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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B9F17 it is the complementary color #9460E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B9F17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B9F17 shade: #709F12, #81B125, #92C338, #A3D54B and #B4E75E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B9F17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B9F17 shade: #6B9F17, #5A8D04, #497B00, #386900 and #275700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B9F17 shade: #6CA016, #91A016, #A08B16, #A06516 and #A04016

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B9F17 shade: #6CA016, #46A016, #21A016, #16A031 and #16A056

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B9F17 shade matches the following richer shades: #6CA016 and #6FAF08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B9F17 shade: #6CA016, #689125, #658234, #617443 and #5E6552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B9F17 shade: #A08916, #92A016, #6EA016, #49A016 and #24A016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B9F17 shade: #3B580C, #537C11, #6CA016, #84C41C and #9AE029

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B9F17 shade: #6B9F17, #16A064 and #9C16A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B9F17 shade: #6B9F17, #166EA0 and #A0166E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B9F17 shade: #6B9F17, #16A064, #4916A0 and #A01652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B9F17 shade: #6B9F17, #16A08E, #4916A0 and #A01629

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 86 / 38

HEX #6B9F17

RGB 107 159 23

HSL 82.94, 0.75%, 0.36%

LAB 59.87, -36.67, 58.11

 

Complementary color

CMYK 36 / 59 / 0 / 9

HEX #9460E8

RGB 148 96 232

HSL 262.94, 0.75%, 0.64%

LAB 52.38, 49.27, -61.56

 

CMYK 30 / 0 / 89 / 38

HEX #709F12

RGB 112 159 18

HSL 80, 0.8%, 0.35%

LAB 60.15, -34.89, 59.57

 

CMYK 27 / 0 / 79 / 31

HEX #81B125

RGB 129 177 37

HSL 80.57, 0.65%, 0.42%

LAB 66.71, -35.67, 60.9

 

CMYK 25 / 0 / 71 / 24

HEX #92C338

RGB 146 195 56

HSL 81.15, 0.55%, 0.49%

LAB 73.17, -36.23, 61.11

 

CMYK 23 / 0 / 65 / 16

HEX #A3D54B

RGB 163 213 75

HSL 81.74, 0.62%, 0.56%

LAB 79.55, -36.62, 60.7

 

CMYK 22 / 0 / 59 / 9

HEX #B4E75E

RGB 180 231 94

HSL 82.34, 0.74%, 0.64%

LAB 85.84, -36.9, 59.95

 

CMYK 33 / 0 / 86 / 38

HEX #6B9F17

RGB 107 159 23

HSL 82.94, 0.75%, 0.36%

LAB 59.87, -36.67, 58.11

 

CMYK 36 / 0 / 97 / 45

HEX #5A8D04

RGB 90 141 4

HSL 82.34, 0.94%, 0.28%

LAB 53.2, -35.73, 55.8

 

CMYK 41 / 0 / 100 / 52

HEX #497B00

RGB 73 123 0

HSL 84.39, 1%, 0.24%

LAB 46.42, -34.36, 50.86

 

CMYK 47 / 0 / 100 / 59

HEX #386900

RGB 56 105 0

HSL 88, 1%, 0.21%

LAB 39.49, -32.8, 45.09

 

CMYK 55 / 0 / 100 / 66

HEX #275700

RGB 39 87 0

HSL 93.1, 1%, 0.17%

LAB 32.36, -31.07, 39.19

 

CMYK 33 / 0 / 86 / 37

HEX #6CA016

RGB 108 160 22

HSL 82.61, 0.76%, 0.36%

LAB 60.24, -36.77, 58.69

 

CMYK 9 / 0 / 86 / 37

HEX #91A016

RGB 145 160 22

HSL 66.52, 0.76%, 0.36%

LAB 62.69, -21.45, 61.75

 

CMYK 0 / 13 / 86 / 37

HEX #A08B16

RGB 160 139 22

HSL 50.87, 0.76%, 0.36%

LAB 58.03, -3.63, 58.4

 

CMYK 0 / 37 / 86 / 37

HEX #A06516

RGB 160 101 22

HSL 34.35, 0.76%, 0.36%

LAB 48.06, 17.76, 50.09

 

CMYK 0 / 60 / 86 / 37

HEX #A04016

RGB 160 64 22

HSL 18.26, 0.76%, 0.36%

LAB 39.91, 37.78, 43.18

 

CMYK 33 / 0 / 86 / 37

HEX #6CA016

RGB 108 160 22

HSL 82.61, 0.76%, 0.36%

LAB 60.24, -36.77, 58.69

 

CMYK 56 / 0 / 86 / 37

HEX #46A016

RGB 70 160 22

HSL 99.13, 0.76%, 0.36%

LAB 58.51, -49.52, 56.51

 

CMYK 79 / 0 / 86 / 37

HEX #21A016

RGB 33 160 22

HSL 115.22, 0.76%, 0.36%

LAB 57.58, -57.3, 55.33

 

CMYK 86 / 0 / 69 / 37

HEX #16A031

RGB 22 160 49

HSL 131.74, 0.76%, 0.36%

LAB 57.59, -56.61, 46.29

 

CMYK 86 / 0 / 46 / 37

HEX #16A056

RGB 22 160 86

HSL 147.83, 0.76%, 0.36%

LAB 58.02, -51.4, 29.01

 

CMYK 33 / 0 / 86 / 37

HEX #6CA016

RGB 108 160 22

HSL 82.61, 0.76%, 0.36%

LAB 60.24, -36.77, 58.69

 

CMYK 37 / 0 / 95 / 31

HEX #6FAF08

RGB 111 175 8

HSL 82.99, 0.91%, 0.36%

LAB 65.01, -42.51, 65.08

 

CMYK 33 / 0 / 86 / 37

HEX #6CA016

RGB 108 160 22

HSL 82.61, 0.76%, 0.36%

LAB 60.24, -36.77, 58.69

 

CMYK 28 / 0 / 74 / 43

HEX #689125

RGB 104 145 37

HSL 82.78, 0.59%, 0.36%

LAB 55.41, -30.75, 49.63

 

CMYK 22 / 0 / 60 / 49

HEX #658234

RGB 101 130 52

HSL 82.31, 0.43%, 0.36%

LAB 50.66, -23.48, 38.09

 

CMYK 16 / 0 / 42 / 55

HEX #617443

RGB 97 116 67

HSL 83.27, 0.27%, 0.36%

LAB 46.23, -16.08, 24.77

 

CMYK 7 / 0 / 19 / 60

HEX #5E6552

RGB 94 101 82

HSL 82.11, 0.1%, 0.36%

LAB 41.68, -6.51, 9.86

 

CMYK 0 / 14 / 86 / 37

HEX #A08916

RGB 160 137 22

HSL 50, 0.76%, 0.36%

LAB 57.49, -2.54, 57.95

 

CMYK 9 / 0 / 86 / 37

HEX #92A016

RGB 146 160 22

HSL 66.09, 0.76%, 0.36%

LAB 62.77, -21.01, 61.84

 

CMYK 31 / 0 / 86 / 37

HEX #6EA016

RGB 110 160 22

HSL 81.74, 0.76%, 0.36%

LAB 60.35, -36, 58.83

 

CMYK 54 / 0 / 86 / 37

HEX #49A016

RGB 73 160 22

HSL 97.83, 0.76%, 0.36%

LAB 58.62, -48.67, 56.64

 

CMYK 78 / 0 / 86 / 37

HEX #24A016

RGB 36 160 22

HSL 113.91, 0.76%, 0.36%

LAB 57.63, -56.87, 55.39

 

CMYK 33 / 0 / 86 / 65

HEX #3B580C

RGB 59 88 12

HSL 82.89, 0.76%, 0.2%

LAB 33.85, -23.13, 36.99

 

CMYK 33 / 0 / 86 / 51

HEX #537C11

RGB 83 124 17

HSL 82.99, 0.76%, 0.28%

LAB 47.36, -30.35, 48.15

 

CMYK 33 / 0 / 86 / 37

HEX #6CA016

RGB 108 160 22

HSL 82.61, 0.76%, 0.36%

LAB 60.24, -36.77, 58.69

 

CMYK 33 / 0 / 86 / 23

HEX #84C41C

RGB 132 196 28

HSL 82.86, 0.75%, 0.44%

LAB 72.54, -43.24, 68.44

 

CMYK 31 / 0 / 82 / 12

HEX #9AE029

RGB 154 224 41

HSL 82.95, 0.75%, 0.52%

LAB 82.02, -46.63, 74.15

 

CMYK 33 / 0 / 86 / 38

HEX #6B9F17

RGB 107 159 23

HSL 82.94, 0.75%, 0.36%

LAB 59.87, -36.67, 58.11

 

CMYK 86 / 0 / 38 / 37

HEX #16A064

RGB 22 160 100

HSL 153.91, 0.76%, 0.36%

LAB 58.26, -48.66, 21.79

 

CMYK 2 / 86 / 0 / 37

HEX #9C16A0

RGB 156 22 160

HSL 298.26, 0.76%, 0.36%

LAB 38.16, 65.62, -42.5

 

CMYK 33 / 0 / 86 / 38

HEX #6B9F17

RGB 107 159 23

HSL 82.94, 0.75%, 0.36%

LAB 59.87, -36.67, 58.11

 

CMYK 86 / 31 / 0 / 37

HEX #166EA0

RGB 22 110 160

HSL 201.74, 0.76%, 0.36%

LAB 44.03, -6.18, -33.87

 

CMYK 0 / 86 / 31 / 37

HEX #A0166E

RGB 160 22 110

HSL 321.74, 0.76%, 0.36%

LAB 36.32, 59.48, -14.44

 

CMYK 33 / 0 / 86 / 38

HEX #6B9F17

RGB 107 159 23

HSL 82.94, 0.75%, 0.36%

LAB 59.87, -36.67, 58.11

 

CMYK 86 / 0 / 38 / 37

HEX #16A064

RGB 22 160 100

HSL 153.91, 0.76%, 0.36%

LAB 58.26, -48.66, 21.79

 

CMYK 54 / 86 / 0 / 37

HEX #4916A0

RGB 73 22 160

HSL 262.17, 0.76%, 0.36%

LAB 25.35, 52.84, -63.92

 

CMYK 0 / 86 / 49 / 37

HEX #A01652

RGB 160 22 82

HSL 333.91, 0.76%, 0.36%

LAB 35.31, 56.65, 2.02

 

CMYK 33 / 0 / 86 / 38

HEX #6B9F17

RGB 107 159 23

HSL 82.94, 0.75%, 0.36%

LAB 59.87, -36.67, 58.11

 

CMYK 86 / 0 / 11 / 37

HEX #16A08E

RGB 22 160 142

HSL 172.17, 0.76%, 0.36%

LAB 59.22, -38.24, -0.33

 

CMYK 54 / 86 / 0 / 37

HEX #4916A0

RGB 73 22 160

HSL 262.17, 0.76%, 0.36%

LAB 25.35, 52.84, -63.92

 

CMYK 0 / 86 / 74 / 37

HEX #A01629

RGB 160 22 41

HSL 351.74, 0.76%, 0.36%

LAB 34.41, 54.01, 27.31

 

Description

Color code: HEX #6B9F17 | qconv.com Color code: HEX #6B9F17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 159 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 159 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 86 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 86% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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