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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B6CDA it is the complementary color #949325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B6CDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B6CDA shade: #706CD5, #817EE8, #9290FB, #A3A2FF and #B4B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B6CDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B6CDA shade: #6B6CDA, #5A5AC7, #4948B4, #3836A1 and #27248E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B6CDA shade: #6C6DDA, #886CDA, #A66CDA, #C46CDA and #DA6CD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B6CDA shade: #6C6DDA and #6C6CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B6CDA shade matches the following richer shades: #6C6DDA, #5D5EE9 and #4E4FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B6CDA shade: #6C6DDA, #7A7BCB, #898ABC, #9898AD and #A7A79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B6CDA shade: #6CA8DA, #6C8BDA, #6C6DDA, #876CDA and #A56CDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B6CDA shade: #3032C3, #4B4CD2, #6C6DDA, #8D8DE2 and #AEAEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B6CDA shade: #6B6CDA, #DA6CC6 and #9ADA6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B6CDA shade: #6B6CDA, #DA6C6D and #6DDA6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B6CDA shade: #6B6CDA, #DA6CC6, #DAD86C and #6CDA80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B6CDA shade: #6B6CDA, #DA6CA5, #DAD86C and #6CDAA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 50 / 0 / 15

HEX #6B6CDA

RGB 107 108 218

HSL 239.46, 0.6%, 0.64%

LAB 50.59, 29.38, -56.75

 

Complementary color

CMYK 0 / 1 / 75 / 42

HEX #949325

RGB 148 147 37

HSL 59.46, 0.6%, 0.36%

LAB 59.25, -12.86, 54.45

 

CMYK 47 / 49 / 0 / 16

HEX #706CD5

RGB 112 108 213

HSL 242.29, 0.56%, 0.63%

LAB 50.66, 28.96, -53.77

 

CMYK 44 / 46 / 0 / 9

HEX #817EE8

RGB 129 126 232

HSL 241.7, 0.7%, 0.7%

LAB 57.48, 27.75, -53.49

 

CMYK 42 / 43 / 0 / 2

HEX #9290FB

RGB 146 144 251

HSL 241.12, 0.93%, 0.77%

LAB 64.18, 26.71, -53.25

 

CMYK 36 / 36 / 0 / 0

HEX #A3A2FF

RGB 163 162 255

HSL 240.65, 1%, 0.82%

LAB 70.07, 21.79, -46.05

 

CMYK 29 / 29 / 0 / 0

HEX #B4B4FF

RGB 180 180 255

HSL 240, 1%, 0.85%

LAB 75.8, 16.35, -37.01

 

CMYK 51 / 50 / 0 / 15

HEX #6B6CDA

RGB 107 108 218

HSL 239.46, 0.6%, 0.64%

LAB 50.59, 29.38, -56.75

 

CMYK 55 / 55 / 0 / 22

HEX #5A5AC7

RGB 90 90 199

HSL 240, 0.49%, 0.57%

LAB 43.67, 30.91, -57.08

 

CMYK 59 / 60 / 0 / 29

HEX #4948B4

RGB 73 72 180

HSL 240.56, 0.43%, 0.49%

LAB 36.64, 32.69, -57.42

 

CMYK 65 / 66 / 0 / 37

HEX #3836A1

RGB 56 54 161

HSL 241.12, 0.5%, 0.42%

LAB 29.54, 34.77, -57.68

 

CMYK 73 / 75 / 0 / 44

HEX #27248E

RGB 39 36 142

HSL 241.7, 0.6%, 0.35%

LAB 22.47, 37.09, -57.7

 

CMYK 50 / 50 / 0 / 15

HEX #6C6DDA

RGB 108 109 218

HSL 239.45, 0.6%, 0.64%

LAB 50.91, 28.99, -56.23

 

CMYK 38 / 50 / 0 / 15

HEX #886CDA

RGB 136 108 218

HSL 255.27, 0.6%, 0.64%

LAB 52.97, 36.07, -52.79

 

CMYK 24 / 50 / 0 / 15

HEX #A66CDA

RGB 166 108 218

HSL 271.64, 0.6%, 0.64%

LAB 55.98, 43.78, -47.82

 

CMYK 10 / 50 / 0 / 15

HEX #C46CDA

RGB 196 108 218

HSL 288, 0.6%, 0.64%

LAB 59.46, 51.88, -42.1

 

CMYK 0 / 50 / 4 / 15

HEX #DA6CD2

RGB 218 108 210

HSL 304.36, 0.6%, 0.64%

LAB 61.9, 56.54, -33.57

 

CMYK 50 / 50 / 0 / 15

HEX #6C6DDA

RGB 108 109 218

HSL 239.45, 0.6%, 0.64%

LAB 50.91, 28.99, -56.23

 

CMYK 50 / 50 / 0 / 15

HEX #6C6CDA

RGB 108 108 218

HSL 240, 0.6%, 0.64%

LAB 50.66, 29.59, -56.62

 

CMYK 50 / 50 / 0 / 15

HEX #6C6DDA

RGB 108 109 218

HSL 239.45, 0.6%, 0.64%

LAB 50.91, 28.99, -56.23

 

CMYK 60 / 60 / 0 / 9

HEX #5D5EE9

RGB 93 94 233

HSL 239.57, 0.76%, 0.64%

LAB 47.26, 39.93, -70.65

 

CMYK 68 / 68 / 0 / 3

HEX #4E4FF7

RGB 78 79 247

HSL 239.64, 0.91%, 0.64%

LAB 44.13, 51.16, -83.67

 

CMYK 50 / 50 / 0 / 15

HEX #6C6DDA

RGB 108 109 218

HSL 239.45, 0.6%, 0.64%

LAB 50.91, 28.99, -56.23

 

CMYK 40 / 39 / 0 / 20

HEX #7A7BCB

RGB 122 123 203

HSL 239.26, 0.44%, 0.64%

LAB 54.67, 19.48, -41.66

 

CMYK 27 / 27 / 0 / 26

HEX #898ABC

RGB 137 138 188

HSL 238.82, 0.28%, 0.64%

LAB 59.09, 10.92, -26.17

 

CMYK 12 / 12 / 0 / 32

HEX #9898AD

RGB 152 152 173

HSL 240, 0.11%, 0.64%

LAB 63.47, 4.29, -10.93

 

CMYK 0 / 0 / 5 / 35

HEX #A7A79E

RGB 167 167 158

HSL 60, 0.05%, 0.64%

LAB 68.26, -1.66, 4.64

 

CMYK 50 / 23 / 0 / 15

HEX #6CA8DA

RGB 108 168 218

HSL 207.27, 0.6%, 0.64%

LAB 66.71, -5.67, -31.31

 

CMYK 50 / 36 / 0 / 15

HEX #6C8BDA

RGB 108 139 218

HSL 223.09, 0.6%, 0.64%

LAB 58.71, 10.95, -43.81

 

CMYK 50 / 50 / 0 / 15

HEX #6C6DDA

RGB 108 109 218

HSL 239.45, 0.6%, 0.64%

LAB 50.91, 28.99, -56.23

 

CMYK 38 / 50 / 0 / 15

HEX #876CDA

RGB 135 108 218

HSL 254.73, 0.6%, 0.64%

LAB 52.88, 35.83, -52.94

 

CMYK 24 / 50 / 0 / 15

HEX #A56CDA

RGB 165 108 218

HSL 271.09, 0.6%, 0.64%

LAB 55.87, 43.51, -48

 

CMYK 75 / 74 / 0 / 24

HEX #3032C3

RGB 48 50 195

HSL 239.18, 0.6%, 0.48%

LAB 31.46, 47.71, -74.81

 

CMYK 64 / 64 / 0 / 18

HEX #4B4CD2

RGB 75 76 210

HSL 239.56, 0.6%, 0.56%

LAB 40.11, 40.51, -69.25

 

CMYK 50 / 50 / 0 / 15

HEX #6C6DDA

RGB 108 109 218

HSL 239.45, 0.6%, 0.64%

LAB 50.91, 28.99, -56.23

 

CMYK 38 / 38 / 0 / 11

HEX #8D8DE2

RGB 141 141 226

HSL 240, 0.59%, 0.72%

LAB 61.83, 20.29, -43.2

 

CMYK 26 / 26 / 0 / 8

HEX #AEAEEA

RGB 174 174 234

HSL 240, 0.59%, 0.8%

LAB 73.03, 12.87, -29.98

 

CMYK 51 / 50 / 0 / 15

HEX #6B6CDA

RGB 107 108 218

HSL 239.46, 0.6%, 0.64%

LAB 50.59, 29.38, -56.75

 

CMYK 0 / 50 / 9 / 15

HEX #DA6CC6

RGB 218 108 198

HSL 310.91, 0.6%, 0.64%

LAB 61.4, 54.53, -27.57

 

CMYK 29 / 0 / 50 / 15

HEX #9ADA6C

RGB 154 218 108

HSL 94.91, 0.6%, 0.64%

LAB 80.79, -39.09, 47.37

 

CMYK 51 / 50 / 0 / 15

HEX #6B6CDA

RGB 107 108 218

HSL 239.46, 0.6%, 0.64%

LAB 50.59, 29.38, -56.75

 

CMYK 0 / 50 / 50 / 15

HEX #DA6C6D

RGB 218 108 109

HSL 359.45, 0.6%, 0.64%

LAB 58.73, 43.1, 19.74

 

CMYK 50 / 0 / 50 / 15

HEX #6DDA6C

RGB 109 218 108

HSL 119.45, 0.6%, 0.64%

LAB 78.74, -53.13, 44.39

 

CMYK 51 / 50 / 0 / 15

HEX #6B6CDA

RGB 107 108 218

HSL 239.46, 0.6%, 0.64%

LAB 50.59, 29.38, -56.75

 

CMYK 0 / 50 / 9 / 15

HEX #DA6CC6

RGB 218 108 198

HSL 310.91, 0.6%, 0.64%

LAB 61.4, 54.53, -27.57

 

CMYK 0 / 1 / 50 / 15

HEX #DAD86C

RGB 218 216 108

HSL 58.91, 0.6%, 0.64%

LAB 84.54, -13.74, 52.87

 

CMYK 50 / 0 / 41 / 15

HEX #6CDA80

RGB 108 218 128

HSL 130.91, 0.6%, 0.64%

LAB 78.98, -50.49, 34.83

 

CMYK 51 / 50 / 0 / 15

HEX #6B6CDA

RGB 107 108 218

HSL 239.46, 0.6%, 0.64%

LAB 50.59, 29.38, -56.75

 

CMYK 0 / 50 / 24 / 15

HEX #DA6CA5

RGB 218 108 165

HSL 328.91, 0.6%, 0.64%

LAB 60.2, 49.55, -10.54

 

CMYK 0 / 1 / 50 / 15

HEX #DAD86C

RGB 218 216 108

HSL 58.91, 0.6%, 0.64%

LAB 84.54, -13.74, 52.87

 

CMYK 50 / 0 / 26 / 15

HEX #6CDAA1

RGB 108 218 161

HSL 148.91, 0.6%, 0.64%

LAB 79.56, -44.56, 18.57

 

Description

Color code: HEX #6B6CDA | qconv.com Color code: HEX #6B6CDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 108 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 108 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 50 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 50% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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