 24.75

 

CMYK 2 / 0 / 93 / 12

HEX #DCE00F

RGB 220 224 15

HSL 61.15, 0.87%, 0.47%

LAB 86.29, -21.08, 84

 

CMYK 26 / 0 / 93 / 12

HEX #A5E00F

RGB 165 224 15

HSL 76.94, 0.87%, 0.47%

LAB 82.56, -43.23, 79.51

 

CMYK 51 / 0 / 93 / 12

HEX #6DE00F

RGB 109 224 15

HSL 93.01, 0.87%, 0.47%

LAB 79.95, -61.99, 76.31

 

CMYK 76 / 0 / 93 / 12

HEX #35E00F

RGB 53 224 15

HSL 109.09, 0.87%, 0.47%

LAB 78.52, -73.9, 74.55

 

CMYK 93 / 0 / 86 / 12

HEX #0FE020

RGB 15 224 32

HSL 124.88, 0.87%, 0.47%

LAB 78.18, -76.8, 71.35

 

CMYK 52 / 0 / 93 / 43

HEX #46920A

RGB 70 146 10

HSL 93.53, 0.87%, 0.31%

LAB 53.9, -44.62, 54.97

 

CMYK 52 / 0 / 94 / 27

HEX #58B90C

RGB 88 185 12

HSL 93.64, 0.88%, 0.39%

LAB 67.13, -53.94, 65.88

 

CMYK 53 / 0 / 93 / 12

HEX #6AE00F

RGB 106 224 15

HSL 93.88, 0.87%, 0.47%

LAB 79.85, -62.83, 76.18

 

CMYK 47 / 0 / 83 / 6

HEX #80F028

RGB 128 240 40

HSL 93.6, 0.87%, 0.55%

LAB 85.54, -61.57, 77.04

 

CMYK 38 / 0 / 67 / 5

HEX #96F24F

RGB 150 242 79

HSL 93.87, 0.86%, 0.63%

LAB 87.27, -53.29, 67.07

 

CMYK 52 / 0 / 93 / 12

HEX #6BE010

RGB 107 224 16

HSL 93.75, 0.87%, 0.47%

LAB 79.88, -62.53, 76.11

 

CMYK 93 / 0 / 24 / 12

HEX #0FE0AB

RGB 15 224 171

HSL 164.78, 0.87%, 0.47%

LAB 79.81, -57.35, 13.4

 

CMYK 0 / 93 / 14 / 12

HEX #E00FC0

RGB 224 15 192

HSL 309.19, 0.87%, 0.47%

LAB 51.83, 83.64, -38.98

 

CMYK 52 / 0 / 93 / 12

HEX #6BE010

RGB 107 224 16

HSL 93.75, 0.87%, 0.47%

LAB 79.88, -62.53, 76.11

 

CMYK 93 / 51 / 0 / 12

HEX #0F6DE0

RGB 15 109 224

HSL 213.01, 0.87%, 0.47%

LAB 47.52, 19.17, -65.27

 

CMYK 0 / 93 / 51 / 12

HEX #E00F6D

RGB 224 15 109

HSL 333.01, 0.87%, 0.47%

LAB 48.63, 75.22, 5.82

 

CMYK 52 / 0 / 93 / 12

HEX #6BE010

RGB 107 224 16

HSL 93.75, 0.87%, 0.47%

LAB 79.88, -62.53, 76.11

 

CMYK 93 / 0 / 24 / 12

HEX #0FE0AB

RGB 15 224 171

HSL 164.78, 0.87%, 0.47%

LAB 79.81, -57.35, 13.4

 

CMYK 42 / 93 / 0 / 12

HEX #820FE0

RGB 130 15 224

HSL 273.01, 0.87%, 0.47%

LAB 38.67, 75.16, -79.45

 

CMYK 0 / 93 / 70 / 12

HEX #E00F43

RGB 224 15 67

HSL 345.07, 0.87%, 0.47%

LAB 47.74, 72.8, 30.44

 

CMYK 52 / 0 / 93 / 12

HEX #6BE010

RGB 107 224 16

HSL 93.75, 0.87%, 0.47%

LAB 79.88, -62.53, 76.11

 

CMYK 93 / 5 / 0 / 12

HEX #0FD5E0

RGB 15 213 224

HSL 183.16, 0.87%, 0.47%

LAB 77.92, -38.27, -17.63

 

CMYK 42 / 93 / 0 / 12

HEX #820FE0

RGB 130 15 224

HSL 273.01, 0.87%, 0.47%

LAB 38.67, 75.16, -79.45

 

CMYK 0 / 88 / 93 / 12

HEX #E01A0F

RGB 224 26 15

HSL 3.16, 0.87%, 0.47%

LAB 47.78, 69.99, 57.05

 

Description

Color code: HEX #6BE010 | qconv.com Color code: HEX #6BE010 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 224 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 224 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 93 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 93% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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