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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B7129 it is the complementary color #948ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B7129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B7129 shade: #707124, #818337, #92954A, #A3A75D and #B4B970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B7129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B7129 shade: #6B7129, #5A5F16, #494D03, #383B00 and #272900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B7129 shade: #6A7028, #706328, #704F28, #703C28 and #702828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B7129 shade: #6A7028, #577028, #437028, #307028 and #287034

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B7129 shade matches the following richer shades: #6A7028, #747C1C, #7F890F and #899503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B7129 shade: #6A7028, #606434, #555741, #4B4B4D and #413E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B7129 shade: #705028, #706328, #6A7028, #577028 and #447028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B7129 shade: #313312, #4D521D, #6A7028, #878E33 and #A3AD3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B7129 shade: #6B7129, #28703C and #592870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B7129 shade: #6B7129, #286A70 and #70286A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B7129 shade: #6B7129, #28703C, #2E2870 and #70285C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B7129 shade: #6B7129, #287052, #2E2870 and #702846

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 64 / 56

HEX #6B7129

RGB 107 113 41

HSL 65, 0.47%, 0.3%

LAB 45.77, -12.85, 38.07

 

Complementary color

CMYK 31 / 34 / 0 / 16

HEX #948ED6

RGB 148 142 214

HSL 245, 0.47%, 0.7%

LAB 62.08, 18.46, -36.09

 

CMYK 1 / 0 / 68 / 56

HEX #707124

RGB 112 113 36

HSL 60.78, 0.52%, 0.29%

LAB 46.15, -10.91, 40.91

 

CMYK 2 / 0 / 58 / 49

HEX #818337

RGB 129 131 55

HSL 61.58, 0.41%, 0.36%

LAB 53.14, -11.64, 40.01

 

CMYK 2 / 0 / 50 / 42

HEX #92954A

RGB 146 149 74

HSL 62.4, 0.34%, 0.44%

LAB 59.98, -12.18, 38.86

 

CMYK 2 / 0 / 44 / 35

HEX #A3A75D

RGB 163 167 93

HSL 63.24, 0.3%, 0.51%

LAB 66.68, -12.59, 37.64

 

CMYK 3 / 0 / 39 / 27

HEX #B4B970

RGB 180 185 112

HSL 64.11, 0.34%, 0.58%

LAB 73.27, -12.92, 36.43

 

CMYK 5 / 0 / 64 / 56

HEX #6B7129

RGB 107 113 41

HSL 65, 0.47%, 0.3%

LAB 45.77, -12.85, 38.07

 

CMYK 5 / 0 / 77 / 63

HEX #5A5F16

RGB 90 95 22

HSL 64.11, 0.62%, 0.23%

LAB 38.58, -12.07, 38.62

 

CMYK 5 / 0 / 96 / 70

HEX #494D03

RGB 73 77 3

HSL 63.24, 0.93%, 0.16%

LAB 31.19, -10.96, 38.12

 

CMYK 5 / 0 / 100 / 77

HEX #383B00

RGB 56 59 0

HSL 63.05, 1%, 0.12%

LAB 23.57, -9.19, 32.09

 

CMYK 5 / 0 / 100 / 84

HEX #272900

RGB 39 41 0

HSL 62.93, 1%, 0.08%

LAB 15.58, -7.18, 22.52

 

CMYK 5 / 0 / 64 / 56

HEX #6A7028

RGB 106 112 40

HSL 65, 0.47%, 0.3%

LAB 45.37, -12.84, 38.09

 

CMYK 0 / 12 / 64 / 56

HEX #706328

RGB 112 99 40

HSL 49.17, 0.47%, 0.3%

LAB 42.03, -2.65, 34.6

 

CMYK 0 / 29 / 64 / 56

HEX #704F28

RGB 112 79 40

HSL 32.5, 0.47%, 0.3%

LAB 36.35, 9.31, 28.14

 

CMYK 0 / 46 / 64 / 56

HEX #703C28

RGB 112 60 40

HSL 16.67, 0.47%, 0.3%

LAB 31.42, 20.79, 22.24

 

CMYK 0 / 64 / 64 / 56

HEX #702828

RGB 112 40 40

HSL 0, 0.47%, 0.3%

LAB 27.06, 31.89, 16.78

 

CMYK 5 / 0 / 64 / 56

HEX #6A7028

RGB 106 112 40

HSL 65, 0.47%, 0.3%

LAB 45.37, -12.84, 38.09

 

CMYK 22 / 0 / 64 / 56

HEX #577028

RGB 87 112 40

HSL 80.83, 0.47%, 0.3%

LAB 43.9, -21.29, 36.06

 

CMYK 40 / 0 / 64 / 56

HEX #437028

RGB 67 112 40

HSL 97.5, 0.47%, 0.3%

LAB 42.66, -29.34, 34.35

 

CMYK 57 / 0 / 64 / 56

HEX #307028

RGB 48 112 40

HSL 113.33, 0.47%, 0.3%

LAB 41.8, -35.67, 33.14

 

CMYK 64 / 0 / 54 / 56

HEX #287034

RGB 40 112 52

HSL 130, 0.47%, 0.3%

LAB 41.67, -36.15, 26.7

 

CMYK 5 / 0 / 64 / 56

HEX #6A7028

RGB 106 112 40

HSL 65, 0.47%, 0.3%

LAB 45.37, -12.84, 38.09

 

CMYK 6 / 0 / 77 / 51

HEX #747C1C

RGB 116 124 28

HSL 65, 0.63%, 0.3%

LAB 49.75, -15.52, 47.76

 

CMYK 7 / 0 / 89 / 46

HEX #7F890F

RGB 127 137 15

HSL 64.92, 0.8%, 0.3%

LAB 54.49, -17.85, 55.91

 

CMYK 8 / 0 / 98 / 42

HEX #899503

RGB 137 149 3

HSL 64.93, 0.96%, 0.3%

LAB 58.81, -19.79, 61.66

 

CMYK 5 / 0 / 64 / 56

HEX #6A7028

RGB 106 112 40

HSL 65, 0.47%, 0.3%

LAB 45.37, -12.84, 38.09

 

CMYK 4 / 0 / 48 / 61

HEX #606434

RGB 96 100 52

HSL 65, 0.32%, 0.3%

LAB 40.98, -9.53, 26.57

 

CMYK 2 / 0 / 25 / 66

HEX #555741

RGB 85 87 65

HSL 65.45, 0.14%, 0.3%

LAB 36.23, -5.03, 12.55

 

CMYK 3 / 3 / 0 / 70

HEX #4B4B4D

RGB 75 75 77

HSL 240, 0.01%, 0.3%

LAB 31.95, 0.44, -1.19

 

CMYK 28 / 31 / 0 / 65

HEX #413E5A

RGB 65 62 90

HSL 246.43, 0.18%, 0.3%

LAB 27.59, 8.36, -16.25

 

CMYK 0 / 29 / 64 / 56

HEX #705028

RGB 112 80 40

HSL 33.33, 0.47%, 0.3%

LAB 36.62, 8.7, 28.46

 

CMYK 0 / 12 / 64 / 56

HEX #706328

RGB 112 99 40

HSL 49.17, 0.47%, 0.3%

LAB 42.03, -2.65, 34.6

 

CMYK 5 / 0 / 64 / 56

HEX #6A7028

RGB 106 112 40

HSL 65, 0.47%, 0.3%

LAB 45.37, -12.84, 38.09

 

CMYK 22 / 0 / 64 / 56

HEX #577028

RGB 87 112 40

HSL 80.83, 0.47%, 0.3%

LAB 43.9, -21.29, 36.06

 

CMYK 39 / 0 / 64 / 56

HEX #447028

RGB 68 112 40

HSL 96.67, 0.47%, 0.3%

LAB 42.72, -28.97, 34.42

 

CMYK 4 / 0 / 65 / 80

HEX #313312

RGB 49 51 18

HSL 63.64, 0.48%, 0.14%

LAB 20.3, -6.59, 20.3

 

CMYK 6 / 0 / 65 / 68

HEX #4D521D

RGB 77 82 29

HSL 65.66, 0.48%, 0.22%

LAB 33.35, -10.38, 29.67

 

CMYK 5 / 0 / 64 / 56

HEX #6A7028

RGB 106 112 40

HSL 65, 0.47%, 0.3%

LAB 45.37, -12.84, 38.09

 

CMYK 5 / 0 / 64 / 44

HEX #878E33

RGB 135 142 51

HSL 64.62, 0.47%, 0.38%

LAB 56.82, -15.18, 46.05

 

CMYK 6 / 0 / 64 / 32

HEX #A3AD3E

RGB 163 173 62

HSL 65.41, 0.47%, 0.46%

LAB 68.04, -18.36, 53.86

 

CMYK 5 / 0 / 64 / 56

HEX #6B7129

RGB 107 113 41

HSL 65, 0.47%, 0.3%

LAB 45.77, -12.85, 38.07

 

CMYK 64 / 0 / 46 / 56

HEX #28703C

RGB 40 112 60

HSL 136.67, 0.47%, 0.3%

LAB 41.79, -34.79, 22.42

 

CMYK 21 / 64 / 0 / 56

HEX #592870

RGB 89 40 112

HSL 280.83, 0.47%, 0.3%

LAB 26.19, 35.46, -32.46

 

CMYK 5 / 0 / 64 / 56

HEX #6B7129

RGB 107 113 41

HSL 65, 0.47%, 0.3%

LAB 45.77, -12.85, 38.07

 

CMYK 64 / 5 / 0 / 56

HEX #286A70

RGB 40 106 112

HSL 185, 0.47%, 0.3%

LAB 41.1, -18.63, -9.58

 

CMYK 0 / 64 / 5 / 56

HEX #70286A

RGB 112 40 106

HSL 305, 0.47%, 0.3%

LAB 29.42, 40.6, -23.27

 

CMYK 5 / 0 / 64 / 56

HEX #6B7129

RGB 107 113 41

HSL 65, 0.47%, 0.3%

LAB 45.77, -12.85, 38.07

 

CMYK 64 / 0 / 46 / 56

HEX #28703C

RGB 40 112 60

HSL 136.67, 0.47%, 0.3%

LAB 41.79, -34.79, 22.42

 

CMYK 59 / 64 / 0 / 56

HEX #2E2870

RGB 46 40 112

HSL 245, 0.47%, 0.3%

LAB 21.09, 25.08, -40.95

 

CMYK 0 / 64 / 18 / 56

HEX #70285C

RGB 112 40 92

HSL 316.67, 0.47%, 0.3%

LAB 28.73, 38.18, -15.28

 

CMYK 5 / 0 / 64 / 56

HEX #6B7129

RGB 107 113 41

HSL 65, 0.47%, 0.3%

LAB 45.77, -12.85, 38.07

 

CMYK 64 / 0 / 27 / 56

HEX #287052

RGB 40 112 82

HSL 155, 0.47%, 0.3%

LAB 42.23, -30.12, 10.18

 

CMYK 59 / 64 / 0 / 56

HEX #2E2870

RGB 46 40 112

HSL 245, 0.47%, 0.3%

LAB 21.09, 25.08, -40.95

 

CMYK 0 / 64 / 38 / 56

HEX #702846

RGB 112 40 70

HSL 335, 0.47%, 0.3%

LAB 27.86, 34.96, -2.09

 

Description

Color code: HEX #6B7129 | qconv.com Color code: HEX #6B7129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 113 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 113 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 64 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 64% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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