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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B77C7 it is the complementary color #948838. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B77C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B77C7 shade: #7077C2, #8189D5, #929BE8, #A3ADFB and #B4BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B77C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B77C7 shade: #6B77C7, #5A65B4, #4953A1, #38418E and #272F7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B77C7 shade: #6B77C6, #776BC6, #906BC6, #A96BC6 and #C26BC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B77C7 shade: #6B77C6 and #6B6BC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B77C7 shade matches the following richer shades: #6B77C6, #5A6AD7, #4A5EE7 and #3952F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B77C7 shade: #6B77C6, #7B83B6, #8C8FA5, #9C9B95 and #ADA784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B77C7 shade: #6BA8C6, #6B8FC6, #6B77C6, #776BC6 and #8F6BC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B77C7 shade: #3D4AA2, #4D5BBB, #6B77C6, #8992D2 and #A6AEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B77C7 shade: #6B77C7, #C66BC0 and #9CC66B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B77C7 shade: #6B77C7, #C66B77 and #77C66B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B77C7 shade: #6B77C7, #C66BC0, #C6BA6B and #6BC671

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B77C7 shade: #6B77C7, #C66BA5, #C6BA6B and #6BC68C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 40 / 0 / 22

HEX #6B77C7

RGB 107 119 199

HSL 232.17, 0.45%, 0.6%

LAB 52.33, 16.89, -43.15

 

Complementary color

CMYK 0 / 8 / 62 / 42

HEX #948838

RGB 148 136 56

HSL 52.17, 0.45%, 0.4%

LAB 56.28, -5.8, 43.5

 

CMYK 42 / 39 / 0 / 24

HEX #7077C2

RGB 112 119 194

HSL 234.88, 0.4%, 0.6%

LAB 52.44, 16.67, -40.11

 

CMYK 39 / 36 / 0 / 16

HEX #8189D5

RGB 129 137 213

HSL 234.29, 0.5%, 0.67%

LAB 59.31, 15.86, -39.97

 

CMYK 37 / 33 / 0 / 9

HEX #929BE8

RGB 146 155 232

HSL 233.72, 0.65%, 0.74%

LAB 66.04, 15.16, -39.89

 

CMYK 35 / 31 / 0 / 2

HEX #A3ADFB

RGB 163 173 251

HSL 233.18, 0.92%, 0.81%

LAB 72.65, 14.55, -39.84

 

CMYK 29 / 25 / 0 / 0

HEX #B4BFFF

RGB 180 191 255

HSL 231.2, 1%, 0.85%

LAB 78.57, 10.3, -32.73

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C7

RGB 107 119 199

HSL 232.17, 0.45%, 0.6%

LAB 52.33, 16.89, -43.15

 

CMYK 50 / 44 / 0 / 29

HEX #5A65B4

RGB 90 101 180

HSL 232.67, 0.38%, 0.53%

LAB 45.33, 17.97, -43.38

 

CMYK 55 / 48 / 0 / 37

HEX #4953A1

RGB 73 83 161

HSL 233.18, 0.38%, 0.46%

LAB 38.16, 19.29, -43.68

 

CMYK 61 / 54 / 0 / 44

HEX #38418E

RGB 56 65 142

HSL 233.72, 0.43%, 0.39%

LAB 30.82, 20.95, -44.02

 

CMYK 68 / 62 / 0 / 52

HEX #272F7B

RGB 39 47 123

HSL 234.29, 0.52%, 0.32%

LAB 23.32, 23.07, -44.37

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C6

RGB 107 119 198

HSL 232.09, 0.44%, 0.6%

LAB 52.28, 16.59, -42.66

 

CMYK 40 / 46 / 0 / 22

HEX #776BC6

RGB 119 107 198

HSL 247.91, 0.44%, 0.6%

LAB 50.11, 26.87, -46.04

 

CMYK 27 / 46 / 0 / 22

HEX #906BC6

RGB 144 107 198

HSL 264.4, 0.44%, 0.6%

LAB 52.42, 33.57, -42.24

 

CMYK 15 / 46 / 0 / 22

HEX #A96BC6

RGB 169 107 198

HSL 280.88, 0.44%, 0.6%

LAB 55.1, 40.69, -37.84

 

CMYK 2 / 46 / 0 / 22

HEX #C26BC6

RGB 194 107 198

HSL 297.36, 0.44%, 0.6%

LAB 58.1, 47.99, -32.94

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C6

RGB 107 119 198

HSL 232.09, 0.44%, 0.6%

LAB 52.28, 16.59, -42.66

 

CMYK 46 / 46 / 0 / 22

HEX #6B6BC6

RGB 107 107 198

HSL 240, 0.44%, 0.6%

LAB 49.15, 23.89, -47.63

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C6

RGB 107 119 198

HSL 232.09, 0.44%, 0.6%

LAB 52.28, 16.59, -42.66

 

CMYK 58 / 51 / 0 / 16

HEX #5A6AD7

RGB 90 106 215

HSL 232.32, 0.61%, 0.6%

LAB 48.75, 26.22, -58.06

 

CMYK 68 / 59 / 0 / 9

HEX #4A5EE7

RGB 74 94 231

HSL 232.36, 0.77%, 0.6%

LAB 45.95, 36.45, -71.7

 

CMYK 77 / 67 / 0 / 3

HEX #3952F8

RGB 57 82 248

HSL 232.15, 0.93%, 0.6%

LAB 43.77, 47.71, -84.85

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C6

RGB 107 119 198

HSL 232.09, 0.44%, 0.6%

LAB 52.28, 16.59, -42.66

 

CMYK 32 / 28 / 0 / 29

HEX #7B83B6

RGB 123 131 182

HSL 231.86, 0.29%, 0.6%

LAB 55.91, 9.25, -27.76

 

CMYK 15 / 13 / 0 / 35

HEX #8C8FA5

RGB 140 143 165

HSL 232.8, 0.12%, 0.6%

LAB 59.83, 3.56, -11.95

 

CMYK 0 / 1 / 4 / 39

HEX #9C9B95

RGB 156 155 149

HSL 51.43, 0.03%, 0.6%

LAB 63.9, -0.76, 3.26

 

CMYK 0 / 3 / 24 / 32

HEX #ADA784

RGB 173 167 132

HSL 51.22, 0.2%, 0.6%

LAB 68.16, -3.63, 18.92

 

CMYK 46 / 15 / 0 / 22

HEX #6BA8C6

RGB 107 168 198

HSL 199.78, 0.44%, 0.6%

LAB 65.91, -11.65, -21.48

 

CMYK 46 / 28 / 0 / 22

HEX #6B8FC6

RGB 107 143 198

HSL 216.26, 0.44%, 0.6%

LAB 58.83, 2.35, -32.39

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C6

RGB 107 119 198

HSL 232.09, 0.44%, 0.6%

LAB 52.28, 16.59, -42.66

 

CMYK 40 / 46 / 0 / 22

HEX #776BC6

RGB 119 107 198

HSL 247.91, 0.44%, 0.6%

LAB 50.11, 26.87, -46.04

 

CMYK 28 / 46 / 0 / 22

HEX #8F6BC6

RGB 143 107 198

HSL 263.74, 0.44%, 0.6%

LAB 52.32, 33.29, -42.4

 

CMYK 62 / 54 / 0 / 36

HEX #3D4AA2

RGB 61 74 162

HSL 232.28, 0.45%, 0.44%

LAB 35, 23.06, -49.4

 

CMYK 59 / 51 / 0 / 27

HEX #4D5BBB

RGB 77 91 187

HSL 232.36, 0.45%, 0.52%

LAB 42.23, 23.77, -52.48

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C6

RGB 107 119 198

HSL 232.09, 0.44%, 0.6%

LAB 52.28, 16.59, -42.66

 

CMYK 35 / 30 / 0 / 18

HEX #8992D2

RGB 137 146 210

HSL 232.6, 0.45%, 0.68%

LAB 62.11, 11.99, -33.88

 

CMYK 25 / 21 / 0 / 13

HEX #A6AEDD

RGB 166 174 221

HSL 231.27, 0.45%, 0.76%

LAB 71.96, 7.4, -24.59

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C7

RGB 107 119 199

HSL 232.17, 0.45%, 0.6%

LAB 52.33, 16.89, -43.15

 

CMYK 0 / 46 / 3 / 22

HEX #C66BC0

RGB 198 107 192

HSL 303.96, 0.44%, 0.6%

LAB 58.35, 48.08, -29.09

 

CMYK 21 / 0 / 46 / 22

HEX #9CC66B

RGB 156 198 107

HSL 87.69, 0.44%, 0.6%

LAB 75.15, -29.27, 40.97

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C7

RGB 107 119 199

HSL 232.17, 0.45%, 0.6%

LAB 52.33, 16.89, -43.15

 

CMYK 0 / 46 / 40 / 22

HEX #C66B77

RGB 198 107 119

HSL 352.09, 0.44%, 0.6%

LAB 55.94, 37.3, 9.64

 

CMYK 40 / 0 / 46 / 22

HEX #77C66B

RGB 119 198 107

HSL 112.09, 0.44%, 0.6%

LAB 73.14, -42.06, 38.01

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C7

RGB 107 119 199

HSL 232.17, 0.45%, 0.6%

LAB 52.33, 16.89, -43.15

 

CMYK 0 / 46 / 3 / 22

HEX #C66BC0

RGB 198 107 192

HSL 303.96, 0.44%, 0.6%

LAB 58.35, 48.08, -29.09

 

CMYK 0 / 6 / 46 / 22

HEX #C6BA6B

RGB 198 186 107

HSL 52.09, 0.44%, 0.6%

LAB 74.94, -6.67, 41.39

 

CMYK 46 / 0 / 43 / 22

HEX #6BC671

RGB 107 198 113

HSL 123.96, 0.44%, 0.6%

LAB 72.7, -44.79, 34.32

 

CMYK 46 / 40 / 0 / 22

HEX #6B77C7

RGB 107 119 199

HSL 232.17, 0.45%, 0.6%

LAB 52.33, 16.89, -43.15

 

CMYK 0 / 46 / 17 / 22

HEX #C66BA5

RGB 198 107 165

HSL 321.76, 0.44%, 0.6%

LAB 57.31, 43.56, -15.17

 

CMYK 0 / 6 / 46 / 22

HEX #C6BA6B

RGB 198 186 107

HSL 52.09, 0.44%, 0.6%

LAB 74.94, -6.67, 41.39

 

CMYK 46 / 0 / 29 / 22

HEX #6BC68C

RGB 107 198 140

HSL 141.76, 0.44%, 0.6%

LAB 73.16, -40.17, 20.83

 

Description

Color code: HEX #6B77C7 | qconv.com Color code: HEX #6B77C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 119 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 119 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 40 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 40% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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