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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BE5AC it is the complementary color #941A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BE5AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BE5AC shade: #70E5A7, #81F7BA, #92FFCD, #A3FFE0 and #B4FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BE5AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BE5AC shade: #6BE5AC, #5AD399, #49C186, #38AF73 and #279D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BE5AC shade: #6BE4AC, #6BE48B, #6CE46B, #8DE46B and #ADE46B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BE5AC shade: #6BE4AC, #6BE4CD, #6BDCE4, #6BBBE4 and #6B9AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BE5AC shade matches the following richer shades: #6BE4AC and #5DF3AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BE5AC shade: #6BE4AC, #79D6AB, #87C8AA, #95BAA9 and #A3ACA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BE5AC shade: #6DE46B, #6BE489, #6BE4AA, #6BE4CA and #6BDEE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BE5AC shade: #26D784, #48DE98, #6BE4AC, #8EEBBF and #B1F1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BE5AC shade: #6BE5AC, #6B8EE4 and #E4796B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BE5AC shade: #6BE5AC, #AA6BE4 and #E4AA6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BE5AC shade: #6BE5AC, #6B8EE4, #E46BA6 and #E4C26B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BE5AC shade: #6BE5AC, #6D6BE4, #E46BA6 and #E2E46B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 25 / 10

HEX #6BE5AC

RGB 107 229 172

HSL 151.97, 0.7%, 0.66%

LAB 82.99, -47.27, 17.58

 

Complementary color

CMYK 0 / 82 / 44 / 42

HEX #941A53

RGB 148 26 83

HSL 331.97, 0.7%, 0.34%

LAB 33.26, 52.62, -1.92

 

CMYK 51 / 0 / 27 / 10

HEX #70E5A7

RGB 112 229 167

HSL 148.21, 0.69%, 0.67%

LAB 83.06, -47.12, 20.31

 

CMYK 48 / 0 / 25 / 3

HEX #81F7BA

RGB 129 247 186

HSL 148.98, 0.88%, 0.74%

LAB 89.27, -46.97, 19.2

 

CMYK 43 / 0 / 20 / 0

HEX #92FFCD

RGB 146 255 205

HSL 152.48, 1%, 0.79%

LAB 92.59, -42.43, 14.2

 

CMYK 36 / 0 / 12 / 0

HEX #A3FFE0

RGB 163 255 224

HSL 159.78, 1%, 0.82%

LAB 93.75, -34.08, 6.17

 

CMYK 29 / 0 / 5 / 0

HEX #B4FFF3

RGB 180 255 243

HSL 170.4, 1%, 0.85%

LAB 95.03, -25.42, -1.66

 

CMYK 53 / 0 / 25 / 10

HEX #6BE5AC

RGB 107 229 172

HSL 151.97, 0.7%, 0.66%

LAB 82.99, -47.27, 17.58

 

CMYK 57 / 0 / 27 / 17

HEX #5AD399

RGB 90 211 153

HSL 151.24, 0.58%, 0.59%

LAB 76.72, -47.3, 18.75

 

CMYK 62 / 0 / 31 / 24

HEX #49C186

RGB 73 193 134

HSL 150.5, 0.49%, 0.52%

LAB 70.37, -47.21, 20.02

 

CMYK 68 / 0 / 34 / 31

HEX #38AF73

RGB 56 175 115

HSL 149.75, 0.52%, 0.45%

LAB 63.95, -46.94, 21.41

 

CMYK 75 / 0 / 39 / 38

HEX #279D60

RGB 39 157 96

HSL 148.98, 0.6%, 0.38%

LAB 57.45, -46.38, 22.95

 

CMYK 53 / 0 / 25 / 11

HEX #6BE4AC

RGB 107 228 172

HSL 152.23, 0.69%, 0.66%

LAB 82.7, -46.84, 17.17

 

CMYK 53 / 0 / 39 / 11

HEX #6BE48B

RGB 107 228 139

HSL 135.87, 0.69%, 0.66%

LAB 82.1, -52.98, 33.35

 

CMYK 53 / 0 / 53 / 11

HEX #6CE46B

RGB 108 228 107

HSL 119.5, 0.69%, 0.66%

LAB 81.69, -57.4, 48.45

 

CMYK 38 / 0 / 53 / 11

HEX #8DE46B

RGB 141 228 107

HSL 103.14, 0.69%, 0.66%

LAB 83.03, -47.87, 50.36

 

CMYK 24 / 0 / 53 / 11

HEX #ADE46B

RGB 173 228 107

HSL 87.27, 0.69%, 0.66%

LAB 84.71, -36.93, 52.77

 

CMYK 53 / 0 / 25 / 11

HEX #6BE4AC

RGB 107 228 172

HSL 152.23, 0.69%, 0.66%

LAB 82.7, -46.84, 17.17

 

CMYK 53 / 0 / 10 / 11

HEX #6BE4CD

RGB 107 228 205

HSL 168.6, 0.69%, 0.66%

LAB 83.45, -39.48, 0.89

 

CMYK 53 / 4 / 0 / 11

HEX #6BDCE4

RGB 107 220 228

HSL 183.97, 0.69%, 0.66%

LAB 81.79, -29.92, -13.77

 

CMYK 53 / 18 / 0 / 11

HEX #6BBBE4

RGB 107 187 228

HSL 200.33, 0.69%, 0.66%

LAB 72.41, -13.25, -28.01

 

CMYK 53 / 32 / 0 / 11

HEX #6B9AE4

RGB 107 154 228

HSL 216.69, 0.69%, 0.66%

LAB 63.21, 5.04, -42.29

 

CMYK 53 / 0 / 25 / 11

HEX #6BE4AC

RGB 107 228 172

HSL 152.23, 0.69%, 0.66%

LAB 82.7, -46.84, 17.17

 

CMYK 62 / 0 / 29 / 5

HEX #5DF3AD

RGB 93 243 173

HSL 152, 0.86%, 0.66%

LAB 86.72, -55.67, 22.18

 

CMYK 53 / 0 / 25 / 11

HEX #6BE4AC

RGB 107 228 172

HSL 152.23, 0.69%, 0.66%

LAB 82.7, -46.84, 17.17

 

CMYK 43 / 0 / 20 / 16

HEX #79D6AB

RGB 121 214 171

HSL 152.26, 0.53%, 0.66%

LAB 79.1, -37.46, 12.71

 

CMYK 33 / 0 / 15 / 22

HEX #87C8AA

RGB 135 200 170

HSL 152.31, 0.37%, 0.66%

LAB 75.68, -27.13, 8.47

 

CMYK 20 / 0 / 9 / 27

HEX #95BAA9

RGB 149 186 169

HSL 152.43, 0.21%, 0.66%

LAB 72.48, -15.9, 4.52

 

CMYK 5 / 0 / 2 / 33

HEX #A3ACA8

RGB 163 172 168

HSL 153.33, 0.05%, 0.66%

LAB 69.55, -3.93, 0.95

 

CMYK 52 / 0 / 53 / 11

HEX #6DE46B

RGB 109 228 107

HSL 119.01, 0.69%, 0.66%

LAB 81.73, -57.14, 48.5

 

CMYK 53 / 0 / 40 / 11

HEX #6BE489

RGB 107 228 137

HSL 134.88, 0.69%, 0.66%

LAB 82.07, -53.31, 34.32

 

CMYK 53 / 0 / 25 / 11

HEX #6BE4AA

RGB 107 228 170

HSL 151.24, 0.69%, 0.66%

LAB 82.65, -47.25, 18.16

 

CMYK 53 / 0 / 11 / 11

HEX #6BE4CA

RGB 107 228 202

HSL 167.11, 0.69%, 0.66%

LAB 83.38, -40.2, 2.36

 

CMYK 53 / 3 / 0 / 11

HEX #6BDEE4

RGB 107 222 228

HSL 182.98, 0.69%, 0.66%

LAB 82.36, -30.88, -12.91

 

CMYK 82 / 0 / 39 / 16

HEX #26D784

RGB 38 215 132

HSL 151.86, 0.7%, 0.5%

LAB 76.48, -61.01, 29.21

 

CMYK 68 / 0 / 32 / 13

HEX #48DE98

RGB 72 222 152

HSL 152, 0.69%, 0.58%

LAB 79.55, -55.32, 23.1

 

CMYK 53 / 0 / 25 / 11

HEX #6BE4AC

RGB 107 228 172

HSL 152.23, 0.69%, 0.66%

LAB 82.7, -46.84, 17.17

 

CMYK 40 / 0 / 19 / 8

HEX #8EEBBF

RGB 142 235 191

HSL 151.61, 0.7%, 0.74%

LAB 86.47, -37.33, 12.75

 

CMYK 27 / 0 / 12 / 5

HEX #B1F1D3

RGB 177 241 211

HSL 151.88, 0.7%, 0.82%

LAB 90.3, -26.11, 8.04

 

CMYK 53 / 0 / 25 / 10

HEX #6BE5AC

RGB 107 229 172

HSL 151.97, 0.7%, 0.66%

LAB 82.99, -47.27, 17.58

 

CMYK 53 / 38 / 0 / 11

HEX #6B8EE4

RGB 107 142 228

HSL 222.64, 0.69%, 0.66%

LAB 59.95, 12.05, -47.42

 

CMYK 0 / 47 / 53 / 11

HEX #E4796B

RGB 228 121 107

HSL 6.94, 0.69%, 0.66%

LAB 62.7, 40.05, 26.43

 

CMYK 53 / 0 / 25 / 10

HEX #6BE5AC

RGB 107 229 172

HSL 151.97, 0.7%, 0.66%

LAB 82.99, -47.27, 17.58

 

CMYK 25 / 53 / 0 / 11

HEX #AA6BE4

RGB 170 107 228

HSL 271.24, 0.69%, 0.66%

LAB 56.75, 47.66, -52.2

 

CMYK 0 / 25 / 53 / 11

HEX #E4AA6B

RGB 228 170 107

HSL 31.24, 0.69%, 0.66%

LAB 73.74, 14.16, 40.54

 

CMYK 53 / 0 / 25 / 10

HEX #6BE5AC

RGB 107 229 172

HSL 151.97, 0.7%, 0.66%

LAB 82.99, -47.27, 17.58

 

CMYK 53 / 38 / 0 / 11

HEX #6B8EE4

RGB 107 142 228

HSL 222.64, 0.69%, 0.66%

LAB 59.95, 12.05, -47.42

 

CMYK 0 / 53 / 27 / 11

HEX #E46BA6

RGB 228 107 166

HSL 330.74, 0.69%, 0.66%

LAB 61.45, 53.36, -9.1

 

CMYK 0 / 15 / 53 / 11

HEX #E4C26B

RGB 228 194 107

HSL 43.14, 0.69%, 0.66%

LAB 79.69, 1.49, 47.8

 

CMYK 53 / 0 / 25 / 10

HEX #6BE5AC

RGB 107 229 172

HSL 151.97, 0.7%, 0.66%

LAB 82.99, -47.27, 17.58

 

CMYK 52 / 53 / 0 / 11

HEX #6D6BE4

RGB 109 107 228

HSL 240.99, 0.69%, 0.66%

LAB 51.12, 33.48, -61.53

 

CMYK 0 / 53 / 27 / 11

HEX #E46BA6

RGB 228 107 166

HSL 330.74, 0.69%, 0.66%

LAB 61.45, 53.36, -9.1

 

CMYK 1 / 0 / 53 / 11

HEX #E2E46B

RGB 226 228 107

HSL 60.99, 0.69%, 0.66%

LAB 88.31, -16.55, 57.89

 

Description

Color code: HEX #6BE5AC | qconv.com Color code: HEX #6BE5AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 229 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 229 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 25 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 25% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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