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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BBE30 it is the complementary color #9441CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BBE30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BBE30 shade: #70BE2B, #81D03E, #92E251, #A3F464 and #B4FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BBE30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BBE30 shade: #6BBE30, #5AAC1D, #499A0A, #388800 and #277600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BBE30 shade: #6BBF2F, #92BF2F, #B9BF2F, #BF9F2F and #BF782F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BBE30 shade: #6BBF2F, #44BF2F, #2FBF41, #2FBF68 and #2FBF8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BBE30 shade matches the following richer shades: #6BBF2F, #68D31C and #65E609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BBE30 shade: #6BBF2F, #6EAC43, #729856, #75856A and #78727D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BBE30 shade: #B8BF2F, #92BF2F, #6BBF2F, #45BF2F and #2FBF40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BBE30 shade: #467D1F, #599E27, #6BBF2F, #80D147 and #97D968

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BBE30 shade: #6BBE30, #2FBFA0 and #BF2FA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BBE30 shade: #6BBE30, #2F6BBF and #BF2F6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BBE30 shade: #6BBE30, #2FBFA0, #832FBF and #BF2F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BBE30 shade: #6BBE30, #2FB3BF, #832FBF and #BF3B2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 75 / 25

HEX #6BBE30

RGB 107 190 48

HSL 95.07, 0.6%, 0.47%

LAB 69.59, -48.51, 59.7

 

Complementary color

CMYK 29 / 69 / 0 / 19

HEX #9441CF

RGB 148 65 207

HSL 275.07, 0.6%, 0.53%

LAB 45.06, 58.74, -59.16

 

CMYK 41 / 0 / 77 / 25

HEX #70BE2B

RGB 112 190 43

HSL 91.84, 0.63%, 0.46%

LAB 69.79, -47.15, 61.61

 

CMYK 38 / 0 / 70 / 18

HEX #81D03E

RGB 129 208 62

HSL 92.47, 0.61%, 0.53%

LAB 76.15, -47.62, 61.62

 

CMYK 35 / 0 / 64 / 11

HEX #92E251

RGB 146 226 81

HSL 93.1, 0.71%, 0.6%

LAB 82.43, -47.91, 61.09

 

CMYK 33 / 0 / 59 / 4

HEX #A3F464

RGB 163 244 100

HSL 93.75, 0.87%, 0.67%

LAB 88.64, -48.08, 60.27

 

CMYK 29 / 0 / 53 / 0

HEX #B4FF77

RGB 180 255 119

HSL 93.09, 1%, 0.73%

LAB 92.82, -45.16, 56.99

 

CMYK 44 / 0 / 75 / 25

HEX #6BBE30

RGB 107 190 48

HSL 95.07, 0.6%, 0.47%

LAB 69.59, -48.51, 59.7

 

CMYK 48 / 0 / 83 / 33

HEX #5AAC1D

RGB 90 172 29

HSL 94.41, 0.71%, 0.39%

LAB 63.15, -47.84, 59.18

 

CMYK 53 / 0 / 94 / 40

HEX #499A0A

RGB 73 154 10

HSL 93.75, 0.88%, 0.32%

LAB 56.63, -46.79, 57.29

 

CMYK 59 / 0 / 100 / 47

HEX #388800

RGB 56 136 0

HSL 95.29, 1%, 0.27%

LAB 50.04, -45.22, 53.38

 

CMYK 67 / 0 / 100 / 54

HEX #277600

RGB 39 118 0

HSL 100.17, 1%, 0.23%

LAB 43.34, -43.1, 47.85

 

CMYK 44 / 0 / 75 / 25

HEX #6BBF2F

RGB 107 191 47

HSL 95, 0.61%, 0.47%

LAB 69.89, -48.97, 60.34

 

CMYK 24 / 0 / 75 / 25

HEX #92BF2F

RGB 146 191 47

HSL 78.75, 0.61%, 0.47%

LAB 71.95, -34.91, 63.03

 

CMYK 3 / 0 / 75 / 25

HEX #B9BF2F

RGB 185 191 47

HSL 62.5, 0.61%, 0.47%

LAB 74.69, -18.86, 66.58

 

CMYK 0 / 17 / 75 / 25

HEX #BF9F2F

RGB 191 159 47

HSL 46.67, 0.61%, 0.47%

LAB 66.58, 0.37, 59.17

 

CMYK 0 / 37 / 75 / 25

HEX #BF782F

RGB 191 120 47

HSL 30.42, 0.61%, 0.47%

LAB 56.8, 21.73, 49.63

 

CMYK 44 / 0 / 75 / 25

HEX #6BBF2F

RGB 107 191 47

HSL 95, 0.61%, 0.47%

LAB 69.89, -48.97, 60.34

 

CMYK 64 / 0 / 75 / 25

HEX #44BF2F

RGB 68 191 47

HSL 111.25, 0.61%, 0.47%

LAB 68.53, -59.57, 58.54

 

CMYK 75 / 0 / 66 / 25

HEX #2FBF41

RGB 47 191 65

HSL 127.5, 0.61%, 0.47%

LAB 68.2, -61.84, 51.22

 

CMYK 75 / 0 / 46 / 25

HEX #2FBF68

RGB 47 191 104

HSL 143.75, 0.61%, 0.47%

LAB 68.65, -56.49, 33.37

 

CMYK 75 / 0 / 25 / 25

HEX #2FBF8F

RGB 47 191 143

HSL 160, 0.61%, 0.47%

LAB 69.36, -48.6, 13.69

 

CMYK 44 / 0 / 75 / 25

HEX #6BBF2F

RGB 107 191 47

HSL 95, 0.61%, 0.47%

LAB 69.89, -48.97, 60.34

 

CMYK 51 / 0 / 87 / 17

HEX #68D31C

RGB 104 211 28

HSL 95.08, 0.77%, 0.47%

LAB 75.83, -58.4, 70.78

 

CMYK 56 / 0 / 96 / 10

HEX #65E609

RGB 101 230 9

HSL 95.02, 0.92%, 0.47%

LAB 81.5, -66.32, 78.04

 

CMYK 44 / 0 / 75 / 25

HEX #6BBF2F

RGB 107 191 47

HSL 95, 0.61%, 0.47%

LAB 69.89, -48.97, 60.34

 

CMYK 36 / 0 / 61 / 33

HEX #6EAC43

RGB 110 172 67

HSL 95.43, 0.44%, 0.47%

LAB 64.34, -38.4, 46.65

 

CMYK 25 / 0 / 43 / 40

HEX #729856

RGB 114 152 86

HSL 94.55, 0.28%, 0.47%

LAB 58.7, -25.35, 30.53

 

CMYK 12 / 0 / 20 / 48

HEX #75856A

RGB 117 133 106

HSL 95.56, 0.11%, 0.47%

LAB 53.6, -11.14, 12.64

 

CMYK 4 / 9 / 0 / 51

HEX #78727D

RGB 120 114 125

HSL 272.73, 0.05%, 0.47%

LAB 48.89, 4.54, -5.22

 

CMYK 4 / 0 / 75 / 25

HEX #B8BF2F

RGB 184 191 47

HSL 62.92, 0.61%, 0.47%

LAB 74.61, -19.29, 66.48

 

CMYK 24 / 0 / 75 / 25

HEX #92BF2F

RGB 146 191 47

HSL 78.75, 0.61%, 0.47%

LAB 71.95, -34.91, 63.03

 

CMYK 44 / 0 / 75 / 25

HEX #6BBF2F

RGB 107 191 47

HSL 95, 0.61%, 0.47%

LAB 69.89, -48.97, 60.34

 

CMYK 64 / 0 / 75 / 25

HEX #45BF2F

RGB 69 191 47

HSL 110.83, 0.61%, 0.47%

LAB 68.56, -59.35, 58.58

 

CMYK 75 / 0 / 66 / 25

HEX #2FBF40

RGB 47 191 64

HSL 127.08, 0.61%, 0.47%

LAB 68.19, -61.94, 51.63

 

CMYK 44 / 0 / 75 / 51

HEX #467D1F

RGB 70 125 31

HSL 95.11, 0.6%, 0.31%

LAB 47.06, -34.95, 43

 

CMYK 44 / 0 / 75 / 38

HEX #599E27

RGB 89 158 39

HSL 94.79, 0.6%, 0.39%

LAB 58.72, -41.94, 51.89

 

CMYK 44 / 0 / 75 / 25

HEX #6BBF2F

RGB 107 191 47

HSL 95, 0.61%, 0.47%

LAB 69.89, -48.97, 60.34

 

CMYK 39 / 0 / 66 / 18

HEX #80D147

RGB 128 209 71

HSL 95.22, 0.6%, 0.55%

LAB 76.46, -47.7, 58.46

 

CMYK 30 / 0 / 52 / 15

HEX #97D968

RGB 151 217 104

HSL 95.04, 0.6%, 0.63%

LAB 80.29, -40.14, 48.62

 

CMYK 44 / 0 / 75 / 25

HEX #6BBE30

RGB 107 190 48

HSL 95.07, 0.6%, 0.47%

LAB 69.59, -48.51, 59.7

 

CMYK 75 / 0 / 16 / 25

HEX #2FBFA0

RGB 47 191 160

HSL 167.08, 0.61%, 0.47%

LAB 69.76, -44.45, 5

 

CMYK 0 / 75 / 14 / 25

HEX #BF2FA5

RGB 191 47 165

HSL 310.83, 0.61%, 0.47%

LAB 46.75, 67.29, -31.52

 

CMYK 44 / 0 / 75 / 25

HEX #6BBE30

RGB 107 190 48

HSL 95.07, 0.6%, 0.47%

LAB 69.59, -48.51, 59.7

 

CMYK 75 / 44 / 0 / 25

HEX #2F6BBF

RGB 47 107 191

HSL 215, 0.61%, 0.47%

LAB 45.47, 10.16, -49.67

 

CMYK 0 / 75 / 44 / 25

HEX #BF2F6B

RGB 191 47 107

HSL 335, 0.61%, 0.47%

LAB 44.48, 60.35, 0.25

 

CMYK 44 / 0 / 75 / 25

HEX #6BBE30

RGB 107 190 48

HSL 95.07, 0.6%, 0.47%

LAB 69.59, -48.51, 59.7

 

CMYK 75 / 0 / 16 / 25

HEX #2FBFA0

RGB 47 191 160

HSL 167.08, 0.61%, 0.47%

LAB 69.76, -44.45, 5

 

CMYK 31 / 75 / 0 / 25

HEX #832FBF

RGB 131 47 191

HSL 275, 0.61%, 0.47%

LAB 38.93, 59.52, -59.89

 

CMYK 0 / 75 / 59 / 25

HEX #BF2F4F

RGB 191 47 79

HSL 346.67, 0.61%, 0.47%

LAB 43.76, 58.06, 16.64

 

CMYK 44 / 0 / 75 / 25

HEX #6BBE30

RGB 107 190 48

HSL 95.07, 0.6%, 0.47%

LAB 69.59, -48.51, 59.7

 

CMYK 75 / 6 / 0 / 25

HEX #2FB3BF

RGB 47 179 191

HSL 185, 0.61%, 0.47%

LAB 66.98, -30.23, -16.16

 

CMYK 31 / 75 / 0 / 25

HEX #832FBF

RGB 131 47 191

HSL 275, 0.61%, 0.47%

LAB 38.93, 59.52, -59.89

 

CMYK 0 / 69 / 75 / 25

HEX #BF3B2F

RGB 191 59 47

HSL 5, 0.61%, 0.47%

LAB 44.81, 51.97, 37.12

 

Description

Color code: HEX #6BBE30 | qconv.com Color code: HEX #6BBE30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 190 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 190 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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